Floral Quotes

“She hated the way roses smelled, their sweetness too fragile. She wanted a garden of evergreens. A garden of stones. A garden of swords.”
― Keirsten White

“Our highest assurance of the goodness of Providence seems to me to rest in the flowers. All other things, our powers, our desires, our food, are all really necessary for our existence in the first instance. But this rose is an extra. It's smell and it's color are an embellishment of life, not a condition of it. It is only goodness which gives extras, and so I say again that we have much to hope from the flowers.”
― Arthur Conan Doyle, The Naval Treaty - a Sherlock Holmes Short Story

“He gets back to the Casino just as big globular raindrops, thick as honey, begin to splat into giant asterisks on the pavement, inviting him to look down at the bottom of the text of the day, where footnotes will explain all. He isn't about to look. Nobody ever said a day has to be juggled into any kind of sense at day's end. He just runs. Rain grows in wet crescendo. His footfalls send up fine flowers of water, hanging a second behind his flight.”
― Thomas Pynchon, Gravity’s Rainbow

“At the door to the shop, a bell tinkled, and moments later they seemed to enter the very flowering of lavender.
The scent was all around them; it curled and diffused in the air with a sweet warmth and subtlety, then burst with a peppery, musky intensity. The blind girls moved into another room. There they arranged themselves expectantly around a long wooden table, Mme Musset welcomed them, and a cork was pulled with a squeaky pop.
"This is pure essence of lavender, grown on the Valensole plateau," said Madame. "It is in a glass bottle I am sending around to the right for you all to smell. Be patient, and you will get your turn."
Other scents followed: rose and mimosa and oil of almond. Now that they felt more relaxed, some of the other girls started being silly, pretending to sniff too hard and claiming the liquid leapt up at them. Marthe remained silent and composed, concentrating hard. Then came the various blends: the lavender and rosemary antiseptic, the orange and clove scent for the house in winter, the liqueur with the tang of juniper that made Marthe unexpectedly homesick for her family's farming hamlet over the hills to the west, where as a child she had been able to see brightness and colors and precise shapes of faces and hills and fruits and flowers.”
― Deborah Lawrenson, The Sea Garden

“While disease had thus become an inhabitant of Lowood, and death its frequent visitor; while there was gloom and fear within its walls; while its rooms and passages steamed with hospital smells, the drug and the pastille striving vainly to overcome the effluvia of mortality, that bright May shone unclouded over the bold hills and beautiful woodland out of doors. Its garden, too, glowed with flowers: hollyhocks had sprung up tall as trees, lilies had opened, tulips and roses were in bloom; the borders of the little beds were gay with pink thrift and crimson double daisies; the sweetbriars gave out, morning and evening, their scent of spice and apples; and these fragrant treasures were all useless for most of the inmates of Lowood, except to furnish now and then a handful of herbs and blossoms to put in a coffin.”
― Charlotte Brontë, Jane Eyre

“A fresh, uplifting mélange of Italian bergamot, mandarin, and raspberry that comprised the opening accord filled her nostrils with the carefree scents of spring. Her imagination soared with memories. The gardens of Bellerose, picnic baskets bursting with summer fruits on sunny Mediterranean beaches, summers spent on the Riviera, yacht parties, and the casino in Monte Carlo. The plain little bottle held the essence of the happy life she had known.
She inhaled again, closed her eyes, and allowed her mind to wander, to visualize the images the aroma evoked. Excitement coursed through her veins. She imagined a glamorous, luxurious lifestyle of exotic locales, mysterious lovers, sandy beaches, glittering parties, elegant gowns, and precious jewels.
And amid it all, sumptuous bouquets of fabulous flowers, enchanting and romantic, intense aromas of pure, bridal white jasmine and sultry tuberose, and the heady, evocative aroma of rose. Seductive spices, clove with musk and patchouli, smoothed with sandalwood and vanilla, elegant and sensual, like a lover in the night.
And finally, she realized what was missing. A strong, smooth core, a warm amber blend that would provide a deep connection to the soul. Love.”
― Jan Moran, Scent of Triumph

