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Short Chronology of Jazz History

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The passage provides a detailed chronology of the history of jazz from the early 1900s through the 1980s, highlighting important musicians, recordings, and styles that developed over time.

Events in the 1920s included Louis Armstrong's recordings with King Oliver's Creole Jazz Band and his pioneering Hot Five recordings, Duke Ellington's recordings and Cotton Club engagement, and Jelly Roll Morton's Red Hot Peppers recordings.

Musicians and groups mentioned include Miles Davis with modal jazz on 'Kind of Blue' and John Coltrane's recordings exploring modal and free jazz, Ornette Coleman's pioneering free jazz, and Charles Mingus recording albums like Mingus Ah Um.

Short chronology of jazz history

1619 o The first African slaves are sold to Virginia planters.


1817 o New Orleans city council establishes "Congo Square" as an official
site for slave music and dance.
1892 o Tom Turpin writes Harlem Rag, the first known ragtime
composition.
1893 o Scott Joplin plays at World's Columbian Exposition in Chicago.
1895 o Scott Joplin begins publishing his rags.
o Buddy Bolden's first band is formed.
1899 o Joplin's "Maple Leaf Rag" launches a national ragtime craze.
1902 o Year in which Jelly Roll Morton claims to have invented jazz.
1907 o Buddy Bolden committed to mental institution.
1912 o Freddie Keppard takes New Orleans group to Los Angeles.
o W. C. Handy writes Memphis Blues.
1913 o Word "jazz" first appears in print.
1914 o Handy writes St. Louis Blues.
1915 o King Oliver forms band in New Orleans.
1916 o Freddie Keppard refuses to record for Victor.
1917 o Joplin dies; the classic era of ragtime ends.
o Original Dixieland lass Band makes the first-ever jazz recording.
o The U.S. Navy closes New Orleans's Storyville red-light district;
jazz musicians be to leave the city for the North.
1918 o King Oliver leaves New Orleans for Chicago.
1919 o Sidney Bechet leaves New Orleans to tour Europe.
o Ernest Ansermet praises artistry of Bechet.
o Original Dixieland Jazz Band in London.
o Will Marion Cook's American Syncopated Orchestra in London
and Paris.
1920 o Mamie Smith cuts Crazy Blues, the first blues record.
1921 o James P. Johnson records Carolina Shout.
1922 o Armstrong joins Oliver in Creole Jazz Band in Chicago.
o Kid Ory records in Los Angles with Spikes's Seven Pods of Pepper
Orchestra.
1923 o King Oliver, Jelly Roll Morton, Sidney Bechet, and Louis
Armstrong make their first recordings.
o King Oliver's Creole jazz Band (with Louis Armstrong on board)
makes it big in Chicago.
o Fletcher Henderson forms 10-piece band, joined by Coleman
Hawkins.
o Don Redman becomes the first major jazz arranger (for Fletcher
Henderson).
o Bennie Moten puts Kansas City jazz on the map with his band's
first recordings.
o Ellington returns to New York.
1924 o Bix Beiderbecke records with the Wolverines.
o Armstrong joins Henderson in New York.
o Paul Whiteman commissions Rhapsody in Blue from George
Gershwin.
1925 o Louis Armstrong begins the Hot Five series of recordings.
o Ellington's first recordings as a leader.
1926 o Jelly Roll Morton makes his Red Hot Peppers recordings in
Chicago.
1927 o Ellington opens 5-year engagement at Cotton Club in New York,
including York, including national radio broad casts.
o Armstrong Hot Seven recordings.
o Earl Hines joins Armstrong.
1928 o Louis Armstrong records the landmark West End Blues and the first
great recorded jazz solo.
o Count Basie joins Walter Page's Blue Devils.
o Pinetop Smith records Pinetop's Boogie Woogie
1929 o Armstrong records with big bands.
o The important Casa Lorna Orchestra makes its debut recordings.
o Count Basie joins the Bernie Moten Orchestra.
1930 o Cab Calloway becomes a Cotton Club regular.
o Ellington makes first hit recording, Mood Indigo.
1932 o Sidney Bechet kicks off a New Orleans jazz revival with his New
Orleans Feetwarmers.
