Expounding On Liber Trigrammaton PDF
Expounding On Liber Trigrammaton PDF
Expounding On Liber Trigrammaton PDF
Liber Trigrammaton
sub Figura XXVII
By
Frater Centaurus
3°=8□
Preface
By
Greatly Honored Frater
Zoel Dana Kaim/Caim
As a project, Trigrammaton is made to stir minds in the time to come, and seeing it again, I wonder what
did Crowley really did with the trigrams? Trigrammaton is a sequel, which is a prelude to the classic eight
trigrams of I Ching. In the first nineteen trigrams of this work, there appears a void symbolized by an
asterisk. What is this? The asterisk is bound to be called something like: the source, the unknown factor,
zero, or the harmonized but alien fundament. The use of this symbol changes the interpretation of the
components of the trigram, the Yin and Yang. The trigrams are composed of what we can see as a binary
code ; zero & one, and Crowley changes this by recreating this scheme into the classic Egyptian triadic
way, of which we find again in Hegel‟s dialecticism. As the asterisk is a balanced nihil, the broken line
now truly becomes a negative zero, a real minus.
As the Ogdoad and the processes within Ain Soph Aur become more known, it would seem reasonable to
ascribe more of Trigrammaton to that which is beyond Kether. The transition between Trigram Nineteen
and Trigram Twenty could be used herein, as this is where the use of the unknown factor is omitted. To
describe the processes beyond, the school of Hermiopolis used the same as in the Ennead. The Ogdoad
counted one less, as its final outcome, the ninth was the first of the Ennead, and the first was quite
unknown, thus it had the structure of the Ennead implicit.
Liber Trigrammaton
sub Figura XXVII
Although the main body of this Liber is Class A, the attribution of letters to the
English Alphabet is not of that level. These letters were added at a later date by
Crowley, and with the later revisions of Liber DCCLXXVII, form one approach
toward an English Qabalah. Commentary by Crowley is in brackets;
commentary by Centaurus in italics, just below it. The appendices are from
other sources.
Being the Book of the Trigrams of the Mutations of the Tao with the Yin and the Yang
This is certainly a unique concept; a mutating Dao, and it extends the idea of a trinity.
We see the Dao interacting with its two manifestations, the Yin and the Yang. There is
also a certain corollary that can be drawn with Madame Helena Blavatsky‟s Book of
Dzyan and as well, this work can be seen as a strong appendage to the Chinese wisdom
of the Yi Jeng and the Dao De Jing.
*
*
*
Here is Nothing under its three forms. It is not, yet informeth all things.
The three asterisks represent the Ain Soph Aur. But a hint of Kether is
here in that all things are informed therefrom.
1H/2
*
*
—
Now cometh the glory of the Single One, as an imperfection and stain.
The top two asterisks represent Harmony and Purity. The dash below
them represents disruption by way of the quest for selfhood. As per the
myth of Qabalistic generation, the Ain Soph Aur formulates a center. This
center is the first hint of manifestation and represents a disturbance in the
Dao. The momentum is downwards as any disturbance carries
weightiness, much the same as the emotional baggage that humans carry.
The quest for selfhood is an emotion in the form of desire; the bud-will.
And as the Supernal Sephiroth are really one and the same, the allusion to
Chokmah is here suggested. Also, regarding the “Single One,” there is
recursive detail in that Liber Cordis Cincte Serpente provides more on the
nature of this “imperfection and stain.” Cf. Liber LXV:II.5-61
2A/3
*
*
--
1
LXV:II.5 “I suffered the deadly embrace of the Snake and of the Goat; I paid the infernal homage to the shame of Khem.”
Crowley‟s commentary:
It accepts the formulae of:
(a) Duality,i.e., life as vibration.
(1) Death.
(2) The illusion of Knowledge.
(b) Exile.
(1) The Hunger of Lust.
(2) Labour.
It acquiesces in the shame of being a God concealed in animal form.
LXV:II.6 “Therein was this virtue, that the One became the all.”