“So Beaujolais is like this hybrid---a red that drinks like a white, we even put a chill on it. Maybe that's why it has trouble, it doesn't quite fit. No one takes Gamay seriously---too light, too simple, lacks structure. But..." I swirled the glass and it was so... optimistic. "I like to think it's pure. Fleurie sound like flowers doesn't it?"
"Girls love flowers," she said judiciously.
"They do." I put her wine down, then moved it two inches closer to her, where I knew the field of her focus began. "None of that means anything. It just speaks to me. I feel invited to enjoy it. I get roses."
"Child, what is wrong with you? There's no roses in the damn wine. Wine is wine and it makes you loose and helps you dance. That's it. The way you kids talk, like everything is life or death."
"It's not?"
"You ain't even learned about living yet!"
I thought about buying wine. About how I would scan the different Beaujolais crus at the liquor store---the Morgan, the Côte de Brouilly, the Fleurie would be telling me a story. I would see different flowers when I looked at the labels. I thought about the wild strawberries dropped off from Mountain Sweet Berry Farm just that afternoon and how the cooks laid out paper towels and sheet trays in the kitchen, none of them touching, as if they would disintegrate, their fragrance euphoric.”
― Stephanie Danler, Sweetbitter

“I speak the language of the bees. My words are floral and flowery.”
― Jarod Kintz, Powdered Saxophone Music

“He noticed that he felt calmer now she was here, still in that grey dress with her dowdy hat, the air around her redolent with orchid oil. Perhaps all women in England had this effect. Perhaps they all smelled of flowers and exuded a calm and measured purpose. He couldn’t remember.”
― Sara Sheridan, On Starlit Seas

“So the smells I associate with the Elders are freshly cut garden flower arrangements- roses, lilac and endless sweet peas and the fougère hints of random greenery lavishly added to the vases, in the Constance Spry style.
Also, modest shop-bought flowers, particularly daffodils, tulips and freesias, which are such an economical way to brighten a room for that thrifty generation.

My scents for the elders are:
Lavender by Yardley
Blue Grass by Elizabeth Arden
Rose in Wonderland by Atkinsons
Femme by Rochas
Ostara by Penhaligon's
Tweed by Lenthéric (A mention of this elicited a big response at the event; it seemed all the women had worn it at some time and had happy associations with it. I do wish they would re-release it in the original tweed-fabric effect box.)

The men in this age group are the last of the true British gentlemen, so especially for them:

Old Spice
St Johns Bay Rum by St Johns Fragrance Company
Royal Mayfair by Creed”
― Maggie Alderson, The Scent of You

“It's a Baron de Sigognac XO."
Guy swirled his glass and stuck his nose inside it as Lucien had done. He moved the glass away and then went back down for another sniff.
"Christmas-cake spiced fruits, vanilla- I'd even say custard- with hints of rose and violet," he said.”
― Maggie Alderson, The Scent of You

“Again Polly remembered all the notes in this perfume from the event earlier, and enjoyed waiting for each one to register in the olfactory bulb in the front of her brain, while her imagination did its own thing. The neroli, jasmine and sandalwood transported her to a summer night in the south of France, wearing a crisp white shirt- this was a much fresher chypre than the first one. Then she remembered she'd sprayed this one on her wrist during the event earlier and lifted it to her nose to see how it developed since then. Suddenly, out of nowhere: David.
Her eyes snapped open. Coal tar?
"Has this got guaiac wood in it?" she asked Lucien, not caring if it interfered with his testing of Guy.
Lucien smiled broadly.
"Yes," he said, "but very, very deep inside, it's a base note, as you would know. Your nose is very good, Polly."
Guy grasped her wrist and brought it to his nose. "It's just under the bergamot and before the honeysuckle," he said, opening his eyes.”
― Maggie Alderson, The Scent of You

“It's posh, but there is a kind of freshness to it... not lemony, but..."
"Pennyroyal," said Polly, looking at Guy, who pointed his left forefinger at her as he swung back onto his stool. "Mint. I normally hate mint in anything, but it works here."
"Bang on it. Just a tinge of toothpaste among all the earthy stuff to freshen it up, that was my thought."
"And a very soft rose," said Polly. "I think there's a lot more to come, this is a very quiet beginning for you. What are you calling this one?"
"First Light," said Guy. "I went for rose because they are one of the flowers that smell best in the morning- but not too much, because it's really all about what comes next. Do you like the name? I was going to call it Dawn's Crack, but thought better of it. But what is going to come through next is lots of lovely orris root, which has that musky morning bed smell to me- and it all just said 'waking up in the morning after serious hanky panky', so I went with that. And then there's the idea that you can experience first light after a long night without sleep, which I also like.”
― Maggie Alderson, The Scent Of You

