1984 04 PDF
1984 04 PDF
1984 04 PDF
OF GUITAR
SHEET MUSIC
• . _J
APRIL 1984
$2.75 $3.00
IN USA IN CANADA
NEAL
SCHON
SAMMY
AGAR
BLACK
SABBATH
DURAN
DURAN
BRIAN MAY
Plus :
AEROSMITH
JOHN McLAUGHLIN
WAS (NOT WAS)
SONG WARS
Page 71
SCHOLZ/GUITAR
G EAWAY:
Page 88
I o4
0
ANGUS YOUNG/AC/DC
16 x 21" PULLOUT POSTER
at''®
MUSIC SALES, INC.
2548 E. FENDER AVE., UNIT G
FULLERTON, CALIFORNIA 92631
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Steppin' Out/ERIC CLAPTON J ames Bracken 54
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Play it like it is!®
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- GUITAR,
I took one look through the first
Dear GUITAR,
I never imagined that there could
issue of GUITAR and I fell in love be such a magazine. The best inter-
with it. It has everything that the views, tips for guitar players, and
practicing guitarist or bass player the best music around. The Decem-
could want. The idea of having mu- ber issue was the first I saw, but I
/ Dear GUITAR Magazine, sic in every issue is superb and I want to know if it is possible to get
Please enter my one year sub- think it is well worth the extra $1.00 back issues. Please enter my name
scription immediately. Your maga- or so. You have set a very high in the ranks of GUITAR Magazine
zine has to be the best value on the standard for yourself that I hope subscribers. Thanks again for bring-
market today for any guitarist. I'm you will be able to keep up, for the ing the best music to today's guitar-
really looking forward to future is- sake of those of us who love to play. ists.
sues. Thank you, Darrel Myer
Tom Pishko Rudy Ruggles Offutt, AFB, NE
Troy, NY Concord, NH Dear Darrel,
Dear GUITAR, Sirs, Check out the back issues ad in this
I've been teaching guitar for I bought your magazine by mis- month's issue of GUITAR.
about four years now. I was always take, and what a mistake. It wasn't
searching for a magazine which had until the next day that I realized I Send to:
a variety of music at a low price for did indeed have the wrong maga-
my students. My students were most zine. What a book!!! As soon as I
pleased to have the words as well as finished glancing through it I real-
the music to Photograph and Foolin' ized what a gold mine of informa-
in your December issue. I also like tion, and at $2.50 for sheet music,
the excellent quality of pictures what a score. I went right to work FOR THE PRACTICING MUSICIAN
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as many of my friends, will subscribe feel this book would be good for Port Chester, New York 10573
to this magazine. beginners and pros alike. A big fan,
David Kimble Henry White
Kingston, NY Scarborough, Ontario
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14 GUITAR, APRIL 1984
In so many roadside ginmills player or a
band looking for the
rn every corner pocket of the map, answer to a tricky music business
ocal and regional bands are tearing question, jot it down and send it to
u p the turf. With such great music our lawyer in residence, Alan H.
caking place nearly every night of Siegel.)
the year, we at GUITAR had to If you are neither player nor
olve the timeless dilemma of how band, there is still some fine reading
to be in more than two places at in this issue, with stories on Black
once, without going anywhere at all. Sabbath, Duran Duran, Brian May
T hus, we're asking you the reader and Sammy Hagar and Neal Schon.
( ou the player) to become volunteer As if that weren't enough, there is
correspondents, filing reports to us our continuing World War of music.
(no more than 250 words) on your You've seen GuITAR WARS, swooned
favorite local or regional bands. We to BASS wARS, now there's SONG
want you to name names here, lo- WARS, our most controversial read-
calities, hot licks. We want crowd er's ballgame yet.
noises, sweat, the barmaid's phone And, in closing, for your listen-
number. Or at least a good rundown ing and dancing (or practicing)
on who's who in your area. In this pleasure, consider Paranoid, Walk
way we hope to compile a definitive This Way, Clapton's classic Steppin'
picture of Rock, USA, in the pages Out, Your Love Is Driving Me Crazy
of GUITAR. and Lick It Up.
In the meantime, especially if (GUITAR would like to con-
you're a player in one of those bands, gratulate Tobey Allen, of San Fran-
we'd like to advise you that our cisco, who was the winner of the
CALL BOARD is in operation. If Ibanez Roadstar II guitar. Cheers,
you're a player looking for a band, too, to the 25 runners-up, who won
or a band looking for gigs, the CALL Gary Moore's album, Corridors of
BOARD is for you. (If you're a Power.)
rnrn~umrn
FOR THE PRACTICING MUSICIAN
get bookin:
Better move fast! And remember. With Proteus books you don't
Because with more than 50 books available, you've have to read music. You just have to like it.
got your reading cut out for you. Ask for Proteus books at your local music or
Proteus books give you today's hottest bands-The book store, or send check or money order (please
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Proteus-It's a whole new way to read.
PERSONNEL
Let me make a confession. I
think some of the artists that I've
admired most in my life are those
who work from their limitations and
make great art out of the fact that
they can't do everything themselves.
Like Miles Davis, who didn't have
the high note technique of Dizzy
ON THE RAD I O
Interview by Peter Gordon
;;;:~!~l~~E.~er~~:~~:~:;~r~~
knew how to hire. And I think that's
our ace in the hole. Don and I aren't
the world's greatest singers, and, as
much as we'd like to be the focus of
it seems like the great excuse for our own band, we've allowed our-
making something commercial, but selves to become second fiddle to
here it is) communicate. I want to this pallet of colors. On our first tour
communicate with our audience at we thought of ourselves as a sort of
our level. For instance, I was beating revue. We had several different sing-
my brain to think of ways that you ers. And by the time it came to make
could use the chorus of a song-the a second record, things just fell into
hook-so that it sounds like an ex- place. I, as a jazz journalist, have
hortation to boogie-like, shake your met Mel Torme, for instance. And
head. But in this case it means more it was just a fantasy born of an
like shake your head in the face of evening of Don and I sitting to-
inevitability and resign yourself to gether saying, What if we could get
things the way they are. And that's Mel Torme to do this song? We both
what I've called my tendency to dou- had ourselves a giant laugh and then
ble entendrize. I asked Mel. And there we were all
YOUTH of a sudden in the studio with him.
