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25 pages, 14785 KiB  
Article
Animals for the Deceased: Zooarchaeological Analysis of the Bronze Age in the Castillejo del Bonete Site (Terrinches, Ciudad Real, Spain)
by María Ángeles Galindo-Pellicena, Amalia Pérez-Romero, Andrea Gómez-Felipe, Marta Romero-Ruiz, Raquel Blázquez-Orta, Silvia Andreu-Alarcón and Luis Benítez de Lugo Enrich
Animals 2025, 15(5), 680; https://doi.org/10.3390/ani15050680 - 26 Feb 2025
Viewed by 999
Abstract
The 2978 faunal bone remains recovered from the Bronze Age levels at the Castillejo del Bonete site between 2005 and 2019 were analyzed in this study. In the main structure (Great Tumulus 1, Tumulus 2, and Tomb 5), the faunal bone remains were [...] Read more.
The 2978 faunal bone remains recovered from the Bronze Age levels at the Castillejo del Bonete site between 2005 and 2019 were analyzed in this study. In the main structure (Great Tumulus 1, Tumulus 2, and Tomb 5), the faunal bone remains were identified and interpreted as offerings in a funerary context. In Enclosure 4, a large building possibly dedicated to the celebration of wakes and rituals—including the eating of food and drinking—in honor of the deceased, the anthropic modifications on the bone surfaces indicate their possible consumption. The cave is constituted by four galleries with inhumations (in Galleries 2, 3, and 4) and pithoi (in Gallery 4). Wild and domestic animals were identified in the cavity, and the caprine (likely sheep) is the best represented taxa in the entire cave. The almost complete skeletal representation; the predominance of fetal, neonate, and juvenile individuals; the absence of anthropic modifications related to consumption, in addition to the bone industry made of caprine bones (such as an eye idol and anthropomorphic artefacts), suggest that caprines were used as offerings to the deceased that accompany them. Postdepositional taphonomic alterations, the animals not having been found in anatomical connection, and the refits of the bones between different stratigraphical units indicate the repeated use of the cave during the Bronze Age. Full article
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<p>Location of the archaeological site of Castillejo del Bonete (Terrinches, Ciudad Real). Taken from [<a href="#B17-animals-15-00680" class="html-bibr">17</a>].</p>
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<p>Map (<b>A</b>) and sectioning (<b>B</b>) of the tumular structure and cave at the Castillejo del Bonete site. The numbers in the column represent heights measured in relation to sea level. Lineal design of the tumular structure (<b>C</b>). For (<b>A</b>) and (<b>C</b>): 1. Tumulus 1; 2. Tumulus 2; 3. Corridor 1; 4. Corridor 2; 5. Enclosure 1; 6. Enclosure 4; 7. Cave; 8. Tomb 5. Picture modified from [<a href="#B19-animals-15-00680" class="html-bibr">19</a>].</p>
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<p><span class="html-italic">Scatter plot</span> (DEM: medial trochlea depth; WCM: medial condyle width) of <span class="html-italic">Ovis aries</span> from LASH, MNHN and metrical data from Santarém site taken to [<a href="#B32-animals-15-00680" class="html-bibr">32</a>] and <span class="html-italic">Capra hircus</span> from MNHN and the Santarém site [<a href="#B32-animals-15-00680" class="html-bibr">32</a>] and caprine metrical data from the Castillejo del Bonete site.</p>
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<p>Association of complete anatomical elements belonging to the same caprine individual from SU217 in Gallery 2.</p>
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<p>Skeletal part representation by caprine elements (%MAU) from SUs 209, 210, 217 and 26013. For abbreviations, see Methodology.</p>
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<p>Anthropic modifications on faunal bone surfaces from the Castillejo del Bonete site. (<b>A</b>–<b>C</b>): Chop marks (red arrow) on a caprine horn core recovered from Inhumation 1 in Gallery 3; (<b>D</b>): caprine hyoid bone with slicing marks (white arrow) recovered from Gallery 4; (<b>E</b>): refit of suid humerus and impact point of percussion (black arrow) recovered from “deposit 44” in Great Tumulus 1.</p>
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<p>Map of the cave with the locations of the bone industry recovered from Gallery 2 (anthropomorphous) and Gallery 3 (eye idol). Picture modified from [<a href="#B19-animals-15-00680" class="html-bibr">19</a>].</p>
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<p>Picture of the eye idol and schematic drawing where incised eyes and decorations are observed.</p>
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21 pages, 12885 KiB  
Article
Material Properties of Lime Mortars Used in the Architectural Heritage of the Joseon Dynasty
by Han Ul Im, Sang Ok Lee and Gwang Yong Chung
Heritage 2025, 8(2), 82; https://doi.org/10.3390/heritage8020082 - 18 Feb 2025
Viewed by 388
Abstract
This study aimed to identify the raw materials and characteristics of lime mortar samples recovered from three Joseon dynasty architectural heritage sites: the Munsusanseong Fortress in Gimpo, Namhansanseong Fortress, and Godeung-dong lime-barrier tomb in Seongnam. To achieve this, comprehensive analyses were conducted, including [...] Read more.
This study aimed to identify the raw materials and characteristics of lime mortar samples recovered from three Joseon dynasty architectural heritage sites: the Munsusanseong Fortress in Gimpo, Namhansanseong Fortress, and Godeung-dong lime-barrier tomb in Seongnam. To achieve this, comprehensive analyses were conducted, including physical property assessments (specific gravity, water absorption, apparent porosity, hydrochloric acid aggregate test, and particle size distribution), material characterization using optical microscopy and SEM-EDS, as well as XRD, WD-XRF, and TGA analyses. The results revealed that the lime mortars from all three sites exhibit the characteristics of Sammulhoe, a traditional Joseon dynasty mixture of lime, sand, and clay minerals. While the binders primarily consisted of air-setting lime, minor hydraulic properties were observed in the samples from the Namhansanseong Fortress and the Godeung-dong lime-barrier tomb, possibly due to the inclusion of dolomite. Additionally, the presence of brick and tile particles (Waseol) in some samples corroborate historical records of lime mortar production techniques during the Joseon dynasty. This study provides scientific insights into the raw materials and characteristics of the Joseon dynasty lime mortar, contributing to a deeper understanding of traditional construction materials and techniques. Full article
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<p>The historic sites of the material sampling. The (<b>a</b>) Munsusanseong Fortress in Gimpo [<a href="#B27-heritage-08-00082" class="html-bibr">27</a>], (<b>b</b>) Namhansanseong Fortress, and (<b>c</b>) Seongnam Godeung-dong lime–barrier tombs.</p>
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<p>Physical properties of analyzed samples. The sample data are the same as those of <a href="#heritage-08-00082-t002" class="html-table">Table 2</a>.</p>
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<p>(<b>a</b>) Particle size distribution of the aggregates from whole samples, (<b>b</b>–<b>e</b>) particle size distribution of the aggregates grouped by heritage site, and (<b>f</b>) ternary plot according to Folk’s classification.</p>
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<p>Stereoscopic microphotographs of analyzed samples. The sample numbers are the same as those of <a href="#heritage-08-00082-t001" class="html-table">Table 1</a>.</p>
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<p>Stereomicroscopic and SEM-EDS data of the binder and aggregates (MSN-1).</p>
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<p>Stereomicroscopic and SEM-EDS data of lime lump (MSS-1).</p>
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<p>Stereomicroscopic and SEM-EDS data of dolomite lump (MSS-2).</p>
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<p>Stereomicroscopic and SEM-EDS data of the <span class="html-italic">Waseol</span> particles (MSS-1).</p>
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<p>Stereomicroscopic and SEM-EDS data of the (<b>1</b>) dolomite particles and (<b>2</b>) reaction rim (NHH).</p>
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<p>Stereomicroscopic and SEM-EDS results of the charcoal particles (NHH).</p>
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<p>Stereomicroscopic and SEM-EDS results of lime lump (GD9).</p>
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<p>Stereomicroscopic and SEM-EDS results of quartz, feldspar and mica particles (GD8).</p>
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<p>Stereomicroscopic and SEM-EDS results of the <span class="html-italic">Waseol</span> particles (GD4-A).</p>
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<p>XRD diffractograms of the analyzed samples.</p>
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<p>TGA−DSC results of the analyzed samples.</p>
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<p>Analysis of hydraulic Properties via TGA-DSC.</p>
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<p>Plotted Ca-Fe-Mg diagram of lime lumps. (<b>a</b>) SEM-EDS and (<b>b</b>) WD-XRF.</p>
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20 pages, 3386 KiB  
Article
Spatial Synergy Between Cultural Heritage and Metro Networks: A Case Study of Distribution Patterns and Value Assessment in Beijing
by Haisheng Hu
Sustainability 2025, 17(4), 1666; https://doi.org/10.3390/su17041666 - 17 Feb 2025
Viewed by 308
Abstract
With the rapid advancement of urbanisation and transit networks, exploring the spatial relationship between metro systems and cultural heritage is crucial for both heritage preservation and sustainable urban development. This study uses the nearest neighbour index, kernel density analysis, and spatial value evaluation [...] Read more.