Crowley‟s commentary:
The object of this act is to realize the possibilities of one's unity by representing its wholeness as an infinite nu mber of particular
cases, just as one might try to get an idea of the meaning of ``poetry'' by studying all available poems. None of these can be more than
one imperfect illustration of the abstract idea; yet only through these concrete images can one get any understanding of what it
means.
2
Knowing the Mother, we may know her offspring. He that knoweth his Mother, and abideth in her nature, remaineth in
surety all his days.
Motta‟s commtary
This verse has nothing to do with genetics on one side, and Momism on the other. Cf. LXV:II.1-6
the „here and now.‟ An inference may then be drawn that due to a
previous equilibration, consciousness becomes possible; as if to show the
Ain Soph Aur formulating its center so that it might know itself.
3D/4
*
—
*
Also the purity was divided by Strength, the force of the Demiurge.
The Demiurge is the false God of Genesis that separates the Waters. This is the assertion
of selfhood into Da‟ath. The asterisks now represent the waters, separated (above and
below) by the dash, as the dash becomes Choronzon.3 The net result is the assertion of
the identity of the Universal Mind.
Graphically, this trigram identical with the division sign used in mathematics.
4T/5
*
--
*
And the Cross was formulated in the Universe that as yet was not.
3
Crowley writes in Qabalistic Dogma: “It is important to explain the Position of Daath or Knowledge
upon the Tree. It is called the Child of Chokmah and Binah, but it hath no Place. But it is really the Apex of
a Pyramid of which the three first Numbers for the Base.
Now the Tree, or Minutum Mundum, is a Figure in a Plane of a solid Universe. Daath, being above the
Plane, is therefore a Figure of a Force in four Dimensions, and thus it is the Object of the Magnum Opus.
The three Paths which connect it with the First Trinity are the three lost Letters or Fathers of the Hebrew
Alphabet.
In Daath is said to be the Head of the great Serpent Nechesh or Leviathan, called Evil to conceal its
Holiness. (scn = 358 = cysm, the Messiah or Redeemer, and ] t y v l= 496 = t v q l m, the Bride.) It is
identical with he Kundalini of the Hindu Philosophy, the Kwan-se-on of the Mongolian Peoples, and means
the magical Force in Man, which is the sexual Force applied to the Brain, Heart, and other Organs, and
redeemeth him.”
[„X‟ Combines „K‟ and „S‟]
We may also draw from this, a certain reference to the formula of Liber
XXXVI; therein, the appearance of Set in the Circle annihilates the
operators (2=0). Set becomes the imperfection, the “shame of Khem” and
the stain in the tomb. Cf. AL:III.34.4
That the cross is formulated in the Universe as a result of the force of the
Demiurge associates the cross with the Demiurge.
5E/6
—
*
*
But now the Imperfection became manifest, presiding over the fading of
perfection.
The Demiurge asserts its dominance over both waters, whose preeminence
it denies and covers up. This is the One becoming the All and suffers the
“shame of Khem” as per Liber LXV:I.5-6. Set is then the Prince. We see
here also, the Ain Soph or even the Soph Aur brought down into the Ruach
& Assiah as the manifestation of Fermions in the electromagnetic Aethyr.
The transition back, from the past to the present, shows the “shame of
Khem.” This is the “imperfection” of the One becoming the All. Notice in
4
AL III.34: "But your holy place shall be untouched throughout the centuries: though with fire and sword it be burnt down &
shattered, yet an invisible house there standeth, and shall stand until the fall of the Great Equinox; when Hrumachis shall
arise and the double-wanded one assume my throne and place. Another prophet shall arise, and bring fresh fever from the
skies; another woman shall awake the lust & worship of the Snake; another soul of God and beast shall mingle in the globed
priest; another sacrifice shall stain the tomb; another king shall reign; and blessing no longer be poured To the Hawk-headed
mystical Lord!"
From Crowley‟s commentary:
Another sacrifice Love is the Magical Crucifixion, &c., as
shall stain Formula: Sex as the Key to the Magical
the tomb Life. "The tomb" -- the Formula. Death as
temple of Love the Key to Life.
"The tomb" -- the
coffin or grave.
the next verse, the woman (the All) connected to this by use of the word
“Also.”
6M/7
--
*
*
Also the Woman arose, and veiled the Upper Heaven with her body of
stars.