But if we were to get into the sen-
Don and I are childhood friends sibility now of how do you top Mel
from the age of 12, and through the Torme and Ozzy Osbourne and
luck of the draw we're able to keep Mitch Ryder and Doug Fieger of
being childhood artists as grown men. the Knack on the same album, we'd
There was a French jazz critic who paint ourselves into a corner. Where
once said that jazz is music for young would you go after Ozzy and Mel?
people first. They're the ones who I haven't been able to think of the
really experience in their blood the right joke. There is no bigger joke.
David Was (Not right) .
feeling of the music. Older people
have a way of forgetting the power THE 60s
I
guess the whole reason behind
doing something like Was (Not of art. So when you think of that Sometimes we worry about hav-
Was) was to be the bad boys in young audience and your responsi- ing one foot too firmly planted in
the class and not have to do it bility towards them, it makes you the 60s, and in the music that moved
according to the book. I think think of writing your songs around us at that time. Bands like MC5, Bob
we've been very lucky. All of a sud- that experience. Also, I believe the Seger, Ted Nugent were our local
den these esoteric cosmic jokesters music industry is a place where a bands. Ann Arbor, where Don and
are on Geffen Records, faced with bunch of adults congregate in order I both spent some time in college,
the prospect of a real audience, and to turn their experience back on was a very radical city. I think it was
with a company that is used to hard- youth, like a gun. It's like now that an era in which debunking became
ball promotion. So, all of a sudden, we know, let's load up our guns and important. Whether you talk about
rather than making a second album shoot what we know back at them, the statesman or the poet or the
on Island for this very tiny audience, and have them. I haven't so soon general, anywhere you turn there's
we faced some hard choices. For us forgotten the idealism of our youth somewhere to raise a giggle. And I
it became a choice of doing things to treat people so uncaringly. I don't think we try to raise it at ourselves.
either the same way or better. You want them exploiting each other, We're not your standard rock 'n' roll
can always be the pranksters, doing nor being exploited. And maybe, if heroes. We have no grand vision. If
things wrong. It's whether you can there's something in common be- I were a great visionary I would
leaven your irony with some ability tween all of our songs, it's this notion either be at the top of a mountain,
to (I hate to use this word, because of dignity. or writing a novel. •
18 GUITAR, APRIL 1984
ohn McLaughlin is THE founding almost exclusively. Personally, I love
• .. he's growing a lot. He's very mature ster singer. Unfortunately, I can't
in an artistic way. I'd give this a good help but put them next to each
rating both musically and playing other. This had a nice feeling, but
wise. He has a recognizable sound the question is, what is he going to
that I find attractive. It's very dif- do with it? For feeling I can give it
ferent but very right. a good rating, but from a guitar
#2. Spanish Fly from Van Halen II, point of view I can't give it too much.
Warner Bros. HS 3312 He's just happy and groovin' along.
JOHN: Delightful. I'd like to know #5. Road Expense from Dregs of the
who that is. He's developed this style Earth by the Dregs, Arista 9528
which is right out of a certain school (This was played for McLaughlin
of flamenco playing. It's where you before he had ever met Steve Morse.)
play with only the left hand. This JOHN: This gets a high rating. He's
player has developed it in a very a good guitar player. I'd like to know
nice way. It's more Western. Do you who it is. He has a nice technique
have more? and he plays well in both the upper
GUITAR: That's the whole piece. and lower registers. This tune is not
That was Eddie Van Halen. He's big on melody, but it's well played.·
currently among the most inventive Guitaristically it's good. It's a good
players in rock. rock instrumental and you don't hear
JOHN: Really! I hope he does more many of them.
like this. It's an impressive technique GUITAR: It's the Dregs and the
and a nice approach. Good luck to guitarist is Steve Morse.
him. I'd like to hear him develop JOHN: The Dregs! Great bunch of
this further. There are a lot of pos- guys, and always very musical. I
sibilities here. think this music has its roots in
#3. Zoetro e f o country. It's all major. I listened to
them once, and the guitar player
got some interesting sounds going
ecc>giliZlllJlte--Ho~~- with the pedals. That was nice to
· _T hat's the bad thing about
~~~M1Mri1Wltie-M!t'f;!m'~::.l~~ending enough time in Amer-
~...~~~~;;;!~~;~~~~~~~~~~~
11 :Xhere's so much
. A merica is themusic going
melting pot
_____ pfays u of music. •
APRIL 1984, GUITAR 19
Question: Is a three-bolt neck-joint a perfect grip. This is essential to
as strong as a four-bolt ? my playing. Any ideas?
Seth Roth S.Barr
Bronx, N.Y. Scarborough, Ontario
Answer: Although the three-bolt Answer: There are several picks on
"micro-tilt" neck joints are much the market with variously textured
easier and quicker to adjust than the grips designed to help players with
four-bolt types, they do not hold the this particular problem. Some play-
neck in place as securely, unless they ers put their own grips on, for ex-
have been re-worked a little. I have ample, by gluing cork or cloth to
found that it is often possible to the sides of the pick that contact the
move the neck side to side even when fingers. Others learn to use a thumb-
all three securing bolts are properly pick instead of a flat-pick , as it fits
tightened. This can make it impos- like a ring around the thumb and is
sible to stay in tune and can also quite hard to drop.
throw out certain adjustments, such A different approach to the
as the action, neck angle and into- problem is to let the picks fly where
nation. they will, while keeping a supply of
The cure is to remove the neck spares handy. I have seen a few
and rough up the gloss of the finish different types of pick holders, some
on the surfaces of the neck or meant to be fastened directly to the
body that slip. A very small drop of surface of the guitar. Many players
yellow glue can then be spread thinly tape a row of picks to the nearest
around the area between the top two available mic stand, or insert them
bolts, and the neck should be im- between the pickguard and the body.
mediately secured at its correct po- Question: Where can I find an in-
sition. The glue will prevent any tonatable twelve-string bridge ?
slippage without interfering with fu- Answer: At this time, I do not know
ture removal or adjustments. of any manufacturer who markets
Four-bolt neck joints that slip an intonatable twelve-string bridge.