With the rapid advancement of urbanisation and transit networks, exploring the spatial relationship between metro systems and cultural heritage is crucial for both heritage preservation and sustainable urban development. This study uses the nearest neighbour index, kernel density analysis, and spatial value evaluation to examine the distribution patterns of cultural heritage in Beijing and its spatial interaction with the metro network. The results show that different types of cultural heritage have distinct distribution characteristics: stone inscriptions are widely dispersed due to their need for preservation in natural settings; traditional villages and ancient tombs are shaped by historical and geographical factors; and industrial heritage is concentrated in areas of historical industrial activity, reflecting strong functional zoning traits. The metro network enhances the accessibility of cultural heritage, especially national- and provincial-level sites, which are predominantly clustered near metro stations. However, geographically isolated world heritage sites, such as the Great Wall and the Ming Tombs, remain less connected to the metro network, helping preserve their authenticity and avoid overdevelopment. Furthermore, thematic designs and cultural displays within Beijing’s metro stations successfully bridge the gap between history and modernity, positioning metro stations as key platforms for cultural dissemination. Nevertheless, metro construction presents challenges to heritage conservation, including potential impacts on site stability due to tunnelling and conflicts between modern station design and the aesthetic integrity of historic districts. These findings offer practical insights for cultural heritage preservation and transit planning in Beijing and serve as a reference for the sustainable development of other historic cities worldwide. Full article
(This article belongs to the Section Tourism, Culture, and Heritage)
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<p>Research flow chart.</p>
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<p>Distribution of metro stations and cultural heritage sites in Beijing: (<b>A</b>) Spatial kernel density distribution of metro stations in Beijing; (<b>B</b>) Spatial kernel density distribution of world-level heritage sites in Beijing; (<b>C</b>) Spatial kernel density distribution of national-level heritage sites in Beijing; (<b>D</b>) Spatial kernel density distribution of municipal-level heritage sites in Beijing; (<b>E</b>) Relative spatial relationship between cultural heritage sites and the metro network in Beijing; (<b>F</b>) Statistical analysis of distances between cultural heritage sites and the nearest metro station.</p>
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<p>Distribution of cultural heritage sites along Beijing metro lines. The background colour blocks represent the density distribution of points of interest (POIs). POIs include three categories of facilities: food and beverage, hotel and accommodation, and shopping and consumption.</p>
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<p>Statistical analysis of cultural heritage sites’ scores within 1 km of major metro lines in Beijing: (<b>A</b>) Total scores and ranks. (<b>B</b>) Score proportions of both Important Historical Sites and Representative Buildings of Modern Times and Ancient Buildings and Architecture. Score ranks of (<b>C</b>) Important Historical Sites and Representative Buildings of Modern Times and (<b>D</b>) Ancient Buildings and Architecture. (<b>E</b>) The proportion of different categories of cultural heritage sites along various metro lines.</p>
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<p>Correlation between metro networks, cultural heritage distribution, and regional infrastructure: (<b>A</b>) Spearman correlation between the number of metro stations and three categories of facilities—food and beverage, hotel and accommodation, and shopping and consumption—within a 1 km radius of cultural heritage sites in Beijing. (<b>B</b>) Relationship between the number of metro stations and the density of food and beverage, hotel and accommodation, and shopping and consumption facilities within a 1 km radius of cultural heritage sites in Beijing. (<b>C</b>) Cultural heritage tourism recommendations based on cultural heritage value assessment, metro accessibility, and the distribution of food, accommodation, and shopping facilities. The base map sourced from Google Maps, with location labels in both Chinese and English. (<b>D</b>) Division of cultural districts in Beijing [<a href="#B37-sustainability-17-01666" class="html-bibr">37</a>].</p>
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<p>Trends in the interaction between Beijing’s cultural heritage districts and the metro. Source: Beijing Urban Master Plan (2016–2035)—Schematic Plan for Municipal Rail Transit 2023).</p>
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<p>Schematic diagram of the cultural display of underground space in three typical metro stations.</p>
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15 pages, 3257 KiB  
Article
Evaluation of a Subsequent Deposition of Human Bodies in a Funerary Site in Sardinia (Italy) Using Entomological Evidence
by Fabiola Tuccia, Consuelo Rodriguez, Giorgia Giordani, Maria Eulàlia Subirà, Vittorio Mazzarello and Stefano Vanin
Heritage 2025, 8(2), 68; https://doi.org/10.3390/heritage8020068 - 10 Feb 2025
Viewed by 605
Abstract
Environmental elements, such as insects, plants, algae and microbes, may provide important information when reconstructing and interpreting past events. In archaeological contexts, the study of the insects associated with dead bodies can contribute to describe funerary practices. Funerary archaeoentomology is increasingly being utilized; [...] Read more.
Environmental elements, such as insects, plants, algae and microbes, may provide important information when reconstructing and interpreting past events. In archaeological contexts, the study of the insects associated with dead bodies can contribute to describe funerary practices. Funerary archaeoentomology is increasingly being utilized; however, there is a lack of application in ancient contexts, thousands of years old. During archaeological excavations carried out at the Filigosa archaeological site (Sardinia, Italy), a prehistoric grave cut named Domus de Janas was found. This type of grave is typical of the island and dates to the Recent Neolithic period. The sepulchral chamber containing 77 individuals (49 adults and 28 subadults) was investigated revealing the presence of some entomological fragments. The mineralized specimens found belonged to the immature stages of flies (Diptera) in the genera Calliphora and Lucilia, as well as beetles (Coleoptera) in the genus Necrobia. These species are typically associated with body decomposition. The analysis and interpretation of these findings led to the following conclusions based on archaeological hypotheses: (1) the cadavers were exposed for a period of time, allowing the arrival of the blow flies during the initial wave of colonization; (2) subsequent primary depositions occurred within the chamber, and (3) a geological change likely occurred shortly after the cessation of the tomb utilization leading to the presence of mud and water. Full article
(This article belongs to the Section Biological and Natural Heritage)
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<p>Location of the city Macomer city (Sardinia, Italy) (40°15′51″ N 8°46′30.22″ E). (© 2007−2018 <a href="http://d-maps.com" target="_blank">d-maps.com</a>).</p>
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<p>Temporal representation of the different Sardinian cultures (data from Melis and Piras, 2010 [<a href="#B51-heritage-08-00068" class="html-bibr">51</a>]).</p>
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<p>Diptera puparia nested into human bones from the mass grave in Macomer. (<b>A</b>,<b>B</b>) The inorganic mineral matrix covering the surface of the bones can be observed along with the nested Diptera puparia (red *). (<b>C</b>) An empty puparium is clearly visible and included within the cavity of the bones, which are clearly visible.</p>
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<p>Mold/cast mineralized puparia extracted from human bones. Different levels of preservation are shown. The organic cuticle was patched and still attached to the mineral component (<b>A</b>,<b>B</b>,<b>I</b>–<b>L</b>) or complete (<b>C</b>–<b>H</b>). Scale bar: 1 mm.</p>
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<p>Details of mineralized puparia. (<b>A</b>) Striped pattern of the dorsal side of the puparium, (<b>B</b>,<b>C</b>) compact and fibrous structure of the mineral casts and (<b>B</b>) microtrichosity of the dorsal. (<b>D</b>–<b>F</b>) Calliphoridae posterior spiracles. Scale bars: 500 μm.</p>
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<p><span class="html-italic">Necrobia rufipes</span>, single elytron. (<b>A</b>) Dorsal view, (<b>B</b>) ventral view. Scale bar: 1 mm.</p>
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14 pages, 5678 KiB  
Article
Combination of Physico-Chemical and Lead Isotope Analyses for the Provenance Study of the Archaeological Materials: Example of Saadien Ceramics (16th Century, Marrakech Morocco)
by Mouhssin El Halim, Lahcen Daoudi, Hicham El Boudour El Idrissi, Meriam El Ouahabi, Fatima Ezzahra Omdi, Abdelali Gourfi, Hanane Ait Hmeid, Hanane Id Abdellah and Nathalie Fagel
Ceramics 2025, 8(1), 13; https://doi.org/10.3390/ceramics8010013 - 31 Jan 2025
Viewed by 639
Abstract
This paper aims to study the provenance of archaeological Saadien ceramics (16th century, Marrakech) based on the chemical, mineralogical and lead isotope composition of clays used as raw materials in the manufacture of ceramics in Morocco and collected in the six major potter [...] Read more.
