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    Enharmonic Chordal: Chapter Fourteen

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    marcoantelo
    This chapter discusses enharmonic chord substitutions for chords introduced in previous chapters on musical tensions. It presents chords in boxes alongside their enharmonic substitutions, including dominant 7th chords and their substitute V chords. For incomplete voicings, additional notation is provided to indicate the same root. Relative major and minor situations are also examined alongside the most common substitute V chords. A more thorough treatment of relative major and minor chords can be found in another chapter.

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    Enharmonic Chordal: Chapter Fourteen

    Uploaded by

    marcoantelo
    112 views1 page
    This chapter discusses enharmonic chord substitutions for chords introduced in previous chapters on musical tensions. It presents chords in boxes alongside their enharmonic substitutions, including dominant 7th chords and their substitute V chords. For incomplete voicings, additional notation is provided to indicate the same root. Relative major and minor situations are also examined alongside the most common substitute V chords. A more thorough treatment of relative major and minor chords can be found in another chapter.

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    Enharmonic Chordal

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    This chapter discusses enharmonic chord substitutions for chords introduced in previous chapters on musical tensions. It presents chords in boxes alongside their enharmonic substitutions, including dominant 7th chords and their substitute V chords. For incomplete voicings, additional notation is provided to indicate the same root. Relative major and minor situations are also examined alongside the most common substitute V chords. A more thorough treatment of relative major and minor chords can be found in another chapter.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    112 views1 page

    Enharmonic Chordal: Chapter Fourteen

    Uploaded by

    marcoantelo
    This chapter discusses enharmonic chord substitutions for chords introduced in previous chapters on musical tensions. It presents chords in boxes alongside their enharmonic substitutions, including dominant 7th chords and their substitute V chords. For incomplete voicings, additional notation is provided to indicate the same root. Relative major and minor situations are also examined alongside the most common substitute V chords. A more thorough treatment of relative major and minor chords can be found in another chapter.

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    © All Rights Reserved
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    Chapter Fourteen.

    Enharmonic Chordal Substitutions


    The following chords (highlighted within boxes) appear in the order they were introduced in this text. Enharmonic
    substitutions for each one of these chords appear in the order they were introduced as well. Chords include the basic
    four-part chords and all the chords introduced in the tension chapters. To the left of each chord is the tension chapter
    where that chord can be found. Additional enharmonic substitutions of the same voicings that have not been
    introduced to this point will be examined in the Additional Enharmonic Chordal Substitutions chapter.
    This chapter will include the Substitute Vth chord for eacr dom7 chord introduced as well as the most common
    relative major and minor situations. Some of the more incomplete voicings will receive additional notation for the
    same root to the right of that chord in parenthesis. A more in-depth and organized approach to relative major and
    minor chords can be found in the Relative Major - Minor chapter.

    Tension I major7 I
    Chapter c E G B
    Cmaj7 1 3 5 7
    (9) A-9 ~3 5 ~7 9
    (9 & 13) D7sus4(13/9) ~7 9 4 13
    (9 & 11) Fmaj7(# 11/9) 5 7 9 #11

    Imajor7~s j c
    ,

    E Gb B
    Cmaj7b5 1 3 bs 7
    (9) A-6(9) b3 5 6 9
    (9) Sub V~Ab7#SC#9) 3 #5 b7 #9
    (9 & 13) D7(13/9) b7 9 3 13
    (11) F#-7b5(1 l) bs b7 1 11

    j major7#5 I
    c E G# B
    Cmaj7( #5) 1 3 #S 7
    (9) A-rnaj7(9) ~3 5 7 9
    (9 & 11) F #-7b5(11/9) bs b7 9 11
    (9 -11 -13) SubV ~ D7(131# ! 1/9) ~7
    .., 9 #11 13
    Ab7(#91#5) ;) #5 1 #9

    99

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