can usually be fixed by simply tight- It is possible, however, to intonate
ening the bolts correctly, assuming certain six-string bridges, such as
the threads are not stripped. Once the DiMarzio Tunamatic and the
a three-bolt neck joint has been stock Rickenbacker twelve-string
properly repaired, it is every bit as bridge. (The Rick twelve-string
secure as a four-bolt, with the added bridge has only six saddles.) For each
advantage of easy neck-angle ad- pair of strings, first adjust the saddle
justment. normally for the string requiring the
It is interesting to note that least amount of compensation. It is
several old Sears Silvertones I have then possible to carve the saddle
worked on had a set-screw for ex- back to intonate the other string.
ternal neck-angle adjustment com- This procedure takes some care in
bined with a four-bolt neck joint. order to avoid going too far, but it
They worked fine with no modifi, should not prove too difficult for
cations; I wonder why no one man- most repairmen. One final word of
ufactures a guitar with this feature caution: be sure of your string gauge
today? and action, as these can affect the
Question: No matter what pick I intonation, before you have your
try, I often sweat and cannot keep twelve string intonated.
BY BARRY LIPMAN
Barry Lipman builds and repairs guitars at his
shop in Scarsdale, N. Y H e has worked on guitars
fo r Al D iMeola, Bob May o and Tom " Y:.Bone"
l#Jlk.
The Hammer-on
his month let's take a look
by Tom
"T-Bone" Wolk
Tom "T-Bone" Miilk is the performing and re-
cording bass player for Hall & Oates. His book, E(m) (E7) Am Am/G D
ROCK RIFFS FOR BASS, is available from -
the Amsco Music Publishing Company.
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2 tt 4 1 ... 0
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New England region that
produced the Cars, Bos-
ton and the J. Geils Band,
Steven Tyler started his
career as a drummer for the Chain
Reaction, opening for bands like
the Left Banke, in swanky hot rock
locales, like Stamford, Connecti-
cut. Matching wits and licks with
Joe Perry, who was once a dish-
washer at the club in New Hamp-
shire where Tyler regularly pleyed,
he formed Aerosmith. The band
soared to the rock 'n' roll heights
through the 70s, producing clas-
sics like Dream On, Walk This Way,
Seasons of Wither, Sweet Emo-
tions and Back in the Saddle. In
the 80s, set back a bit by a motor-
cycle accident, Tyler has teamed
up with Jimmy Crespo. He talked
recently to GUITAR about the va-
garies of the rock star business,
especially as it pertains to song-
writing.
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Guitar Pattern II
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best things in lov - in' with a sis - ter and a cou - sin on - ly start - ed with a lit - tie kiss,- like this!
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a- me she was fool- in' cause she knew what she was do- in' when she taught me how to walk this way.She told me to
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PERFORMANCE
NOTES
Tablature Explanation see pg. 95
PARANOID
As recorded by BLACK SABBATH
(From the album PARANOID/Warner Brothers K 3104)
Words and Music by
Anthony lommi, John Osbourne,
William Ward and Terence Butler
ES DS GS ES xn pos. G xn pos. CS m pos. DS vpos.
l00{7fr. dlOfr. ffmflOfr. dl2fr. lmdl2fr. g3fr. msfr.
x xx
Brisk 4 ( ~ = 168)
* ES
H H H H H 4 times
H H H H
~
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me _ _ with my _ _ mind.
GS DS ES xn pos. G xn pos.
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Guitar Pattern 1 DS Xpos. GS DS ES xn pos. GXnpos.
Peo - ple
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think_l'm in - sane be - cause_ I _ am
J~ j1,_) I
frown - ing_
n.
all
..__... w
the_
j
time .
A
*Not the Key of D, but a transposed Dorian mode on E: (E, Fl, G, A, B, c•, D, E).
r-1 r r Ir r r r r r r rI
r Er r I r r r r r r r rI
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All day long_ I think_ up
'-/
n '-/
things_ but_
DS
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noth- ing
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seems_ to-
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sat - is
DS
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fy
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ES
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Think I'll
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lose_ my mind if
OS
pac - i
OS ES XII
j
fy
pos. G XII pos.
ES OS Vpos.
ES OSVpos.
oh__ yeah.-
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ES DS GS DS ES . x11 pos. G. x11 pos.
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Guitar Pattern 1
ES DS ES .x11 pos. G x11 pos.
-
GS DS
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Guitar Pattern I ES G
ES DS GS DS x11 pos. Xllpos.
Guitar Pattern I
ES G
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ES DS GS DS xn pos. x11 pos.
Guitar Pattern I
Solo Slide H H
I\.. • I
Full Shake
Illpos. / .......... .
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Full Full
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Full
Guitar Pattern 1
ES DS GS DS ES XII pos. G xn pos.
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Guitar Pattern 1
ES DS GS DS ES XII pos. G XII pos .
- - -
APRIL 1984, GUITAR 39
Guitar Pattern 1 ES G
ES DS GS DS pos. XII pos,
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XII
Guitar Pattern 1
GS DS ES G
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ES DS XII pos. XII pos.
j t) j
can - not feel_ and_ love_ to
J1J1 J I fJ.
me_ is_ so un
nJ
- real._
1 I
Hap - pi - ness_
Guitar Pattern 2
ES CS m pos. DS vpos. ES
- -
Guitar Pattern 2
ES CS m pos. DS vpos. ES
- - - -
Guitar Pattern 1 ES G
ES DS GS DS XII pos. XII pos.
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And so as_ you hear_ these words_ tell - ing_ you now_ _ of my_ state,
Guitar Pattern 1 ES G
ES DS GS DS XII pos. XII pos.
- -
XIIpos. XII pos.
