Academia.edu no longer supports Internet Explorer.
To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser.
2017, ArtPublika
Creative article about artist-poet collaborations
Impact 9 International Printmaking Conference: Print in the Post-Print Age (Academic Papers, Illustrated talks, Themed Panels), 2015
Let us consider for a moment that print is not 'post', but instead is expanding to incorporate performativity more explicitly. Even the most traditional of print activities -- text printed across a page -- can be reassessed in this light. As an artist/designer who works with traditional and non-traditional print processes and outcomes, I am working in the Venn overlap between fine press publishing and artist's books, using poetic text as a material in its own right to explore and test ideas about agency, authorship and text/print performativity. I am interrogating design mediation, artistic engagement, material affectiveness upon text, and authorial intention. All of this is possible when, instead of merely working with found or sourced poetry, projects are undertaken directly with active poets as collaborators, forcing me to think as a participant, or performer.
New Writing, 2020
Collection Building, 2012
PurposePoets House, a poetry special collection in New York, hosts an annual exhibit of the preceding year's poetry publications in the USA. This paper aims to offer a selection of recommended titles that reflect the range of poetry titles including single‐author works, anthologies, and prose about poetry.Design/methodology/approachThe paper researched and requested donations of 2010‐2011 poetry titles from US poetry publishers to assemble and display a comprehensive collection of poetry publications, from which a selection of 50 titles was made. The selections should appeal to a range of poetry readers, from novices and students to poets looking to access the latest work from their peers.FindingsOver 2,500 poetry titles were published and/or available to readers in the USA between June 2010 and June 2011. These titles range from mainstream publishers to independent presses to artists' collectives publishing works from established poets as well as emerging and international ...
Interdisciplinary Journal of Partnership Studies, 2015
The mission of the Interdisciplinary Journal of Partnership Studies is to be an anthology for scholarly writing about the art and science of partnership, with contributions from both academicians and practitioners. Our vision is to be a vehicle for cultural transformation from domination to partnership. We are moving to a quarterly publication schedule in 2016, and invite artists in all media to participate in the partnership movement by submitting cover art.
Tears in The Fence, issue 55. To order copies of TITF: http://tearsinthefence.com/, 2012
This article is the result of a presentation reflecting on the results of a series of interviews with contemporary “avant-garde” American and French poets from two generations who also run their own small presses. Issues such as receptivity, invisibility, distribution, collectives, the capacity for their authors to be seriously considered for literary prizes of a national and international stature, and the sense of the avant-garde as further marginalized by limited access to mainstream, recognized works, (those found in Borders/Amazon/Barnes & Noble, for example), were explored. Publisher-authors included Lyn Hejinian (Atelos and Tuumba Press), Julie Carr (Counterpath Press—with Tim Roberts), Jérôme Mauche (Les Petits Matins), Cole Swensen (La Presse—publishing only translations from the French), Pascal Poyet (contrat maint), Charles Alexander (Chax Press), Brenda Iijima (Yo-yo labs), Tracey Grinnell (Litmus Press), Joshua Clover (**), Dan Machlin (Futurepoem Books), Michaël Batalla (éditions du Clou dans le Fer, collection expériences poétiques), Vanesse Place (Les Figues Presse) and Susana Gardner (Dusie Press, based in Switzerland). Supplemental questions were be posed to a handful of poets who have published with these presses and/or other small presses and who have also later had the opportunity (or wish to) to see their work taken by mainstream or wider-distribution presses, such as Barrett Watten, Carla Harryman, Alice Notley, Susan Howe, Claude Royet-Journoud, Jacques Sivan, Vannina Maestri, Bhanu Kapil, Virginie Poitrasson, Frédéric Forte, Christophe Marchand-Kiss, Marie-Céline Siffert, Martin Richet, Michelle Noteboom, Laura Mullen and to such publishers who have radicalized the accessibility of avant-garde poetries, such as Al Dante, POL, or Green Integer/Sun & Moon. This article asks and reflects on the question: Have such publishing practices created not only domestic webs of contacts in the USA, thus co-publishing opportunities and readership, but even international ones?
Carnets du CFEETK
Abstract: The identification, on archive photos, of a new fragment (now lost) from the Annals of Thutmose III mentioning the word jtrw « river » leads to complete the text alluding to the building of a great userhat riverine bark of Amun by Thutmose III and to recognise an evocation of the one previously made in the name of Thutmose II.
intanctyas, 2019
La città globale – La condizione urbana come fenomeno pervasivo - The global city – The urban condition as pervasive phenomenon, a cura di Marco Pretelli, Ines Tolic, Rosa Tamborrino, AISU (Insights, 1), vol. III, Torino, 2020
Lecture Notes in Computer Science, 2009
Revista Brasileira de Educação em Geografia, 2016
Proceedings of the Institute for System Programming of the RAS, 2020
Acta Botanica Mexicana, 2004
Journal of Magnetism and Magnetic Materials, 2017
JURNAL KREATIVITAS PENGABDIAN KEPADA MASYARAKAT (PKM), 2022
Proceedings of the ACM workshop on Digital rights management, 2006
Journal of Public Health, 2011
"La Fontaine et les écrivains" - Droit & Littérature (Affiche), 2023