Yearning (乱れる, Midareru) is a 1964 black-and-white Japanese film drama directed by Mikio Naruse, starring Hideko Takamine and Yūzō Kayama. The film is based on a story by Naruse, with the screenplay authored by Zenzo Matsuyama.

The story centers on war-widow Reiko Morita (Hideko Takamine), who has given her best years to her late husband's family while managing their grocery. The family plots to tear down the shop and build a supermarket in its place, pushing Reiko out of the top position. As with many Naruse films, the background to the film marks a significant point of social change, in this case the arrival of modern supermarkets with their inevitable effect of driving local family grocery stores out of business.

Plot

"Yearning" is a duet by George Jones and Jeanette Hicks. It was released as a single on Starday Records in 1957. Although Jones had released a couple of duets with fellow Starday artist Sonny Burns, "Yearning" was the first duet to become a hit, making the Top 10.

Chart performance

References

Yearning (1995) is a collaborative album by ambient musician Robert Rich and sarod player Lisa Moskow. It is based on the classical Indian musical form known as alap. Alap is the first and slowest section of a raga. The music on this album consists of Moskow’s sarod solos set against Rich’s classic droning ambiences.

Track listing

Personnel

References

External links

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.