This paper aims to study the provenance of archaeological Saadien ceramics (16th century, Marrakech) based on the chemical, mineralogical and lead isotope composition of clays used as raw materials in the manufacture of ceramics in Morocco and collected in the six major potter sites of Marrakech (Ourika I and II, Saada I and II and Mzouda) and Fez (Benjlikh). The clay chemical, mineralogical and isotopic signatures of these raw materials are compared to the compositions of decorated ceramics from El Badi Palace and Saadien Tombs, the most visited archaeological sites in Marrakech, described as World Heritage by UNESCO. The chemical composition was determined using X-ray fluorescence analysis, while the structural changes of the mineral phases during firing were studied using X-ray diffraction over a temperature range between 500–1000 °C. Pb isotopes, on the other hand, were measured using the Nu Plasma MC-ICP-MS technique. Results show that Saadien ceramics were made using calcareous clay from the Fez region. These clays were imported by the artisans from 400 km away to be used in the manufacturing of ceramics in the Saadien buildings of Marrakech. The firing temperature of these materials ranges between 600 and 700 °C for El Badi Palace, and from 800 to 900 °C for the Saadien Tombs ceramics using traditional ovens. This study reveals the mystery behind the source of Saadien ceramics and provides artisans with information about the origin of the raw materials used in Marrakech’s 16th-century buildings, which should be considered for any future restoration of these materials. Full article
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<p>Saadien decorated ceramics (zellij) of El Badi Palace and Saadien Tombs (Marrakech, Morocco).</p>
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<p>Location of the six potter sites considered as the potential sources of raw materials of Saadien zellij.</p>
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<p>Mineralogical composition of the bulk samples.</p>
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<p>Ternary diagram (Fe<sub>2</sub>O<sub>3</sub> – CaO + MgO − K<sub>2</sub>O + Na<sub>2</sub>O) obtained from the chemical composition of the studied materials.</p>
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<p>PCA (Biplots: axes F1/F2 and F1/F3) and Similarity diagram.</p>
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<p><sup>206</sup>Pb/<sup>204</sup>Pb versus <sup>208</sup>Pb/<sup>204</sup>Pb isotope plot comparing the lead isotope signatures of Marrakech and Fez clays with Saadien zellij.</p>
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<p>Evolution of the mineralogical composition of Fez and Mzouda clays after firing tests in traditional oven.</p>
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23 pages, 52451 KiB  
Article
Dervish Hatixhe’s Veneration in Contemporary Albania: Visual Representations, Devotional Practices and Sensory Experiences
by Gianfranco Bria
Religions 2025, 16(2), 163; https://doi.org/10.3390/rel16020163 - 30 Jan 2025
Viewed by 672
Abstract
This article explores the veneration of Hatixhe, an 18th-century Sufi saint from Tirana, Albania, whose legacy continues to resonate across religious and cultural boundaries. Despite limited historical records, Hatixhe’s sainthood is venerated through hagiographic narratives that portray her as a compassionate healer, spiritual [...] Read more.
This article explores the veneration of Hatixhe, an 18th-century Sufi saint from Tirana, Albania, whose legacy continues to resonate across religious and cultural boundaries. Despite limited historical records, Hatixhe’s sainthood is venerated through hagiographic narratives that portray her as a compassionate healer, spiritual protector, and symbol of resilience. This study investigates the visual, ritual, and sensory dimensions of her shrine, which has become one of the focal points for interfaith devotion in post-socialist Albania. Embodied rituals—such as touching her tomb and lighting candles—allow devotees to connect with her shenjtëri (“sainthood”). Through these acts, Hatixhe’s legacy as a grua e shenjt (“holy woman”) or grua e mirë (“good woman”) is anchored in both religious and cultural contexts, as her shenjtëri integrates local and national values, partly transcending Islamic frameworks. Hatixhe’s teqe, preserved through the efforts of her female heirs during the communist era, serves as a unique testament to a female lineage in Albanian Sufism. By examining the spatial, material, and symbolic aspects of her veneration, this study underscores the significance of Hatixhe’s shenjtëri as a site of blessing and communal solidarity for women, enriching the understanding of their roles in Albanian spiritual and social life. Full article
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<p>Entrance to the Teqe of Dervish Hatixhe (Teqja e Dervish Hatixhese), in Rruga Barrikadeve, in the center of Tirana. © Gianfranco Bria, 2024.</p>
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<p>Plaque at the entrance to Hatixhe’s <span class="html-italic">teqe</span> that reads “Hatixhe’s <span class="html-italic">teqe</span> established in the year 1798. Rebuilt by Nene Rukija in the year 1992”. © Gianfranco Bria, 2024.</p>
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<p>Room to the right after the entrance where people light a candle to make a wish and ask for a blessing and healing from Hatixhe. © Gianfranco Bria, 2024.</p>
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<p>Interior of the <span class="html-italic">sema-hane</span> where there is a mosaic with the names of the twelve imams. © Gianfranco Bria, 2024.</p>
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<p>Interior of the <span class="html-italic">turbe</span> where the bodies of Hatixhe and her heirs are buried. © Gianfranco Bria, 2024.</p>
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<p>Qurʾan placed at the bottom of Hatixhe’s tomb. Visitors leaf through during the ritual visit to the <span class="html-italic">teqe</span> © Gianfranco Bria, 2024.</p>
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<p>Prayers inscribed on select Qurʾanic pages. © Sara Kuehn, 2024.</p>
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<p>Clothes that the devotees place at Hatixhe’s tomb for one or more nights so that they may be imbued with her benevolent and merciful sainthood. © Gianfranco Bria, 2024.</p>
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<p>One of the niches where the worshippers leave pictures of their loved ones, some deceased. © Gianfranco Bria, 2024.</p>
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<p>A shop near Hatixhe’s <span class="html-italic">teqe</span> where visitors can buy candles of various sizes and shapes. © Gianfranco Bria, 2024.</p>
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<p>Graffiti left by visitors near candle-lighting spots. © Sara Kuehn, 2024.</p>
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<p>The armchair where Nene Rukija used to sit. © Gianfranco Bria, 2024.</p>
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16 pages, 2347 KiB  
Article
X-CT Reconstruction as a Tool for Monitoring the Conservation State and Decay Processes of Works of Art and in Support of Restoration and Conservation Strategies
by Laura Guidorzi, Alessandro Re, Francesca Tansella, Luisa Vigorelli, Chiara Ricci, Joseph Ryan and Alessandro Lo Giudice
Heritage 2025, 8(2), 52; https://doi.org/10.3390/heritage8020052 - 27 Jan 2025
Viewed by 712
Abstract
X-ray Computed Tomography (X-CT) is now an established technique for the investigation and diagnostics of Cultural Heritage. Its advantages include non-invasiveness, non-destructiveness, and the possibility of exploring the inner parts of an object without any modification. X-CT is often employed to investigate the [...] Read more.
X-ray Computed Tomography (X-CT) is now an established technique for the investigation and diagnostics of Cultural Heritage. Its advantages include non-invasiveness, non-destructiveness, and the possibility of exploring the inner parts of an object without any modification. X-CT is often employed to investigate the construction methods of complex artifacts made with different parts or materials, but it is also able to support the analysis, intervention, monitoring and enhancement processes of artworks, creating digital models that can aid in the conservation and restoration procedures. In this work, several case studies are presented in which the CT technique has been decisive in identifying the effects of time and the events that occurred during the object’s life influencing its state of conservation. These range from large objects, such as an 18th century CE writing cabinet or an ancient Egyptian wooden coffin, to very small artifacts, like Mesopotamian lapis lazuli beads or fragments of Roman colored glass. Additionally, the results obtained by µ-CT investigations on the conservation state of a bronze arrowhead uncovered from the Urama-chausuyama mounded tomb (Japan, Kofun period, end of the 3rd century CE) are presented here for the first time. Lastly, the versatility of the technique when applied with different setups is highlighted. Full article
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<p>(<b>a</b>,<b>b</b>) Front and back side of the bronze arrowhead (sample 12) from the Urama-chausuyama mounded tomb, Okayama Prefecture, Japan. (<b>c</b>,<b>d</b>) Magnification of corroded parts, where material losses (blue arrows) and cracks (red arrows) are present.</p>
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<p>Examples of 3D rendering details from the X-CT analysis of the boar-shaped <span class="html-italic">tintinnabulum</span>, showing the fragmentation of one of the ceramic rattling spheres. The red arrow indicates an early-stage crack inside one of the remaining spheres.</p>
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<p>(<b>a</b>) 3D rendering of the Traversiere foot, where segmentation (blue) highlights the distribution of metallic residues left by the brass key. (<b>b</b>,<b>c</b>) X-CT slices with different planar orientations, where the metallic residues are identified as brighter areas around holes (blue arrows).</p>
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<p>Lateral (<b>a</b>) and vertical (<b>b</b>) X-CT slices of the coffin lid, where different cavities produced by xylophagous insects are visible. (<b>c</b>) 3D rendering with a segmentation (green) of the hollow parts in the wood, explicating the complete structure of the cavities: as reference, the yellow arrows indicate the same feature in single slice and 3D volume.</p>
