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Ontogeny of Vocalization in Duck and Chick Embryos
GILBERT GOTTLIEB AND JOHN G. VANDENBERGH
Psychology Laboratory, Laboratory of Reproductive Behavior, Division of
Research, North Carolina Department of Mental Health,
Raleigh, North Carolina
ABSTRACT
Vocalizations can be elicited from some duck embryos five and one-half
days before hatching and from some chick embryos three days before hatching. All
duck embryos can vocalize three and one-quarter days before hatching (at 88% of
incubation period) and all chick embryos are able to vocalize one day before hatching
(95% of the incubation period). Thus, the vocal apparatus of the duck embryo achieves
a functional stage of development sooner that that of the chick embryo, indicating that
the syringeal structures of the duck embryo begin development sooner or develop at a
faster rate than those of the chick embryo. According to audiospectrographic analysis,
both species are capable of uttering at least three different kinds of vocalizations prior
to hatching, and these three calls are similar to the ones emitted most frequently after
hatching (“distress,” “contentment,” and brooding-like calls). These vocalizations can be
objectively defined by reference to the contexts in which they are emitted and the
physical structure of the call notes. It was verified in situ that the constriction and
vibration of the tympaniform membranes during exhalation is the basic or primary
source of sound production in birds. The clavicular sac is not essential to sound production, and the syrinx, trachea, and syringeal muscles are important only for modulating
and/or resonating the sounds produced by the tympaniform membranes. Based on this
knowledge, a technique was devised to de-vocalize duck embryos 3 days before hatching.
The technique involves immobilizing the tympaniform membranes by applying a nontoxic substance (“Collodion”) to them. Collodion forms a glue-like sheath over the
membranes, and when the tympaniform membranes are thus rigidified, the embryo
can not vocalize. Eighty-five percent of the embryos treated were completely mute after
hatching. The long-term effectiveness of the de-vocalization procedure is not reliably
known. It was possible to keep only one bird for observation beyond the first four
days after hatching and she was still mute at five months of age.
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Vocal communication plays an important role in the social behavior of birds
throughout their life cycle. Even before
hatching, duck embryos are able to vocalize
and are responsive to the maternal and
sibling calls of their own species (Gottlieb,
’68a). Early in postnatal development
ducklings and chicks recognize the maternal parent and siblings of their own
species on the basis of particular calls
(Gottlieb, ’66). Later on, in the juvenile
and adult phases of development, vocalizations continue to play an important role in
individual as well as species recognition
(Dilger, ’56; Lanyon, ’63; Ramsay, ’51;
Stein, ’63; Thorpe, ’61), including courtship and mating behavior.
The postnatal ontogeny of vocal behavior in birds has been extensively studied, mainly in terms of patterns of sound
production and, to a lesser extent, signal
function. Konishi (’63), for example, has
studied the effects of deafening hatchlings
on the vocal patterns produced in later life.
Others (Lanyon, ’60; Thorpe, ’61) have
J. EXP. ZOOL., 168: 307-326.
studied the vocal patterns of birds reared
in auditory isolation from members of their
own species. In some species, the birds are
dependent for certain parts of their vocal
repertoire upon self-stimulative feedback or
hearing the vocalizations of other birds,
while in other species certain aspects of
the species-typical vocal repertoire may be
developed and maintained without the
benefit of prior audition. Unfortunately, an
unambiguous interpretation of the results
of the preceding studies is handicapped by
two factors relating to prenatal ontogeny.
First, hearing in birds develops early in
embryonic development (Gottlieb, ’68a)
and, secondly, avian embryos begin vocalizing prior to the time of hatching. To assist
in the goal of achieving a fuller understanding of the ontogeny of vocalization in
birds, the current report presents ( 1 ) the
results of a comparative study of the onset
of vocalization in duck and chick embryos
and (2) an analysis of the anatomicophysiological basis of sound production in
avian embryos. In the context of the latter
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307
308
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GILBERT GOTTLIEB AND JOHN
pursuit, it proved possible to devise a
simple technique for muting embryos and
hatchlings.
Onset of vocalization in
duck and chick embryos
In the first study we determined the
earliest age at which duck and chick embryos are capable of vocalizing and the
nature of the initial vocalizations.
METHOD
The data on vocalization were obtained
from 101 communally incubated Peking
duck embryos (Anus platyrhynchos) and
170 communally incubated White Rock
chick embryos ( GatZus gallus). This sample was obtained from a much larger number of embryos studied over a three-year
period. To assure the normative or representative feature of the results, embryos
which were physically abnormal or malpositioned were excluded from consideration. Otherwise normal-appearing embryos
which did not vocalize and did not survive
for more than eight hours post-operatively
were also excluded. The embryos came
from groups of 20-40 eggs in which viability up to the time of testing was no less
than 55% (including infertile eggs).
All eggs were incubated in forced-draft
incubators in which the temperature
ranged from 99”-100” F with relative
humidity 60-70%. The eggs were individually turned by hand four times daily during
the course of incubation. Since the doors
of the incubators remained open during the
turning of the eggs, the eggs were lightly
sprayed with warm water after the first
and last daily turning to help maintain
the proper level of humidity in the incubator. Particular stress was placed on the
maintenance of a standard level of humidity since very high or low humidity alters
the size of the air-space in the egg and
such an alteration could affect the onset of
embryonic vocalization.
Operative procedure. The method of
exposing the head of the embryo and testing for vocal ability has been fully described
and illustrated in a previous publication
(Gottlieb, ’68b). In brief, after the shell
and outer shell membrane over the airspace are removed, the inner shell membrane is painted with lukewarm liquefied
G.
VANDENBERGH
petroleum jelly or saline. Application of the
Liquid renders the veins of the chorioallantois visible so the chorioallantois can
be gently punctured without rupturing the
large blood vessels. Next the amnion is
pulled out so it can be’cut sufficiently to
allow the embryo’s head to be drawn into
the air-space. The egg is then slightly
elevated and the embryo’s head is inclined
laterally to allow fluid to drain from the
trachea and lungs. After 30 minutes have
elapsed, the embryo’s oral cavity is prodded
with blunt forceps in an effort to stimulate
vocalization. The embryo is prodded in this
way for 60 seconds every 30 minutes for a
maximum of five hours. The embryos remain in a special transparent plastic incubator (fitted with armholes) during the
entire period, beginning when the egg is
first opened.