Guitar Pattern 1
ES DS NC Shake
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Address _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
City _ _ _ _ _ _ _ State _ _ _ _ Z i p - - - -
SUPERSESSIONS
46 GUITAR, APRIL 1984
question not answered here, and it's with former Family-man Rick Grech. With the fading of the Woodstock
doubtful if it will ever be answered. Blind Faith was a fearsome foursome vibes, and the arrival of the second
Nevertheless, in that star-studded that actually took to the road and Super Session album, gilding the lily,
Super Session confab, as in many lasted all of one album. Better was many musicians were content to hide
that followed, the event proved more the Clapton-Duane Allman lick split- out in money-making operations. A
memorable than most of the music. ting on Derek & the Dominoes Layla, back to business ethos ensued,
If the Super Session album was most notably on the title track and favoring successful formulas over
a wax event, Eric Clapton's foray into Why Does Love Got to Be So Sad. spontaneous combustion. Now; how-·
Blind Faith was largely a media event. More to the musical point were col- ever, into the 80s, the most success-
Brokered into existence by bottom laborative albums by Pete Towns- ful of these new post-Woodstock-era
line engineers, Clapton was teamed hend and Ronnie Lane, the wonderful musicians have come out of the vault
with ex-Traffic boy genius, Stevie Rough Mix, and John Mclaughlin to expose their chops to a new gen-
Winwood, and everybody's all-Eng- and Carlos Santana, the ineffable eration of listeners (and some of the
land drummer, Ginger Baker, along Love, Devotion & Surrender. Neal aging Woodstock frontliners, as well).
Schon and Jan Hammer have teamed, You can't get more successful than
but since Hammer collaborates with Eddie Van Halen, Neal Schon and
everyone under the sun, that may Brian May. True, Sammy Hagar may
not count. not be as wealthy, but even he has
Charitable occasions and ben- a vocal and energetic national follow-
efits also seem to bring out hordes ing. So these new Super Session
of musicians, eager to interact, twin-guitar outings may represent a
whether it's for MUSE (Jackson little stretching, may reflect just the
Browne, James Taylor, Bruce slightest bit of boredom with the rep-
Springsteen) or Bangala Desh etition a monster band like Queen or
(George Harrison, Bob Dylan, Eric Journey or Van Halen requires. After
Clapton). Amnesty International held all the years and units sold, these
the Secret Policeman's Ball (Pete guys yearned to breathe free, at least
Townshend, John Williams, Monty in the studio for a session or so.
Python), and the Other Ball (Sting, Schon and Hagar went consid-
Eric Clapton, Jeff Beck, Phill Collins). erably beyond the casual jamming of
Updating Bangala Desh, the CSoncert Brian May and Eddie Van Halen.
for Kampuchea (Queen, the Clash, They actually formed a band (with
McCartney, the Who, the Pretenders, Michael Shrieve on drums, and Kenny
Robert Plant) aided starving children. Aaronson on bass) and took the
McCartney, in fact, brought his famed show on the road. Now that the re-
Rockestra· including · Townshend, sult 1n both of these duos,
Gary Brooker. On the other hand, the they may or may ot inspire them or
Music From Free Creek extrava- !Ike-minded Super others to repeat
ganza (Ronstadt, Rundgren, Beck) the experiment. But at the very least
was more notable as a photo oppor- they'll provide n ed respite and
tunity, without a camera in sight. But perspective to musicians in-
all of these events, like Woodstock, volved, enabling m to return to
linger in the memory as musical mo- their normal labo refreshed and
ments that exist outside of relative enhanced.
musicianship. Their bankers will t>e pleased.
s
Interviews by John Stix
APRIL 1984, GUITAR 49
SAMMY HADAR
and llEAL SCHOii
Continued from page 48
Full
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Full
G G
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Full
Vpos.
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SI.
Copyright © 1959, 1970, 1984 Conrad Music, a Division of Arc Music, 11 O E. 59th St. NYC 10022
Used by permission
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don't mind_ when you act_
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that you treat_ me like_ a child-
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all those fears_ I felt_ in side.----------
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Amaj7 E vnpos.
E 1 pos. Amaj7
Your love is
E 1 pos.
Lead- me to for -
B 11 pos. B
B 11 pos. G Av pos.
r rr rr rr r
D A/C# B u pos.
Yeah,_ you got it! Yeah,_ I want it! Don't_ you know it,
B 11 pos.
>
1•t ~ ~ I ~ t fl I
rrrrrrrr
Guitar Pattern I
A Bf A A A Bf A A
&u11 l ~
#J· ~I
.______,.J
~ ·I ~
;IJ ~
#J T~~I
-._;
Right on time_ a tight fit right on_
Pattern I
B vn pos. A B/A A
,~_) j -
#J!__,F J J lj .____,
I
#J. ll..._____,j I
- the mon - ey_ so sub lime_
....__..,
way yeah! yeah! Your love is driv in' me era zy.
Amaj7 E vn pos.
Amaj7 EV 11 pos.
Evn pos. C#mix pos. Bvn pos. Amaj7 F#m EI pos. Repeat and fade
STAIRWAY TO HEAVEN
HIT ME WITH YOUR BEST SHOT
ROSANNA--------------.
SPIRIT OF THE RADIO
CRAZY TRAIN
HOTEL CALIFORNIA
JOHNNY B. GOODE
SOUL M A N - - - - - - - - - - - - - ,
AQUALUNG~------------'
SUFFRAGETTE CITY
PURPLE HAZE~----------'
DIRTY DEEDS (DONE DIRT CHEAP)
BOHEMIAN RHA
.....;;P'-'S:::..:O:::..:D::....;Y'------------l
ROUNDABOUT
LAYLA~-----------~
MORE THAN A FEELING
Amplifier
Gibson has announced the in- 40 watt RMS with all prices well
troduction of the new Genesis Series under $300. The 40 watt RBS bass
of high quality student amplifiers. amp 1s offered at $235 suggested
The Genesis series currently offers retail.
guitar amplifiers, a bass amplifier Gibson Guitar
and a PA system, all designed for P.O. Box 100087
the serious student market. Genesis Nashville, TN 37211
offers guitar amplifiers from 10 to
Pick
The drop proof, Patent-Pend-
ing ROY AL STAGE PICK was de-
veloped to enable the guitarist to
play lead, rhythm and finger pick
without having to set the pick down,
or to forfeit the use of the thumb
in order to hold onto the pick while
fingerpicking. The pick is held com-
fortably on the first finger by a
chenille ring which leaves the thumb
free to leave the normal position at
any time. The ring is adjustable and
removable, and loops over a tuning
key for safe keeping when not in
use. The grip is crafted of imported
black walnut and gives the musician
excellent hold for playing.