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<p>(<b>a</b>,<b>b</b>), X-CT horizontal slices of the “doppio corpo” cabinet (specifically the fall-front desk), where green and yellow circles/arrows highlight different cavities produced by xylophagous insects. The orange dashed rectangle in (<b>a</b>) identifies instead the wooden block represented in the 3D reconstruction (<b>c</b>) where the whole network of cavities was segmented and shown three-dimensionally in orange hue.</p>
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<p>The X-CT segmentation helped in the virtual isolation of the bronze belt fragments from the soil block retrieved from the archaeological site. In this way it is possible to extract the fragments in their exact position (in red) from the soil (in light brown).</p>
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<p>Glass sample from Aquileia n. 581755. (<b>a</b>) 3D segmentation of cracks (purple) and larger (yellow) and smaller (cyan) soil grains trapped in the hole; a horizontal section is reported in the top right for comparison; (<b>b</b>) vertical section with segmentations, showing the distribution of grains in the hole; a measure of (<b>c</b>) the highest penetration of cracks inside the glass and (<b>d</b>) the diameter of single cracks with (light blue) and without (orange) considering the alteration layer of hydrated silica.</p>
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<p>Glass sample from Aquileia n. 581681. (<b>a</b>) 3D segmentation of the iridescent patina (orange) in the 3D reconstruction of the fragment. (<b>b</b>) horizontal section of the vertical part of fragment (red plane in (<b>a</b>)), where the section of the widest pit is visible; (<b>c</b>) lateral section of the fragment (blue plane in (<b>a</b>)) in the area of the patina, highlighting that the patina itself is composed of multiple layers.</p>
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<p>µ-CT of small lapis lazuli beads. (<b>a</b>,<b>c</b>) horizontal sections, (<b>b</b>) vertical section. The brighter areas are pyrite crystals, where it is also visible the few-micrometers thick alteration layer. Orange arrows indicate some cracks in the bead that may bring humidity from the external environment to the inner pyrite crystals, inducing the alteration.</p>
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<p>(<b>a</b>) The bronze arrowhead from the Urama-chausuyama mounded tomb; (<b>b</b>) magnification of the lower part of the arrowhead. (<b>c</b>) X-CT horizontal and vertical sections of (<b>b</b>); corroded areas (darker regions) are diffused on the surface and below the surface at the fractures sites, but not visible under optical inspection. (<b>d</b>) 3D rendering of the whole arrowhead where segmentation of the pristine metal helps to understand the real state of conservation of the object.</p>
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22 pages, 13685 KiB  
Article
An Interdisciplinary Analysis of the Late Islamic Cemeteries Within the Cathedral (15th–18th Century CE) and the Ruins of Adulis (Mid-19th–Early 20th Century CE), Massawa, Eritrea: Funerary Architecture, Funerary Rituals, Burial Rites, and Bioarcheological Data Identifying Late Islamic Graves in Central Eastern Eritrea
by Omar Larentis, Nelly Cattaneo, Paolo Lampugnani, Susanna Bortolotto, Emanuele Zappa, Andrea Gregorini, Yotam Gezae, Tsegai Medin, Ilaria Gorini and Serena Massa
Heritage 2025, 8(1), 1; https://doi.org/10.3390/heritage8010001 - 24 Dec 2024
Viewed by 748
Abstract
Systematic studies on Late Islamic cemeteries that integrate architectural, ritual, and biological aspects remain relatively rare, particularly in Islamic countries or regions with an active Muslim presence. Typically, available research focuses more on epigraphic and artistic features. Since 2018, excavations at the Cathedral [...] Read more.
Systematic studies on Late Islamic cemeteries that integrate architectural, ritual, and biological aspects remain relatively rare, particularly in Islamic countries or regions with an active Muslim presence. Typically, available research focuses more on epigraphic and artistic features. Since 2018, excavations at the Cathedral and surveys in the ruins of the city of Adulis (Massawa, Eritrea) have uncovered 326 Muslim graves: six dating to the 15th and 18th centuries CE and 320 attributed to the mid-19th to the early 20th century CE. These discoveries have enabled, for the first time in Eritrea, a detailed scientific study of the biological characteristics of the human remains, the funerary architecture, and the burial rites of Muslim communities from the 15th to the early 20th century. The skeletal remains were analyzed through taphonomic and anthropological studies. The graves were categorized into various typologies based on their structural features, while evidence of funerary rituals was documented as indicative elements of the burial practices adopted. These findings were further enriched by ethnographic sources and collaborative work with local communities, who acted as custodians of the historical memory and traditions of the region. The results provide insights into a historical period of Eritrea that is otherwise poorly documented. More broadly, they contribute to the understanding of the history of the Horn of Africa, a region with limited data from funerary and archaeological contexts. The Muslim cemeteries of Adulis represent the most extensively investigated Muslim burial site in recent years, providing critical insights into the historical Muslim presence in the region. These findings also allow researchers to hypothesize the succession of various communities that chose Adulis as a central location for interring their deceased, reflecting its enduring significance as a focal point for cultural and ritual practices across different periods. Full article
(This article belongs to the Section Archaeological Heritage)
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<p>(<b>a</b>) Location of the archaeological site of Adulis (Longitude: 39.6602053, Latitude: 15.262725), Zula Bay, situated between the villages of Afta and Zula in the Foro district, south of Massawa. (<b>b</b>) Excavations in the city have uncovered numerous secular buildings, such as the “palace” excavated by Richard Sundström and religious structures like the Northern Urban Church in Sector 2, the so-called “Eastern Church” in Sector 4, the church known as “The English Church”, now referred to as the Cathedral, and an elitarian building close to the Cathedral in Sectors 3–6. Graphic elaboration by Nelly Cattaneo.</p>
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<p>Orthoimage of the Cathedral after the 2023 excavation campaign. Foundations of structures, outlined with lines, rendered for better clarity. Excavated tombs (SU 6039, 6041, 6116b, 6124) are highlighted in blue, with probable tombs (SU 6126, 6127) in light blue with perimeter markings.</p>
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<p>(<b>a</b>) SU 6116b during excavation. (<b>b</b>) SU 6124 in the last part of the excavation. (<b>c</b>) DEM of area SU 6116b during excavation obtained with photogrammetry. (<b>d</b>) DEM of area SU 6124 in the last part of the excavation obtained with photogrammetry. Dashed lines connect the same burial.</p>
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<p>Textured 3D models obtained with photogrammetry of (<b>a</b>,<b>c</b>) SU 6116b during excavation and (<b>b</b>,<b>d</b>) SU 6124 in the last part of the excavation. Dashed lines connect the same burial.</p>
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<p>Tomb SU 6124. (<b>a</b>–<b>e</b>) The various excavation phases, presented in chronological order, highlight the tomb within the nave, delineated by two schist slabs vertically embedded in the ground marking the pit boundaries. (A) A platform, just a few centimeters above the cut, was formed by flat-lying schist slabs placed horizontally on the ground ((<b>a</b>), white rectangle). (<b>e</b>,<b>f</b>) Adjacent to the southern vertical slab, a thick lens of soil rich in charcoal was uncovered ((<b>e</b>), white rectangle). Arrows sign the North.</p>
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<p>(<b>a</b>) Southern schist slab of tomb SU 6124, showing an area rich in carbonaceous material with a darker color (indicated by a white rectangle) and the location where the cowry shell was found (marked with a white circle). (<b>b</b>) Top and bottom views of the cowry shell, displaying its perforation. (<b>c</b>,<b>d</b>) Local ceramic fragments recovered from the slate slab platform near the tomb.</p>
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<p>(<b>a</b>) During the survey, a Zula village elder demonstrated the construction technique of Muslim tombs. In this example, two lines drawn in the sand represent the trench and the lateral chamber carved at the trench’s base to house the deceased. (<b>b</b>,<b>c</b>) For each tomb, data such as size, funerary architecture, and the presence of ritual elements were recorded.</p>
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<p>(<b>a</b>) Tomb of a prominent figure within the Zula community characterized by elaborate architecture. (<b>b</b>–<b>f</b>) Nearby graves, especially those close to more complex structures, exhibit prestigious funerary architecture. These are typically rectangular or ellipsoidal in shape and rise significantly above ground level, surrounded by perimeter walls made of flat-laid shale slabs.</p>
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<p>(<b>a</b>) Circular tomb constructed with roughly hewn basalt blocks. (<b>b</b>,<b>c</b>) Circular tomb surrounded by squared basalt blocks. (<b>d</b>) Tomb identifiable by the white quartz pebbles. (<b>e</b>) Probable female tomb demarcated by squared basalt blocks. (<b>f</b>) Tomb damaged by erosion from the Haddas River.</p>
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<p>The tomb point-shape file on the satellite imagery. In red, Bet Khalifa’s Clan cemetery; in orange, Scheik Mahmoud’s Clan cemetery; and in yellow, the other graves. North is at the top of the figure.</p>
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19 pages, 23094 KiB  
Article
Research on the Heavy Rainstorm–Flash Flood–Debris Flow Disaster Chain: A Case Study of the “Haihe River ‘23·7’ Regional Flood”
by Renzhi Li, Shuwen Qi, Zhonggen Wang, Xiaoran Fu, Huiran Gao, Junxue Ma and Liang Zhao
Remote Sens. 2024, 16(24), 4802; https://doi.org/10.3390/rs16244802 - 23 Dec 2024
Viewed by 729
Abstract
Over the past decades, China has experienced severe compound natural disasters, such as extreme rainfalls, which have led to significant losses. In response to the challenges posed by the lack of a clear investigation process and inadequate comprehensiveness in evaluating the natural disaster [...] Read more.