The age of the embryos at the beginning
of testing and the sample size of each age
are shown in table 1, White Rock chicks
hatch on Day 20 (21st day of incubation)
and Peking ducklings hatch on Day 27
(28th day of incubation).
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TABLE 1
Onset of evoked vocalizations i n duck and
chick embryos
Developmental
age 1
No. in group
Duck embryos
Day 21,O hours
10
Day 21,14 hours
23
Day 23,O hours
21
Day 23,18hours
11
Day 24,7hours
20
Day 25,17 hours
16
Chick embryos
Day 16,Ohours
21
Day 17,Ohours
32
Day 18,O hours
40
Day 18,12hours
50
Day 19,Ohours
27
vocalized
%
0
39
48
100
100
100
0
3
35
66
100
IIndicates age rfr 2 hours when embryo’s head
first exposed. Ducklings hatch on Day 27 and chicks
hatch on Day 20.
The vocalizations of the embryos were
recorded on magnetic tape, using a dynamic, directional microphone with a flat
frequency response up to 20,000 Hz and a
“Nagra” (Kudelski) tape recorder. The
audiospectrographic analysis of the calls
was made on a Kay Electric Co. “Sonagraph” by means of a narrow band filter
and a magnified scale. While the Sona-
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309
VOCALIZATION IN AVIAN EMBRYOS
graph adequately depicts the structure
(form characteristics) of each call note,
the frequency analysis provided by the
Sonagraph is not very exact and it has an
upper limit of 8000 Hz. An accurate analysis of the frequency components of each
call (up to 20,000 Hz) was obtained by
using a Bruel and Kjaer Type 2107 Frequency Analyzer and B & K Type 2305
Level Recorder.
100
DAY
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C H I C K S ( H A T C H DAY 20)
o D U C K S (HATCH DAY 27)
80
N
60
DAY 18
RESULTS
As indicated in table 1, some duck embryos are capable of vocalizing as early as
five and one-half days before hatching, and
some chick embryos are able to vocalize
three days before hatching. All of the duck
embryos were capable of vocalizing about
three and one-quarter days before hatching
(Day 23, 18 hours) and all of the chick
embryos were able to vocalize one day before hatching (Day 19). In the normal
course of incubation, the duck embryo’s
bill begins to penetrate the air-space on
Day 24 and the chick embryo’s beak begins
to move into the air-space on Day 19. Thus,
under normal conditions, Peking duck embryos usually begin vocalizing on Day 24
( 3 days before hatching) and domestic
chick embryos usually start vocalizing
sometime on Day 19 ( 1 day before hatching). However, as pointed out by Kuo and
Shen (’37, p. 5 5 ) , the chick embryo actually
begins pulmonary respiration before its
beak penetrates the air-space, so, in some
cases, the embryos can begin vocalizing
before they enter the air-space. This eventuality is probably dependent upon the
creation of an air pocket when the amniotic
fluid begins to evaporate around the oral
cavity, shortly before the embryo’s beak begins to protrude into the air-space. Thus,
under normal conditions it is possible that
duck embryos may begin vocalizing as
early as Day 23 and some chick embryos
may begin vocalizing as early as Day 18.
From the comparative point of view, it
is most interesting that the duck embryo is
capable of vocalizing relatively earlier than
the chick embryo. As shown in figure 1,
when the evoked vocalization data are
plotted according to percent of the incubation period, the duck embryos began vocalizing at 80% of their incubation period
while the chicks did not vocalize before
21 0 ]
,
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DAY 21
0
80
70
O h
OF
100
90
INCUBATION PERIOD
Fig. 1 Onset of vocal ability in domestic chick
and duck embryos according to elapsed proportion of incubation period.
85% of their incubation period. Further,
all the duck embryos were capable of
vocalizing when 88% of the embryonic development had been reached, while all the
chicks could not vocalize until the 95%
point of their incubation period. (While
only 3% of the chick embryos could vocalize at 85% of incubation, 100% of the
duck embryos were capable of vocalizing
at 88% of incubation.)
As the proportion of embryos capable of
vocalizing increased, the elapsed time between exposure of the head and onset of
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TABLE 2
Elapsed time between exposure of the embryos’
head to air and initial vocalization i n those
embryos which vocalized
Developmental
age
No. vocalized
NO.
in group
Duck embryos
Day 21,14 hours
9/23
Day 23,O hours
10/21
Day 23,18 hours
11/11
Day 24,7 hours
20/20
Day 25,17 hours
16/16
Chick embryos
1/32
Day 17,O hours
Day 18,O hours
14/40
Day 18,12 hours
33/50
Day 19,O hours
27/27
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105
90
30
30
0 2
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60
60
30
1 Embryos were tested for first time 30 minutes
after exposure of head and they were re-tested at 30minute intervals thereafter.
2 All embryos vocalized before shell removed.
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310
GILBERT GOTTLIEB AND JOHN G. VANDENBERGH
vocalization decreased. These data are
shown in table 2. Thus, the older the embryo, the more readily it vocalized when
exposed to air.
Nature of embTyonic vocalizations. The
first evoked vocalizations from the youngest
embryos were discrete, single, low intensity
notes of a rather uniform character. The
utterance of multiple notes occurred with
increasing frequency in the older groups
of embryos (see Sonagrams in figs. 2, 3).
There was considerable individual varia-
tion in the age at which the multiple notes
were first produced. However, almost all
duck embryos could produce multiple notes
by Day 24 and the same was true for chick
embryos on Day 19. Whereas the first
evoked vocalizations had a rasping or
hoarse quality most likely caused by residual fluid in the air passage from the lungs
to the glottis, this quality was usually absent in the multiple notes produced by the
older embryos (Day 24 duck embryos and
Day 19 chick embryos). The relatively
CHICK EMBRYO
DUCK EMBRYO
I 5-3: Late Day 25
-
2-3: Late Day IS
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2 - 4 : D a y 20
c
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110
2!0
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Fig. 2 Sonagrams depicting vocal repertoire
of chick embryo at various stages and conditions
prior to hatching. (See text for discussion of each
vocalization.)
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2!0
SEC.
Fig. 3 Sonagrams depicting vocal repertoire of
duck embryo at various stages and conditions
prior to hatching. (See text for discussion of each
vocalization. )
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VOCALIZATION I N AVIAN EMBRYOS
earlier onset of the ability to produce single
notes in the duck embryos also held true
for multiple notes. In general, the duck embryos could be characterized as being more
vocal or more vocally responsive than the
chick embryos. For example, all of the duck
embryos tested on Day 25, 17 hours vocalized while the egg was being handled prior
to removal of the shell over the air-space.