[„Y‟ when distinct from „I,‟ dignifies the vowel to which it is prefixed.]
Nuit becomes the Daughter, awakening the Eld of the King (Cf. the Signs
of N.O.X. in Liber V vel Reguli). Nuit as consort of the Demiurge
(Pan/Choronzon=Demiurge?)5 dwells in his same place as she lay with
him and is one with him. Considering Crowley‟s teaching in the footnote
below, it should be obvious that a study of the Starry Gnosis and the role
of both the Redeemer and the Leviathon will provide greater insight into
the importance of this. Also note Liber CCXXXI and Kenneth Grant‟s
work on this.
7N/8
*
—
—
Now then a giant arose, of terrible strength; and asserted the Spirit in a
secret rite.
5
Crowley writes in Qabalistic Dogma: It is important to explain the Position of Daath or Knowledge upon
the Tree. It is called the Child of Chokmah and Binah, but it hath no Place. But it is really the Apex of a
Pyramid of which the three first Numbers for the Base.
Now the Tree, or Minutum Mundum, is a Figure in a Plane of a solid Universe. Daath, being above the
Plane, is therefore a Figure of a Force in four Dimensions, and thus it is the Object of the Magnum Opus.
The three Paths which connect it with the First Trinity are the three lost Letters or Fathers of the Hebrew
Alphabet.
In Daath is said to be the Head of the great Serpent Nechesh or Leviathan, called Evil to conceal its
Holiness. (scn = 358 = cysm, the Messiah or Redeemer, and ] t y v l= 496 = t v q l m, the Bride.) It is
identical with he Kundalini of the Hindu Philosophy, the Kwan-se-on of the Mongolian Peoples, and means
the magical Force in Man, which is the sexual Force applied to the Brain, Heart, and other Organs, and
redeemeth him.
[„P‟ As to „B‟ as „K‟ is to (hard) „G.‟ Bursting of a bud as against that of a fruit.]
The two dashes are the Annunaki and the Nephilim6 having fallen from the heavens, with
the asterisk representing the star, Lucifer, the Guardian Angel of humanity as per the
ancient Hebrew legend. The “secret rite” is the Sons of God mating with the Daughters
of Men. The spirit asserted is the dot on top as the bottom line is the imperfection and
stain per the second trigram.
Two states of time, “Now” and “then” are given with the first two words of the
corresponding verse to this Trigram. But it may be seen as a story telling convention,
making it obvious that this is an historical account of creation; not unlike Blavatsky‟s
Secret Doctrine, but with greater succinctness.
8I/9
*
—
--
And the Master of the Temple balancing all things arose; his stature was
above the Heaven and below Earth and Hell.
The dash becomes the firmament (per the second trigram) as the Abyss, between the
Ruach and Supernals, with the star(s) above that the Magister Templi casts as he or she
successfully traverses the Abyss and simultaneously reflects down into the Ruach. The
broken dash is then the Ruach (Earth), being dual-natured; with Hell being it‟s nightside.
Notice also that this symbol is the exact reverse of that of the Black Brothers, symbol 18
(numbered 17) and that the Master is referred to in the singular as the Black Brothers
are referred to in the plural.
9F/10
*
--
—
The dash is the Black Brother; he seeks to rule the world; to generate order in Assiah.
By putting the astral body of the dual-natured Ruach, into the Abyss (indicated by the
broken dash taking the place of the line of the firmament in the previous trigram) as in
the Christian mystery with the bodily assumption to Heaven, the key to the working of the
Tree-of-Life is confused. Therefore, they present the perversion of the MT formula; they
6
The Nephilim would also be the Titans in Greek mythology. Cf. Reign of the Demiurge.
are Qliphotic and blind forces that would bring the ego into the Abyss and find the false
crown.
Against him the Brothers of the Left-hand Path, confusing the symbols.
They concealed their horror [in this symbol]; for in truth they were
- -7
—
*
This is an inversion that hides the light of the stars, as if trapped in matter; this being
also an illusion. And we can deduce from this an allegory of the Night of Pan. The
“Brothers” (plural) being the “Master” (which we can deduce from the stature of the
Master), must be One. This is perhaps, why it is said that there is no Black Lodge, from
which we can infer that they ultimately are destroyed and absorbed into the body of the
“Master.”