Over the past decades, China has experienced severe compound natural disasters, such as extreme rainfalls, which have led to significant losses. In response to the challenges posed by the lack of a clear investigation process and inadequate comprehensiveness in evaluating the natural disaster chains, this study proposes a comprehensive retrospective simulation strategy for emergency investigation and simulation of heavy rainstorm–flash flood–debris flow chain disasters at the county–town level. The primary aim is to avert potential new chain disasters and alleviate subsequent disasters. This study combines emergency investigation efforts with hydrodynamic models to digitally simulate and analyze compound chain disasters triggered by an extreme rainfall event in the Haihe River regional area, specifically Gaoyakou Valley, Liucun Town, Changping District, Beijing, in July 2023, along with potential new disasters in adjacent regions. The findings indicate that the heavy rainstorm chain disaster on “7.29” resulted from a complex interplay of interrelated natural phenomena, including flash floods, debris flows, urban floodings, and river overflows. Hantai Village has experienced flash flood and debris flow events at different times in this area. Should the rainfall volume experienced in Liucun Town be replicated in the Ming Tombs Town area, approximately 6.2 km2 of land would be inundated, leading to damages to 458 residences and impacting around 240 ha of agricultural land. The anticipated release of floodwater from the reservoir would lead to significant impacts on downstream residents and roads. Our research can improve the efficacy of emergency investigations and assessments, which in turn can help with the management and reduction of disaster risks at the grassroots level. Full article
(This article belongs to the Special Issue Remote Sensing Applications in Flood Forecasting and Monitoring)
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<p>The emergency investigation and assessment procedures.</p>
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<p>The basic structure of the HIMS model.</p>
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<p>Temporal distribution of precipitation in Changping District.</p>
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<p>Geographical location and surrounding geographical environment of Gaoyakou Valley.</p>
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<p>The submerged depth of Hantai Village in Gaoyakou Valley.</p>
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<p>Survey points/routes and on-site-collected pictures in Hantai gully.</p>
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<p>Infrastructure damage in Hantai Village. No. 1 represent the damage condition of the highway of the town, No. 2–6 represent the damage situations of houses and village roads, No. 7–9 represent the situation where debris flow have blocked the road.</p>
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<p>The drainage system and urban distribution maps of the Ming Tombs Town.</p>
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<p>The river sections in small watersheds within the Ming Tombs Town.</p>
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<p>The results of hydrological system extraction and the response units of the river network in the Ming Tombs Town.</p>
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<p>The results of parameter calibration for the hydrodynamic model of Ming Tombs Town.</p>
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<p>The simulation of the spatial distribution of flash flood disaster risk in the Ming Tombs Town.</p>
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<p>The simulation of the spatial distribution of geological disaster risk in the Ming Tombs Town.</p>
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<p>The simulation of the inundated area of the Ming Tombs Town.</p>
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20 pages, 39824 KiB  
Article
Re-Study of the Gilt Bronze Buddha Statuettes Unearthed from the Eastern Han Dynasty Tomb in Chengren Village, Xianyang City, China
by Liming Zhang
Religions 2024, 15(12), 1476; https://doi.org/10.3390/rel15121476 - 4 Dec 2024
Viewed by 1047
Abstract
In 2021, two small gilt bronze Buddha statuettes were unearthed from a tomb from the Eastern Han Dynasty in Chengren Village, Xianyang City, Shanxi Province. The excavation team believe that these statuettes are from the late Eastern Han Dynasty and represent the earliest [...] Read more.
In 2021, two small gilt bronze Buddha statuettes were unearthed from a tomb from the Eastern Han Dynasty in Chengren Village, Xianyang City, Shanxi Province. The excavation team believe that these statuettes are from the late Eastern Han Dynasty and represent the earliest independent gilt bronze Buddha statuettes ever discovered in China through archaeological excavations, a belief that has attracted widespread interest and debate among scholars worldwide. However, because the tomb had been looted in the past, the publication of these findings immediately sparked considerable debate, particularly over the dating of the statuettes. The main controversy revolves around two dating proposals: the “Late Eastern Han Dynasty” and the “Period of the Sixteen Kingdoms”. This paper proposes a third viewpoint by examining previously overlooked aspects and materials regarding the statuettes and by placing them within the context of the Guanlong region’s tradition of small gilt bronze Buddha statuettes. We contend that the two statuettes were not created at the same time: we believe that the standing Buddha statuette dates from the end of the “Period of the Sixteen Kingdoms”, whereas the flat five-Buddha statuette was likely crafted between the Yanxing 延興 era and the early Taihe 太和 era of Emperor Xiaowen 孝文帝 of the Northern Wei Dynasty. The styles, combinations of forms, and themes in these statuettes are not distinctive and are, in fact, typical of small gilt bronze Buddha statuettes from the late “Period of the Sixteen Kingdoms” to the mid-Northern Wei Dynasty in the Guanlong region. Full article
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<p>The standing Buddha statuette excavated from M3015 in Chengren Village, Xianyang (taken from <a href="#B23-religions-15-01476" class="html-bibr">Shaanxi 2022</a>).</p>
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<p>The flat five-seated Buddha statuette excavated from M3015 in Chengren Village, Xianyang (taken from <a href="#B23-religions-15-01476" class="html-bibr">Shaanxi 2022</a>).</p>
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<p>Comparative illustration of the lotus petal patterns on the lotus pedestal of the standing Buddha statuette from Chengren Village and the Buddha statuette from Yudu Township, Jingchuan ((<b>a</b>). the Buddha statuette from Yudu Township, provided by Jingchuan County Museum; (<b>b</b>). the lotus pedestal of the standing Buddha statuette from Chengren Village. Graphic created by the author).</p>
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<p>Comparative illustration of the lotus petals on the lotus pedestal of the standing Buddha from Chengren Village and Bodhi leaves in Gandhara style ((<b>a</b>). a sculpture showing “the Approach to the Bodhi throne”, collected in the Cleveland Museum of Art, USA, with the image sourced from the official website exhibition; (<b>b</b>). the lotus pedestal of the standing Buddha statuette from Chengren Village. Graphic created by the author).</p>
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<p>Comparative illustration of the lotus pedestal of the standing Buddha from Chengren Village and Statuette No. 21 in the Palace Museum ((<b>a</b>). Statuette No. 21 in the Palace Museum, taken from <a href="#B14-religions-15-01476" class="html-bibr">Li 1995, p. 40</a>; (<b>b</b>). the lotus pedestal of the standing Buddha statuette from Chengren Village. Graphic created by the author).</p>
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<p>Comparative illustration of the lotus pedestal of the standing Buddha from Chengren Village and the Buddha statuette from the second year of the Shengguang era ((<b>a</b>). the Buddha statuette from the second year of the Shengguang era, taken from <a href="#B18-religions-15-01476" class="html-bibr">Luo 2010, p. 40</a>; (<b>b</b>). the lotus pedestal of the standing Buddha statuette from Chengren Village. Graphic created by the author).</p>
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<p>Small meditative gilt bronze Buddha statuettes with Bodhi leaf-shaped lotus petals cast at the center of the double-lion seat ((<b>a</b>). excavated in Xiguancheng, Yi County, with image taken from <a href="#B34-religions-15-01476" class="html-bibr">Zhejiang 2018</a>; (<b>b</b>). in the Zhengzhou Museum, with image taken from <a href="#B34-religions-15-01476" class="html-bibr">Zhejiang 2018</a>; (<b>c</b>). in the National Palace Museum, Taipei, with image taken from <a href="#B1-religions-15-01476" class="html-bibr">Chen 1996</a>; (<b>d</b>). in the Nelson Atkins Museum, with image taken from <a href="#B9-religions-15-01476" class="html-bibr">Jin 1994</a>).</p>
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<p>The Buddha Statuette with an inscribed date of the 5th year of the Taichang era (taken from <a href="#B34-religions-15-01476" class="html-bibr">Zhejiang 2018</a>).</p>
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<p>Illustration of the petal pattern on Buddha statuette No. 2 unearthed in Beisong Village, Shijiazhuang ((<b>a</b>). Lotus petal on the canopy; (<b>b</b>). Lotus petals on the backdrop; (<b>c</b>). Lotus petals above the disciple statuette; (<b>d</b>). Lotus petals located at the center of the Double Lion Throne. (<b>e</b>). Lotus petals on the front of the Buddha’s pedestal. All taken from <a href="#B16-religions-15-01476" class="html-bibr">Liu 2002</a>).</p>
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<p>The Buddha Statuette Selected from Baoding Native Products Management Department (taken from <a href="#B34-religions-15-01476" class="html-bibr">Zhejiang 2018</a>).</p>
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<p>The Buddha Statuette in the collection of the Idemitsu Museum of Arts in Japan (taken from <a href="#B10-religions-15-01476" class="html-bibr">Jin 2002</a>).</p>
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<p>Schematic illustration of the evolution of the lotus petal pattern at the center of the double-lion pedestal ((<b>a</b>). Buddha Statuette No. 2 from Beisong Village; (<b>b</b>). the Buddha statuette from Yudu Township; (<b>c</b>). a Buddha Statuette from the second year of the Shengguang era. Schematic created by the author).</p>
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<p>The Buddha statuette devoted by Wanshen in the fourth year of the Taiping Zhenjun era (taken from <a href="#B10-religions-15-01476" class="html-bibr">Jin 2002</a>).</p>
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<p>Details of the flat five-Buddha statuette ((<b>a</b>). the right arm of the lower-right Buddha statuette, (<b>b</b>). the sleeve cuff of the Buddha statuette in the second row on the right, (<b>c</b>). the left side of the halo of the Buddha statuette in the second row on the right, (<b>d</b>). the right side of the halo of the uppermost Buddha statuette, (<b>e</b>). a petal pattern on the pedestal of the uppermost Buddha statuette, graphic created by the author).</p>
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<p>The flat nine-Buddha statuette, currently in the Lingtai Museum, and its details (provided by Lingtai Museum. Graphic created by the author).</p>
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<p>Buddha Statuette No.6 at the Palace Museum (taken from <a href="#B14-religions-15-01476" class="html-bibr">Li 1995</a>).</p>
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<p>The Buddha statuette with five seated Buddhas on its halo in the collection of Tianshui Museum (taken from <a href="#B34-religions-15-01476" class="html-bibr">Zhejiang 2018</a>).</p>
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<p>Buddha statuettes with nine seated Buddhas on the halo in the Guanlong region ((<b>a</b>–<b>c</b>). taken from <a href="#B34-religions-15-01476" class="html-bibr">Zhejiang 2018</a>, (<b>d</b>). photographed by the author).</p>
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<p>Comparative illustration of the undated plate-shaped Buddha statuette and the flat nine-Buddha statuette ((<b>a</b>). taken from <a href="#B10-religions-15-01476" class="html-bibr">Jin 2002</a>, (<b>b</b>). provided by Lingtai Museum. Graphic created by the author).</p>
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18 pages, 5038 KiB  
Article
Museum Fatigue: Spatial Design Narrative Strategies of the Mawangdui Han Tomb
by Jingwen Miao, Azizi Bahauddin and Jie Feng
Buildings 2024, 14(12), 3852; https://doi.org/10.3390/buildings14123852 - 30 Nov 2024
Viewed by 874
Abstract
Museum fatigue refers to the physical and psychological fatigue that visitors experience when visiting exhibitions due to information overload, dense display, or monotonous space design. This study takes Mawangdui Han Tomb as an example, draws on Lefebvre’s spatial triad theory, and realizes the [...] Read more.
