Michael Jackson
Michael Jackson
Michael Jackson
Michael Jackson
Occupation Singer
songwriter
dancer
Debbie Rowe
(m. 1996; div. 1999)
Musical career
Genres Pop
soul
funk
rhythm and blues
rock
disco
post-disco
dance-pop
new jack swing
Instruments Vocals
Labels Steeltown
Motown
Epic
Legacy
Sony
MJJ Productions
Website www.michaeljackson.com
Signature
Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American singer,
songwriter, and dancer. Dubbed the "King of Pop", he is regarded as one of the most
significant cultural figures of the 20th century and one of the greatest entertainers.
Jackson's contributions to music, dance, and fashion, along with his publicized personal
life, made him a global figure in popular culture for over four decades.
The eighth child of the Jackson family, Michael made his professional debut in 1964 with
his elder brothers Jackie, Tito, Jermaine, and Marlon as a member of the Jackson 5. He
began his solo career in 1971 while at Motown Records, and in the early 1980s, became
a dominant figure in popular music. His music videos, including those for "Beat It", "Billie
Jean", and "Thriller" from his 1982 album Thriller, are credited with breaking racial
barriers and transforming the medium into an art form and promotional tool. Their
popularity helped bring the television channel MTV to fame. Bad (1987) was the first
album to produce five US Billboard Hot 100 number-one singles.[nb 1] He continued to
innovate throughout the 1990s with videos such as "Black or White" and "Scream", and
forged a reputation as a touring artist. Through stage and video performances, Jackson
popularized complicated dance techniques such as the moonwalk, to which he gave the
name. His sound and style have influenced artists of various genres.
Jackson is one of the best-selling music artists of all time, with estimated sales of over
350 million records worldwide;[nb 2] Thriller is the best-selling album of all time, with
estimated sales of 66 million copies worldwide. His other albums, including Off the
Wall (1979), Bad (1987), Dangerous (1991), and HIStory (1995), also rank among the
world's best-selling. He won hundreds of awards (more than any other artist in the history
of popular music), has been inducted into the Rock and Roll Hall of Fame twice, and is
the only pop or rock artist to have been inducted into the Dance Hall of Fame. His other
achievements include Guinness world records (including the Most Successful Entertainer
of All Time), 15 Grammy Awards (including the Legend and Lifetime
Achievement awards), 26 American Music Awards (more than any other artist), and
13 number-one US singles (more than any other male artist in the Hot 100 era). Jackson
was the first artist to have a top ten single in the Billboard Hot 100 in five different
decades. In 2016, his estate earned $825 million, the highest yearly amount for a celebrity
ever recorded by Forbes.
In the late 1980s, Jackson became a figure of controversy for his changing
appearance, relationships, behavior and lifestyle. In 1993, he was accused of sexually
abusing the child of a family friend. The lawsuit was settled out of court, and Jackson was
not indicted. In 2005, he was tried and acquitted of further child sexual abuse allegations
and several other charges. In 2009, while preparing for a series of comeback
concerts, This Is It, Jackson died from an overdose of sedatives administered by his
personal physician, Conrad Murray. Jackson's fans around the world expressed their
grief, and his public memorial service was broadcast live. The 2019 documentary Leaving
Neverland details child sexual abuse allegations from two former child friends of Jackson,
which led to an international backlash against him and drew criticism from his fans and
associates.