10S/11
*
--
--
The master flamed forth as a star and set a guard of Water in every Abyss.
[„W‟ When distince from „U‟ represents the operation of choice. „U‟ does this to some
extent. (Will, word, way.)]
“every Abyss” would seem to refer directly to Da‟ath, and Qesheth. They enclose the
Ethical and Astral Triads, being the ones that have the apex of their triangles pointing
downwards, as is drawn the Alchemical symbol for water.
We might also state that as the “master” sets a “guard,” that this “water” or emotion is
that of fear; a blind cast forth by the Guardian of the Threshhold who is also the “giant”
that “arose” in a preceding verse.
The traversal of the Abyss of Da‟ath is shown by the solid line of the last trigram being
broken; as if broken through or busted through. These two abysses are also the two
entrances to the nightside of the Tree-of-Life.
7
This is the 18th Trigram, numbered 17.
11O(20)/12 [EQ value in parentheses]
—
*
—
The secret ones are the Secret Chiefs on the one hand, but it‟s interesting to note that
Moses persecuted the Nephilim. The light hidden in these Sons of Light is the light
hidden in the Ruach with it‟s 5 th Dimensional8 nature being as if passive or negative to
the waters; normally shown as broken dashes, indicative of their feminine nature.
The light of purity (the 1 st Trigram, numbered Zero; the AIN, which is also NOT and
Silence) is that ineffable secret that can‟t be communicated. It is represented by the dot,
and is concealed between two walls, indicated by the dashes. These also serve as
counter-charged poles with the dot transcending this polarity. The dot is also the spark
of the Pleroma, the light of consciousness and being.
12U(30)/13
—
*
--
Likewise also did certain sons and daughters of Hermes and of Aphrodite,
more openly
The Starry Gnosis showing itself more plainly in Greek mythology. And so the revelation
of the sky is Yang or male, as indicated by the unbroken dash. Note also, that the Greeks
worshipped the male form. But the Nephilim were men and women, being the sons and
daughters of the mating of the Sons of God with the Daughters of Men. The lower pole of
the last trigram is the world of duality, the microcosm; indicated by the broken dash.
8
Cf. Testing the Night of Pan.
13V(40)/14
--
*
—
But the Enemy confused them. They pretended to conceal that Light that
they might betray it, and profane it.
[„Z‟ An irritated or excited form of „S,‟ emphasizing elements of anger and alarm.]
The top dash of the previous trigram is now broken, as if representing the light perspiring
upwards. This gives one the impression of being “white and glistening 9.” The buster
upper pole represents the macrocosm, which is the starry fabric of the body of Nuit; per
seventh trigram. The lower line is that imperfection and stain; per the second trigram.
14L(50)/15
--
*
--
Yet certain holy nuns10 concealed the secret in songs upon the lyre.
Nuns=none/not/zero; Priestesses of Nuit; Babalon. The Bards sang these songs of love
that to this day and as always, have been equated with the stars; represented by the
asterisk. It is these “nuns” that have drawn the song from them. These “nuns” may also
be the Bacchantes; the priestesses of Eleusis.
9
LXV.I:18 - So also the light that is absorbed. One absorbs little, and is called white and glistening; one absorbs
all and is called black.
10
Nun=Death Atu=50 or 5(Man)x10(whole ToL or complete creation); hence the complete, manifested being. By complete here, it is
meant, fully attained. These are the Secret Chiefs and the bardic songs that hold their secrets.
The true nature of the light that they draw is the inscrutable secret that cannot be
communicated, but is revealed to the wise. It is the key to incredible power. Graphically,
the trigram represents the feminine mystery. The broken dash above represents Nuit (the
music of the spheres) as the one below, Babalon (the lyre). The star in-between is the
light.
15G(60)/1611
—
—
*
Now did the Horror of Time pervert all things, hiding the Purity with a
loathsome thing, a thing unnameable.