Museum fatigue refers to the physical and psychological fatigue that visitors experience when visiting exhibitions due to information overload, dense display, or monotonous space design. This study takes Mawangdui Han Tomb as an example, draws on Lefebvre’s spatial triad theory, and realizes the transformation of cultural connotation from tomb space into museum space by analyzing perceived space, conceived space, and lived space. This transformation process also proposes a spatial design narrative strategy for this study to solve the problem of museum fatigue. This qualitative study uses ethnography to understand the Taoist and ritual-influenced tomb culture of the Mawangdui Han Tombs, followed by a phenomenological analysis of the museum (lived space). The research results show that a reasonable spatial layout, coherent narrative clues, and a multi-sensory interactive experience significantly improve audience concentration and reduce fatigue. This study provides practical design suggestions for future historical and cultural exhibitions. Full article
(This article belongs to the Section Architectural Design, Urban Science, and Real Estate)
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<p>Research framework. Source: produced by the author.</p>
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<p>Mawangdui location map (<b>a</b>) and topographic map (<b>b</b>). Source: produced by the author.</p>
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<p>Tomb owner from human to immortal five stages. Source: produced by the author.</p>
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<p>Function (<b>a</b>,<b>b</b>) and appearance (<b>c</b>) of the well coffin side box. Source: produced by the author. Side box 1: Simulates the life of the tomb owner Xin Zhui (For example: listening to music and watching dance in this space). Side box 2: Symbolic storage room. Side box 3 and 4: In-house officials and servants prepare the food area. Side box 5: Tomb owner’s bedroom.</p>
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<p>Plain Coffin in Black Lacquer. Source: produced by the author.</p>
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<p>Coffin with Painted Designs on BlackLacquer Coating. Source: produced by the author.</p>
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<p>Coffin with Painted Designs on Vermilion Acquer Coating. Source: produced by the author.</p>
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<p>Silk with lozenge design pasted with down feathers and full-piled embroidery with tree design on Lacquer Coffin Decorated with Brocade. Source: Produced by the author.</p>
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<p>Mawangdui Han Tomb exhibition plan and three-story tour route through the vertical layout design of the space. Source: produced by the author (<b>a</b>) and produced by the Yanjiao Yu (<b>b</b>).</p>
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<p>The first part of the exhibition of the Mawangdui Han Tomb and the restoration model. Source: produced by the author.</p>
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<p>Mawangdui Han Tomb exhibition of ritual and music culture. Source: Produced by the author.</p>
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<p>Three-story tour route through the vertical layout design of the space. Source: Produced by the Yanjiao Yu.</p>
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<p>Three-dimensional mapping technology. Source: produced by the author.</p>
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20 pages, 23293 KiB  
Article
Mythological Figures on Bronzeware: Funerary Beliefs and Decorative Expressions in a Western Han Tomb (202 BCE–8 CE) in Bailuyuan, Xi’an, Shaanxi
by Jinglin Li
Religions 2024, 15(12), 1451; https://doi.org/10.3390/rel15121451 - 28 Nov 2024
Viewed by 1131
Abstract
Between March 2018 and May 2019, the archaeological team of the Xi’an Institute of Cultural Relics Protection and Archaeology excavated a Western Han tomb complex near Bailuyuan. This paper focuses on a bronze xuan with human-shaped feet discovered at tomb M21 of the [...] Read more.
Between March 2018 and May 2019, the archaeological team of the Xi’an Institute of Cultural Relics Protection and Archaeology excavated a Western Han tomb complex near Bailuyuan. This paper focuses on a bronze xuan with human-shaped feet discovered at tomb M21 of the complex, offering a foundation for further comparative analysis. According to the archaeological report, the Bailuyuan tomb complex, to which tomb M21 belongs, is of high status, indicating that the occupant of the main tomb held a rank no lower than a feudal lord, while the occupants of the other tombs were also likely members of the elite class. This tomb complex may belong to the accompanying tombs of the Ba Mausoleum, as it is located less than four kilometers from the mausoleum and the main tomb M1 within the complex yielded jade burial suit fragments and bronze chime bells. The central argument of this paper posits that the unusual human-shaped decoration on this xuan provides a new perspective on the significance of human-like imagery in bronzes from this and earlier periods. Such human-shaped decorations serve not only ornamental purposes but also carry symbolic meanings on cultural and religious levels, elevating them beyond mere functionality. Findings of this paper reflect that the unusual imagery in this xuan casts new light on the meaning of human-like figures in contemporaneous and even earlier bronzes. Full article
(This article belongs to the Special Issue The History of Religions in China: The Rise, Fall, and Return)
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<p>The bronze <span class="html-italic">xuan</span> excavated from Bailuyuan. Image sourced from <a href="#B71-religions-15-01451" class="html-bibr">Zhu and Guo</a> (<a href="#B71-religions-15-01451" class="html-bibr">2020</a>).</p>
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<p>The bronze <span class="html-italic">xuan</span> excavated from Bailuyuan is clearly engraved with the inscription ‘襄城家铜鋗容三升重九斤 (<span class="html-italic">xiang cheng jia tong xuan rong san sheng zhong jiu jin</span>)’. Image sourced from <a href="#B71-religions-15-01451" class="html-bibr">Zhu and Guo</a> (<a href="#B71-religions-15-01451" class="html-bibr">2020</a>).</p>
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<p>The presence or absence of vertical auricular rings in bronzewares may be related to the function of the bronze vessel. Image sourced from <a href="#B71-religions-15-01451" class="html-bibr">Zhu and Guo</a> (<a href="#B71-religions-15-01451" class="html-bibr">2020</a>).</p>
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<p>A pictorial stone with the script ‘The Door of Hu Nu (胡奴門, <span class="html-italic">hunumen</span>)’ excavated at Yangji, Fangcheng County, Henan Province. Image sourced from <a href="#B51-religions-15-01451" class="html-bibr">Wang</a> (<a href="#B51-religions-15-01451" class="html-bibr">2010, p. 58</a>).</p>
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<p>The axe and hook halberd from the Western Zhou, excavated at Baichaopo in Lingtai, Gansu province. Images sourced from <a href="#B8-religions-15-01451" class="html-bibr">Gansu</a> (<a href="#B8-religions-15-01451" class="html-bibr">1977, p. 115, and Figure 2, plate 13</a>).</p>
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<p>The small square cauldron (with a detailed part) from the No. 1 Western Zhou bronze collection at Zhuangbai Village, Fu Feng, Shaanxi Province. Image sourced from <a href="#B57-religions-15-01451" class="html-bibr">Xu</a> (<a href="#B57-religions-15-01451" class="html-bibr">2012, p. 61</a>).</p>
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<p>The bronze figures on side of the bell-frame, found in the tomb of Marquis Yi of Zeng in Sui County, Hubei Province. Image sourced from <a href="#B46-religions-15-01451" class="html-bibr">Suixian</a> (<a href="#B46-religions-15-01451" class="html-bibr">1979, p. 16</a>).</p>
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<p>Silver-headed figurine and bronze lantern excavated from the tombs of the Zhongshan State in Pingshan, Hebei. Image sourced from <a href="#B64-religions-15-01451" class="html-bibr">Zhang et al.</a> (<a href="#B64-religions-15-01451" class="html-bibr">1979, Figure 2, Plate Section, p. 1</a>).</p>
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<p>Gilt-bronze figurine and lantern excavated from the tombs of the Zhongshan State in Pingshan, Hebei. The lantern, currently housed in the Henan Museum, was featured in the museum’s 2021 special exhibition. Image sourced from the <a href="#B13-religions-15-01451" class="html-bibr">Henan Museum</a> (<a href="#B13-religions-15-01451" class="html-bibr">2021</a>) online collection.</p>
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<p>The Danghu lantern plate from Tomb No. 1 in Mancheng, Hebei Province. Image sourced from the <a href="#B12-religions-15-01451" class="html-bibr">Heibei Museum</a> (<a href="#B12-religions-15-01451" class="html-bibr">n.d.</a>) online collection and <a href="#B70-religions-15-01451" class="html-bibr">Zhou and Chen</a> (<a href="#B70-religions-15-01451" class="html-bibr">2010, p. 54</a>).</p>