In chick embryos of the same relative age
(Day 19, 0 hours), only 59% vocalized
when prodded for the first time 30 minutes
after the egg was opened.
A n important ontogenetic question concerns the classification of the initial vocalizations of duck and chick embryos, especially the relationship they may bear to
calls in the vocal repertoire of hatchlings.
Considering the situation in which the first
vocalizations were elicited, it would seem
likely that these initial calls might resemble
“distress” or “alarm” notes. Such contextually defined calls have been spectrographically identified by Collias and Joos (’53)
in their study of chick hatchlings. While
the distress notes of chick hatchlings are
composed of sharply descending frequencies, “pleasure” or “contentment” notes are
composed mainly of ascending frequencies.
As shown in the Sonagrams in figure 2,
the chick embryo is capable of producing at
least three basically different kinds of call
notes prior to hatching. The earliest evoked
vocalization, that produced by prodding the
oral cavity with blunt forceps, shows a
preponderance of descending frequencies
(fig. 2-1) which extend to even lower frequencies with age (fig. 2-2). Besides the
similarity in the structure of the notes,
there is also a similarity in their peak frequencies (fig. 4: C-1 and C-2). The
earlier evoked vocalization (C-1) shows a
fundamental peak at 4500 Hz with a strong
harmonic at 9000 Hz, while the later
evoked vocalization (C-2) shows a peak
at 4750 Hz and a marked harmonic at
9500 Hz. The second kind of call note, that
produced by the undistrubed embryo at
normal incubation temperature, shows an
almost symmetrical distribution of ascending and descending frequencies (figs. 2-3
and 2-4). Another difference between the
evoked vocalizations (figs. 2-1 and 2-2)
and the “spontaneous” ones (figs. 2-3 and
2-4) is the shorter duration of the latter
notes. With age these notes show a compression of the peak frequency from 24004000 HZ (fig. 4: C-3) to 3300-4100 HZ
(fig. 4: C-4). The third basic vocal utterance of the chick embryo is produced
“spontaneously” only in very highly developed embryos (Day 20) shortly before
hatching or, in some cases, not until after
hatching on Day 20. This vocalization (fig.
2-5) is more complex than the previous
ones in the sense that it contains a series
of brief-ascending notes of variable pitch
within a relatively restricted peak frequency range of 3600 400 Hz (fig. 4:
c-5).
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*
It should be noted that all of the above
three calls contain low frequency components and harmonics (fig. 4) which are
not always evident in the Sonagrams presented in figure 2. The possible significance
of the above calls, as well as the ones described below for the duck embryo, is taken
up in the Discussion section which follows.
The duck embryo, like the chick embryo,
is capable of producing at least three basically different vocalizations before hatching. On Day 24 (three days before hatching), it is possible to readily elicit at least
two distinct types of vocalization, one by
probing the embryo’s oral cavity with blunt
forceps and the other by gently folding the
forefinger over the embryo’s eyes and exerting mild pressure on the forehead and bill.
Probing the oral cavity evokes a series of
relatively high-pitched notes which are of
the ascending-descending or predominantly descending type (fig. 3-l), and
which peak at 4800 Hz (fig. 5: 0-1). By
late Day 25 such stimulation evokes notes
of a more uniformly descending character
(fig. 3-3) which peak at 4000 Hz (fig. 5:
D-3). Gentle pressure over the forehead,
eyes, and bill on Day 24 elicits a series of
relatively low-pitched notes (fig. 3-2)
which peak around 2000 Hz and show a
harmonic at about 4000 Hz (fig. 5: D-2).
On Day 25 the same stimulation evokes a
series of low-pitched notes (fig. 3-4)
which peak at 1600-1800 Hz (fig. 5 : D4). On Day 25 the vocalizations of an undisturbed embryo at normal incubator
temperature (fig. 3-5) resemble those
produced by exerting gentle pressure on
the facial region (fig. 3-4), and the frequency components are virtually identical
312
GILBERT GOTTLIEB AND JOHN G. VANDENBERGH
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Fig. 5 Frequency analysis of the duck ( D ) embryo's vocalizations depicted by Sonagrams in figure 3.
D-1 through D-6 correspond to 3-1 through 3-6 in figure 3. See text for further details.
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GILBERT GOTTLLEB AND JOHN G. VANDENBERGH
(cf. fig. 5 : D-5 and D-4). The third kind
of vocalization, one emitted most frequently
by the duck embryo during the hatching
process late on Day 26 or early on Day 27,
is a series of double notes of the ascending-descending type (fig. 3-6) with a peak
frequency between 3200-3600 HZ (fig. 5 :
D-6). While these vocalizations also contain low frequency components, some of
the sounds range as high as 14,000 HZ
(fig. 5: D-6).
DISCUSSION
Whether taken with reference to day of
hatching or relative to length of incubation,
domestic duck embryos are capable of
vocalizing earlier than domestic chick embryos. Thus, the vocal apparatus of the
duck embryo achieves a functional stage of
development sooner than that of the chick
embryo, indicating that the syringed structures of the duck embryo begin development sooner or develop at a faster rate than
those of the chick embryo. Since the structural development of the syrinx has been
studied over the entire course of incubation
only in chick embryos (Tymms, ’13), it is
not possible to specify which of the above
alternatives is correct, or whether they are
both correct. [Wunderlich’s (1884, pp.
73-76) study of the embryological development of the duck syrinx is incomplete,
dealing largely with the distinction between
bone and cartilage, and ending with the
third week of incubation.]
In our analysis of the ontogeny of vocal
ability in chick and duck embryos, we have
tended toward a conservative classification
of the vocal repertoire of both species prior
to hatching. Considering the markedly different contexts in which the calls were
emitted, as well as the distinct differences
in the spectrographic characteristics of the
calls, it seems safe to conclude that both
species are capable of uttering at least
three different kinds of vocalizations prior
to hatching. Since the postnatal vocal
repertoire of the domestic chick has been
extensively studied (Baeumer, ’62; Collias
and Joos, ’53; Guyomarc’h, ’66; Konishi,
’63), it is relatively easy to relate the chick
embryo’s vocalizations to the most prominent (i.e. most frequently emitted) calls
after hatching. The call evoked by sharply
probing the oral cavity of the embryo (fig.
