13thINTERNATConferenceTartu.def21.01.19.Eng.doc

4th T & R (Theories & Realities in Translation & wRiting) Forum. Organized by the Università Suor Orsola Benincasa (Naples, Italy) in collaboration with KU Leuven, Belgium, University of Western Brittany, Brest, France with the support of Assointerpreti and the Università di Salerno and the participation of Yıldız Technical University (Istanbul, Turkey). 4ème Forum T & R (Théories & Réalités en Traduction et Rédaction). Organisé par l'Università Suor Orsola Benincasa (Naples, Italie) en partenariat avec KU Leuven, Belgique, l’Université de Bretagne Occidentale (Brest), France avec le soutien d'Assointerpreti e de l'Università di Salerno et la participation de l'Université Technique de Yıldız (Istanbul, Turquie). Creativity in Translation/Interpretation and Interpreter/Translator Training Créativité en traduction/interprétation et dans la formation des interprètes/traducteurs Invité d’honneur/Keynote speaker: Michael Cronin, Chair, Faculty of Humanities and Social Sciences, Dublin City University, Ireland 1. Papers Paper proposals are invited for a two-day conference on creativity in translation/ interpretation and interpreter/translator training in all its various forms. Contributions might address, for example, any of the following themes and debates from a contemporary perspective: • The Translator as a Creative Writer; • Translation and the Theory of the Model Reader; • Censorship and manipulation; • Socio-cultural diversity and translation; • Creativity in the translation of dialects, sociolects and ethnolects; • Literary Translation and Creativity: Creativity as a strategy for innovation in systems that are in crisis; Creativity as a way of destabilizing received meanings and creating alternate views of reality, also in post-colonial contexts; • AVT Translation: Creativity and language transfer on screen: dubbing, interpreting, narration, opera and theatre surtitling, subtitling, voice-over, localisation, fandubbing, fansubbing; AVT and globalisation, cultural transfer and nationalism; Innovation and new technologies: formats, platforms, 3D; • LSP Translation and Creativity: the relationship between writing and specialist translation; between pro-fessional communication and specialist translation; Suppression as a Form of Creativity in Technical Translation; • Translation and professional practice: Interpreter and Translator Training: strategies to develop creativity; Language and institutional demands in professional contexts; Conceptual metaphors linked to translation and their effects on practice. The focus will be on current theory and practice (although references to the past within the scope of a discussion are of course acceptable). We welcome contributions from both researchers and translation practitioners, as well as from translation agency managers and publishers. Length of Presentations: Papers will be 20 minutes with 5 minutes for questions and discussion. Please submit an abstract of approximately 300 words by 15 December 2015 to: 4trforum@gmail.com Further information: Emine Bogenç Demirel (emine.bodem@gmail.com), Emilia Di Martino (emiliadimartino@gmail.com), Jean-Yves Le Disez (jean-yves.ledisez@univ-brest.fr), Fabio Regattin (fabio.regattin2@unibo.it), Winibert Segers (Winibert.Segers@kuleuven.be) and Joanna Thornborrow (joanna.thornborrow@univ-brest.fr). 2. Reading (creative) Translations: Translation practice and creativity: if you have translated any texts (literary or otherwise) 'creatively'; if you have loved other people's translation choices, you are invited to participate in the conference with a "Reading or a Reading/Commenting Moment" which cannot exceed 10 minutes. If you wish to take part, please submit a short abstract describing what you have done (or the translation you have loved). Max 2 A4. Whether you intend to present a talk or take part in the round table discussion or both, please submit the following information along with your application(s): NAME: PROFESSIONAL AFFILIATION: MAILING ADDRESS: TELEPHONE NUMBER: EMAIL ADDRESS: ACADEMIC DEGREES OR DIPLOMAS: RECENT PUBLICATIONS (no more than 5 please) / Other PRODUCTIONS/SERVICES (e.g. companies): I wish _ to present a paper (please enclose abstract) _ to read a translation (please add short description) Feedback to prospective participants: end of January.