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<p>Some bronze lanterns found in Boxing County, Shandong, Tomb No. 2 of Xingyi, Guizhou, and Luoyang Railway Station, all of which have one or more of the features shown. From left to right: images were sourced from <a href="#B2-religions-15-01451" class="html-bibr">Boxing</a> (<a href="#B2-religions-15-01451" class="html-bibr">1987, p. 187</a>), <a href="#B10-religions-15-01451" class="html-bibr">Guizhou</a> (<a href="#B10-religions-15-01451" class="html-bibr">1979, plate 6</a>), and <a href="#B27-religions-15-01451" class="html-bibr">Luoyang</a> (<a href="#B27-religions-15-01451" class="html-bibr">2004, p. 55</a>).</p>
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<p>Bronze figures with prominent cheekbones, plump cheeks, large eyes, pointed faces, straight noses, and pointed hats, excavated from various Western Han Dynasty tombs. From top to bottom, left to right: images were sourced from <a href="#B18-religions-15-01451" class="html-bibr">Jiangxi</a> (<a href="#B18-religions-15-01451" class="html-bibr">1976, plate 6</a>), <a href="#B26-religions-15-01451" class="html-bibr">Luoyang</a> (<a href="#B26-religions-15-01451" class="html-bibr">1995, p. 23</a>), <a href="#B29-religions-15-01451" class="html-bibr">Nanjing</a> (<a href="#B29-religions-15-01451" class="html-bibr">2013, p. 68</a>), <a href="#B19-religions-15-01451" class="html-bibr">Jiangxi</a> (<a href="#B19-religions-15-01451" class="html-bibr">2016, p. 88</a>), and <a href="#B28-religions-15-01451" class="html-bibr">Nanjing</a> (<a href="#B28-religions-15-01451" class="html-bibr">2011, museum online collection</a>).</p>
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<p>Human-figure decoration beneath the bronze <span class="html-italic">xuan</span> from Bailuyuan. Image sourced from <a href="#B71-religions-15-01451" class="html-bibr">Zhu and Guo</a> (<a href="#B71-religions-15-01451" class="html-bibr">2020</a>).</p>
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<p>The lotus flower lantern in the Deydier Collection, London, England. Image sourced from <a href="#B24-religions-15-01451" class="html-bibr">Li</a> (<a href="#B24-religions-15-01451" class="html-bibr">1995, plate 16</a>).</p>
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<p>The bronze ‘Man of Feathers’ found in the northern suburbs of Xi’an, Shaanxi Province. Image sourced from <a href="#B53-religions-15-01451" class="html-bibr">Xi’an</a> (<a href="#B53-religions-15-01451" class="html-bibr">1966, Figure 4, plate, Section 2, p. 7</a>).</p>
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<p>The ‘Man of Feathers’ figure is also concentrated on some bronze lamps and bronze Boshan burners from the Eastern Han Dynasty. Image sourced from <a href="#B23-religions-15-01451" class="html-bibr">Li</a> (<a href="#B23-religions-15-01451" class="html-bibr">1983, p. 69</a>).</p>
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<p>The classic image of a Man of Feathers feeding a phoenix on the first level of a portrait stone by Zhang Yizhi of Jining, Shandong Province. Image sourced from <a href="#B62-religions-15-01451" class="html-bibr">Yu</a> (<a href="#B62-religions-15-01451" class="html-bibr">2000, plate 11</a>).</p>
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16 pages, 7530 KiB  
Article
Microbial Diversity and Biodegradation Mechanism of Microorganisms in the Dingtao M2 Tomb
by Yu Wang, Cen Wang, Lilong Hou, Xinyu Yang, Chenghao Li, Shengkuan Cui, Cuilian Ma, Ling Wang, Lu Zhang, Yuanyuan Liu, Hong Guo and Jiao Pan
Int. J. Mol. Sci. 2024, 25(22), 12270; https://doi.org/10.3390/ijms252212270 - 15 Nov 2024
Viewed by 682
Abstract
The Dingtao M2 tomb, the largest and best-preserved imperial “Huangchangticou” tomb in China, holds great significance for its conservation. Currently, varying degrees of microbial degradation are occurring on the surfaces of the M2 tomb. This study aimed to determine the microbial diversity of [...] Read more.
The Dingtao M2 tomb, the largest and best-preserved imperial “Huangchangticou” tomb in China, holds great significance for its conservation. Currently, varying degrees of microbial degradation are occurring on the surfaces of the M2 tomb. This study aimed to determine the microbial diversity of the M2 tomb and its surrounding environment during July 2021 and August 2022. High-throughput metagenomic sequencing revealed that the dominant fungus on the surface of the tomb chamber was Dacrymyces stillatus (DTT1) in July 2021, which changed to Talaromyces pinophilus (DTT2) in August 2022. Enzymatic activities for cellulose and lignin degradation suggested that DTT1 has high levels of manganese peroxidase, lignin peroxidase, laccase, and cellulase. The wood of the tomb contained higher levels of Fe2+ and Ca2+, and experiments with different concentration gradients of these ions in the culture medium revealed that DTT1 exhibited greater activity of cellulose and lignin degradation in environments with higher concentrations of Fe2+ and Ca2+. DTT2 degraded both cellulose and lignin. Lastly, a laboratory plate inhibition experiment demonstrated that isothiazolinone fungicide had a significant fungicidal effect on these two dominant fungi. This study provides valuable data and a theoretical basis for the preservation of the M2 tomb and other wooden cultural relics. Full article
(This article belongs to the Special Issue Microbial Omics)
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<p>SEM results of the surface of the Dingtao M2 tomb: (<b>A</b>) DTTS1; (<b>B</b>) DTTS2; (<b>C</b>) DTM2.1; and (<b>D</b>) DTM2.4.</p>
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<p>Relative abundance of microorganisms at the genus level on the surface of the Dingtao M2 tomb.</p>
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<p>Database annotation results of each functional annotation: (<b>A</b>) FUNGuild function classification statistic histogram in high-throughput sequencing; (<b>B</b>) relative abundance of KEGG database at level 1 in metagenome sequencing; (<b>C</b>) relative abundance of eggNOG database at level1 in metagenome sequencing; and (<b>D</b>) relative abundance of CAZy database at level1 in metagenome sequencing.</p>
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<p>The growth morphology of dominant fungi on the surface of the M2 tomb: (<b>A</b>) DTT1 cultured at 25 °C light condition for 15 days on the PDA medium; (<b>B</b>) DTT2 cultured at 28 °C light condition for 5 days on the PDA medium; (<b>C</b>) SEM observation of DTT1; and (<b>D</b>) SEM observation of DTT2.</p>
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<p>Determination of cellulose and lignin degradation capacity of DTT2: (<b>A</b>) The growth on CMC medium, incubated at 28 °C for 5 days; (<b>B</b>) the growth on PDA guaiacol medium, incubated at 28 °C for 5 days.</p>
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<p>Effect of Fe<sup>2+</sup> and Ca<sup>2+</sup> on the enzyme and specific enzyme activities of DTT1: (<b>A</b>) Fe<sup>2+</sup> vs. manganese peroxidase; (<b>B</b>) Fe<sup>2+</sup> vs. lignin peroxidase; (<b>C</b>) Fe<sup>2+</sup> vs. laccase; (<b>D</b>) Fe<sup>2+</sup> vs. cellulase; (<b>E</b>) Ca<sup>2+</sup> vs. manganese peroxidase; (<b>F</b>) Ca<sup>2+</sup> vs. lignin peroxidase; (<b>G</b>) Ca<sup>2+</sup> vs. laccase; and (<b>H</b>) Ca<sup>2+</sup> vs. cellulase.</p>
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<p>Inhibition effect of various fungicides on <span class="html-italic">D. stillatus</span> (DTT1): (<b>A</b>) H<sub>2</sub>O; (<b>B</b>) 0.375‰ isothiazolinone; (<b>C</b>) 0.15‰ isothiazolinone; (<b>D</b>) 0.9‰ isothiazolinone; (<b>E</b>) 0.5% quaternary ammonium salt; (<b>F</b>) 3.5% quaternary ammonium salt; (<b>G</b>) 0.35‰ isothiazolinone; and (<b>H</b>) 7‰ isothiazolinone. The plates were incubated at 25 °C for 30 days.</p>
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<p>Inhibition effect of various fungicides on T. pinophilus (DTT2): (<b>A</b>) H<sub>2</sub>O; (<b>B</b>) 0.375‰ isothiazolinone; (<b>C</b>) 0.15‰ isothiazolinone; (<b>D</b>) 0.9‰ isothiazolinone; (<b>E</b>) 0.5% quaternary ammonium salt; (<b>F</b>) 3.5% quaternary ammonium salt; (<b>G</b>) 0.35‰ isothiazolinone; and (<b>H</b>) 7‰ isothiazolinone. The plates were incubated at 28 °C for 10 days.</p>
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<p>Microbial diseases on Dingtao M2 tomb and its surrounding environment: (<b>A</b>) 2021.7 white plaque; (<b>B</b>) 2022.8 yellow-green plaque; and (<b>C</b>) 2022.8 white mottled plaque.</p>
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16 pages, 11928 KiB  
Article
Artistic Production in a Necropolis in Motion
by Nico Staring
Arts 2024, 13(6), 165; https://doi.org/10.3390/arts13060165 - 30 Oct 2024
Viewed by 809
Abstract
The present article studies aspects of the artistic production at New Kingdom Saqqara, a necropolis of the ancient Egyptian royal residence city Memphis. Following a brief review of the functions of ancient Egyptian tombs, this article will first set out to scrutinize the [...] Read more.
