Turkish pop music had its humble beginnings in the late 1950s with Turkish cover versions of a wide range of imported popular styles, including rock and roll, tango, and jazz. This wide collection of songs were labelled as "Hafif-batı" (light western) music and included a wide range of artists, such as Frank Sinatra to Doris Day, Nat King Cole to the Everly Brothers, from Elvis Presley to Paul Anka.
Turkish artists began to produce English language cover versions of these songs and write their own too, and the first original song of this type is credited to Erol Büyükburç in 1958 for his song "Little Lucy", which was released as a 10-inch single known as a taş plak.
With the emergence of 7-inch (45 rpm) single records in Turkey soon after, listening and distribution of this type of media was easier and thus the sound became more popular.
Büyükburç felt that the popularity of this trend would be limited until the Western song lyrics were translated into Turkish, and suggested to composer Fecri Ebcioğlu that he pen some Turkish lyrics to an English tune. In 1962, the first Western popular melody with Turkish lyrics was released, İlham Gencer's "Bak Bir Varmış Bir Yokmuş" (Look Once Upon A Time) and the foundation was set for the mergence of a new genre. The modern technique of musical arrangements was also attributed to this era, with Western songs arranged into more oriental sounding motifs for the Turkish ear.
Pop music (a term that derives from "popular") is a genre of popular music that originated in its modern form in the Western world during the 1950s and 1960s, deriving from rock and roll. The terms "popular music" and "pop music" are often used interchangeably, although the former describes all music that is popular (and can include any style).
Pop music is eclectic, and often borrows elements from other styles such as urban, dance, rock, Latin, and country; nonetheless, there are core elements that define pop music. Identifying factors include generally short to medium-length songs written in a basic format (often the verse-chorus structure) as well as the common employment of repeated choruses, melodic tunes, and hooks.
David Hatch and Stephen Millward define pop music as "a body of music which is distinguishable from popular, jazz, and folk musics". According to Pete Seeger, pop music is "professional music which draws upon both folk music and fine arts music". Although pop music is seen as just the singles charts, it is not the sum of all chart music. The music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. Pop music, as a genre, is seen as existing and developing separately. Thus "pop music" may be used to describe a distinct genre, aimed at a youth market, often characterized as a softer alternative to rock and roll.
Pop music is a musical genre.
Pop music may also refer to:
"Pop Muzik" is a 1979 hit song by M, a project by English musician Robin Scott.
The song was initially recorded in R&B and funk styles before a friend of Scott suggested using synthesizers. He describes the genesis of "Pop Muzik" this way:
The single was released in the UK first, peaking at number two on 12 May 1979, unable to break Art Garfunkel's 6-week stint at number one with "Bright Eyes". In August of that same year, it was released in North America, where it eventually climbed all the way to number one in Canada on 27 October and in the US on 3 November.
Along with Scott, other musicians who played on the track were his brother Julian Scott (on bass), then unknown keyboardist Wally Badarou, Canadian synthesiser programmer John Lewis (who died of AIDS in 1985), Drummer Phil Gould (who later became one of the founding members of the group Level 42), Gary Barnacle and Brigit Novik, the backing vocalist, credited as "Brigit Vinchon" on the records and sleeves.
Well hoes they do drugs
I do drugs with them
All ym niggas gone, my hitters gonn hit em
Them bitches going home
I'm going home with them,
Let go, bout to catch 2 bodies
Cause louie gonn kill em
These niggas I don't feel them
They talking I don't hear them
That phantom ghost just scare them
That pistol's just to use them
Catch em lack in that news
Pop em and drop em
See cause life call me capo
If it's hot then we drop em
Bitch on me, wanna fuck me
I fuck down, now homie wanna fuck me
I'm sippin 4's and smoking good weed
Homie got a 30 and I trap
Bout the homies serving energy
Speeding and swerving
They talking shit, but we see em they ...
This that pop music
Don't get popped to it
Head is pulling up, poppin on some pop shit
This that techno, let that tec blow
Pop a pussy, leave em wet, on the dance floor.