Contents
1Life and career
o 1.11958–1975: Early life and the Jackson 5
o 1.21975–1981: Move to Epic and Off the Wall
o 1.31982–1983: Thriller and Motown 25: Yesterday, Today, Forever
o 1.41984–1985: Pepsi, "We Are the World", and business career
o 1.51986–1987: Changing appearance, tabloids, and films
o 1.61987–1990: Bad, autobiography, and Neverland
o 1.71991–1993: Dangerous, Heal the World Foundation, and Super Bowl
XXVII halftime show
o 1.81993–1995: First child sexual abuse accusations and first marriage
o 1.91995–1997: HIStory, second marriage, and fatherhood
o 1.101997–2002: Label dispute and Invincible
o 1.112002–2005: Second child sexual abuse allegations, trial, and acquittal
o 1.122006–2009: Closure of Neverland, final years, and This Is It
2Death
o 2.1Memorial service
o 2.2Criminal investigation and prosecution
o 2.3Posthumous sales
o 2.4Posthumous releases and productions
o 2.5Leaving Neverland and posthumous child sexual abuse allegations
3Legacy and influence
4Artistry
o 4.1Influences
o 4.2Musicianship
o 4.3Themes and genres
o 4.4Vocal style
o 4.5Music videos and choreography
5Honors and awards
6Earnings
7Discography
8Filmography
9Tours
10Notes
11References
o 11.1Citations
o 11.2Print sources
12External links
Life and career
1958–1975: Early life and the Jackson 5
Jackson's childhood home in Gary, Indiana, pictured in March 2010 with floral tributes
after his death
Michael Joseph Jackson[7][8] was born in Gary, Indiana, near Chicago, on August 29,
1958.[9][10] He was the eighth of ten children in the Jackson family, a working-
class African-American family living in a two-bedroom house on Jackson Street.[11][12] His
mother, Katherine Esther Jackson (née Scruse), played clarinet and piano, had aspired
to be a country-and-western performer, and worked part-time at Sears.[13] She was
a Jehovah's Witness.[14] His father, Joseph Walter "Joe" Jackson, a former boxer, was a
crane operator at U.S. Steel and played guitar with a local rhythm and blues band, the
Falcons, to supplement the family's income.[15][16] His father's great-grandfather, July
"Jack" Gale, was a Native American medicine man and US Army scout.[17] Michael grew
up with three sisters (Rebbie, La Toya, and Janet) and five brothers
(Jackie, Tito, Jermaine, Marlon, and Randy).[15] A sixth brother, Marlon's twin Brandon,
died shortly after birth.[18]
Joe acknowledged that he regularly whipped Michael;[19] Michael said his father told him
he had a "fat nose,"[20] and regularly physically and emotionally abused him during
rehearsals. He recalled that Joe often sat in a chair with a belt in his hand as he and his
siblings rehearsed, ready to physically punish any mistakes.[14][21] Katherine Jackson
stated that although whipping is considered abuse in more modern times, it was a
common way to discipline children when Michael was growing up. [22][23] Jackie, Tito,
Jermaine and Marlon have said that their father was not abusive and that the whippings,
which were harder on Michael because he was younger, kept them disciplined and out of
trouble.[24] In an interview with Oprah Winfrey in 1993, Jackson said that his youth had
been lonely and isolated.[25]
In 1964, Michael and Marlon joined the Jackson Brothers—a band formed by their father
which included Jackie, Tito, and Jermaine—as backup musicians
[26]
playing congas and tambourine. In 1965, Michael began sharing lead vocals with
Jermaine, and the group's name was changed to the Jackson 5.[27] The following year,
the group won a talent show; Michael performed the dance to Robert Parker's 1965 song
"Barefootin'" and singing lead to The Temptations' "My Girl."[28] From 1966 to 1968 they
toured the Midwest; they frequently played at a string of black clubs known as the "Chitlin'
Circuit" as the opening act for artists such as Sam & Dave, the O'Jays, Gladys Knight,
and Etta James. The Jackson 5 also performed at clubs and cocktail lounges,
where striptease shows were featured, and at local auditoriums and high school
dances.[29][30] In August 1967, while touring the East Coast, they won a weekly amateur
night concert at the Apollo Theater in Harlem.[31]
From left, back row: Jackie Jackson, Michael Jackson, Tito Jackson, Marlon Jackson.
Middle row: Randy Jackson, La Toya Jackson, Rebbie Jackson. Front row: Janet
Jackson (1977)
In 1975, the Jackson 5 left Motown. They signed with Epic Records, a subsidiary of CBS
Records,[46] and renamed themselves the Jacksons. Their younger brother Randy joined
the band around this time; Jermaine stayed with Motown and pursued a solo
career.[47] The Jacksons continued to tour internationally, and released six more albums
between 1976 and 1984. Michael, the group's main songwriter during this time, wrote
songs such as "Shake Your Body (Down to the Ground)" (1979), "This Place Hotel"
(1980), and "Can You Feel It" (1980).[26]
In 1978, Jackson moved to New York City to star as the Scarecrow in The Wiz, a musical
directed by Sidney Lumet. It costarred Diana Ross, Nipsey Russell, and Ted
Ross.[48] The film was a box-office failure.[49] Its score was arranged by Quincy
Jones,[50] who later produced three of Jackson's solo albums.[51] During his time in New
York, Jackson frequented the Studio 54 nightclub, where he heard early hip hop; this
influenced his beatboxing on future tracks such as "Working Day and Night".[52] In 1979,
Jackson broke his nose during a dance routine. A rhinoplasty led to breathing difficulties
that later affected his career. He was referred to Steven Hoefflin, who performed
Jackson's subsequent operations.[53]
Jackson's fifth solo album, Off the Wall (1979), established him as a solo performer and
helped him move from the bubblegum pop of his youth to more complex sounds.[40] It
produced four top 10 entries in the US: "Off the Wall", "She's Out of My Life", and the
chart-topping singles "Don't Stop 'Til You Get Enough" and "Rock with You".[54] The album