o Ellington records his first big swing hit: It Don't Mean a Thing If It
Ain't Got That Swing.
o Armstrong visits Europe.
1933 o Art Tatum cuts his first records.
o Ellington, Sophisticated Lady.
o Billie Holiday makes her first recordings (with Benny Goodman
and His Orchestra).
o Ellington and band tour Europe.
1934 o Jimmie Lunceford's band begins recording.
o The Benny Goodman Orchestra is broadcast nationally on radio, he
starts "Let's Dance" series on network radio.
o Ella Fitzgerald debuts with the Chick Webb Orchestra.
o Fats Waller and His Rhythm record.
1935 o Bob Crosby Orchestra combines Dixieland and swing
o After much struggle, the Benny Goodman Orchestra becomes an
"overnight" sensation at the Palomar Ballroom, Los Angeles; the
swing era is officially underway.
o Bennie Moten dies; protege Count Basie forms his own orchestra
with many Moten players.
o Tommy and Jimmy Dorsey break up the successful Dorsey
Brothers Band; each forms his own band.
o Dizzy Gillespie replaces Roy Eldridge in Teddy Hill Band.
o Stéphane Grappelli and Django Reinhardt record together for the
first time.
1936 o Woody Herman forms his first band.
o Record producer John Hammond "discovers" the Count Basie band
while listening to his car radio.
o First Lester Young dates with Count Basie combo.
o Artie Shaw forms his first orchestra.
1937 o Trumpeter Bunny Berigan forms a big band.
o Basie begins recording.
o Glenn Miller forms his first band.
o Charlie Parker joins Jay McShann Band.
o Dizzy Gillespie makes his first recordings.
o Duke Ellington's Puerto Rican valve trombonist Juan Tizol
composes Caravan, introducing Latin jazz.
o Goodman records Sing, Sing, Sing.
1938 o Benny Goodman triumphs at Carnegie Hall.
o First John Hammond "Spirituals to Swing " concert at Carnegie
Hall.
o The John Kirby Sextet introduces small-ensemble swing.
o Jelly Roll Morton is rediscovered; records for the Library of
Congress. Eddie Condon records Dixieland revival material.
o Ella Fitzgerald records A-Tisket a-Tasket with Chick Webb.
1939 o Charlie Barnet makes it big.
o Harry James starts his own big band.
o Glenn Miller's orchestra reaches the height of its popularity.
o Ella Fitzgerald assumes leadership of the Chick Webb Orchestra
when its leader dies.
o Coleman Hawkins records Body and Soul.
o Charlie Christian joins the Benny Goodman Orchestra and
introduces electric guitar in.
o Parker goes to New York, plays at Monroe's Uptown House.
o Billie Holiday records Strange Fruit.
1940 o Dizzy Gillespie and Charlie Parker meet. Bandleader Machito
forms the Afro-Cubans.
o Ellington records Concerto for Cootie and Koko.
o Harry James forms own band; hires Frank Sinatra.
1941 o Gene Krupa scores several hits.
o Stan Kenton forms his first orchestra.
o Jam sessions at Minton's Playhouse and Monroe's Uptown House
mark the beginning of bebop.
o Parker's first recordings with McShann.
o Gil Evans joins Claude Thornhill Orchestra.
1942 o Glenn Miller joins the U.S. Army Air Corps.
o Lionel Hampton has a vibraphone hit with "Flying Home.
o The recording strike begins.
o Max Roach joins Parker at Monroe's.
o Bunk Johnson cuts first New Orleans revival records.
1943 o Duke Ellington triumphs at Carnegie Hall with Black, Brown, and
Beige . Hines's big band features Charlie Parker, Dizzy Gillespie
and Sarah Vaughan.
1944 o Woody Herman's orchestra becomes the First Herd.
o Glenn Miller dies in an air crash over the English Channel.
o Billy Eckstine forms a bop big band.
o Coleman Hawkins leads a bop session.
o Thelonious Monk composes 'Round Midnight.
o Norman Granz presents first "Jazz at the Philharmonic" concert.
1945 o Recording heyday of Parker and Gillespie : Shaw Nuff, Hot
House…
o Miles Davis makes his first records.
1946 o Major big bands begin to break up.
o Gillespie forms a successful bop big band.
o Lennie Tristano makes his first records.
o Parker records Ornithology and Confirmation.
o Stravinsky writes Ebony Concerto for Woody Herman and his
band.
