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Published in: MÉLANGES DE L’ÉCOLE FRANÇAISE DE ROME. ITALIE ET MÉDITERRANÉE 122, 1, 2010, pp. 81-106
Quae signa erant illa, quibus putabant esse significativa Martyrii? Note sul riconoscimento ed autenticazione delle reliquie delle catacombe romaneLa Tutela del Patrimonio Culturale - Blog
"Tutela dei sacri cimiteri: il ruolo della Pontificia Commissione di Archeologia Sacra dal 1852", pubblicato sul blog "La Tutela del Patrimonio Culturale" (14.07.2020)2020 •
Articolo pubblicato su: https://latpc.altervista.org/tutela-dei-sacri-cimiteri-il-ruolo-della-pontificia-commissione-di-archeologia-sacra-dal-1852/
L’analisi del culto dei martiri, così come fissato da Ambrogio a Milano e osservato attraverso le coordinate tracciate dalle pertinenti fonti letterarie, fornisce un quadro che permette di ridefinire il ruolo di influenza del modello cd. orientale, verso cui la letteratura tradizionale si era completamente sbilanciata, secondo una posizione che di fatto è andata progressivamente sgretolandosi fino agli studi di questi ultimi anni. Un’indagine senza certi fuorvianti preconcetti permette di istituire gli ormai necessari confronti con quel modello cultuale romano, a cui in realtà il vescovo di Milano si è sempre idealmente e primariamente rapportato. La fluida "imitatio Romae" che ha caratterizzato l’opera di Ambrogio, associata agli aspetti di provenienza orientale spesso rivisitati, ha dato perciò vita ad una rinnovata ed originale formula, i cui effetti si sono fatti sentire presto nella stessa Roma, generando nuovi fenomeni cultuali nella medesima città che li aveva ispirati. The analysis of the cult of the martyrs, as it was determined by St. Ambrose of Milan and carried out under the guidance of relevant literary sources, provides a framework for redefining the extent of the influence of what is termed the “Oriental model”, on which traditional literature on this genre has placed excessive emphasis, due to an understanding that has become progressively more fractured in the studies of recent years. An investigation without certain misleading preconceptions is able to set up sorely needed points of comparison to the model of the Roman cult, which in reality the Bishop of Milan always referred to first and formost as the best example to follow. The fluid "imitatio Romae" that characterized the work of Ambrose, associated with certain Eastern aspects that were often referred to in his work, therefore gives new life to a reinvigored and truly original hagiographic formula, whose effects were soon felt in Rome itself, creating new cultic phenomenons in the very city which had inspired them.
2017 •
t: Nel presente articolo si presentano i risultati dell’analisi condotta su alcune necropoli italiane di ambito romano-bizantino nelle quali è stato possibile rilevare la presenza di un utilizzo differenziato delle aree di inumazione, evidenziando, nella progettazione dello spazio funerario, una distinzione tra il trattamento funerario degli adulti e quello riservato agli infanti. L’identità sociale del bambino, connaturata come ‘altra e diversa’ rispetto a quella dell’adulto, così come desunta dalle fonti documentarie, potrebbe, in parte, giustificare la necessità di differenti pratiche sepolcrali ad esso destinate chiarendo le forme di distribuzione e articolazione delle sepolture adottate nei contesti presi in esame.
2018 •
For every human society, death has always represented the last cognitive frontier and, at the same time - through techniques, rites, codifications and symbolic elaborations - the same societies have tried to interpret the phenomenon of mortality, provide it with a sense, integrate it into its own system of values and transform it into a criterion for self-representation. The evolution of the civil and ecclesiastical laws and statutes that societies gave themselves from late antiquity to the Middle Ages reflects a partial but interesting change in mental attitudes and human behavior towards death. Through the diachronic evolution of the cemetery structure between rules and practice, different attitudes are formed towards death: from the separation of the Roman necropolis due to hygienic and sacral rules, up to a progressive familiarity, which was established between late antiquity and the high Middle Ages and which lasted until Napoleon.
In this work we analyze using the archaeological evidence the use of early medieval northern italian cathedrals as burial places, trying to understand above all: 1) from which moment these complexes began to be used as funerary space; 2) who was buried in these places and finally 3) what motives brought the population to abandon the suburban cemeteries to be buried inside of the cathedrals and other urban churches.
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