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Chord of Tonic Is Modal or Minor Key Dynamic Accent: (Crescendo/diminuendo)

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AP Music Theory: Glossary

th th
Tritone: augmented 4 (diminished 5 )
Hemiola: Division of three to a division of two.
Agogic Accent:

1. Longer notated note


2. Extend not without altering
3. Extend note with temp
4. Delay onset of a note

Diatonic: uses notes in scale


Alberti Bass: Brocken chord/arppeggiated accompaniment

- (like Mozart—Classical Era, sometimes Romantic)

Tessitura: texture, where the main body of notes tend to lie


Ritardando: Decrease speed
Accelerando: Increase speed
Rubato: expressive/rhythmic freedom speeding up and then slowing down tempo
Polyrhythm: sound of 2 or more conflicting Rhythm
Picardy Third: Harmonic Devise in European Classical Music

- Major chord of tonic is modal or minor key

Dynamic Accent: > < (crescendo/Diminuendo)


Melismatic: Singing single syllable while moving between several different notes in succession
Ostinato: Repeated (exactly the same)
RItenuto: decrease tempo
Cross rhythm: Shift of beats in a metric pattern (not normal position)

Genres (category of large form in music)

1. Concerto: Composition of 3 movements, in which one solo instrument is accompanied by an Orchestra


2. Fugue: composition in 2 or more voice built on a theme that is introduced in the beginning and recurs
frequently.
3. Sonata: composition of 3 or 4 movements of contrasting forms
- thematical and harmonic organization of tonal materials of exposition
- elaborate and contrasted in development
- resolved harmonically in recapitulation
4. Symphony: Extended musical Composition. A long and complex sonata for orchestra with wind and
percussion instrument
5. Blues, 12-bar: most popular chord progressions in popular music based on the I-IV-V chords of a key.

Form (small sections)

1. Binary: composed of two piece or parts


2. Rounded binary: compositional form with 2 sections in which the second ends with a return to material from
the first.
3. Ternary: composed of 3 items
4. Strophic (vocal): elaborating a piece music by repetition of single formal section (AAA)
5. Through-composed (vocal): non-repetitive, non-sectional. A song is said to be through-composed if it has
different music for each stanza of the lyrics. This is in contrast to strophic form, in which each stanza is set to
the same music

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