2-1 and 2-2) has the distinctive features of
what is commonly called the “distress call”
in hatchlings. In addition to the contexts
in which it is emitted (any number of situations which commonly produce pain, discomfort or a low level of fear), the “distress
call” of the domestic chick is uniformly
composed of predominantly descending
long notes, extending over a relatively wide
frequency range. The other well-known
vocalizations of newly hatched chicks, the
“pleasure notes,” are also emitted by the
embryo. In the hatchling these notes are
usually brief and of variable pitch, spanning a relatively narrow frequency range as
they do in the chick embryo (fig. 2-5; fig.
4 : C-5). The third kind of vocalization,
one produced by the undisturbed embryo
at normal incubator temperature (fig. 2-3
and 2-4), resembles the sort of call uttered
by hatchlings when they are in close conact and drowsy (Guyomarc’h, ’66, pp. 148150), i.e., in brooding-like situations. Embryos emit this call most frequently during
the hatching process (fig. 2-4), though it
also occurs earlier on Day 19 (fig. 2-3).
While there have been no published studies of the vocalizations of ducklings, based
on our own knowledge of the vocal repertoire of newly hatched ducks, it is possible
to classify provisionally the duck embryo’s
calls in relation to those of duck hatchlings.
Upon consideration of the physical attributes of the calls as well as the contexts in
which they were emitted, the three main
vocalizations of the duck embryo would
seem to correspond to the conventional
designations given to the chick embryo’s
calls: distress calls (fig. 3-1 and 3-3),
pleasure or contentment cheeping (fig. 3-2,
3-4, and 3-5), and the “brooding-like’’call
(fig. 3-6). There are, of course, spectrographic differences between the vocalizations of duck and chick embryos, so, for
purposes of classification, it is necessary to
consider both the context in which the call
was emitted as well as the structure of the
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Call.
Thus, chick and duck embryos are capable of uttering at least three distinct kinds
of vocalizations prior to hatching and these
vocalizations would appear to correspond
to ones most frequently emitted after
hatching.
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VOCALIZATION I N AVIAN EMBRYOS
Organic basis of sound production in birds:
embryonic de-vocalization technique
The previous experiment clearly indicates that duck and chick embryos are capable of uttering diverse vocalizations prior
to hatching. This ability, coupled with the
embryos’ ability to hear before hatching
(Gottlieb, ’68a), poses a serious methodological difficulty for those workers who wish
to study the ontogeny of species-typical
sound production or auditory perception in
supposedly “naive” hatchlings. For example, in studies of the ontogeny of speciestypical sound production, it is usual to
deafen the subjects shortly after hatching
to determine the role of auditory feedback
in the subsequent establishment of the
birds vocal repertoire. With such a procedure, however, it is not possible to evaluate the possible influence of embryonic
hearing and/or vocal experience. To help
rectify this difficulty, in our study of the
organic basis of sound production in embryos, we have developed a technique for
de-vocalizing embryos several days before
hatching. Because of our own particular
research interests, we have employed the
technique most extensively with duck embryos. Since the de-vocalization technique
simply involves the immobilization of the
internal and external tympaniform membranes, and the vibration of these membranes seems to be indispensable to sound
production in all avian forms (see Discussion), the present technique should have
wide applicability in Aves. Due to interspecific variation in the accessibility (location) of the tympaniform membranes,
however, it is more difficult to immobilize
these membranes in certain species than
in others. In chick embryos, for example,
the unusual arrangement and location of
the tympaniform membranes (Meyers, ’17 )
make it exceedingly difficult to de-vocalize
them completely with the present technique. Domestic chicks differ markedly
from passerine birds (Miskimen, ’51) , owls
(Miller, ’34), and most waterfowl (Ruppell, ’33) in the arrangement and location
of the tympaniform membranes, the latter
three groups being highly similar in these
respects.
After the de-vocalization technique was
perfected with hatchlings, 160 Peking duck
315
embryos were treated on Day 24 and tested
for vocal ability after hatching. The devocalization procedure and the results are
described in the following sections. It
should be mentioned that a number of procedures other than the one described were
explored and none of these other procedures was successful in terms of rendering
the embryo completely mute except in those
instances when the embryo died. Procedures involving surgical alteration of the
syrinx, trachea, or syringeal musculature
merely altered the quality or intensity of
vocalization and not the ability to produce
sound per se. When properly executed the
present procedure completely mutes the
embryo.
Prior to devising the technique for devocalizing embryonic ducks, a series of observations were made on the vocal apparatus of newly hatched ducklings. It may be
useful to recount these observations briefly
so the reader can better appreciate how we
arrived at the present technique. In the
following account when it is implied that
the vocalizations were “normal” or “unimpaired,” this means that observers who have
had experience with literally hundreds of
ducklings could not perceive any marked
changes post-operatively. It is entirely possible that spectrographic analysis might
have shown some minute qualitative
changes in the ducklings’ vocalizations
after our various operations, but for the
present purpose such subtle changes were
not of interest since our aims were to determine the anatomical basis of sound
production and to develop a technique to
mute the duckling.
Opening the body cavity of etherized
ducklings from the anteroventral aspect
and incising the clavicular sac exposed the
syrinx and its attendant muscles. (Puncturing the clavicular sac does not alter the
duckling’s ability to vocalize.) The definitive sexual dimorphism of the male and
female syrinx occurs early in embryonic
development in domestic ducks (Day 12:
Wolff and Wolff, ’51) and it is readily apparent in the syringes of hatchlings shown
in figure 6-1 and 6-2. To determine
whether the syrinx itself or the syringeal
muscles were necessary for sound produc-
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GILBERT GOTTLIEB AND JOHN G . VANDENBERGH
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VOCALIZATION IN AVIAN EMBRYOS
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GILBERT GOTTLIEB AND JOHN G. VANDENBERGH
tion the following steps were taken. First,
a hole approximately 2 mm in diameter was
burned by electrocautery into the ventral
surface of the syrinx immediately posterior
to the syringeo-tracheal junction. The
presence of such an opening in the syrinx
of either male or female ducklings did not
severely impair their ability to vocalize.
(The vocalizations did have a more rasping
quality than before the operation, probably
due to the entrance of fluid into the syrinx
and bronchi.) As a second step, all muscular attachments to the syrinx, i.e., the
sternotrachealis and the bronchotrachealis
muscles, were then removed from another
set of ducklings. This operation only served
to reduce the intensity (loudness) of the
vocalizations of the ducklifigs so treated.