The present article studies aspects of the artistic production at New Kingdom Saqqara, a necropolis of the ancient Egyptian royal residence city Memphis. Following a brief review of the functions of ancient Egyptian tombs, this article will first set out to scrutinize the tomb-making section of society (e.g., size, membership). Second, the corpus of tombs will be reviewed to uncover the diverse nature of the tomb owners and to investigate access to resources required for tomb making. Third, the article will proceed to place the tombs in spatial and temporal context and reflect on the artistic production in a necropolis in motion. Full article
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<p>Map of Egypt, the East Mediterranean littoral, and Near East with a selection of the most important sites during the Late Bronze Age (c. 1500–1200 BCE) (topographic map after Wikimedia Commons, public domain; adapted by the author).</p>
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<p>Memphis and the North Saqqara plateau during the New Kingdom (c. 1539–1078 BCE) (satellite image after Google Earth, 2022; adapted by the author).</p>
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<p>The Unas South Cemetery at Saqqara, showing the location of tombs mentioned in the text (image by the author).</p>
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<p>Offering bearers in the tomb of Maya, pylon gateway, north wall. A secondary inscription identifies the figure in the center as Ptahmose, h: 54 cm (photograph by Leiden-Turin Expedition to Saqqara/Nicola Dell’Aquila).</p>
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<p>Graffito of Heriherneferher and colleagues in the tomb of Urkhiya (photograph by the author, courtesy of Khaled Hassan).</p>
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<p>Cross-section of the tombs built at Saqqara during the New Kingdom (image by the author).</p>
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<p>Scene in the tomb of Maya (courtyard, now lost) depicting episodes of the funeral attended by artists that were professionally associated with him (image after <a href="#B22-arts-13-00165" class="html-bibr">Lepsius 1897–1913, pl. III.242b</a>).</p>
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<p>Scene in the tomb of Ptahmose. Egyptian Museum Cairo TN 25.6.24.6 (drawing by Geoffrey T. Martin © The Geoffrey Thorndike Martin Memphite New Kingdom Archive).</p>
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<p>Scenes carved on the north wall of the inner chapel of Iniuia, including Egyptian Museum Cairo TN 25.6.24.7, TN 3.7.24.13, and Saqqara NK 4 (photographs courtesy Rijksmuseum van Oudheden, Leiden; image by the author).</p>
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<p>Scene in the tomb of Maya. Egyptian Museum Cairo JE 43274d (drawing after <a href="#B24-arts-13-00165" class="html-bibr">Martin 2012, pl. 29.38</a>, courtesy of the Egypt Exploration Society).</p>
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<p>Scene from the tomb of Sabu called Ibbi, 6th Dynasty. Egyptian Museum Cairo CG 1418 (photograph after <a href="#B5-arts-13-00165" class="html-bibr">Capart 1907, pl. 106</a>).</p>
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13 pages, 8725 KiB  
Article
Menthol-Based Extraction of Fragile Wooden Coffin Lid (7–10th Centuries CE) in Laboratory Archaeology Excavation
by Yong Liu, Jiake Chen, Cunxin Li, Xiangna Han, Hao Wang, Jinsong Bai and Xiaohua Liu
Forests 2024, 15(10), 1830; https://doi.org/10.3390/f15101830 - 20 Oct 2024
Viewed by 1037
Abstract
Block lifting is a key step in stabilizing and removing fragile remains at archaeological excavation sites. Due to its favorable working properties and adhesive effect, menthol has recently been proposed as a volatile binding medium for temporary consolidation in archaeological conservation. This paper [...] Read more.
Block lifting is a key step in stabilizing and removing fragile remains at archaeological excavation sites. Due to its favorable working properties and adhesive effect, menthol has recently been proposed as a volatile binding medium for temporary consolidation in archaeological conservation. This paper presents a case study on the use of menthol in the extraction and restoration of a large wooden coffin lid, approximately 1.9 m long and 0.9 m wide, from tomb 11 (M11) at Xie’ertala, located east of a Xie’ertala town in Hailar City, Inner Mongolia, dating to the 7th to 10th centuries CE. This coffin lid had fragmented into numerous wooden pieces, and was preserved in a relatively arid steppe environment, necessitating the extraction of the lid as a consolidated block. The use of menthol for consolidating and lifting the highly fragmented wooden coffin lid was intended to preserve critical archaeological information while avoiding damage to the underlying objects. An analysis of the physicochemical properties of these wooden remains suggests that the timber used for the coffin lid belongs to a common pine species from the Hulunbuir region. The degradation of the coffin lid was relatively mild, as shown by Fourier Transform Infrared Spectroscopy (FT-IR) and Scanning Electron Microscope (SEM) results. Dynamic Vapor Sorption (DVS) tests indicated that the hygroscopicity of the archaeological wood was 23.4%, compared to 21.1% for the reference sample, demonstrating good environmental stability. The safety of menthol as a treatment for fragile wooden remains was evaluated by comparing changes in the morphological and porosity characteristics of the coffin lid before and after menthol treatment. After treatment, the widths of the fissures remained largely unchanged, with all relative variations being less than 1%, and the porosity as well as pore size distribution of the wood showed negligible changes. Gas Chromatography–Mass Spectrometry (GC-MS) results showed that only 0.6% of menthol residue remained after 8 days of sublimation. This pilot study demonstrates that menthol is a safe temporary consolidant for block lifting and offers a promising alternative to the widely used cyclododecane. In conclusion, this research provided a new approach for conservators to safely lift similarly large and fragile wood remains during archaeological excavations. Full article
(This article belongs to the Special Issue New Approaches to Wood Protection and Preservation)
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<p>Photograph of the outer coffin lid of Xie’ertala cemetery M11 showing the serious degradation and fractured condition (<b>a</b>) and the drawing of coffin lid (<b>b</b>).</p>
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<p>Anatomical structure of wood sample under optical microscope. The cross (<b>a</b>), tangential (<b>b</b>), and radial (<b>c</b>) sections.</p>
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<p>FT-IR spectra (<b>a</b>) and DVS curves (<b>b</b>) of the reference sample and archaeological wood; SEM of the archaeological wood ((<b>c</b>): 2000×, (<b>d</b>): 4000×).</p>
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<p>Micrographs of sample XT03 during the menthol treatment. (<b>a</b>): Untreated surface (50×), (<b>b</b>): 5 min after menthol treatment, newly grown menthol whiskers appeared (50×), (<b>c</b>): higher magnification of menthol crystals in wood fissures (200×), (<b>d</b>): 10 days after menthol treatment, no visible menthol was observed (50×).</p>
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<p>Micrographs of samples XT01 and XT02 showing the surface and fissures morphology before (<b>a</b>,<b>c</b>) and after (<b>b</b>,<b>d</b>) menthol treatment (50×).</p>
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<p>(<b>a</b>): Pore size distribution of wood samples (MIP); (<b>b</b>): residual amount of menthol after 10 days (GC-MS).</p>
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<p>The procedure of using menthol as a temporary consolidant in coffin lid extraction.</p>
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<p>Photographs of the coffin lid in different stages of temporary consolidation and following treatment. (<b>a</b>): Brushing melted menthol; (<b>b</b>): finished temporary consolidation; (<b>c</b>): after 8 days of menthol evaporation; (<b>d</b>): display of the coffin lid after about one month.</p>
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