1947 o Gillespie introduces Cubana Bop (Afro-Cuban jazz) to bebop.
o Thelonious Monk cuts his first records.
o Bud Powell makes his first trio recordings.
o Herman's second Herd records Four Brothers.
1948 o Miles Davis forms his highly influential nonet.
o Stan Getz records Early Autumn.
1949 o High-watermark of the bop era; big bop concert at Carnegie Hall.
o Tristano records with his sextet, which includes Lee Konitz, Warne
Marsh, and other major "cool school" players.
o Sonny Rollins makes his recording debut.
o Stan Kenton and Benny Goodman both commission Afro-Cuban
arrangements from Chico O'Farrill.
o Lennie Tristano's Intuition and Digression are the first « pre » free
jazz improvisations.
o Miles Davis's "Birth of the Cool" recordings are issued; "cool jazz"
is born.
o George Shearing organizes quintet.
1950 o Bop's popularity wanes.
o The Dave Brubeck Trio enjoys popularity.
o Horace Silver is "discovered" by Stan Getz.
o Basie organizes septet. Kenton organizes 40- piece Innovations in
Modern Music Orchestra.
1951 o Brubeck forms a quartet featuring altoist Paul Desmond.
o Miles Davis makes his first ("pre") hard bop recordings (with
Sonny Rollins and Jackie McLean).
o Kenton records Graettinger' s City of Glass.
1952 o Modern Jazz Quartet makes its debut recordings (Vendome and La
Ronde).
o Chet Baker and Gerry Mulligan are the core of a pianoless quartet.
o Miles Davis leaves the "cool school" and starts playing hard bop.
o Gerry Mulligan organizes quartet without piano.
o Granz takes "Jazz at the Philharmonic" to Europe.
1953 o Miles Davis records Walkin', first emblematic hard bop recording.
1954 o Clifford Brown and Max Roach form a hard bop quintet.
o Cal Tjader records Latin jazz.
o Miles Davis records Bag's Groove and The Man I Love with Monk
and M Jackson. J. J. Johnson and Kai Winding organize trombone-
duo-lead quartet.
o First Newport Jazz Festival.
o Blues singer Joe Williams joins Basie.
o Sonny Rollins records Airegin and Oleo.
o Elvis Presley That's All Right Mamma and Bill Haley Rock Around
The Clock, beginning of the rock and Roll.
1955 o Parker dies.
o Cannonball Adderley emerges as a major hard bop musician.
o Art Blakey and Horace Silver start the Jazz Messengers, a major
hard bop force.
o Miles Davis first « classic quintet » with John Coltrane, Red
Garland, Paul Chambers and Philly Jo Jones.
o Cecil Taylor records free jazz. John Coltrane joins the Miles Davis
Quintet.
o Sun Ra records with his Arkestra.
o Clifford Brown records Joy Spring.
o Teo Macero incorporates electronic music techniques in Sounds of
May.
1956 o Tito Puente records Puente Goes Jazz.
o Charles Mingus records Pithecanthropus Erectus, an early avant-
garde work.
o Clifford Brown dies in auto accident. .
1957 o Altoist Art Pepper records Art Pepper Meets the Rhythm Section
with members of the Miles Davis Quintet.
o John Coltrane records Blue Train album.
o Gunther Sculler invents the Third Stream word .
1958 o Hard bop guitarist Wes Montogmery records.
o Ornette Coleman cuts his first records.
o Miles Davis records Milestones, the first modal tunes.
o Davis and Gil Evans collaborate on Porgy and Bess album.
o Miles records with Adderley for Blue Note Somethin Else album.
o Ornette Coleman records The Blessing.
o Joao Gilberto records Antonio Carlos Jobim's Chega de Saudade
bossa nova.
1959 o Lester Young, Sidney Bechet and Billie Holiday die .
o Brubeck records Take Five and Blue Rondo A La Turk (Time Out
album) : the first definitive exploration in asymetrical rhythms.
o The film Black Orpheus features a Brazilian jazz score by Antonio
Carlos Jobim and Luiz Bonfa.
o Coleman records Shape of Jazz to Come and Change of the
Century ; free jazz starts.
o Davis records "Kind of Blue" with J. Adderley, Coltrane, and B.
Evans : modal jazz starts.
o Coltrane records "Giant Steps" album : a giant step in harmonic
complexity.
o Bill Evans Trio with Scott Lafaro and Paul Motian (Portrait In
Jazz) : a major change in rhythm section conception.
o Charles Mingus Mingus Ah Um.