That which is “unnameable” would be Hadit. Cf. AL:II.4. 12 In its loathsomeness, it may
then be as the “caress of Hell‟s own worm” as found in AL:II.62 or the „blind creature of
slime.‟ With the transition back to the present tense, time may be seen as the source of
“Now;” deriding „Because,‟ which more directly involves consideration of the past and
the future.
16C(70)/17
—
--
*
11
The two numbers assigned to this Trigram are equal to 31. It‟s interesting that the value of G is 60 in the EQ, which is the Art Atu
(that which leads to Tiphareth). Not (31) being the Key to AL, is expressed here also as 5 th 8 th and 12 th Trigrams, which together equal
25, the number of Man; note the comment about Hadit; the loathsomeness being Hell‟s own worm. Hadit most closely represents
then, the Giant of terrible strength discussed in the 8 th Trigram. But also the Cross of Light at the intersection of which is the heart and
the 5 th Trigram (again, 5 being the number of Man); and also the secret one that hides the light of purity (secretion of the light) and
that which is not known as per his chapter in Liber AL. Of the lesser numbers of the Trigrams (the ones on the left that start with Zero
for the first Trigram, we get the letters EIU. The Manifestation of Imperfection, presiding over the fading of Perfection; t he Master of
the Temple balancing all things and the Sons and Daughters of Hermes and Aphrodite openly hiding the light of purity in themselves.
The Perfection of course is NOT and the MT is NOT with the light of Purity being that NOT that is the Ain Soph Aur or limitle ss
light.
12
AL II.4: "Yet she shall be known & I never."
Crowley‟s commentaries:
DJIERIDENSIS
She is known, as He goeth on His Way, and doth His Will; each Event adds to His Knowledge of Her Nature.
He cannot be known, for He hath no parts whereby to define Him.
THE OLD COMMENT
The circumference of Nuit touches Ra-Hoor-Khuit, Kether; but her centre Hadit is forever concealed above Kether. Is not Nu the
Hiding of Hadit, and Had the Manifestation of Nuit? (I later, Sun in Libra, An. VII, dislike this note; and refer the student to Liber XI
and Liber DLV.
THE NEW COMMENT
See later, verse 13, "Thou (i.e. the Beast, who is here the Mask, or "per-sona," of Hadit) wast the knower." Hadit possesses the power
to know, Nuit that of being known. Nuit is not unconnected with the idea of Nibbana, the "Shoreless Sea," in which Kno wledge is
Not.
Hadit is hidden in Nuit, and knows Her, She being an object of knowledge; but He is not knowable, for He is merely that part of Her
which She formulates in order that She may be known.
Yea, and there arose sensualists upon the firmament, as a foul stain of
storm upon the sky.
The sensualists are dualists, indicated by the unbroken dash. It is the center line that was
the firmament in the ninth trigram. The storm here refers back to the cloud, discussed in
my comment, above. But here, on a lower level, it is not the Black Brotherhood, but its
dupes. Returning to the past tense, and for the remainder of this holy book, a “storm
upon the sky” seems an indication of the lightening flash that created life. It‟s as if life is
a simultaneous creation of past, and present. Prophecy added into this, includes then, all
three tenses brought into the manifested moment called „Now.‟
17P(80)/18
- -14
—
*
And the Black Brothers raised their heads; yea, they unveiled themselves
without shame or fear.
The Black Brothers stand between the star (asterisk) and the sky (broken dash). These
dupes; false prophets, comprise a false lodge that really doesn‟t exist. They pose as
intermediaries between the above and below in a denigration of human dignity.
18Y(90)/19
--
--
*
Also there rose up a soul of filth and of weakness, and it corrupted all the
rule of the Tao.
[„N‟ The vibration which includes Life and Death as complementary Curves.]
The broken dash at the top of the trigram represents the false universe or the Earth out of
its proper place; it should be below. The broken dash in the middle represents the false
soul, shown by the Black Brotherhood. And the asterisk stands alone to represent the
Dao.
13
Variant reading, “defense.”
14
This Trigram is also appended to the verse connected with the 10 th Trigram, numbered 9. It is the Trigram of the false prophets and
gurus, cult leaders and antichrists.