reached number three on the US Billboard 200 and sold over 20 million copies
worldwide.[55] In 1980, Jackson won three American Music Awards for his solo work:
Favorite Soul/R&B Album, Favorite Soul/R&B Male Artist, and Favorite Soul/R&B Single
for "Don't Stop 'Til You Get Enough".[56][57] He also won a Grammy Award for Best Male
R&B Vocal Performance for 1979 with "Don't Stop 'Til You Get Enough". [58] In 1981
Jackson was the American Music Awards winner for Favorite Soul/R&B Album and
Favorite Soul/R&B Male Artist.[59] Jackson felt Off the Wall should have made a bigger
impact, and was determined to exceed expectations with his next release. [60] In 1980, he
secured the highest royalty rate in the music industry: 37 percent of wholesale album
profit.[61]
1982–1983: Thriller and Motown 25: Yesterday, Today, Forever
Jackson recorded with Queen singer Freddie Mercury from 1981 to 1983, recording
demos of "State of Shock", "Victory" and "There Must Be More to Life Than This". The
recordings were intended for an album of duets but, according to Queen's manager Jim
Beach, the relationship soured when Jackson brought a llama into the recording
studio,[62] and Jackson was upset by Mercury's drug use.[63] The songs were released in
2014.[64] Jackson went on to record "State of Shock" with Mick Jagger for the Jacksons'
album Victory (1984).[65] In 1982, Jackson contributed "Someone in the Dark" to
the storybook for the film E.T. the Extra-Terrestrial. Jackson's sixth album, Thriller, was
released in late 1982. It was the best-selling album worldwide in 1983,[66][67] and became
the best-selling album of all time in the US[68] and the best-selling album of all time
worldwide, selling an estimated 66 million copies.[69] It topped the Billboard 200 chart for
37 weeks and was in the top 10 of the 200 for 80 consecutive weeks. It was the first album
to have seven Billboard Hot 100 top 10 singles, including "Billie Jean", "Beat It", and
"Wanna Be Startin' Somethin' ".[70]
On March 25, 1983, Jackson reunited with his brothers for Motown 25: Yesterday, Today,
Forever, an NBC television special. The show aired on May 16, 1983, to an estimated
audience of 47 million, and featured the Jacksons and other Motown stars.[71] Jackson's
solo performance of "Billie Jean" earned him his first Emmy
[72]
Award nomination. Wearing a glove decorated with rhinestones, he debuted [73]
his moonwalk dance, which Jeffrey Daniel had taught him three years earlier, and it
became his signature dance in his repertoire.[74] Jackson had originally turned down the
invitation to the show, believing he had been doing too much television. But at the request
of Motown founder Berry Gordy, he performed in exchange for an opportunity to do a solo
performance.[75] Rolling Stone reporter Mikal Gilmore called the performance
"extraordinary."[40] Jackson's performance drew comparisons to Elvis Presley's and the
Beatles' appearances on The Ed Sullivan Show.[76] Anna Kisselgoff of The New York
Times praised the perfect timing and technique involved in the dance.[77] Gordy described
being "mesmerized" by the performance.[78]
The sequined jacket and white glove worn by Jackson at Motown 25: Yesterday, Today,
Forever
At the 26th Annual Grammy Awards, Thriller won eight awards, while Jackson also won
an award for the E.T. the Extra-Terrestial storybook. Winning eight Grammys in one
ceremony is a record he holds with the band Santana.[58] Jackson and Quincy Jones won
the award for Producer of the Year (Non-Classical). Thriller won Album of the Year (with
Jackson as the album's artist and Jones as its co-producer), and the single won Best Pop
Vocal Performance (Male) award for Jackson. "Beat It" won Record of the Year and Best
Rock Vocal Performance (Male). "Billie Jean" won two Grammy awards: Best R&B Song
and Best R&B Vocal Performance (Male), with Jackson as songwriter and singer
respectively.[58] Thriller also won the Grammy for Best Engineered Recording (Non
Classical), acknowledging Bruce Swedien for his work on the album.[79] At the 11th
Annual American Music Awards, Jackson won another eight awards and became the
youngest artist to win the Award of Merit.[80] He also won Favorite Male Artist, Favorite
Soul/R&B Artist, and Favorite Pop/Rock Artist. "Beat It" won Favorite Soul/R&B Video,
Favorite Pop/Rock Video and Favorite Pop/Rock Single. The album collectively won
Favorite Soul/R&B Album and Favorite Pop/Rock Album.[80][81]
Jackson had the highest royalty rate in the music industry at that point, with about $2 for
every album sold, and was making record-breaking profits. Dolls modeled after Jackson
appeared in stores in May 1984 for $12 each.[82] In the same year, The Making of Michael
Jackson's Thriller, a music documentary, won a Grammy for Best Music Video
(Longform).[58] Time described Jackson's influence at that point as "star of records, radio,
rock video. A one-man rescue team for the music business. A songwriter who sets the
beat for a decade. A dancer with the fanciest feet on the street. A singer who cuts across
all boundaries of taste and style and color too." [82] The New York Times wrote "in the
world of pop music, there is Michael Jackson and there is everybody else." [83]
1984–1985: Pepsi, "We Are the World", and business career
In November 1983, Jackson and his brothers partnered with PepsiCo in a $5 million
promotional deal that broke records for a celebrity endorsement. The first Pepsi
campaign, which ran in the US from 1983 to 1984 and launched its "New Generation"
theme, included tour sponsorship, public relations events, and in-store displays. Jackson
helped to create the advertisement, and suggested using his song "Billie Jean", with
revised lyrics, as its jingle.[84]
On January 27, 1984, Michael and other members of the Jacksons filmed a Pepsi
commercial overseen by Phil Dusenberry,[85] a BBDO ad agency executive, and Alan
Pottasch, Pepsi's Worldwide Creative Director, at the Shrine Auditorium in Los Angeles.
