Primeval: New World

After the original Primeval was cancelled for a second time in the UK, Impossible Pictures turned to the international market to keep the show alive. In late 2012 we got Primeval: New World, a North American spin-off of the show that takes the action from London (and Dublin) to the rugged landscape of Vancouver.

I appreciate that New World is a spin-off rather than a complete reboot or remake of the series, though it largely ignores the events of Series 5 of the original show with only a short appearance of Connor and a nod to the ARC to tie the two shows together. As a result it's unclear if New World can be considered part of the same continuity or not.

The first (and only) season is 13 episodes long, making it even longer than Series 3 of the original show. This is not necessarily a good thing as it results in a lot of episodes feeling unnecessary in the grand scheme of things. It takes until episode 5 for the show to get going and until episode 8 for it to start getting good. I can't help but feel that cutting a lot of the earlier episodes would make the show more engaging and help the story flow better, especially when you consider that the first series of the original show managed to achieve far more in only six episodes.

The characters are fine and the actors do a good job playing them but they're not quite as memorable as the characters from the original. The standout characters for me are Mac Rendell who brings some familiarity with his British accent and Becker-like personality, and Lt. Ken Leeds who has some fun comedic moments and constantly tries to convince team leader Evan Cross that he's there to help, to no avail.

The creatures for me were a bit of a disappointment. Unlike the original show which made the effort to use varied and unique creatures in each episode, New World instead opts for using mostly generic dinosaurs. It may just be because of the higher resolution but the CGI creatures also didn't feel as convincing as they did in the original.

Overall Primeval: New World is a fine show and worth watching if you're desperate for more Primeval content but it lacks the heart and story that made the original work. It seemed to be getting somewhere with it's last few episodes and could have improved in subsequent seasons but as the show met the same fate as the original, I guess we'll never know.

Primeval: New World is now set in Canada and very much like the UK series you have a main male character and something happens to his wife. This urges him to research about the anomalies and hunt dinosaurs with a few friends. Now in the first few episodes they established and created everything that first 4 series of the UK Primeval did. I mean it took until series 3 to point out that anomalies effect mythology whereas in New World they stated it in episode two. And also some episodes did feel like remakes - a lot; honestly, on some episodes it's like someone got the original screenplay and then just changed names and locations. But apart from all that it was very enjoyable; they kept making references to Primeval every now and again and the ARC plays an role in there too. So I think it is a pretty good spin-off to one of my favourite shows and it even brought new story-lines and events what were quite new but also a lot of plots that we'd seen before back in the UK. It did end on a cliff-hanger like pretty much every Primeval series did and unfortunately it has now been cancelled so we will never see season 2; but like I said, this spin-off was a good run and pays homage to its roots so that was good.

I suppose that's the end of the Primeval franchise all together now then but I hope people remember this great piece of entertainment.

I strongly believe in story/the idea, and I tend to believe that the story is everything. That this is not the case is proved by remakes. I am not in general against remakes, but most remakes do not add to the story, but take things away. Perfect examples are the remakes of Life on Mars and Primeval. Primeval may be overdoing it, but it does not add something more, quite the opposite, the new version has more gore, but no new ideas and the viewer painfully misses the charm, the fun, the soul and heart of the original version. This does not mean that the idea isn't still strong, but the original version is just a lot better. But as with all things: in the end it is a matter of taste and therefore there will be and should be fans for each version. I, personally, e.g., prefer the US-Version of Being Human, which is criticized by many fans of the original. I think the creators of the remake made great casting decisions in this case and the US-version has (still) a lot of soul and fun and charm. This is not (and cannot be) true in the case of Life on Mars - if something is this perfect, why change it? It is not 60 years old and outdated and even the language (and pretty much of the culture) is the same, so why bother and make things worse? So: the new Primeval has nothing on the original, but the idea is still strong and tastes differ, so a well-meant 6.