Royal Stage Pick
P.O. Box 761
Union Lake, Michigan 48085
72 GUITAR, APRIL 1984
Microphone Bracket Effects
Shure has introduced their A45Z The MXR JUNIOR is a porta-
Speaker Miking Bracket, a micro- ble sound box designed to generate
phone mounting device specially de- many popular drum and percussion
signed for use with instrument amps sounds, as well as special audio ef-
and speakers. One end of the "Z" - fects. I ts initial configuration in-
shaped bracket easily slips under- cludes a laser blast, hand claps, shaker
neath any conventional amp or and drum. Replacement chips with
speaker cabinet to hold the micro- other digitally recorded sounds will
phone firmly in place. The A45Z also be available. JUNIOR also in-
can also be positioned on top of an cludes many of the standard fea-
amp or cabinet, held in place by the tures of the Series 2000 effects; mul-
carrying handle. The bracket's other tiple power sources, automatic
end features a sliding mounting screw recharging of ni-cads, internal volt-
which will accommodate any stand- age regulation and filtering, and
ard microphone swivel adapter. The MXR's tactile feedback footswitch.
slotted bracket permits the user to MXR Innovations, Inc.
move the microphone and experi- 740 Driving Park Ave.
ment with different speaker-to-mi- Rochester, N.Y. 14613
crophone and angular placements
for tonal variety. The price for the
Shure A45Z is $12.95.
Replacement Bridge
Shure Brothers Inc.
Customer Services Dept. The DiMarzio vintage Strat
222 Hartley Ave. nontremolo replacement bridge in-
Evanston, Illinois 60204 corporates a new universal string-
spacing which accommodates both
single coil and humbucking pickups.
It also moves the strings inward to
prevent the "E" string from slipping
off the edges of the fingerboard. It's
available in chrome, black or gold-
plated finishes.
DiMarzio
P.O. Box 387
New Brighton Station
Staten island, New York 10310
Accessories
DARCO STRINGS AND AC-
CESSORIES have expanded to in-
clude a wide variety of products to
meet the needs of any fretted in-
strument player. New accessory
products carrying the DARCO name
include bridge pins, guitar polish,
ends pins, endpin jacks, polishing
cloths and capos.
Darco Strings and Accessories
P.O. Box 348
Nazareth, PA 18064
APRIL 1984, GUITAR 73
make you sit up and blink. There
BARK AT THE MOON- are the flashy, high-speed solos of
Ozzy Osbourne twenty-year-old Swedish guitar won-
b
CBS Associated QZ 38987 der, Yngwie Malmsteen, to grab you.
Performance: Waxes and wanes Malmsteen, who's being touted as
Hot Spot<;: Centre of Eternity and Rock everything from the new Eddie Van
'n' Roll R ebel Halen to a carbon copy of Richie
of Rock
groove (Fragile). Those tunes are
strengthened by his exuberant skills
on everything from drums and synths
to hard-edged lead guitar. When he
and Roll sings of being a "free spirit" on Cut
Loose, there's no denying him.
ill, xy
ri al
have e ged and i ed
in the Os, and there's no inaication
that they won't carry the banner of
romanticism well into the 80s.
Throughout Roxy's decade-long ca-
ORIGINALS reer there have been three con-
• Best of the 50s & 60s for Guitar stants-the quivering passion of
• A Treasury Of Django Reinhardt Guitar Solos Bryan Ferry's vocals, the squawking
of Andy Mackay's saxophones and
• Chuck Berry - The Golden Decade the swirl and fuzz of Phil Manza-
• The House of Soul - The House of Blues nera's guitars. This band of elegant,
Some music never goes out of style. posturing Englishmen, fronted by
Like the songs you'll find in these 4 collections of classic hits. the most sublime crooner in rock,
continues to reach new heights in
Explore the original versions of hits later recorded by such artists the world of musical fashion and
as Chuck Berry, Jimmy Reed, The Rolling Stones, The Beatles, sinful pleasures-their last Lp, Ava-
Rod Stewart, Linda Ronstadt, and many others. lon, is a crowning achievement atop
So if you're really looking for the roots of rock, don't settle for years of critical success. By reaching
re-makes or spin-offs, get the originals! back into the Roxy library, one can
"eT~ find rewarding, plush, dramatic rock,
Because sometimes only the original will do.
These fine songbooks are available at
~ ·-~
. e:...
e-j now available at midline prices .
The band's first two albums,
your local music store, or by writing THE GOODMAN GROUP Roxy Music and For Your Pleasure,
Mail Box Music, dept- GT44MK Music Publishers New York. New York
Box341, Rye, NY 10580 Never out of style featured the wizardly Brian Eno in
control, and suffer for his overin-
•••
Bottom Line: For cosmic rockers ers the Starship family has cut in
everywhere years. In between the solid rock are
Paul Kantner, founding mem- Kantner's messages and musical ex-
ber of the Jefferson Airplane/ periments, which, despite their more
Starship, husband of Grace Slick, mind-bending tendencies, are fun,
father to China and Alexander, and
eternal flower-child, has composed
and recorded a grand rock story of
the future, with help from Starship
friends and family. Filled with spa-
cey concepts, high-tech musical
sounds, solid rock 'n roll and foggy
mysticism, Planet Earth tells the story
of the orchestra's escape from a
future America to Australia and Oz,
proving without a doubt that Kant-
le Bryan e
a d compos
the ea t of Roxy's si: vitarist
Phil Manzanera. This bear ed mys-
tery man is all over Stranded, build-
ing dense orchestral sheets of guitars
out of which come slicing his seam-
less, fuzzy solos. On the elegant piano
ruminations of just Like You, Man-
zanera's crowing solo intensifies Fer-
ry's pained pouting. His driving
rhythm work mixes with clouds of
indistinct guitar color and tangen-
tial, yawing fillips tinted with feed-
back or various electronic treat-
ments. And his long screaming solo
on Amazona is a Roxy classic. Man-
zanera is truly a major modern gui-
tar trickster and careful listening to
Roxy's albums will reward guitar
fans. For those wishing more of a
sampling of Roxy Music, Greatest The Wireless
Hits is also available for just a little Nady 49 Systems Innovators
also available
green. Check Manzanera out. He's with lavalier 1145 65th St.
microphone Oakland, CA
the man behind the black wave and and for musical
red leather of Bryan Ferry. instruments. 94608
415-652-2411
-
--
--- --- commercial merits; they favor suc-
cess over artistry, equating sales fig-
see on MTV.