During a simulated concert before a full house of fans, pyrotechnics accidentally set
Jackson's hair on fire, causing second-degree burns to his scalp. Jackson underwent
treatment to hide the scars and had his third rhinoplasty shortly thereafter.[53] Pepsi settled
out of court, and Jackson donated the $1.5 million settlement to the Brotman Medical
Center in Culver City, California; its Michael Jackson Burn Center is named in his
honor.[86] Jackson signed a second agreement with Pepsi in the late 1980s for $10 million.
The second campaign covered 20 countries and provided financial support for
Jackson's Bad album and 1987–88 world tour. Jackson had endorsements and
advertising deals with other companies, such as LA Gear, Suzuki, and Sony, but none
were as significant as his deals with Pepsi.[84]
On May 14, 1984, President Ronald Reagan gave Jackson an award for his support of
alcohol and drug abuse charities,[87] and in recognition of his support for the Ad Council's
and the National Highway Traffic Safety Administration's Drunk Driving Prevention
campaign. Jackson allowed the campaign to use "Beat It" for its public service
announcements.[88]
President Ronald Reagan and first lady Nancy Reagan present Jackson with an award
at the White House on May 14, 1984
Jackson inside the White House with the Reagans
The Victory Tour of 1984 headlined the Jacksons and showcased Jackson's new solo
material to more than two million Americans. It was the last tour he did with his
brothers.[89] Following controversy over the concert's ticket sales, Jackson donated his
share of the proceeds, an estimated $3 to 5 million, to charity.[90] During the last concert
of the Victory Tour at the Dodger Stadium in Los Angeles, Jackson announced his split
from The Jacksons during "Shake Your Body". [91] His charitable work continued with the
release of "We Are the World" (1985), co-written with Lionel Richie,[92] which raised
money for the poor in the US and Africa.[93] It earned $63 million,[93] and became one of
the best-selling singles of all time, with 20 million copies sold.[94] It won four Grammys for
1985, including Song of the Year for Jackson and Richie as its writers. [92] The project's
creators received two special American Music Awards honors: one for the creation of the
song and another for the USA for Africa idea. Jackson, Jones, and promoter Ken Kragan
received special awards for their roles in the song's creation.[92][95][96][97]
Jackson collaborated with Paul McCartney in the early 1980s, and learned that
McCartney was making $40 million a year from owning the rights to other artists'
songs.[93] By 1983, Jackson had begun buying publishing rights to others' songs, but he
was careful with his acquisitions, only bidding on a few of the dozens that were offered to
him. Jackson's early acquisitions of music catalogs and song copyrights such as the Sly
Stone collection included "Everyday People" (1968), Len Barry's "1-2-3" (1965), and Dion
DiMucci's "The Wanderer" (1961) and "Runaround Sue" (1961).
