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Calum Marsh

United States

Flow (2024)

Publish Date: November 24, 2024
"The animals act like real animals, not like cartoons or humans, and that restraint gives their adventure an authenticity that, in moments of both delight and peril, makes the emotion that much more powerful"

The New York Times
Family Pack (2024)

Publish Date: October 22, 2024
"The beauty of a game of Werewolf lies in the treachery. In this film adaptation, the director focuses on mild comedy and tedious action instead."

The New York Times
The Line (2023)

Publish Date: October 16, 2024
"Berger takes a keen anthropological approach to the rites and rituals of the fictitious Kappa Nu Alpha house, and he makes it so that you can almost smell the stale beer and crumpled Ralph Lauren"

The New York Times
Incoming (2024)

Publish Date: August 22, 2024
"Freshman engage in some fairly predictable debauchery in this routine high school gross-out comedy streaming on Netflix."

The New York Times
Ride (2024)

Publish Date: June 12, 2024
"Only Howell truly embodies the spirit of the Old West."

The New York Times
Snack Shack (2024)

Publish Date: March 13, 2024
"Performances from the two main characters elevate this boisterous teen comedy to the level of raunchy art"

The New York Times
Demon Slayer: Kimetsu no Yaiba - To the Hashira Training (2024)

Publish Date: February 21, 2024
"t makes you wish it were a real movie instead"

The New York Times
Monolith (2022)

Publish Date: February 14, 2024
"'Monolith' becomes harder to take seriously as the drama escalates"

The New York Times
The Family Plan (2023)

Publish Date: December 13, 2023
"Breezy, entertaining action-comedy"

The New York Times
Please Don't Destroy: The Treasure of Foggy Mountain (2023)

Publish Date: November 16, 2023
"The frustrating thing is that Marshall, Herlihy and especially Higgins really are funny, and the film has some huge laughs. That’s enough for a sketch show. It’s not quite enough for a film."

The New York Times
Albert Brooks: Defending My Life (2023)

Publish Date: November 8, 2023
"While Brooks deserves acclaim, he deserves it in a format as compelling and dynamic as he is. 'Defending My Life' is simply too flat"

The New York Times
The Devil on Trial (2023)

Publish Date: October 16, 2023
"Instead of challenging assumptions, exploring implications or discussing the difficult questions here, Holt merely mines the material for superficial shock value and lurid titillation"

The New York Times
Vacation Friends 2 (2023)

Publish Date: August 24, 2023
"A perfunctory sequel with an even duller story"

The New York Times
Meg 2: The Trench (2023)

Publish Date: August 2, 2023
"This lively sequel to 2018’s somewhat tepid killer-shark blockbuster greatly improves upon its predecessor by getting gorier, funnier and more stylish"

The New York Times
The First Slam Dunk (2022)

Publish Date: July 26, 2023
"A popular sports manga about a Japanese high school basketball team vaults to the big screen in an exhilarating, gorgeous anime."

The New York Times
Glitch: The Rise & Fall of HQ Trivia (2023)

Publish Date: July 19, 2023
"Slyer and smarter than some of its paint-by-numbers dramatized contemporaries, and the story it prefers to tell is more interesting and complex than the battle of two domineering egoists who came up with a novelty app"

The New York Times
Rock Hudson: All That Heaven Allowed (2023)

Publish Date: June 27, 2023
"The historical context it provides for Hudson's rise through the studio system in the early 1950s is thin and superficial... while its efforts to shape a coherent narrative out of Hudson's career lead to a number of dubious claims"

The New York Times
Anna Nicole Smith: You Don't Know Me (2023)

Publish Date: May 15, 2023
"Smith deserved better than how she was treated. And she deserves better than this"

The New York Times
Rare Objects (2023)

Publish Date: April 12, 2023
"Sometimes compelling, sometimes tepid"

The New York Times
What the Hell Happened to Blood, Sweat & Tears? (2023)

Publish Date: March 22, 2023
"What happened to Blood, Sweat & Tears, judging by this spurious, somewhat cranky documentary by John Scheinfeld, is that the band faced the unforeseen consequences of its own bad decisions"

The New York Times

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