The search for the organs essential for
sound production only met with success
when we examined the structures posterior
to the syrinx. Incising the trachea and
inserting an inverted Y-shaped polyethylene
tube into the top portion of each bronchus
eliminated all vocalizations. The tube was
constructed to duplicate the inner dimensions of the trachea and bronchi, and the
opening at its upper end was made to protrude through the skin of the duckling’s
neck. The bifurcated tube was only effective for several hours because it either was
forced cephaled (out of the bronchi) or it
became filled with fluid. In the former case,
the ducklings could vocalize and, in the
latter case, the ducklings died. Use of the
bifurcated tube suggested that intubation of
the trachea of a freshly killed duckling
would permit us to observe the movement
of the vocal and respiratory structures
below the syrinx during artificial inspiration and expiration. Thus, a glass pipette
of 2 mm 0.d. was inserted into the trachea
of a dead duckling approximately 2 cm
above the syrinx. Alternate blowing and
sucking on the pipette produced respiratory
movements and, with practice, a recognizable “peeping” sound could be produced by
the abrupt but gentle withdrawal of air.
The quality of the artificially produced
vocalization varied with both the speed
with which air was withdrawn and the
tension placed on the syrinx and bronchi
as the trachea was manually stretched in a
cephalsd direction. Under ordinary conditions, the duckling’s posture combined
with the action of the sterno- and bronchotrachealis muscles, would impart different
degrees of tension to the trachea, syrinx
and bronchi.
Directly associated with the artificially
produced sounds, the internal tympaniform
membranes collapsed into the bronchial
cavities at the syringeo-bronchial junction
(fig. 6-4). The external tympaniform
membranes contribute to constricting the
bronchial lumen to a lesser degree by forming a concavity between the semi-lunaI
bronchial rings on the lateral wall of the
upper bronchi. Both these actions, but
primarily the infolding of the internal
tympaniform membranes are clearly shown
in figure 6-4. When air was gently blown
down the trachea, the membranes ballooned outward and the internal tympaniform membranes reduced the interbronchial foramen to a narrow slit (figure 6-3).
It was not possible to produce sound by
blowing air into the trachea, regardless of
the tensions placed on the trachea, syrinx,
and bronchi by manual manipulation.
This series of observations isolated the
tympaniform membranes as the primary
organs for sound production in the duckling. Although marked sexual dimorphism
exists in the configuration of the duckling
syrinx, no sex differences have yet been
detected in the quality of naturally or artificially produced notes of embryos or hatchlings. It is possible that the syrinx becomes
especially important only later on in development when distinct differences in male
and female vocalizations are quite evident.
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MATERIALS AND METHODS
zy
The internal and external tympaniformmembranes of 160 Peking duck embryos
were made rigid by applying non-flexible
“Collodion Merck (24% alcohol - 245
grains ether per fl. oz.) to them. Collodion
is non-toxic and it rapidly forms a plastic
sheath over the membranes. The location
of the tympaniform membranes is shown
in figure 6-1. When the tympaniform membranes are made rigid, the embryo or
hatchling cannot vocalize. When the (201lodion sheath is removed, the ability to
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319
VOCALIZATION I N AVIAN EMBRYOS
produce sound is restored.’ The devocalization procedure can be completed in about
15 minutes and it is accomplished as
follows.
First, the egg is candled and the airspace and bill of the embryo traced in
pencil on the outside of the shell. On Day
24 the duck embryo’s bill begins to penetrate the air-space and it can be seen as a
tent-like protrusion during candling. Next
the shell and outer shell membrane over
the air-space are removed by cutting with
iris scissors. The opaque inner shell membrane is painted with warm saline, thus
completely revealing the bill of the embryo
and the large veins of the chorioallantois.
The embryo’s head and chest are brought
into the air-space by grasping the embryo’s
bill and slowly pulling the embryo’s head
through the chorioallantoic membrane and
inner shell membrane. In those cases where
the embryo’s bill has not completely punctured the membranes, a slit is made in the
chorioallantois at the point of the embryo’s
bill, taking special care to avoid the larger
veins of the chorioallantois.
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After the embryo’s head and chest are
exposed, the down on the embryo’s ventral
surface is shaved or closely cropped around
the midline extending from the lower neck
region to the sternum (fig. 7). Next, the
skin is cleansed with 70% alcohol and a
topical anesthetic (“Xylocain 10% ”) is applied to the shaved area, allowing 1-2 minutes for the anesthetic to take effect. Subsequently, a longitudinal, midline incision
is made in the skin parallel to the trachea
beginning about 10 mm anterior to the
sternum and extending to the sternum. The
easiest and safest way to make this slit in
the skin is to raise the skin with forceps
(fig. 7-1) and then cut the skin with iris
scissors rather than a scalpel so the depth
of the incision can be better controlled.
When the incision is properly made, little
____
1 After the Collodion has remained on the membranes of the growing embryo for several days, it IS
very difficult to remove the hardened coating without
causing tissue damage. We have not yet devised a
satisfactory, non-injurious technique to remove the
Collodion and thereby re-vpcalize the treated embryos
after hatching. It is a simple matter to apply the
Collodion, test the embryo’s vocal ability, and remove the Collodion all within a relatively short time
period.
/-
Fig. 7
in text.)
mustration of main steps in embryonic de-vocalization procedure. (Description
320
GILBERT GOTTLIEB AND JOHN G. VANDENBERGH
or no bleeding is evident. After the skin is
parted with forceps or hemostats, the transparent membranes (clavicular sac) over
the syrinx are punctured with the sharp end
of the scissors, thereby allowing access to
the tympaniform membranes. The tympaniform membranes lie immediately posterior to the syrinx at the proximal end of
the two bronchi (see fig. 6). The syrinx
cannot be seen until the clavicular sac is
punctured.
In the duck as in many other avian
species, the internal tympaniform membranes are much more extensive than the
external tympaniform membranes. In the
Peking duck, the internal tympaniform
membranes extend from the first to the
sixth bronchial ring while the external
tympaniform membranes lie between the
first and second bronchial rings. In the
duck, the male syrinx is relatively large
and asymmetrical (fig. 6-2) while the
female syrinx is smaller and symmetrical
(fig. 6-1). When the bird vocalizes air is
expelled from the lungs and the internal
tympaniform membranes assume a concave or “deflated shape (fig. 6-4). When
the bird inhales, the internal tympaniform
membranes assume a convex or bulged appearance (fig. 6-3). When the tympaniform membranes are made rigid by the
application of non-flexible Collodion, it is
not possible for the bird to vocalize.