In 1984 Robert Holmes à Court announced he was selling the ATV Music
Publishing catalog comprising the publishing rights to nearly 4000 songs, including most
of the Beatles' material.[98] In 1981, McCartney had been offered the catalog for £20
million ($40 million).[93][99] Jackson submitted a bid of $46 million on November 20,
1984.[98] When Jackson and McCartney were unable to make a joint purchase,
McCartney did not want to be the sole owner of the Beatles' songs, and did not pursue
an offer on his own.[100][99] Jackson's agents were unable to come to a deal, and in May
1985 left talks after having spent more than $1 million and four months of due
diligence work on the negotiations.[98] In June 1985, Jackson and Branca learned
that Charles Koppelman's and Marty Bandier's The Entertainment Company had made a
tentative offer to buy ATV Music for $50 million; in early August, Holmes à Court contacted
Jackson and talks resumed. Jackson's increased bid of $47.5 million was accepted
because he could close the deal more quickly, having already completed due
diligence.[98] Jackson also agreed to visit Holmes à Court in Australia, where he would
appear on the Channel Seven Perth Telethon.[101] Jackson's purchase of ATV Music was
finalized on August 10, 1985.[93][98]
1986–1987: Changing appearance, tabloids, and films
See also: Health and appearance of Michael Jackson
Jackson's skin had been medium-brown during his youth, but from the mid-1980s
gradually grew paler. The change drew widespread media coverage, including
speculation that he had been bleaching his skin.[102][103][104] Jackson's
dermatologist, Arnold Klein, said he observed in 1983 that Jackson had vitiligo,[105] a
condition characterized by patches of the skin losing their pigment, and sensitivity to
sunlight. He also identified discoid lupus erythematosus in Jackson. He diagnosed
Jackson with lupus that year,[105] and with vitiligo in 1986.[106] Vitiligo's drastic effects on
the body can cause psychological distress. Jackson used fair-colored makeup,[107] and
possibly skin-bleaching prescription creams,[108] to cover up the uneven blotches of color
caused by the illness. The creams would have further lightened his skin, and, with the
application of makeup, he could appear very pale.[109] Jackson said he had not purposely
bleached his skin and could not control his vitiligo, adding, "When people make up stories
that I don't want to be who I am, it hurts me."[110] He became friends with Klein and Klein's
nurse Debbie Rowe. Rowe later became Jackson's second wife and the mother of his
first two children.[111]
In his autobiography and the 1993 interview with Winfrey, Jackson said he had had
two rhinoplasty surgeries and a cleft chin surgery but no more than that. He said he lost
weight in the early 1980s because of a change in diet to achieve a dancer's
body.[112] Witnesses reported that he was often dizzy, and speculated he was suffering
from anorexia nervosa. Periods of weight loss became a recurring problem later in his
life.[113] After his death, his mother Katherine told Winfrey that he first turned to cosmetic
procedures to remedy his vitiligo, because he did not want to look like a "spotted cow."
She said her son had received more than the two cosmetic surgeries he claimed and
speculated that he was addicted to them.[114]
In 1986, tabloids reported that Jackson slept in a hyperbaric oxygen chamber to slow
aging, and pictured him lying in a glass box. The claim was untrue, and tabloids reported
that he spread the story himself.[115] It was also reported, by the tabloids, that Jackson
took female hormone shots to keep his voice high and facial hair wispy, proposed
to Elizabeth Taylor and possibly had a shrine of her, and had cosmetic surgery on his
eyes. Jackson's manager Frank DiLeo denied all of them, except for Jackson having a
chamber. DiLeo added "I don't know if he sleeps in it. I'm not for it. But Michael thinks it's
something that's probably healthy for him. He's a bit of a health fanatic." [116]
When Jackson took his pet chimpanzee Bubbles to tour in Japan, their public
appearances caused a stir in the media. They portrayed Jackson as an aspiring Disney
cartoon character who befriended various animals. [117] Meanwhile, it was also reported
that Jackson had offered to buy the bones of Joseph Merrick (the "Elephant Man").[118] In
June 1987, the Chicago Tribune reported Jackson's publicist bidding $1 million for the
skeleton to the London Hospital Medical College on his behalf. The college maintained
the skeleton was not for sale. DiLeo said Jackson had an "absorbing interest" in Merrick,
"purely based on his awareness of the ethical, medical and historical significance." [119]
These tabloid stories inspired the name "Wacko Jacko," which Jackson came to