Most Charismatic Presence in
ures with creativity all the way down
the line. The bigger the hit, the Video: Chrissie Hynde, in Brass in
greater the chances for an award. Pocket and Back on the Chain Gang.
Thus, Michael Jackson's Beat It wins This is not to imply that I'd like to
in five categories. Billy Joel's Pressure see her become the next Debbie
cops a prize for Best Use of Sym- Harry and star in a series of trashy
bolism. Symbolism my eye! Those movies. I'm sure she probably can't
were just state of the art deceptions. even act (not that that stopped Deb-
Having had such an enormous year bie). Chrissie just is, that's all-and
(~econd only to Michael Jackson), that's enough.
the Police obviously had to win
Best Use of Symbolism: She's Tight,
omething, right? But all the good
by Cheap Trick. Just a pair of dis-
prizes were taken. So what did the
embodied lips, you say? Ha! I say
panel come up with? Best Lighting.
it's symbolism of the grandest order.
They gave them the award for Best
Lighting. Now what the hell does Most Kinetic Presence in Video:
that mean? Is that a fix, or what? David Byrne in Once in a Lifetime.
--- --- --... A Flock of Seagulls. Makes me want nubile cronies, this clip has it all:
to punch my tv set in the mouth. musical and visual hooks, beefcake,
cheesecake; California soul at its flaky
Most Flagrant Waste of Money: finest.
Thriller, by Michael Jackson. Sure,
Wierdest Video: I Eat Cannibals,
they may recoup in movie sales, but
by Total Coelo. If you haven't seen
w at a ridiculously blatant attempt
to cash in on a hot trend. it, who could possibly explain the
wierdness. It's just weird from start
Mos Erotic Video: Maniac, by Mi- to finish. The middle is especially
Chael Sembello, featuring Jennifer weird. Look for it on the re-runs.
Most Exciting Vid-Debut: Patty
Smythe of Scandal, in Goodbye to You.
Just about the cutest Mick Jagger
impression this side of Don Knotts.
In the absence from the tube of
Gilda Radner, Patty is our Waif of
the Year.
78 GUITAR, APRI L 1984
byAlanH.Siegel
Al an H. Siegel, author of BREAKIN' IN
TO THE MUSIC BUSINESS, is a prominent
entertainment business lawyer, whose
clients include Ashford & Simpson and Bill Wyman.
~-
fice does not provide you with copy-
on the way to a gig! Of course, some right protection ... that was yours
questions will be more welcome than the moment you created the song.
others. The most welcome will be Although Copyright registration be-
those that are clearly articulated, stows upon the copyright owner cer-
specific in nature, and of general tain advantages in enforcing rights
interest to GUITAR's readers. All already acquired, and is desirable •. MASTER WORKSHOPS will be .·
questions should be accompanied by and to be encouraged, it is not in- offered by such outstanding artists as:
your name and address. A phone vested with the urgency you may
Arlen Roth Rory Block
number may get you a quick answer previously have attributed to it. So,
if it is thought that the column is what's the bottom line? George Gritzbach Eric Schoenberg
not an appropriate place to respond. You may perform your songs Join with us fora week of intensive music
For my initial column let's bor- to your heart's content, even on making at any ofour4 sessions from July 21
row a question from a music business network television, without fear of -Aug. 19.
class I just taught. It is one I expect losing your copyrights ... whether G.S.W. gratefully acknowledges the support of Ovation
Instruments.
many of you have pondered: or not they are registered. Similarly, Please write for our brochure:
Q. What do I have to do to protect you may record your songs, without
a song I've written, so that I can registering them, without fear of G.S.W.
box 222, Dept. P
perform it live, or use it on a demo losing your copyrights. Your con- Lakeside, CT 06758
record-and when do I have to do cern should not be over copyright, 203-567-8529
it? but rather over creating songs worth
APRIL 1984, GUITAR 79
80 GUITAR, APRIL 1984
Continued from page 44
BLACK
SABBATH
amount of internal friction was
building up. As far as Tony Iommi's
going to happen, he would have
said, 'I'll sing them for you!' "
concerned: "Ronnie had started to Born Again was recorded at
take over a litle bit too much and The Manor studios in England, dur-
was becoming a bit of a Hitler. We ing the summer of '83, but by the
were working on the Live Evil rec- time it was finished it became clear
ord in Los Angeles, and in fact we that Bill Ward wasn't going to be
nicknamed him 'Little Hitler.' " able to fulfill his role as permanent
Not surprisingly, Ronnie soon drummer. "We'd actually dragged
left and he ended up taking Vinnie Bill out of the hospital to do the
Appice with him. Tony and Geezer Lp," says Geezer, "and he wasn'~
completed mixing the live album really well enough, but he'd set his 475 OAKLAND AVE• STATEN ISLAND .NY• 10310
12121 447 -7500 FREE BROCHURE
and then returned to Britain for mind on it and promised he'd see
Christmas. When all this became us through. It was great playing with
public knowledge at the start of
1983, the general consensus of opin-
ion was that Black Sabbath were
him, especially for me, because we
always worked so well together. But
towards the end, his health was get-
rrtaQdoliQ bros:·J.
FINE FRETTED INSTRUMENTS
finished for good ... but Iommi and ting really bad again so we had to
Butler had other ideas. The two send him back to t!:ie hospital."
musicians had already begun to for- Tony then happened to be over
mulate a new line-up and had en- at Bev Bevan's house one night, and
trusted their management to Don it wasn't long before the former ELO
Arden. Before long they'd per- skinbasher agreed to come on the
suaded Bill Ward to return and had road. The new line-up made its de-
enlisted the vocal talents of Ian Gil- but live appearance at the Reading
lan. Festival and subsequently toured
"It was flan who told us that Europe, before coming to the states.