Collodion is briskly dabbed on the tympaniform membranes with a cosmetic “eyeliner” brush (fig. 7-2). To gain more complete access to the membranes without
cutting into the sternum, the trachea is
stretched by pulling the embryo’s head in
a cephalad direction. This manipulation
usually brings the syrinx into clear view
and the Collodion is applied directly below
the syrinx (fig. 7-2). Collodion dries very
rapidly so care must be taken not to strip
it off the membranes inadvertently during
the application. Two quick applications are
usually sufficient to cover the membranes.
When their location is known, it is not
actually necessary to see the tympaniform
membranes when applying the Collodion.
In ducks and perhaps other species with
extensive internal tympaniform membranes, it is only these membranes which
require Collodion. That is, when Collodion
is properly applied to the internal tympani-
z
form membranes of duck embryos, it i s
usually not necessary to treat the external
tympaniform membranes. Following application of the Collodion sheath, the incision is sutured with 000 surgical silk using
a three and one-eighth circle, eyed needle
as shown in figure 7-3.
For those investigators who do not wish
to de-vocalize embryos, this same technique can be used with hatchlings. It is to
be emphasized that there are inter-specific
differences in the accessibility and location of the tympaniform membranes, so
the present technique for applying Collodion to the membranes may have to be
modified to a greater or lesser degree with
species other than the Peking duck (Anas
platyrhynchos). The essential feature for
complete de-vocalization is immobilization
of the tympaniform membranes.
T e s t of effectiveness of de-vocalization
procedure. One hundred and sixty Peking
duck embryos were subjected to the devocalization procedure on Day 24 (25th day
of incubation); 95 of these hatched and
were tested for vocal ability on the day
after hatching. For the test of vocal ability
the ducklings were placed in an “imprinting” apparatus (Gottlieb, ’65a) for 20
minutes during which time they were exposed to the maternal attraction call of
their species. Under these testing conditions, all normal Peking ducklings vocalize
innumerable times during the 20-minute
test period. Data on hatchability, sex
ratio, etc. were also tabulated in the treated
embryos. For control purposes, similar data
were tabulated on 29 Peking duck embryos
whose head and chest were exposed on Day
24 and from which embryonic EKG and
behavioral recordings were made by means
of needle electrodes in their skin (Gottlieb,
’65b).
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RESULTS
As shown in table 3 , the de-vocalization
procedure was 85% effective. That is, only
14 of the 95 treated hatchlings could vocalize. At least two of these vocalized essentially normally, while the other 12 were
only occasionally capable of a very low
intensity vocalization.
In terms of viability, it can be seen in
table 3 that the de-vocalization procedure
is no more traumatic than opening the egg
and making behavioral and physiological
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32 1
VOCALIZATION I N AVIAN EMBRYOS
TABLE 3
Comparison of viability and vocal ability in
duck embryos subjected to two d i f f e r e n t operative procedures three days before hatching, one
involving exposure and de-vocalization and t h e
other involving exposure and behavioral recording
160 duck embryos
subjected to devocalization
procedure
29 duck embryos not
submitted
to de-vocalization Drocedure
of the de-vocalization procedure is not
known with any degree of reliability. The
one bird which has been kept for observation is five months old at this time (December, 1967), and she is still mute.
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DISCUSSION
The success of the present technique in
muting embryos and hatchlings sheds some
I
%
definitive light on the anatomico-physiologMales
50
?
ical
mechanism of sound production in
Females
50
?
birds. While it has been known for over 200
In air-space
43
55
Hatched
59
69
years (Herissant, 1753) that the tympanid
58
?
form membranes play a critical role in
63
?
0
avian sound production, it has never been
in air-space
77
94
experimentally demonstrated that these
not in air-space
45
38
Mute after h a t c h i n g
85
0
elastic membranes are the fundamental
source of sound production. That is, to our
Note: Of the embryos i n the de-vocalization and
control groups which hatched, the median age at the
knowledge, it has not been previously demtime of the operation was 24 days 17 hours and 24
onstrated that if the tympaniform memdays. 19 hours respectively. The mkdian age of those
which didn’t hatch was 24 days, 12 hours (de-vocal- branes are made rigid in situ, such a
ized group) and 24 days, five hours (control group)
procedure absolutely prohibits sound proat the time of the operation. If the embryo’s bill was
in the air-space at the time of the operation, it was
duction in the living bird. Since other almore likely to hatch i n both the de-vocalized ( p <
0.001) and control ( p < 0.01) groups. Thus, the
terations of the vocal apparatus (slitting
older the embryo at the time of the operation the
more likely its bill had penetrated into the air-space, the trachea, severing the vocal muscles,
and the greater likelihood it would hatch. There
destroying the clavicular sac, puncturing
were no statistically reliable differences in hatch
the syrinx) failed to eliminate sound prorate between the de-vocalized and control embryos
whether the embryos were in the air-space or not at
duction, it therefore seems safe to conclude
the time of the operation.
that the tympaniform membranes are the
recordings 011 Day 24. Also, there were no primary or basic source of sound in the
significant differences in survival between vocal apparatus of birds. Since we are in
the sexes. The likelihood of the duck em- the curious position of claiming to provide
bryo hatching after removing the shell and definitive evidence for a conclusion which
membranes at the large end of the egg, was reached 200 years ago, it may help to
whether submitted to the de-vocalization put our belated contribution in the approtechnique or not, was considerably en- priate perspective by briefly reviewing the
hanced if the embryo’s bill had even barely experimental evidence on the role of the
penetrated the air-space (table 3). Specifi- tympaniform membranes in avian sound
cally, 77% of the embryos hatched that production.
were in the air-space at the time of the
If a clear distinction is made between
operation, whereas only 45% hatched of anatomical and physiological (functional)
those not in the air-space at the time of de- evidence, the physiological side of sound
vocalization ( p < 0.001). This functional production has actually never been demoncriterion (air-space penetration) is related strated in birds. The main researchers into age, but it is more important than age terested in this problem (Herissant, 1753;
per se. However, when the embryo’s bill Cuvier, 1800; Yarrell, 1833; J. Muller,
has penetrated the air-space, the embryos 1847; Griitzner, 1879; Wunderlich, 1884;
are much more likely to vocalize during the Riippell, ’33) built up a plausible and more
operation itself and this may not be desir- or less accurate account of the physioable for certain kinds of experiments.
