And Then There Were None (SparkNotes Literature Guide)
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And Then There Were None (SparkNotes Literature Guide) - SparkNotes
And Then There Were None
Agatha Christie
© 2003, 2007 by Spark Publishing
This Spark Publishing edition 2014 by SparkNotes LLC, an Affiliate of Barnes & Noble
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means (including electronic, mechanical, photocopying, recording, or otherwise) without prior written permission from the publisher.
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ISBN-13: 978-1-4114-7210-5
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10 9 8 7 6 5 4 3 2 1
Contents
Context
Plot Overview
Character List
Analysis of Major Characters
Themes, Motifs & Symbols
Chapter I
Chapter II
Chapters III-IV
Chapters V-VI
Chapters VII-VIII
Chapters IX-X
Chapters XI-XII
Chapters XIII-XIV
Chapters XV-XVI
Epilogue
Important Quotations Explained
Key Facts
Study Questions & Essay Topics
Review & Resources
Context
A
gatha Christie was born
Agatha Mary Clarissa Miller on September
5
,
1890
, in Torquay, England. In
1914
she married Colonel Archibald Christie, an aviator in the Royal Flying Corps. They had a daughter, Rosalind, and divorced in
1928
. By that time, Christie had begun writing mystery stories, initially in response to a dare from her sister. Her first novel, The Mysterious Affair at Styles, was published in
1920
and featured the debut of one of her most famous characters, the Belgian sleuth Hercule Poirot. Christie would go on to become the world’s best-selling writer of mystery novels.
By the time Christie began writing, the mystery novel was a well-established genre with definite rules. Edgar Allan Poe pioneered the mystery genre in his short story Murders in the Rue Morgue,
and writers like Sir Arthur Conan Doyle carried on the tradition Poe began. In traditional mysteries like Poe’s and Doyle’s, the story is told from the perspective of a detective-protagonist (or a friend of the detective, like Sherlock Holmes’s companion, Dr. Watson) as he or she examines clues and pursues a killer. At the end of the novel, the detective unmasks the murderer and sums up the case, explaining the crime and clearing up mysterious events. As the story unfolds, the reader gets access to exactly the same information as the detective, which makes the mystery novel a kind of game in which the reader has a chance to solve the case for him- or herself.
Fairly early in her career, in
1926
, Christie came under fire for writing an unfair
mystery novel. In The Murder of Roger Ackroyd, the killer turns out to be the narrator, and many readers and critics felt that this was too deceptive a plot twist. Christie was unapologetic, however, and today The Murder of Roger Ackroyd is considered a masterpiece of the detective genre.
And Then There Were None, written in
1939
, breaks more rules of the mystery genre. No detective solves the case, the murderer escapes from the law’s grasp, and the plot construction makes guessing the killer’s identity nearly impossible. Despite this rule-breaking, or perhaps because of it, And Then There Were None ranks as one of Christie’s most popular and critically acclaimed novels. It was made into a stage play, and several film versions have been produced, the most celebrated of which is the
1945
version starring Barry Fitzgerald and Walter Huston.
In all, Christie produced eighty novels and short-story collections, most of them featuring either Poirot or her other famous sleuth, the elderly spinster Miss Marple. She also wrote four works of nonfiction and fourteen plays, including The Mousetrap, the longest-running play in history. Eventually, Christie married an archaeologist named Sir Max Mallowan, whose trips to the Middle East provided the setting for a number of her novels. In
1971
, Queen Elizabeth II awarded Christie the title of Dame Commander of the British Empire. Christie died in Oxfordshire, England, on January
12
,
1976
.
Plot Overview
E
ight people, all strangers to each other,
are invited to Indian Island, off the English coast. Vera Claythorne, a former governess, thinks she has been hired as a secretary; Philip Lombard, an adventurer, and William Blore, an ex-detective, think they have been hired to look out for trouble over the weekend; Dr. Armstrong thinks he has been hired to look after the wife of the island’s owner. Emily Brent, General Macarthur, Tony Marston, and Judge Wargrave think they are going to visit old friends.
When they arrive on the island, the guests are greeted by Mr. and Mrs. Rogers, the butler and housekeeper, who report that the host, someone they call Mr. Owen, will not arrive until the next day. That evening, as all the guests gather in the drawing room after an excellent dinner, they hear a recorded voice accusing each of them of a specific murder committed in the past and never uncovered. They compare notes and realize that none of them, including the servants, knows Mr. Owen,
which suggests that they were brought here according to someone’s strange plan.
As they discuss what to do, Tony Marston chokes on poisoned whiskey and dies. Frightened, the party retreats to bed, where almost everyone is plagued by guilt and memories of their crimes. Vera Claythorne notices the similarity between the death of Marston and the first verse of a nursery rhyme, Ten Little Indians,
that hangs in each bedroom.
The next morning the guests find that Mrs. Rogers apparently died in her sleep. The guests hope to leave that morning, but the boat that regularly delivers supplies to the island does not show up. Blore, Lombard, and Armstrong decide that the deaths must have been murders and determine to scour the island in search of the mysterious Mr. Owen. They find no one, however. Meanwhile, the oldest guest, General Macarthur, feels sure he is going to die and goes to look out at the ocean. Before lunch, Dr. Armstrong finds the general dead