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Review Essay On Brian Collins’ Robert Eisler and the Magic of the Combinatory Mind ROBERT EISLER AND THE MAGIC OF THE COMBINATORY MIND: THE FORGOTTEN LIFE OF A 20TH-CENTURY AUSTRIAN POLYMATH him to be the author of a masterwork of “fake” antiquarian scholarship of Borgesian scope, that man was Robert Eisler. I myself learned about Eisler when I looked into the history of number mysticism and had occasion to read his amazing and wide-ranging two-volume work Weltenmantel und Himmelszelt: Religionsgeschichtliche Untersuchungen zur Urgeschichte des antiken Weltbildes (World Cloak and Sky Canopy: ReligiousHistorical Investigations on the Prehistory of the Ancient Worldview, 1910). After reading Collins’s erudite and beautifully written study of Eisler, I am more convinced than ever that Eisler’s story would have provided Orson Welles, perhaps the most brilliant explorer in the realm of “fakes” that film has ever produced, with material for a whole series of Eisler-inspired biopics. I am certainly not arguing that Eisler was a charlatan, nor does Collins make such a claim, but this is the impression that he seems to have made on some of those who found his erudition and “combinatory” imagination rather difficult to credit (Gershom Scholem’s memoirs present Eisler in this deprecatory light, despite the fact that Eisler published Scholem’s first books on Kabbalah in a series he edited out of the University of Munich). Collins recognizes the potential interest that an Orson Welles might have taken in Eisler. Collins himself produced a series of engrossing podcasts about Eisler. But just as Orson Welles’s late films shatter the very idea of the “fake” and lead us to the brink of a vertiginous epistemic crisis, Eisler’s antiquarian scholarship, as Collins deftly demonstrates, disrupts the archives upon which they are built. Collins explains in his concluding chapter that the enigma of Eisler’s career lay in his ability to discover, within the textual archive upon which “authentic” scholarship is built, the evidence that supports what, from the perspective of “authentic” scholarship, looks “fake.” Eisler, to put this enigma in different terms, had the uncanny capacity to listen to the echoes of voices in the archives of scholarship that, in their own time, resisted the hegemonic drive to produce an authentic, self-certifying copy of the Truth. Christian heresiologists like Hippolytus and Irenaeus condemned their enemies for producing a chaos of simulacra in order to undermine the very possibility of orthodoxy. Eisler, by their standards, would be an arch-heretic, and many of his critics, both Jewish and Christian, regarded him as such. What disturbed, and also attracted, almost all of his readers was the fact that Eisler, not unlike Orson Welles, had the ability to recreate a personality behind the dissident echoes of the archive, placing By Brian Collins. Cham, Switzerland: Palgrave Macmillan, 2021 Pages, xiv + 157 pages. Hardcover, $59.99. REVIEWER: Bruce Rosenstock University of Illinois at Urbana-Champaign Key words Robert Eisler, lycanthropy, historical Jesus, monetary theory, Near Eastern mythology Collins’s book is the first full-length study of the brilliant if eccentric Austrian-Jewish polymath, Robert Eisler. Eisler was comfortable, and made a name for himself, within a number of scholarly disciplines, publishing works on Near Eastern number mysticism and solar mythology, on the historical Jesus and the New Testament, on the history of money and monetary policy reform, and, after World War 2, on the paleoanthropological basis of fascistic violence in the early Neolithic contact between humans and wolves. Eisler’s achievements required an ear for the tongues of Babel itself: he was conversant not only in modern European languages (he wrote fluently in German, French, and English) but also was a trained classicist and Semiticist with an habilitation in Art History (focused on ancient art) from the University of Vienna (he had previously habilitated there in Economics, the first and only recipient of dual habilitations from that institution). It should come as no surprise that at least one critic described reading Eisler (he was referring to his 1938 book about the Gospel of John, The Enigma of the Fourth Gospel) in terms not dissimilar to someone who had just participated in a séance: “Upon one reader at all events this book has exercised a strange and almost hypnotic fascination, and it is only at the last, when one lays it down and is freed from its spell, that little doubts as to the validity of the argument begin to insinuate themselves” (qtd. on page 86). Eisler’s multiplicity of scholarly identities matches what seems to be his personal fluidity of identity. Without ever renouncing his Jewish background (quite the contrary, he seemed to even play it up), Eisler chose to be baptized into the Roman Catholic Church in order to smooth the path of his academic career in pre-World War 1 Austria. If there ever was an individual whose intellectual gifts and personality suited Religious Studies Review, Vol. 47, No. 4, December 2021 © 2021 Rice University 493 Religious Studies Review • VOLUME 47 • NUMBER 4 • DECEMBER 2021 Collins does us the great service of finding just the right angle to approach each of Eisler’s major books, bringing out the major arguments, the response from the critics of the day, and the significance of the books for current scholarship. Collins has done Robert Eisler the long overdue service of restoring him to the panoply of figures from that time whose unique contributions to literature and scholarship are only now being fully acknowledged (I think of Nitzan Liebovic’s book on Ludwig Klages). Collins has done us the service of brilliantly synthesizing an unbelievably rich textual corpus and allowing us to enjoy, even if (because?) we never fully penetrate its secrets, the “magic of the combinatory mind.” flesh and bones on people who, in the most famous case studies Eisler penned (of Jesus and Lazarus the “Beloved Disciple”), were already subjects of canonical stories of their having risen from the dead. The books that Eisler published were abundantly rich in archival detail. This detail allowed Eisler to make it seem as if we, the readers, were finally making contact with the “real” Jesus and Lazarus (and even the real Orpheus). Eisler’s historical works are so prodigiously enfleshed with chapter-length excurses and essay-length footnotes that Eisler must have felt that he could bring his subjects back to life only if only he could provide them with a textual corpus of matching dimensions. 494