despise.[8][120] According to music journalist Joseph Vogel, the demeaning name first
appeared in British tabloid The Sun in 1985. The name's origins come from Jacko
Macacco, the name of a famous monkey used in monkey-baiting matches at the
Westminster Pit in the early 1820s. "Jacko" was subsequently used in Cockney slang to
refer to monkeys in general, hence a racist connotation behind the name.[121]
In 1987, Rolling Stone described Jackson as "the flighty-genius star-child, a celebrity
virtually all his life, who dwells in a fairy-tale kingdom of fellow celebrities, animals,
mannequins and cartoons, who provides endless fodder for the tabloids.... But it’s the
same child in Michael who inspires the artistry that fuels all the subsidiary industries, who
turns his primal fears and fantasies into wondrous, hyperkinetic and emotional music."[117]
Jackson worked with George Lucas and Francis Ford Coppola on the 17-minute $30
million 3D film Captain EO, which ran from 1986 at Disneyland and Epcot, and later
at Tokyo Disneyland and Euro Disneyland.[122] After having been removed in the late
1990s, it returned to the theme park for several years after Jackson's death. [123] In 1987,
Jackson disassociated himself from the Jehovah's Witnesses.[124] Katherine Jackson said
this might have been because some Witnesses strongly opposed
the Thriller video. [125] Jackson had denounced it in a Witness publication in 1984.[126]
1987–1990: Bad, autobiography, and Neverland
Jackson wore a gold-plated military style jacket with belt during the Bad era
In 1988, Jackson released his autobiography, Moonwalk, with input from Stephen Davis
and Jacqueline Kennedy Onassis.[135] It sold 200,000 copies,[136] and reached the top
of the New York Times bestsellers list.[137] Jackson discussed his childhood, the Jackson
5, and the abuse from his father.[138] He attributed his changing facial appearance to three
plastic surgeries, puberty, weight loss, a strict vegetarian diet, a change in hairstyle, and
stage lighting.[139][112] In October, Jackson released a film, Moonwalker, which featured
live footage and short films starring Jackson and Joe Pesci. In the US it was
released direct-to-video and became the best-selling video cassette.[140][141] The RIAA
certified it as Platinum.[142]
In March 1988, Jackson purchased 2,700 acres (11 km2) of land near Santa Ynez,
California, to build a new home, Neverland Ranch, at a cost of $17 million.[143] He installed
a Ferris wheel, a carousel, a movie theater and a zoo.[143][144][145] A security staff of 40
patrolled the grounds.[144] Shortly afterwards, he appeared in the first Western television
advertisement in the Soviet Union.[146]
Jackson became known as the "King of Pop", a nickname that Jackson's publicists
embraced.[21][147][148] When Elizabeth Taylor presented him with the Soul Train Heritage
Award in 1989, she called him "the true king of pop, rock and soul."[149] President George
H. W. Bush designated him the White House's "Artist of the Decade". [150] From 1985 to
1990, Jackson donated $455,000 to the United Negro College Fund,[151] and all profits
from his single "Man in the Mirror" went to charity.[152] His rendition of "You Were There"
at Sammy Davis Jr.'s 60th birthday celebration won Jackson a second Emmy
nomination.[72]
1991–1993: Dangerous, Heal the World Foundation, and Super Bowl XXVII halftime
show
In March 1991, Jackson renewed his contract with Sony for $65 million, a record-breaking
deal,[153] beating Neil Diamond's renewal contract with Columbia Records.[154] In 1991, he
released his eighth album, Dangerous, co-produced with Teddy Riley.[155] It was certified
seven times platinum in the US, and by 2008 had sold 30 million copies
worldwide.[156][157] In the US, the first single, "Black or White", was the album's highest
charting song; it was number one on the Billboard Hot 100 for seven weeks and achieved
similar chart performances worldwide.[158] The second single, "Remember the Time"
peaked at number three on the Billboard Hot 100 singles chart.[159] At the end of
1992, Dangerous was the best-selling album of the year worldwide and "Black or White"
the best-selling single of the year worldwide at the Billboard Music Awards. Jackson was
also the best-selling artist of the 1980s.[160] In 1993, he performed "Remember the Time"
at the Soul Train Music Awards in a chair, saying he twisted his ankle during dance
rehearsals.[161] In the UK, "Heal the World" made No. 2 on the charts in 1992.[162]
Fans placed flowers and notes on Jackson's star on the Hollywood Walk of Fame on the
day of his death
On June 25, 2009, less than three weeks before the first show was due to begin in
London, with all concerts sold out, Jackson died from a cardiac arrest.[267] Conrad Murray,
his personal physician, had given Jackson various medications to help him sleep at his