1960 o Freddie Hubbard debuts on disk.


o John Coltrane forms his "classic quartet" and records My Favorite
Things.
o Mingus forms a quartet that includes Eric Dolphy.
o Ornette Coleman Double Quartet records Free Jazz.
o Riot at the Newport Jazz Festival.
1961 o Oliver Nelson records the definitive hard-bop album Blues and the
Abstract Truth.
o John Coltrane records Ole.
1962 o Stan Getz and Charlie Byrd record Jazz Samba- beginning of the
bossa nova craze in the United States.
1963 o Bossa nova becomes ubiquitous with the release of Astrud
Gilberto's recording of "Girl from Ipanema" (featuring Jobim and
Getz).
o Coltrane's Alabama a reaction to racial tension in South.
o Mingus records Hora Decubitus.
o Bill Evans records Conversations With Myself.
o Miles Davis, « second classic quartet » with Herbie Hancock, Ron
Carter, Tony Williams and Wayne Shorter (in 1964).
1964 o Louis Armstrong has a big pop hit with Hello, Dolly!
o Pharoah Sanders makes his first recordings.
o Coltrane records his spiritual A Love Supreme.
1965 o AACM (Association for the Advancement of Creative Musicians),
an avant-garde collective, formed in Chicago.
o Coltrane, Ascension.
1966 o Cannonball Adderley becomes one of the first hard boppers to
cross over to pop.
o Art Ensemble of Chicago is formed.
1967 o Davis, Shorter, Hancock, Carter, and Williams record Nefertiti.
o Herbie Hancock, playing with Miles Davis, introduces an electric
piano-the first step toward fusion.
o John Coltrane dies.
1969 o Fusion is born with Miles Davis's Bitches Brew. Jazz rock starts.
1970 o Classical pianist Joshua Rifkin records his first Joplin album.
1971 o Armstrong dies.
o The seminal fusion groups Weather Report and Mahavishnu
Orchestra are formed.
1972 o Chick Corea's fusion group, Return to Forever, records its first two
albums.
o Joplin complete works published.
o Davis, On The Corner.
1973 o The Sting, a hit film, features a Joplin soundtrack and launches a
ragtime revival.
1974 o Ellington dies.
o Grover Washington, Jr., scores a crossover hit with "Mr. Magic".
1975 o Jaco Pastorius plays with Weather Report.
o George Benson scores a pop hit with "This Masquerade."
1976 o Weather Report Black Market et Heavy Weather.
1977 o Spyro Gyra, a pop-influenced fusion group, debuts on record.
o Trumpeter Chuck Mangione scores a pop hit with Feels So Good.
1978 o The Pat Metheny Group is formed.
1979 o Charles Mingus dies.
1980 o Grover Washington, Jr. records Winelight, the definitive
"contemporary jazz" album.
1981 o Davis returns to jazz, records Man with the Horn.
1982 o Thelonous Monk dies.
1983 o Portraits, talks, testimonys, Miles Davis is everywhere
1984 o In downbeat, lester bowie shows wynton marsalis as a genius, but
also wants him to put a little bit more of tragedy and feeling in his
music.
1985 o Wynton Marsalis leads a revival of acoustic jazz with Black Codes
(from the Underground).
TO BE o
CONTINUED

1991 o Deaths of Miles Davis and Stan Getz.

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