19R(100)/20
—
—
—
Then only was Heaven established to bear sway; for only in the lowest
corruption is form manifest.
The truth now, is only found in matter, as all three veils are a sealing off of human
awareness. The three lines represent the completed ToL and the three triads thereof.
The involution is complete and then emanates Malkuthy “the lowest corruption” wherein
form is manifest.
20W(200)/21
—
—
--
[„R‟ Continuous vibration, like „L‟ but active. (Air of the Aethyr.)]
Into this depth (matter), the violet light; the light beyond eyesight is discovered by the
materialists—modern physicists—the ultra-violet that can destroy eyesight. It is as if the
male, solar-phallic light of the previous trigram hides it.
21B(300)/22
—
--
—
The soft light is the light of individual consciousness, which of necessity asserts itself as a
response to blindness. Interpreting the extremely yang nature of the twentieth trigram by
its gender, the anima or subconscious is equilibrated.
22K(400)/23
--
—
—
And through the violet light and the assertion of consciousness, heaven is rediscovered
and the code of the Starry Gnosis is again revealed through those prophets; now
emerging from amongst us. The broken line is the Water of Heaven.
23J(500)/24
—
--
--
The heavens are brought down to the Earth and found hidden in matter. This is the
redemption of matter; the resurrection of the body. The “crust of earth” and the
firmament is indicated by the dash. The Water becomes the Fire of Earth as shown in the
two sets of broken dashes.
The fire shown by the broken dashes, emanates downwards in direct correlation with the
26th Trigram, numbered 25.
24Z(600)/25
--
—
--
Humanity discovers itself as equal to the Demiurge and takes its rightful place between
the above and the below; becoming the crowned Prince. Here again, the firmament is
represented by a male dash, surrounded by air as the female or broken dashes. This is
Earth in its receptive form receiving the Fire from above16.
25X(700)/26
--
--
—
[„U‟ Like „O‟ with added refinement and a tinge of melancholy. „O‟ is completely self-
confident. (Fire.)]
The fiery passion of the human soul, then celebrates the joy of existence. The Fire lifts
itself to the sky and the Heavens; both the vaulted one revealed in the seventh trigram
and the one beyond it. The two broken dashes over the solid dash graphically depicts fire
as if emanating or radiating from a log of wood.
26Q(800)/27
--
--
--
Therefore was the end of it sorrow; yet in that sorrow a sixfold star of
glory whereby they might see to return unto the stainless Abode; yea, unto
the Stainless Abode.
[(Vulva).]
The above and below are then united in the Adept, who has mastered the mystery of the
Temple, which is life itself. The three broken lines bring us full circle, back to the three
dots of the first trigram. Both have a feminine or passive quality. The broken dashes
represent the passive spiritual energy and the three dots represent the active spiritual
force.
The three triads of Trigram 20; numbered 19, here express the ToL in the world of
duality. Assigning the letter Q to this is significant as the letter depicts a completed
Universe (the circle) with the attached line as the emanation that points to Malkuth and
manifestation.
15
The moon is not considered to be a light, but as a cohesion of the planet‟s atmosphere.
16
Cf. The Golden Chain of Homer.
Appendices
Appendix
Introduction to 2nd edition of Book Chameleon
by C.F. Russell
A single line, ---------, whole called YANG, is male, manifestly but occultly
female; a double or divided line, --- ---, called a YIN is outwardly female
but secretly male, These grams, YAO, stand for the primary sexual
elements in macrocosm, universe & microcosm, human being. In YI KING
a Yang is often spoken of as a "nine", a Yin , a "six", former odd, latter
even. Creation comes from their combination & permutation. Visible
arrangement, however, is less important than invisible -what dwells
between lines must never be lost sight of. Two at a time they generate four
different HSIANG digrams, to illustrate TETRAGRAMMATON formula
-
See comment under Hex #31. Next step combines Yangs with Yins three at
a time, to get Eight Trigrams, KWA, tabulated with names & attributes in
the Logical Order. Four & five-fold figures are studied in our
TROPERMIC CALCULUS & GRAMMAR OF CHANGES (1944). The
six-fold figure, LOOK YAO, is produced by joining Ye Kwa & interpreted
by shape & inner configuration & relationships. Besides meaning of two
obvious trigrams we get in each case two "nuclear" hexes, first made by
counting (up) 2nd, 3rd, 4th grams to combine with 3rd, 4th & 5th. Thus in
#43, first nuclear hex combines kwa from grams 5,6,1 with 6,1,2; in #43
this will repeat 3X6; but e.g. in #44, first nuclear hex is #43 & second is
8X8, =#64. In KI TZI, ruler of Hex is 2nd place "six", although weak it
succeeds by corresponding to strong "nine" in 5th place. We begin with
strong nine in 1st place but 2nd place six yields to it -& so on with the
analysis & interpretation which goes on behind the scenes to get the
oracles. Correct technic makes Magical the erection & evokes Spirit
assigned to Hex.