rented mansion in Holmby Hills, Los Angeles. Paramedics received a 911 call at 12:22
pm Pacific time (19:22 UTC), and arrived three minutes later.[268][269] Jackson was not
breathing and CPR was performed.[270] Resuscitation efforts continued en route
to Ronald Reagan UCLA Medical Center, and for more than an hour after arriving there,
but were unsuccessful,[271][272] and he was pronounced dead at 2:26 pm Pacific time
(21:26 UTC).[273][274]
Jackson had taken propofol, lorazepam, and midazolam;[275] his death was caused by a
propofol overdose.[276][272] News of his death spread quickly online, causing websites to
slow down and crash from user overload,[277] and putting unprecedented strain[278] on
services and websites including Google,[279] AOL Instant Messenger,[278] Twitter, and
Wikipedia.[279] Overall, web traffic rose by between 11% and 20%.[280][281] MTV
and BET aired marathons of Jackson's music videos.[282] Jackson specials aired on
television stations around the world.[283] MTV briefly returned to its original music video
format,[9] and aired hours of Jackson's music videos, with live news specials featuring
reactions from MTV personalities and other celebrities.[284]
Memorial service
Jackson's tomb in the Holly Terrace of the Great Mausoleum, Forest Lawn Glendale
Jackson's memorial was held on July 7, 2009, at the Staples Center in Los Angeles,
preceded by a private family service at Forest Lawn Memorial Park's Hall of Liberty. Over
1.6 million fans applied for tickets to the memorial; the 8,750 recipients were drawn at
random, and each received two tickets.[285] The memorial service was one of the most
watched events in streaming history,[286] with an estimated US audience of 31.1
million.[287]
Mariah Carey, Stevie Wonder, Lionel Richie, Jennifer Hudson, and Shaheen
Jafargholi performed at the event. Smokey Robinson and Queen Latifah gave
eulogies.[288] Al Sharpton received a standing ovation with cheers when he told Jackson's
children, "Wasn't nothing strange about your daddy. It was strange what your daddy had
to deal with. But he dealt with it anyway." [289] Jackson's 11-year-old daughter Paris
Katherine, speaking publicly for the first time, wept as she addressed the
crowd.[290][291] The Rev. Lucious Smith provided a closing prayer.[292] Jackson's body was
entombed on September 3, 2009, at Forest Lawn Memorial Park in Glendale,
California.[293]
Criminal investigation and prosecution
"Thriller"
MENU
0:00
Jackson's song
"Thriller", released
as a single in 1984;
Nelson George
wrote that it uses
cinematic sound
effects, horror film
motifs, and vocal
trickery to convey a
sense of
danger. [400]
"Smooth Criminal"
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A single from the
album Bad,
released 1988,
"Smooth Criminal"
features digital
drum sounds,
keyboard bass, and
other percussion
elements; George
said it gave the
impression of a
pulsing heart.[401]
"Black or White"
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The lead single
from Dangerous,
"Black or White" is
a danceable rock
song with hard rock
elements.[402][403]
In Bad, Jackson's concept of the predatory lover is seen on the rock song "Dirty
Diana".[404] The lead single "I Just Can't Stop Loving You" is a traditional love ballad, and
"Man in the Mirror" is a ballad of confession and resolution. "Smooth Criminal" is an
evocation of bloody assault, rape and likely murder.[127] AllMusic's Stephen Thomas
Erlewine states that Dangerous presents Jackson as a paradoxical person.[405] The first
half of the record is dedicated to new jack swing, including songs like "Jam" and
"Remember the Time". It was the first Jackson album in which social ills became a primary
theme; "Why You Wanna Trip on Me", for example, protests world hunger, AIDS,
homelessness and drugs. Dangerous contains sexually charged songs such as "In the
Closet". The title track continues the theme of the predatory lover and compulsive desire.
The second half includes introspective, pop-gospel anthems such as "Will You Be There",
"Heal the World" and "Keep the Faith".[406] In the ballad "Gone Too Soon", Jackson gives
tribute to Ryan White and the plight of those with AIDS.[407]
HIStory creates an atmosphere of paranoia.[408] In the new jack swing-funk rock tracks
"Scream" and "Tabloid Junkie", and the R&B ballad "You Are Not Alone", Jackson
retaliates against the injustice and isolation he feels, and directs his anger at the
media.[409] In the introspective ballad "Stranger in Moscow", Jackson laments his "fall from
grace"; "Earth Song", "Childhood", "Little Susie" and "Smile" are operatic pop
songs.[408][409] In the "D.S.", Jackson launched a verbal attack against the lawyer Tom
Sneddon, who had prosecuted him in both child sexual abuse cases. He describes
Sneddon as an antisocial white supremacist who wanted to "get my ass, dead or alive".
