In an alternate present-day version of Oakland, telemarketer Cassius Green discovers a magical key to professional success, propelling him into a universe of greed.In an alternate present-day version of Oakland, telemarketer Cassius Green discovers a magical key to professional success, propelling him into a universe of greed.In an alternate present-day version of Oakland, telemarketer Cassius Green discovers a magical key to professional success, propelling him into a universe of greed.
- Awards
- 20 wins & 56 nominations total
- Cassius Green
- (as Lakeith Stanfield)
- Man Eating Dinner
- (as Jerry Mcdaniel Jr.)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
That was in fact until I embarked on the journey known as "sorry to bother you".
This film is strange. I mean, reallyyy strange. A dystopian reality is constructed, using cheerful and colourful, mise-en-scene, picture and sound; as a poorly crafted mask to cover the dark undertones which hide in plain sight. The acting? Seamless. The humour? Hilarious. The plot? A positive unorthodox. And yet what emotion of mine does this film invoke? Misery.
The alternative reality conjured is so surreal, yet so real. The psychopathic nature of every single aspect of this creation bears all too many similarities to the world we too live in. So hyperbolized, so ridiculous, but still so true. Immediately after whatching this film I had to call my best friend, just to hear a sane voice, as even the one in my own head was failing to provide me that comfort.
This film does exactly what it sets out to do, it does so in stupendous fashion. And yet, I hated it. I recommended that none of my friends watch it. Though smiling throughout, my overall emotion was of such discomfort, that I really did not want anybody to go through the same. This is the best worst film I have ever seen. My rating has fluctuated from 4-10 throughout the writing of this review. But here you have it. 7/10. My final answer, a mediocre score, for a far from mediocre film.
STBY is about Cassius "Cash" Green, a man who just needs to make a buck at his horrible telemarketer job and just get by. After finding he has a talent for sales while using his "white voice", he's propelled to the upper echelon of elite salespeople at the company. But that's just the first act. Any more and I'll spoil what this film has in store for you. The pace of it all is very quick and kept me wondering what could happen next. Every time I thought I knew where it was going, it jerked me into another dimension. The only gripe I had with the story is that the side plot of the friend who is trying to get with his girlfriend seems totally unnecessary. It could be taken out of the movie completely and nothing would be different.
The acting is great, with all the actors either embracing the insanity or not knowing what exactly to do with it. Everyone is fun to watch and see how they would react to their new situations.
The cinematography was excellent. From the first act and how dull and drab and out of focus everything is due to our main character's disinterest in his life and job, to the second act's sharp clarity where he is focused on doing the best he can at his job. The third act feels like a dream where everything is bright but hazy. There's a lot of great subtle visual metaphors throughout that make it fun to analyze as well. I would love to watch this again and see what I missed.
The soundtrack for this is just as trippy and weird. Lots of loops and weird instrumentation can be heard. Some members of the band Tune-Yards do the composition and it really does show. It keeps the kooky and psychedelic atmosphere alive.
Aside from some wonky "white voice" lip sync and the one story gripe, this is an awesome movie. Don't expect to laugh as much, but definitely expect to say "WTF???!!???" a whole lot.
if you like weird movies you should watch this one for sure!
"I think people who are giving it high praise believe that's just what their supposed to do but the fact is it's just a dumpster fire of a movie."
" I RARELY write movie reviews but had to inform people of the facts on this one."
"The positive reviews are from movie snobs who think they are smarter than everyone else and recognize brilliance in pure garbage."
You get the point. It's almost like we're all supposed to like all the same things now. (In fairness, there were plenty of other reviewers who didn't like it, but said they're glad others enjoyed it.
I'm not a movie snob. I'm not a film executive and I have nothing to do with the film except I paid 6 bucks to see it last Tuesday. This is a very surreal satire. It won't be to everyone's liking, but it seems to me that we are getting more and more confused about the difference between fact and opinion. It's not a fact that this movie sucks, any more than it's a fact that this movie is great. These are classically opinions.
Me, I like movies that start sort of pseudo-normal and go into bizarre. This is right up my alley. It's a Repo Man for our generation. Genetic engineering, dead end call center jobs, megalomaniacal Bay Area billionaires trying to save the world, race relations and post-postmodern art commentary. It's all painted in a crazy, bigger-than-life science fiction brush. Yeah, it's weird as hell, and maybe ends a little weakly (Monty Python and the Holy Grail, anyone?) but has a method in its madness.
If you don't like absurdist humor, or if you don't like movies that are at least semi-overt political statements (especially if the political statement is opposed to yours. Anti-union, pro-business capitalists with short fuses be warned! You should give it a miss and just read the National Review's Ross Douthat's review. He saved you a lot of time worrying your beautiful mind about it.), and if you don't like a dollop of science fiction every now and then, yeah, you're going to probably hate it.
But your opinion is still not fact. I liked it. That's my OPINION. Get over it.
Did you know
- TriviaAt one point, Detroit wears a pair of earrings with the phrases BURY THE RAG and DEEP IN YOUR FACE. These are lyrics from "The Lonesome Death of Hattie Carroll" by Bob Dylan, which is a protest song about a poor African-American woman murdered by a wealthy white man. ("Bury the rag deep in your face/ Now's the time for your tears".)
- GoofsWhen Detroit is caught while vandalizing an advertisement for WorryFree, the letters she spray paints on the wall change from "S" to "SL" and back to "S" between shots.
- Quotes
Sergio: Hey, Cash. How much longer I gotta wait for my money?
Cassius Green: God made this land for all of us. Greedy people like you want to hog it to yourself, and your family.
Sergio: Me and my family?
Cassius Green: Yeah.
Sergio: Cassius, I'm your fuckin' uncle.
- Crazy creditsThere's a mid-credits scene.
- How long is Sorry to Bother You?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Вибач, що турбую
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,200,000 (estimated)
- Gross US & Canada
- $17,493,096
- Opening weekend US & Canada
- $727,266
- Jul 8, 2018
- Gross worldwide
- $18,170,707
- Runtime1 hour 52 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1