Consecrate female die with your own feminine potency which proceeds
from right hand of man or left hand of woman; for NARM ZHAI use
masculine power by holding it always in left hand of man or right of
woman. Be careful not to spoil these talismans by contact with wrong
hand. Throw them simultaneously upon specially made SQUARE . There
the hexes are put in Logical Order -from 1 to 64, figures or tzu wen -#1,
Lingam of Lingam, in Magical East whole Square is oriented by this
corner pointing usually toward immediate source of fresh water, TSAO.
Files, TSUNG each have one & the same upper, Major KWA, respectively;
ranks, WANG, same lower or SIAO KWA throughout. From top to
bottom & left to right in each case margins or parameters read 1 2 3 4 5 6
7 8, or KHIEN SUN LI KAN TUI KHAN CHAN KHWAN - see Table of
FU-HSI by GENESTHAI. p.0. wha shik tzu Alchemical symbols. #43 is in
third wang of dai look tsung nai siao fong.
Cast the two dice, pairing them thrice, upon the logical Square to erect
Look Yao. Gram is either Yin or Yang as sum of pips uppermost after
throw is even or odd. Three throws set up male, or Minor; the three
simultaneous YIN ZHAI throws erect Major, TA KWA. Suppose after
first throw male shows 3 & female 4; next gives 2&5; finally 1&6; then tzu
Hex is LI of KHAN, KHI TZI, always pertinent to circumstances &
problems of the moment -it takes the scene & applies to each & every
participant in ceremony. Kon p. 43 of Text for verses of the Thwan & Yao
-here meaning is Perfected Work, Complete Success. Our friend WAW has
composed an Essay on #43 -see Appendix. Since all things necessarily are
restricted, we do not rest on our laurels but are aware of being close to
frontier of new disorders -as Confucius says, "Superior Man, KIUNG
TSZ, thinks of Evil that may come & guards against it beforehand." In #43
yangs &yins all correspond in nature with places they occupy, alternating
light & dark, strong & weak, hard & soft. When YAO thus agree with
place auspice is best, else vai hiung!
* Matthew XXI, 9
John XIV, 13-14
Appendix
Circular Key to the Hexagrams from 2nd edition of Book Chameleon
Circular Key to the Digrams &Trigrams from 2nd edition of Book
Chameleon
The Table of FU-HSI
from "Book Chameleon"
by Fr. Genesthai
KHIEN
Meaning: Creative Power
Attributes: Lingam. Creative Impulse, Heaven, The Sky
Sphere: Daath
Force: Saturn, Zodiac & higher
Color: Black, brown, gray
LI
Meaning: Brightness, Elegance
Attributes: The Sun. Spirit-Self, Manas, Realization, Lightning
Sphere: Tiphareth
Force: Sol
Color: Yellow
KAN
Meaning: Solidifying, resting, act of arresting.
Attributes: Earth. Hills, Mountains
Sphere: Netzach
Force: Venus
Color: Green
KHAN
Meaning: Restriction, fixation, peril, difficulty
Attributes: The Moon. Darkness, Defiles, Caves, Rain, Clouds, Springs, Rivers
Sphere: Yesod
Force: Luna
Color: Violet
CHAN
Meaning: Moving, Exciting Power
Attributes: Fire. The Will, Thunder
Sphere: Geburah
Force: Mars
Color: Red