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International Interdisciplinary Conference 2019 "On the move: Indigenous knowledge, Language and Culture, Tourism and Creative Economy in Asia and Beyond" 2nd-3rd July 2019 Venue: Research Institute for Languages and Cultures of Asia, Mahidol University, Thailand

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The term, ‘politics of difference’ primarily emerged in the context of identity politics out of the experiences of the subalternity/marginality in the late 1970s. The social movements such as ethnic, women, linguistic, third gender, ecological, peasant, tribal, caste etc, can be constructed through the experiences of those people who are instrumental to articulate their differences in terms of politics, action, ideology, recognition and representation that led to question the hegemony of the agencies. These social movements demand for recognition of their politics and eloquent different forms of resistance against hegemonic subjects/agencies. The ‘idea of recognition’ has been influenced by the philosophical work of Charles Taylor (1992). In his leading essay, ‘The Politics of Recognition’ argued that how people get their identity from being recognized or non-recognized as the subject of the politics of difference. Thus, the identities can be shaped by recognition or non-recognition of the subjective or objective conditions. In epistemology, the ‘Politics of Difference’ refers to the state of “subalternity” that argue condition of subordination brought about by various forms such as political, economic, social, racial, linguistic, geographical/territorial and cultural dominance. The hegemony/power is managed to survive in every corner of the life as Michel Foucault (1976) conceptualized. Who has it and who does not?. Who is gaining it and who is losing it? Power is intimately related to the questions of representation that express the politics of difference by questioning the authority of the text/agency which can exist in different forms. That is why the relationship between subalternity and representation is always problematic when we speak the politics of recognition of the marginal identities in multiculturalism. It is understood as a representation of the marginality shared by a group or community. It means the collective politics of the community while negating the ‘dominant politics’ as James. C Scott (2011) has emphasized in his work, The Art of Not being Governed that the politics of the marginal communities is an art for not being governed rather live in their own cultural world and express dissent in form of non-recognition from the hegemonic agencies. This conference will give a space/platform to the scholars across the world to articulate their marginality or subalternity in different forms of resistance such as region, community, text, agency, gender while corroborating or bringing new debates for understanding the politics of difference. Since the idea of difference or recognition can be constructed through the experiences of marginality this conference will discuss the nature of social or new social movements which are often taking place in every part of the world in diverse forms of resistance or protest. This certainly helps us to understand the paradigm shifts in identity politics that contour the existing scholarship in the present epistemology. However, the experiences of marginalization often overlap. It happens due to idiom of the politics of difference for the recognition. The discourse of dissent does not necessarily begin with clear objectives in terms of the transformation of the society. They often get shaped in the process through the leadership, nature of participation, organization and ideology. Keeping in view of the above discourse this conference is an attempt to explore the diverse ideologies of the social movements, nature of people’s participation and role of organizations as it plays an important role in order to bring a radical social change in the contemporary society. This will certainly discern subaltern voices while negating from ‘dominance’ that led to demand for the recognition or non recognition of their identity.

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2019

The 9th annual conference of the Centre of Excellence in Estonian Studies under the heading “Perception and Performativity in Arts and Culture in the Age of Technological Change” took place at the Estonian Literary Museum in Tartu, Estonia, from the 5th to the 7th of September 2019. Contemporary society is affected by technology on all levels of our lives and it is an important topic for a number of research fields. In culture, digitalisation is visible not only through the different uses of technology by artists and the audience, but also by the new ways of communicating and creating socio-cultural contexts. The conference focused on these changes in our culture, more precisely in theatre, literature, film, music, and folklore. The keynote speakers of this interdisciplinary conference were Professor Mieke Bal, cultural theorist ancacd critic from the University of Amsterdam, Netherlands, Professor of literary theory Marina Grišakova from the University of Tartu, Estonia, and Profes...

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INTERNATIONAL VIRTUAL CONFERENCE ON LANGUAGE AND LITERATURE PROCEEDING POLITEKNIK NEGERI MALANG

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nietzsche.cl

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ICELSCS: Recent Trends in English Literary Studies and Cultural Studies, 2018

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