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Bodies of Knowledge: Professor Francis J. Cole, Anatomical Science and Epistemology (Origin of Disciplines, CNCS, University of Durham)

Through examining Cole’s own life and his fascination with the textual and corporeal narratives of anatomy, this paper looks to explore the merging of scientific knowledge, bibliographic expertise and narrative to perform interdisciplinary ‘readings’, simultaneously challenging both the nineteenth-century emergence of subject discipline and the twentieth-century ‘two cultures’ divide.

Abstract for Origins of Discipline, University of Durham, 12th March 2016 Verity Burke (University of Reading), v.burke@pgr.reading.ac.uk Bodies of Knowledge: Professor Francis J. Cole and the Epistemology of Anatomical Science Professor Francis J. Cole (1872-1959) was first professor of Zoology at the University of Reading. He founded the Cole Museum of Zoology in 1906, and spent his entire life as an avid collector and reader of books, now preserved as the Cole Library of Early Medicine and Zoology. While Cole’s library is identified as holding mainly scientific texts, closer investigation also reveals the work of popular Victorian novelists including Sir Walter Scott and Charles Dickens, nestled alongside Cole’s prized zoological books, and it is the relationship between ‘literary’ and ‘scientific’ disciplines that this paper will examine. Cole’s own investigations into how anatomical knowledge is acquired reflect the contents of his book collection, as scientific interests are united with story-telling: representations of anatomy are broken down through an analysis of the ‘stories’ they tell, while literature can be understood by analyzing its morphology. Suggesting that the medical man, the scientist, and the student must ‘read’ the body and ‘dissect’ the book to gain a proper understanding of biology, Cole’s analysis disrupts disciplinary boundaries. His scientific and bibliographic detective work into the epistemology of anatomy, tracing pathways of knowledge through a close examination of historical discoveries and texts, reframes our contemporary understanding of the divide between science and the humanities; for Cole, the archive becomes a laboratory full of new opportunities for interdisciplinary study. Through examining Cole’s own life and his fascination with textual and corporeal anatomy, this paper looks to explore the merging of scientific knowledge, bibliographic expertise and narrative to perform interdisciplinary ‘readings’, simultaneously challenging both the nineteenth-century emergence of subject discipline and the twentieth-century ‘two cultures’ divide.