“The overpowering oriental out that had first led her there was tempered now by a much more varied and subtle fragrance palette. She could pick up strong threads of the most classic florals, rose, lily of the valley, magnolia, which Guy would have turned his nose up at before, alongside the more Mediterranean jasmine and neroli, with the warm notes of sandalwood and tonka, balanced by the bite of citrus.”
― Maggie Alderson, The Scent of You

“Earth, air, fire, and water," he began. "The ancient Greek philosopher Empedocles says that these four elements are the roots of everything."
Here was the garden he inherited from Leah. Celia, who mostly tended it, called it her sculpture in four dimensions, the fourth being time. Perhaps all sculpture changed over time, with decay and dissolution setting in, rust and chipping and breakage. But marble or bronze evolved so slowly, and their changes were unintended, while the garden was always in visible flux, each morning a new unfolding. Celia always said that the flower beds were a progression of looping actions: each plant opening, blooming, fading, setting seed, drooping, falling; and each seed rooting, sprouting, budding, blooming. And the seasons, the moons and days, the pendulum of darkness and light, the beat of the cardinal's song. Was the earth, then, our real timepiece? Stop, Pindar. Pay attention.
"But Empedocles also said that our spirits have successive lives, born sometimes as the fair-tressed laurel trees, sometimes as lions who live in the golden grass...."
A shifting of the light through the trees made Pindar notice the Queen Anne's lace in its brass vase. Constellations of tiny white stars swirled in a galactic umbrella the size of his hand- who was above? Who below? Beside their lacy flaring explosives symmetry, the black-eyed Susans gazed at him with their fierce yellow. Wide-open, with none of the hidden turns and caverns of the lilies whose trumpets would be deep enough to incubate in, or at least hide one's thoughts in, though their scent would be too strong for the dinner table.”
― Grace Dane Mazur, The Garden Party: A Novel

“I bring my wrist to my nose---and I'm lost in a melody of fragrances---sweet and musky. Almonds? Vanilla? Florals? A switch clicks in my brain, a feeling of exhilaration rolling through my body in waves. I'm at a loss for words. Garrance really captured something special; she knows what she's doing.
"Do you like it?"
I smell my wrist again, my eyes wide. "Like it? I love it. What's in it?"
"A little frangipani, some ylang-ylang, a bit of almond oil, and a light sandalwood musk.”
― Samantha Verant, The Spice Master at Bistro Exotique

“It is not long before we come to the royal rose garden. The guards stop at the gate, letting us go on alone. As we make our way down a path of shimmering quartz steps, everything is hushed. The wind carries floral scents through the air, a wild perfume that doesn't exist outside of Faerie and reminds me all at once of home and menace.”
― Holly Black, The Queen of Nothing

“[...] My pockets had always puzzled Weena, but at the last she had concluded that they were an eccentric kind of vase for floral decoration. [...]”
― H. G. Wells, The Time Machine

“My best friend and other business partner, Adeena Awan, was embracing spring's floral vibes by pushing her signature lavender chai latte as well as her new seasonal creations, including a lavender honey latte (the honey sourced from Elena's uncle's local apiary), lavender calamansi-ade, and a sampaguita matcha latte (I didn't really like floral flavors, but even I had to admit the matcha drink was stunning).
As for me, I was leaning into "spring means green" and had prepared pandan-pistachio shortbread and brownies with a pandan cheesecake swirl. I also came up with a red bean brownie recipe, which wasn't particularly spring-like, but hey, I was in a brownie mood. And for a quick no-bake option, I developed buko pandan mochi Rice Krispie treats, which would be sure to delight our youngest customers”
― Mia P. Manansala, Murder and Mamon

“It is exactly as I have heard it described: large, white turning to orange trumpet flowers with deep rust-colored stamens, and a sweet scent.'
Elizabeth had found herself able to breathe more easily. She was certain that he had not found the Devil's Trumpet. She knew this plant of which Chegwidden spoke--- her father had described it as the 'fiery trumpet', a glorious tree that featured bushels of pendulous trumpet-shaped flowers, hanging downwards, 'as if musical instruments left behind by a fairy orchestra' he had said.”
― Kayte Nunn, The Botanist's Daughter