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Llobet Soles, Miguel: Debussy in Response To Llobet's Persistent Requests For A New Work

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Llobet Soles, Miguel

(b Barcelona, 18 Oct 1878; d Barcelona, 22 Feb 1938). Spanish


guitarist, composer and arranger. His uncle brought a guitar home
when Llobet was 11; at 14 he was presented by his first teacher,
Magn Alegre, to Francisco Trrega, who accepted him as a pupil.
He gave his first series of private concerts in 1898 and his first
public appearance was in 1901 at the conservatory in Valencia. He
performed in Madrid in 1902 and again in 1903 in front of the royal
family. His friend Ricardo Vies, the noted pianist and Debussy
interpreter, presented him in his foreign dbut, in Paris in 1904.
From 1905 to 1910 Llobet gave concerts throughout Europe. He
made his South American dbut in 1910 and set up home
temporarily in Buenos Aires, from where he left from time to time
on concert tours. Having made his US dbut in 1912 he continued
to tour until the outbreak of World War I, when he returned to
America for the duration of the war. After 1930 Llobet settled in
Barcelona to teach and give occasional concerts. In 1934 he gave
concerts in Vienna, Germany and other parts of western Europe,
and a final concert in the USA at the Library of Congress,
Washington, DC. He returned to Barcelona at the height of the
Spanish Civil War in 1937.
Llobet is given credit for bringing the classical guitar into the
modern musical world of international concert tours. He also
contributed new works and transcriptions to the repertory and
introduced the public to works by Falla, Villa-Lobos, Ponce and
others. (Falla wrote Homenaje pour le tombeau de Claude
Debussy in response to Llobets persistent requests for a new work
for guitar.) In 1925 he made the first electric recordings on the
classical guitar.
Llobets tally of approximately 75 publications includes 13 known
original compositions, among them his guitar arrangement of
Catalan folk songs, Diez canciones populares catalanas (1899
1918); of these the best known, El mestre (c1900), is harmonically
one of the most advanced guitar works of its time and was much
admired by Segovia.
BIBLIOGRAPHY
G. Krick: Miguel Llobet, 18781939, Etude Music Magazine, lvi
(1938), 762 only
B. Tonazzi: Miguel Llobet, chitarrista dellImpressionismo (Milan,
1966)
J. Rey de la Torre: Miguel Llobet: el Mestre, Guitar Review, no.60
(1985), 2231
R. Purcell: Miguel Llobet: Guitar Works (Heidelberg, 1989)
RONALD C. PURCELL

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