Ian was aboi..t," tells Iommi, "and Despite the changes, Black Sab-
that his band, Gillan, were breaking bath's popularity appears not to have
up. At first we weren't sure he was waned. Geezer beams: "It's amazing
the right man for the job, but once how well the kids continue to accept
we got together, it worked out great the band. Everyone wrote us off
and was totally different from how after Ozzy had gone, saying that we
we imagined. We'd actually met him were never going to be as successful
Large selection of Gibson mandolins, pre-WW2
in 1976, which was one of those as we were, and yet things have Gibson, Vega, Fairbanks banjos, and CF Martin
times Ozzy was leaving again. This carried on great." guitars. Instruments in every price range by:
Stelling, Ovation , Crate, Guild, Dobro, Sigma,
hasn't been printed before, but in Tony concludes: "It's like a new Yamaha, Kentucky, Gold Star, Flatiron,
fact we were thinking of asking him lease on life, and I'm really enjoying Washburn & Maccaferri. Insurance appraisals,
consignments accepted, cases, Casio & Suzuki
to join then, before Ozzy came back. what we're doing. To be playing electronic instruments. We ship everywhere.
Ozzy and Ian had been talking in without any worries is a big weight
MANDOLIN BROS. LTD .
the dressing room and it seems Oz off our minds. Ian's handled things
629 Forest Ave.· Staten Island, N.Y. 10310
had been saying how he couldn't see very well and Bev has slotted in (212) 981-3226
himself singing things like Paranoid perfectly. All I can say is that I'm In Stock - Martin Custom Guitars :
for the rest of his life. Ian now very optimistic about the future ... " The 1934 Reissue D-28 Herringbone $1,495.
reckons that if he'd known what ~as ••• The 1939 Reissue D-45, $3,000.
(Play 2 times)
Slide
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the balance control on a stereo sys- the body for the entire length of the
tem which enables you to blend the joint. Even with a 4-bolt neck joint,
relative volumes of the speakers, or the size of this gap permitted the
in this case, the pickups, with one neck to move around.
knob. It provides an excellent effect As for graphite necks, advocates
and range of sound . In addition, claim superior sustain and structural
there is a three band active EQ stability with virtually complete elim-
preamp with a full bypass switch. ination of dead spots-those places
The quality of workmanship is on the neck with reduced volume
outstanding on the neck. The ebony and sustain. While these claims ap-
fingerboard, inlaid with abalone po- pear to be true, there are some
sition dots, is trued to a state of tradeoffs. The neck still flexes under
perfection. The jumbo frets are well string tension, and the lack of an
seated and nicely leveled and dressed. adjustable truss rod prevents sensi-
At the point where the neck tive individualized neck setups. In
meets the body, the instrument is addition, the tone of the graphite
nicely contoured to permit full ac- neck tends to be cold and sterile.
cess to the cutaway and the upper The Cutlass I bass confirmed both
register of the fingerboard. The re- the pros and cons of the graphite
maining body contours provide a neck.
bass that is very comfortable to hold This instrument, as is, gets a
and play. rating of 2 1/2 cases. The rating would
-
The bass weighs in on the heavy be much higher if the problems with
side, which contributes to its strong the neck and body joint were cor-
punchy sound and great sustain. rected by the manufacturer.
This would make a great bass for
rock and other high volume work.
A good value for the money, the
Ibanez MC924 receives a well earned
five cases!
e ~ MUSIC MAN CUTLASS 1
------ The Music Man Cutlass 1, list-
ing at $1200.00, features the single
~ t ~ ~ ~~
h~~k~fi~~~yg~~~ta~1~~:~i:~~~~r;~~~
over the last few years. What makes
this model unique is the use of a
graphite bolt-on neck made for Mu-
sic Man by Modulus Graphite Prod-
by Roger Sadowsky ucts. The Cutlass has the standard
Roger Sadowshy is a professional luthiu an4 repairman in N.Y.C. Music Man hum bucking pickup and
Current clitnttlt includes J oan J ett, Hall & Oates, Paul Simon
an4GeorgeBenson. contro1assem bl yw1t
· h vo 1ume, tre bl e
and bass controls. Though this cir-
IBANEZ MUSICIAN BASS MC924 cuitry has proven itself to be reliable
The Ibanez Musician Bass over the years, it has the drawback
MC924 demonstrates that Ibanez of not having a preamp bypass switch
can deliver as much quality and to protect the player in case of bat-
value in the higher price range as it tery or preamp failure.
has in the low to moderate ranges. The graphite neck, unfortu-
~ff
A list price of $815. 00 brings you a nately, left much to be desired. The
through the body neck construction, neck had what may be too much
ash body, gold hardware, excellent relief for many players, and the lack
body contouring and a fine , deep of an adjustable truss rod prevents GUITAR would like to thank Man-
finish. The electronics feature two any control of neck relief except by ny's in N.Y.C. for their off the shelf
pickups with a balance control, mas- major repair work. The fingerboard instruments.
~
Fender sound.
If this were the real estate sec-
tion, I'd have to describe the 1 lORD
Fifty as having old world charm/ This unit lists a bit high at
modern conveniences. Even without RANDALL RG80 112SC $679.50. I rate it 3 1/2 out of 5.
the wood-burning fireplace, it's got This is a nicely-named amp.
plenty of warmth through tube cir- (There is no relation, I swear it.) GUITAR AND EFFECTS
cuitry. With a foot pedal, you can Randall amps have been around for ARE RATED WITHIN
switch from the "clean" channel to years, but they seem to have stayed THEIR OWN PRICE RANGE.
the "limiter" (distorted) channel. Both in the background. This new entry . , EXCELLENT
channels have their own volume, of theirs is pretty interesting. Some
treble and bass controls. With the
addition of a gain control the limiter
of its features really impressed me.
Le.t's look at the control panel.