2 Our source of duck eggs is the C & R Duck Farm,
Due to an extraneous difficulty2 it has Westhampton,
Long Island, New York. Since there
not been possible to keep a large number of have been several recent outbreaks of duck viral enteritis i n the Long Island afea, we have been asked by
the muted ducklings for observation be- the U.S.Department of Agrlculture to take appropriate
and It has been necessary to sacrxfice all
yond the first four days after hatching. precautions
of our Peking ducklings within a few days after
Consequently, the long-term effectiveness hatching.
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322
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GILBERT GOTTLIEB AND JOHN G. VANDENBERGH
logical side of avian sound production
based on ( a ) anatomical considerations
and ( b ) a functional analogy based on the
mechanism of sound production in certain
musical instruments. Following the lead of
Herissant and Cuvier, all of the above investigators agreed that the vocal apparatus
of birds is analogous to the mouthpiece of
a wind instrument. In the case of instruments like the trumpet or trombone
(Cuvier), the lips of the player are said to
act like the tympaniform membranes, while
with instruments such as the oboe (Herissant), the reeds inside the mouthpiece
serve the same function as lips (or tympaniform membranes). The main difference between Herissant’s and Cuvier’s
model was Herissant’s belief that the
clavicular sac was also essential to sound
production since it acts as a counterforce
to the air streaming through the narrow
opening formed by constriction of the tympaniform membranes during exhalation.
As we shall see, this mistaken idea about
the importance of the clavicular sac was
recently revived by Ruppell (’33).
The only published experiments that
were performed in the eighteenth and
nineteenth centuries which in some way
related to the functional side of sound production were the following.
1. Herissant (1753, p. 293) punctured
the clavicular sac of live ducks andreported
that the birds no longer vocalized. On the
basis of this experiment, Herissant concluded that the clavicular sac plays an essential role in sound production, in conjunction with the tympaniform membranes. (This problematic interpretation is
discussed below. )
2. In two experiments Cuvier (1800,
pp. 430-431) slit the trachea of a living
blackbird and decapitated a living magpie;
the blackbird vocalized more or less normally after the operation and the headless
magpie continued to vocalize for ten minutes until a blood clot in the trachea caused
the bird to suffocate. From these experiments Cuvier correctly localized the source
of sound in the “lower larynx” (syrinx).
3. Grutzner (1879, pp. 139-141)
opened the chest of a live female turkey
and observed that the tympaniform membranes collapsed inward in conjunction
with sound production. This experimental
observation, though only correlational in
nature, js the most germane one in the
sense that it did show the movement of the
tympaniform membranes during vocalization.
Finally, in 1933, Ruppell revived Herissant’s idea on the importance of the clavicular sac operating in conjunction with
the tympaniform membranes. From experiments in which he placed the excised trachea, syrinx, and bronchi of various
species in a glass atmosphere chamber,
Ruppell concluded that “. . . location of the
syrinx in the clavicular air sac is the physiological basis and the necessary condition
for the special kind of sound production in
the vocal apparatus of birds” [translated
from page 450 of original article (Ruppell,
’33)].3
Ruppell described the results of his experiment with excised syringes in the glass
atmosphere chamber as follows.
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“The experiment showed that when blowing air
through the bronchi i n the direction of the trachea,
while a t the same time maintaining a superatmospheric pressure in the glass chamber, the
drum membranes (Membrane tympaniformes
internae) went into a strong oscillation and produced a strong sound, which ceased whenever
the pressure in the glass chamber was reduced
to the normal atmospheric pressure (1 atm.);
externally this became apparent in that with
continued blowing through the bronchi, the drum
membranes bowed out strongly, but without sound
production. In the living bird the process occurs
as we have already said, when through a puncture
in the wall of the clacivular air sac the air surrounding the syrinx can escape. This observation
was the more surprising to me, since at that time
I was unaware of the discoveries of Herissaut
(sic). Later, as opportunity offered, I have induced
oscillations in the syrinx of other bird types which
departed not too significantly from the normal
type (Sula capensis, Stercorarius skua, Anus
platyrhynchos domestica 0 , Arclea cinerea). It
was obviously necessary to work with large or
medium-large types, since the vocal organs of the
smaller birds (even of doves) did not lend themselves to this type experiment. The morphological
structure of the syrinx of small birds indicates
that with them also, sound production is based
on the primary oscillation of the membrane tympaniformes, and follows the same acoustical p r k ciple. The interbronchial foramen is of specid
significance for the oscillating process; it gives
the membranes a free space in which to vibrate,
and provides for the air in the clavicular sac a
surface on which to operate” [translated from pp.
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3 This translation and subsequent ones from Ruppell‘s classic monograph were made by Crawford H.
Greenewalt. The correctness of each translation
quoted in the text has been verified by one of us
(G.G.).
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VOCALIZATION IN AVIAN EMBRYOS
451-453 of the original German language article
(Ruppell, ’33 >I.
Since we found that puncturing the clavicular sac in living ducklings and embryos
did not alter their ability to produce sound,
it is necessary for us to conclude that the
clavicular sac does not play a n essential
role in avian sound production when studied i n situ. In speculating on the factors
which caused Ruppell to reach an apparently erroneous conclusion about the function of the clavicular sac, two possibilities
seem most evident. The first is that Ruppell’s use of excised vocal organs in a glass
atmosphere chamber introduced an artifact
not actually present during sound production in situ. The second possibility is that
Ruppell worked exclusively with adult birds
(including Anas platyrhynchos) and that
the clavicular sac is essential for sound
production in older birds. We tested this
second possibility by puncturing the clavicular sac of a 12-week-old female Peking
duck (Anas platyrhynchos) and three
older (6-1 8 months) Mallard ducks (Anas
platyrhynchos), including one male and
two females, and we found that all of the
birds could still vocalize after their clavicular sac was punctured. There were no
readily discernible qualitative changes in
the ducks’ vocalizations after the sac was
punctured and they all vocalized while the
chest wound was open. Therefore, since
Ruppell himself made a clear distinction
between mechanisms of sound production
and mechanisms of sound modulation, we
must conclude that the use of the glass
atmosphere chamber led Ruppell to an erroneous conclusion regarding the role of
the clavicular sac in sound production.