The original UK *Primeval* remains to this day one of my favorite guilty pleasures. And while some of the characters in that version left me a bit cold, and I found the ups and downs caused by poor network treatment frustrating, I never tired of the dry humor or complicated and mixed character motivations as they battled anomalies, creatures, and humans determined to use both to achieve greater power. The situations created suspense: You were always wondering how they were going to get out of this week's predicament. In this version, the motives are straightforward, all goodness all the time: Save the modern world from time anomalies and creatures that arrive through them. These creatures often predate humans, and, being out of place, generally cause trouble, including approaching humans an interesting new prey species. The problem I have is that we have not yet (as of July 2013 on the SyFy run of the first season) been given a clear reason as to why these particular characters are doing this; there is very little to motivate them to do this work, and the context does not make the need for them doing it particularly critical nor gripping. There's no scientific researcher like Cutter, driven by pure scientific curiosity about the phenomenon, just a entrepreneur who lost a loved one to an anomaly creature and who finds the experience an adrenaline rush. We have no sense of what he hopes to achieve long-term. There are no hard-core nerds like Connor, no animal lovers like Abby, and apparently no interest in obtaining the tech that enabled the UK team to put anomalies in a holding pattern to prevent more wayward creatures from getting lost in the wrong time (while of course dealing with those that had slipped through before they could be stopped). (Which means there is always at least one character left "guarding" the anomaly. Boring....) And when this team discusses tech, it's in the context of the tech expert providing a nice app for their phone as a done deal, whereas the process of creating tech in the original was suspenseful: Will it work, will it help, how much does it need to be tweaked, etc. Sometimes tech failures contributed to the action.

So every week we're introduced to a new creature that must be returned to its time, and we watch the characters do relatively boring things to figure out how to accomplish this. Civilians are tangentially involved, but with the exception of one episode, rarely do we see their involvement in any depth. (And that episode's civilian was not depicted in a manner that even made us worry about her or collateral damage in general, as we always did in the original, which even included a character who had grown to adulthood by traveling through alternate times after being drawn into an anomaly as a child.) Meanwhile, as the creatures are being tracked, the characters tell us their life stories, which gets very old very quickly. (Seriously, why would we be interested, beyond the basic reason they're involved in the first place? Backstories are for storyboards to guide the actions of a character in the current situation, but it's the current situation where the focus for the audience exists.) For example, in an episode that should've ratcheted the suspense to the rafters, main characters being stalked by raptors similar to the velociraptors of Jurassic Park, we're being bored to death listening to one character talk to two others about their feelings about the death of loved ones. The ultimate capture was so anti-climatic, it was hard to believe they were in any danger to begin with. And there is no "big bad" here, either, a character with a hidden agenda, wanting to use the phenomenon to achieve bigger goals, like the original's Helen Cutter and her first quest to start a prehistoric zoo, and then ultimately end humanity because humanity was destroying the planet. (Granted, her character was a bit of a mess, but at least she kept things interesting, and kept viewers guessing.) While the butterfly effect is alluded to, no one seems particularly interested in either changing history, nor showing concern that others might want to.

Ultimately, even if they want to limit this version to a weekly creature feature, they need to up the action, reduce the chit-chat, and make the process of capturing the creatures suspenseful. If they really want to make this sci-fi in the tradition that the original followed, they need far more depth to the characters and the stories. The UK *Primeval* was not a perfect show by any means, but by comparison to this show, it was imaginative and action-packed. It's as if these showrunners have found a formula and are sticking to it, even if it is boring as hell.

There is potential here. The actors are good, and the characters have the potential to be interesting. Now they need to add more imagination, suspense, and action. i.e., they should ask themselves the question that it was clear the original's creators asked, what would I do if I were in this situation? It is, after all the question that every good sci-fi story wants its audience to ask.

I saw the first two episodes and so far I must say that while I look forward to more episodes I am not overwhelmed. As most everyone else has said, suddenly the whole world doesn't know that there are anomalies all over the place. That bothers me but you have to get past it and move on.

The plot is very familiar.

Missing things: Connor and Abby. OK, they were cute. In two episodes, they had no hint of this with anyone.

Rex. So far, everything brought through is gigantic and eats people. For every gigantic creature in a real world ecosystem there should be thousands of small ones.

Nick Cutter. There is no wise man who has a clue. They're all kids.

Common sense. By the second episode, they should darn well know that they could be going after very, very large creatures. They should equip themselves appropriately or at least make a very visible effort to do so. If you're going after a predator the mass of an elephant, bring an elephant rifle or better yet something in .50 BMG. Did they? Not in the second episode.

I hope that they will wise up and produce something as durable as Sanctuary or Primeval. Let's see if they do it.