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Diese Vorlesung befasst sich mit altägyptischen Kohl-Röhren aus Fayence, in denen die schwarze Augenfarbe msdm.t aufbewahrt wurde. Die Kohl-Röhren aus Fayence erscheinen in der 18. Dynastie, wobei Kohl-Röhren aus anderen Materialien auch bekannt sind (z.B. Schilf, Holz, Glas). Fayence Kohl Röhren sind oft mit Namen und Titeln des Königs oder der Mitglieder der königlichen Familie beschriftet. Nur einige bekannte Stücke haben archäologischen Kontext. Sie wurden in königlichen Bestattungen oder den Bestattungen der höchsten Elite gefunden, und nur einige stammen aus den Siedlungen. Die Ornamente auf den Fayence-Kohlrohren zeigen an, dass sie die Kohlrohre aus Schilf imitieren. Neben den Ornamenten ahmen die Dimensionen (Durchmesser und Länge) der Fayence-Röhren die Dimensionen der Röhren aus Schilf stark nach. Unter Berücksichtigung der Tatsache, dass die in den Röhren enthaltene schwarze Augenfarbe zum Dekorieren, Heilen und Schützen der Augen verwendet wurde, der Körper tritt als zentraler Punkt hervor. Unter Berücksichtigung der verschiedenen Wendungen in der Materialkulturforschung (funktional, symbolisch, ontologisch) werden in der Vorlesung die Ergebnisse der laufenden Forschung vorgestellt. Es wird argumentiert, dass alle drei Aspekte berücksichtigt werden müssen. So wie Augenfarbe nicht nur Augenfarbe ist, sind Kohlröhren nicht nur Kohlröhren. Körper, Augenfarbe und Dinge werden zu intraaktiven Objekten.
L. Berger – F. Lang – C. Reinholdt – B. Tober – J. Weilhartner (eds.), Gedenkschrift für Wolfgang Wohlmayr, ArchaeoPlus. Schriften zur Archäologie und Archäometrie der Paris Lodron Universität Salzburg 13 (Salzburg 2020), 2020
This paper deals with cooking vessels from datable contexts in different quarters of the Western Greek colony of Elea/Velia on the Tyrrhenian coast of lucania, from the material of the Austrian excavations. Through the study of typological changes in rim and vessel shapes from the 5th to the first half of the 2nd century bc, a continuous development can be demonstrated, starting from the common Greek/Athenian types towards shapes which appear to be characteristic of the cooking assemblages of western Greek and indigenous sites in Magna Graecia. As the study shows, some of the cooking vessels from the end of the 3rd to the 1st or second quarter of the 2nd century are later adopted by the roman kitchen. The dynamic of changes in functional forms and the evolution of the quantitative relationship of shapes are obviously function of changing nutrition and cooking habits. Fragments of cooking pots belonging to the Italic tradition remain rare in contexts dating from the 4th to the 3rd century bc and can be interpreted either as the belongings of a small number of lucanian inhabitants or the result of a usual cultural interchange. In some contexts in the sanctuaries located on the ridge of the hill, from the middle of the 3rd century, a special type of the Italic olla appears in higher proportion. This fact can possibly be explained by the participation in cultic activities of a growing number of italic population from the region, connected with the founding of the latin colony of paestum in 273 bc. Résumé Cet article traite de la vaisselle culinaire provenant de la colonie phocéenne de Eléa/Velia sur la côte tyrrhénienne de la Lucanie. Les fragments découverts au cours des fouilles autrichiennes en différents
Philipp W. Stockhammer/Janine Fries-Knoblach (Hrsg.), Was tranken die frühen Kelten? BEFIM 1 (Leiden, Sidestone Press), 2019
Vessels played an important role in the imagery of the Early Iron Age. It is not by coincidence that the first continuous visual narratives of prehistory are found on the situlae and cists of Situla Art (and not on shields, sheet metal belts, stelaeor rock surfaces). On the situlae in turn, we see vessels (buckets, bowls, ladles) in most different contexts of action: as requisites for libations at the throne and the matrimonial bed, as prizes, and once even as a utensil for childbirth. However, the picture friezes only provide limited information on the practical use of certain vessel types. What is rather visualised is the ritual context of the scenes, which also emerges from many other objects and images. Prominent examples are the cauldron waggons and female vessel bearers (Acholshausen, Strettweg, Hochdorf, Frög, Bisenzio etc.). What has received less attention so far, were brooches, daggers, small bronze jugs, waggon components, razors, and toilet kits with plastic representations of vessels and vessel-shaped pendants. This paper presents an overview of the diversity, distribution, and contexts of Early Iron Age illustrations featuring vessels that should not be considered an expression of the appropriation of Mediterranean drinking habits but a central element of religious acts and notions of their time.
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