Sneddon said he had not listened to the song.[410] Invincible was produced by Rodney
Jerkins.[8] It includes urban soul tracks such as "Cry" and "The Lost Children", ballads
such as "Speechless", "Break of Dawn", and "Butterflies" and mixes hip hop, pop, and
R&B in "2000 Watts", "Heartbreaker" and "Invincible".[411][412]
Vocal style
Jackson sang from childhood, and over time his voice and vocal style changed. Between
1971 and 1975, his voice descended from boy soprano to high tenor.[413] He was known
for his vocal range.[414] With the arrival of Off the Wall in the late 1970s, Jackson's abilities
as a vocalist were well regarded; Rolling Stone compared his vocals to the "breathless,
dreamy stutter" of Stevie Wonder, and wrote that "Jackson's feathery-timbred tenor is
extraordinarily beautiful. It slides smoothly into a startling falsetto that's used very
daringly."[415] By the time of 1982's Thriller, Rolling Stone wrote that Jackson was singing
in a "fully adult voice" that was "tinged by sadness".[397]
The turn of the 1990s saw the release of the introspective album Dangerous. The New
York Times noted that on some tracks, "he gulps for breath, his voice quivers with anxiety
or drops to a desperate whisper, hissing through clenched teeth" and he had a "wretched
tone". When singing of brotherhood or self-esteem the musician would return to "smooth"
vocals.[406] Of Invincible, Rolling Stone wrote that, at 43, Jackson still performed
"exquisitely voiced rhythm tracks and vibrating vocal harmonies".[416] Joseph Vogel notes
Jackson's ability to use non-verbal sounds to express emotion.[417] Neil McCormick wrote
that Jackson's unorthodox singing style "was original and utterly distinctive". [418]
Music videos and choreography
Jackson released "Thriller", a 14-minute music video directed by John Landis, in
1983.[419] The zombie-themed video "defined music videos and broke racial barriers"
on MTV, which had launched two years earlier.[40] Before Thriller, Jackson struggled to
receive coverage on MTV, allegedly because he was African American. [420] Pressure from
CBS Records persuaded MTV to start showing "Billie Jean" and later "Beat It", which led
to a lengthy partnership with Jackson, and helped other black music artists gain
recognition.[421] The popularity of his videos on MTV helped the relatively new channel's
viewing figures, and MTV's focus shifted toward pop and R&B.[421][422] His performance
on Motown 25: Yesterday, Today, Forever changed the scope of live stage shows,
making it acceptable for artists to lip-sync to music video on stage.[423] The choreography
in Thriller has been copied in Indian films and prisons in the
Philippines. [424] Thriller marked an increase in scale for music videos, and was named the
most successful music video ever by the Guinness World Records.[197]
In "Bad"'s 19-minute video—directed by Martin Scorsese—Jackson used sexual imagery
and choreography, and touched his chest, torso and crotch. When asked by Winfrey in
the 1993 interview about why he grabbed his crotch, he said it was spontaneously
compelled by the music. Time magazine described the "Bad" video as "infamous". It
featured Wesley Snipes; Jackson's later videos often featured famous cameo
roles.[425][426] For the "Smooth Criminal" video, Jackson experimented with leaning
forward at a 45 degree angle, beyond the performer's center of gravity. To accomplish
this live, Jackson and designers developed a special shoe to lock the performer's feet to
the stage, allowing them to lean forward. They were granted U.S. Patent 5,255,452 for
the device.[427] The video for "Leave Me Alone" was not officially released in the US, but
in 1989 was nominated for three Billboard Music Video Awards[428] and won a Golden
Lion Award for its special effects. It won a Grammy for Best Music Video, Short Form.[58]
He received the MTV Video Vanguard Award in 1988; in 2001 the award was renamed in
his honor.[429] The "Black or White" video simultaneously premiered on November 14,
1991, in 27 countries with an estimated audience of 500 million people, the largest
audience ever for a music video at the time.[158] Along with Jackson, it featured Macaulay
Culkin, Peggy Lipton, and George Wendt. It helped introduce morphing to music
videos.[430] It was controversial for scenes in which Jackson rubs his crotch, vandalizes
cars, and throws a garbage can through a storefront. He apologized and removed the
final scene of the video.[148]
"In the Closet" featured Naomi Campbell in a courtship dance with
Jackson. [431] "Remember the Time" was set in ancient Egypt, and featured Eddie
Murphy, Iman, and Magic Johnson.[432] The video for "Scream", directed by Mark
Romanek and production designer Tom Foden, gained a record 11 MTV Video Music
Award Nominations, and won "Best Dance Video", "Best Choreography", and "Best Art
Direction".[433] The song and its video are Jackson's response to being accused of child
molestation in 1993.[434] A year later, it won a Grammy for Best Music Video, Short Form.
It has been reported as the most expensive music video ever made, at $7
million;[435] Romanek has contradicted this.[436] The "Earth Song" video was nominated for
the 1997 Grammy for Best Music Video, Short Form.[437]
Michael Jackson's Ghosts, a short film written by Jackson and Stephen King and directed
by Stan Winston, premiered at the 1996 Cannes Film Festival. At over 38 minutes long,
it held the Guinness world record for the longest music video until 2013, when it was
eclipsed by Pharrell Williams' "Happy".[438] The 2001 video for "You Rock My World" lasts
over 13 minutes, was directed by Paul Hunter, and features Chris Tucker and Marlon
Brando.[439] It won an NAACP Image Award for Outstanding Music Video in 2002.[440]
In December 2009, the Library of Congress selected "Thriller" as the only music video to
be preserved in the National Film Registry, as a work of "enduring importance to
American culture".[441][442] Huey wrote that Jackson transformed the music video into an
art form and a promotional tool through complex story lines, dance routines, special
effects and famous cameos, while breaking down racial barriers.[8]
Honors and awards
See also: List of awards and nominations received by Michael Jackson
Thriller platinum record on display at the Hard Rock Cafe, Hollywood in Universal City,
California