(Why Herissant’s ducks did not vocalize
after their clavicular sac was punctured
remains obscure.)
Further support for the essential role of
the tympaniform membranes in avian
sound production comes from the de-vocalization technique devised by Durant (’53)
and further developed by Van Krey and
Ogasawara (’64). Durant’s technique involves puncture of the semilunar membrane
and cauterization of the pessulus bone. The
pessulus is located at the base of the syrinx
and unites the two bronchi, immediately
anterior to the internal tympaniform membranes. This operation, though it reduces
3 23
vocal intensity and sometimes modifies
sound production, does not result in muting guinea fowl, turkeys, or chickens (Van
Krey and Ogasawara, ’64, pp. 82 and 83).
Thus, these findings lend further support
to the contention that the constriction and
vibration of the tympaniform membranes
during exhalation is the essential feature
of sound production in birds, as correctly
deduced by Cuvier in 1800 and reiterated
by Grutzner in 1879. It would appear that
the syrinx, syringed musculature, and
trachea play an important role only in
modulating or resonating the sound produced by the rush of air past the constricted
tympaniform membrane^.^
Regarding the direction of air flow during vocalization, Miller (’34) and Miskimen (’51) obtained the same results as we
did with chicks and ducklings, using a similar method on dead owls and passerine
birds, respectively. Namely, sound was produced only when air was drawn or forced
past the tympaniform membranes in a caudocephalad direction. Miller states (p. 208)
“Gratifyingly, the sound produced was
similar to a Horned Owl hoot in pitch and
in many points of quality, although it
lacked greatly in resonance and volume.”
With reference to an English Sparrow
(Passer domesticus) similarly prepared,
Miskimen states (p. 494): “No sound was
produced by forcing air into the trachea,
but when the bulb was released and air
drawn back into the bulb the bronchial
tubes partly collapsed and a chirping noise
was made. The internal tympaniform membrane just above the insertions of the
bronchidesmus membrane on the first
bronchial half-rings vibrated freely and
rapidly in the inter-bronchial space.”
Miskimen also obtained the same results
regarding the direction of air flow and
sound production with a Ring-necked
Pheasant, Phasianus colchicus, and a
Starling, Sturnus vulgaris.
Finally, attesting to the possible greater
importance of the internal tympaniform
membranes relative to the external ones for
sound production in many if not all avian
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4 The neural control of avian sound production has
yet to be completely worked out-progress in this
area has been recently summarlzed by Brown (’68).
If decapitated birds can vocalize, as contended by
Cuvier (1800), then the proximal control of vocalization must reside in spinal neurons.
324
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GILBERT GOTTLIEB AND JOHN G. VANDENBERGH
species, immobilization of the external
tympaniform membranes (Gross, 64a) in
chickens, peacocks, and guinea fowl does
not mute the bird but only modifies the
pitch and intensity of the sounds produced
(Tudor and Woodard, '67). In the domestic
chicken (Gross, '64b; Myers, 'l?), and
presumably peacocks and guinea fowl, the
internal tympaniform membranes are less
extensive than the external ones, but the
internaI membranes are located in the
bronchi whereas the external membranes
have a more rostra1 location. Therefore, it
would appear that the internal tympaniform membranes assume greater importance than the external ones for sound
production ( a ) when they are located in
the bronchi and/or ( b ) when they are considerably more extensive (spatiaIly) than
the external ones. While most avian species
have two pairs of tympaniform membranes
(internal and external), there are exceptional species such as the Trumpeter
Swan ( C y g n u s cygnus) which, according
to Ruppell ('33, p. 466), has only one pair
of tympaniform membranes (external).
Though it seems that there are always some
exceptions to any generalization about the
structure of the vocal apparatus in birds,
there are no known exceptions to the rule
that all avian species have at least one
structure in their vocal apparatus which is
capable of vibrating and this elastic structure provides the basis for sound production, whether it is Iocated in the bronchi,
syrinx, or trachea.
LITERATURE CITED
Baeumer, E. 1962 Lebensart des Haushuhns,
uber seine Laute und allgemeine
dritter Teil
Erganzungen. Zeit. Tierpsychol., 19: 394416.
Brown, J. L. 1968 The control of avian vocalization by the central nervous system. In:
Studies on Bird Song, R. A. Hinde, ed. Cambridge University Press, in press.
Collias, N., and M. Joos 1953 Spectrographic
analysis of sound signals of the domestic fowl.
Behaviour, 5: 175-188.
Cuvier 1800 Mdmoire sur les Instrumens de la
Voix des Oiseaux. J. de Physique, de Chimie, et
#Histoire Naturelle, 7: 426-451.
Dilger, W. C. 1956 Hostile behavior and reproductive isolating mechanisms in the avian
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Gottlieb, G. 1965a Imprinting in relation to
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1964b Voice production by the chicken.
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Griitzner, P. 1879 Physiologie der Stimme und
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Guyomarc'h, J.-C. 1966 Les Cmissions sonores
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la Voix des QuadrupCdes, et de Celle des Oiseaux. Mdmoires de Mathdmatique et de Physique, tires des Registres de l'Acad6mie Royale
des Sciences, 279-296.
Konishi, M. 1963 The role of auditory feedback
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ACKNOWLEDGMENTS
Miss Evelyn Strickland, Mr. Lincoln
Gray, and Mrs. Carole S. Ripley aided in
the collection and tabulation of the data.
Dr. Colin Beer kindly performed the Sonagraphic analysis of the calls. The experiments were partially supported by funds
from U.S.P.H.S. Research grant HD-00878
from the National Institute of Child Health
and Human Development. We appreciate
the assistance of Dr. and Mrs. Peter N. Witt
in translating certain of the foreign
language literature.
This paper is dedicated to professorD ~
ald K. Adams on the occasion of his retirement from Duke University.
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VOCALIZATION IN AVIAN EMBRYOS
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Added in proof: Subsequent experience with the de-vocalization
technique indicates that it is much simpler to de-vocalize embryos or hatchlings than adult birds. The main problem with
the older birds is obtaining access to the tympaniform membranes - such access requires a much more extensive chest
incision than in the young birds. Most of the de-vocalized embryos regain their vocal ability within three months after hatching - a few individuals remain mute for an indefinitely longer
period.