~ VERYGOOD
channel can deliver all the varying
degrees of distortion. Because it has
It's got two imputs-high and low
(amplitude). Each of its two channels ~GOOD
only one heavy-duty 1O" speaker and is simply set up with gain and master FAIR
the cabinet size is very compact, the volume controls. And to the right
resulting sound is one that I can of these controls lies a very nice . , POOR
best describe as hefty. The distortion equalization section. The four bands
APRIL 1984, GUITAR 87
Giveaway c/o
GUITAR
PO Box 1490
Port Chester. N Y 10573
Name ~------------
Address ___________
City _ _ _ _ _ _ _ _ __
State Zip _ _ __
I Phone Age ~--
1 check one prize only D Rockman Model llB or D Bass
I Rockman One of each model w ill be given away
I Allan Holdsworth competed recently in w hat fa-
t mous event?
t Battle of the Network Stars
Back Issues!
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I am a twenty-year-old guitarist searching
for disciplined, intelligent musicians, par-
ticularly vocals, bass, drums and key-
boards, with whom to form an exploratory
blues/rock group similar in style to Led
Zeppelin and Deep Purple. I am a profi-
cient songwriter with lyric writing ability,
dynamic stage presence, plenty of equip-
ment, and a mighty will to succeed. If this
is the kind of guitar player you are looking
for, or if you are unhappy with your
present guitarist, I'm sure I can more than
exceed your expectations. Please call or
write.
ROSS SHEPARD
1512 S.E. Oakland
Richland, Washington 99352
Phone: 509-627-2004 Complete your collection. Send for these classic back issues of
FELLOW HEADBANGERS: I would ap-
GUITAR magazine. Only S3.00 each or choose any 4 for SI 0.001
preciate any help you could give me in Quantities are limited, so order today.
finding musicians who are currently look-
ing for lyrics. I have a few rockin ' hits and r------------------------~~~~
I could use the money for equipment.
Many of my peers have told me to save rnnn~um rn ~l~;;~~~~lp~~~I.
'""r~PLcroetU-OulSIC,•• Box J 490, Port Chester, NY J 0573
them for when I go solo, but I think with Please send the following back issues:
my talent I can write more when the time
I . 0 November-Premier Issue! 53.00 4. February- SOLD OUT!
comes. I am hoping your CALL BOARD 2. 0 December-53.00 5. 0 March-53.00
will help me get these lyrics to the public. 3. 0 January-53.00 6. 0 Any 4 (please check 4)-S 10.00
CHRIS BETCHER Please include s I .00 postage and handling with your order. Make checks and money orders fU .S. funds only, no
723 Pleasant Valley Blvd. cash please) payable to GUITAR. N.Y. residents please add sales tax .
Altoona, PA 16602
WANTED: Bassist for rock.$ guaranteed
Address _ _ _ _ _ _ _ _ _ _ _ __ _ _ _ _ _ _ _ _ _ __
for scheduled gigs. Morris area, New
Jersey. City _ _ _ _ _ _ _ _ _ _ _ _ State _ _ _ _ _ Zip _ _ _ __
Joe McCaig
10 King Hill Court L___________________________ J
Denville, New Jersey 07834
Phone: 201-366-9491
APRIL 1984, GUITAR 89
by Kasper de Graff and Malcolm Garrett
uy named Rhodes, a guy named le Bon,
ys named Taylor (no relations m the bunch) and a
group named Duran twice this multimedia fash1onplate of a
band joins Boy George's Culture Club as rock n' roll pinups of
the year. Superbly groomed, well-oiled. mostly in tune, Duran
Duran's lush musical cinema caught perfectly the ambiance of
the 80's. But everything wasn't always so picture-perfect for
this five man electrical conglomeration. The brainchild of key-
board playef Nick Rhodes and bassist John Taylor, Duran Duran
went through a considerable amount of personnel changes be-
fore they found tne right men for the right positions, hoisting
singles like R!o. Hungry Like the WoH and Union of the Snake
up the charts, and putting Sri Lanka back on the map.
In this excerpt we journey back to the seedy beginnings of
this dapper band, back to the days of scuffed shoes and spray
deodorant. Come with us now to those long-gone funky days of
yesteryear. when Girls on Film was just a working title for an
unwritten dream.
II
I
a
5th string, 3td fret 1st string, 15th fre~ •n open E chonl
2nd string, 15th f,.t
pla,.cl together
r n1
Position Position markings are given in Roman numerals above each excerpt. Remember that the position simply means the fret
that your 1st finger plays on. For example, II pos. means that your 1st finger plays all the notes on the 2nd fret, the 2nd finger plays
the notes on the 3rd fret, the 3rd finger on the 4th fret, etc. One fret for each finger.
H!:'~;: .~·;;=~:,:~solos, make surelthat yoj th: scafei scalelwh~ is the bas~ of almost all rock solos
Definitions for Special Guitar Notation (For both traditional and tablature guitar lines)
A note Strike the note and Strike the note and Strike the note and bend Bend the note up
bend up l /2 step bend up a whole step up an indefini te amount a l / 2 step: then
I/2 Full strike it
) ) ) 1/ 2
IA~~~~~~~§~~~~~~~!~~
~
1/2 Full
II __ . /
J
II
J
II
)
lT
T II
II
II
II
II ------ Tl
fl
II II lT II
II II 11
Bend the note up a full Strike the note and slide Strike the note. Bend Unison bend: lower note Sh<1ke or exagger<i ted
step; then strike it up or down to an up a 1/2 step then is bent up a full step to vibrato
indefinite pitch back l/2 Full sound in unison wi th
Full
~ the upper note I)
"
.
Full 1/2
~
Full
t
II
II "
II
. \
II
II
II
' ll _I
II
II
•
II
ll
II
TI
II II II TI
ll II II II
" ~
H
~ -----------... ~- s/. L--- - - . .'\ bend
Full
H
II _: . II s/. II
II II II II • n
II II II fl
II ll II
II II II ll
. . . . Pitch is rapidly Pitch is dropped
Picked tremo lo Natural harmonic Art1f1ctal Harmonic \.aried using a m inor 3rd using Muffled Note
harm tremolo bar T remolO bar
harm. (-*-) trem. bar .../!:.'m.l'h.ba,V
trem -». MM-"' ~
"
@ 11fr. Q ufr.
trem bar
rrem. harm. har~
~
APRIL 19 4, GCITAR 95
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