War is the third album by funk group War, or their first following the departure of singer Eric Burdon and the group's name change from the original: Eric Burdon and War. It was released in April 1971 on United Artists Records, their first for the label.

The album did not gain much attention upon release, but sales and critical acclaim picked up after their subsequent hit albums throughout the 1970s, the next appearing later in 1971. One single was taken from the album: "Lonely Feelin'" backed with "Sun Oh Son", which did not chart. Of the other songs, "War Drums" includes a chant of the band's name and appears to be an attempt at a group theme song; and "Fidel's Fantasy" generated some controversy over its spoken word monologue criticizing Fidel Castro.

Cover art

The cover painting depicts many disembodied arms giving a three finger salute, a concept also used on the group's first album with Eric Burdon: Eric Burdon Declares "War". There are actually eight arms in the picture, but only seven people in the group, revealing that the artwork was commissioned when Burdon was still with them, confirmed by the cover notes which credit him for the concept. The cover art is by Norman Seeff. The back cover shows the same picture, mirror reversed. The original edition was printed on a linen textured cover slick, and has an inner gatefold photo of the band.

War is a painting created by Portuguese-British visual artist Paula Rego in 2003.

Description

War is a large pastel on paper composition measuring 1600mm x 1200mm. A rabbit-headed woman stands prominently in the center carrying a wounded child, surrounded by several realistic and fantastic figures recalling a style Rego describes as "beautiful grotesque".

For The Telegraph's Alastair Sooke, "The more you look at War, the curiouser and curiouser it becomes. Rego's white rabbits owe more to Richard Kelly's film Donnie Darko than Lewis Carroll's Wonderland."

Background

The painting first appeared as part of Rego's "Jane Eyre and Other Stories" exhibition at Marlborough Fine Art in London in 2003. It was inspired by a photograph that appeared in The Guardian near the beginning of the Iraq War, in which a girl in a white dress is seen running from an explosion, with a woman and her baby unmoving behind her. In an interview conducted in relation to the Museo Nacional Centro de Arte Reina Sofía's 2007 exhibition, Rego said of this painting, "I thought I would do a picture about these children getting hurt, but I turned them into rabbits' heads, like masks. It’s very difficult to do it with humans, it doesn’t get the same kind of feel at all. It seemed more real to transform them into creatures."

War is a live album by Bolt Thrower recorded in Manchester 1992, on an 8-track tape. It was originally recorded by the band members in order to have some of their own live recordings for posterity. Later on Earache Records wanted to release a special edition of the ...For Victory album, thus it was packed with that album in 1994 in a limited 2CD package. I.e. they just replaced the box with a 2CD box and added the second disc. The album is sometimes known or listed as Live War.

It said Mosh 124 on the promo edition, that is a mistake, because Mosh 124 is a Fudge Tunnel album according to the official Earache catalogue.

Track listing

Personnel

The 1971 war may refer to two related conflicts:

"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.

Reception

Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".

Track listing

All compositions by John Zorn and Thurston Moore

?! is the third studio album by Italian rapper Caparezza, and his first release not to use the former stage name MikiMix.

Reception

Reviewing the album for Allmusic, Jason Birchmeier wrote, "The Italian rapper drops his rhymes with just as much fluency and dexterity as his American peers throughout the album. [...] Caparezza's mastery of the Italian dialect [makes] this album so stunning."

Track listing

References

"Album" is the seventh episode of the first season of the 1974 American television series Land of the Lost. Written by Dick Morgan and directed by Bob Lally, it first aired in the United States on October 19, 1974 on NBC. The episode guest stars Erica Hagen.

Plot

Will awakens in the early morning to a high-pitched whirring sound which fills the jungle, but eventually it goes away. Rick has Holly build a trap to catch whatever has been breaking into their stores, and Will goes to weed the garden. While outside, he again hears the sound and follows it to the Lost City. Within, he enters a chamber with a very crude-looking attempt to simulate a matrix table but filled with colored stones instead of crystals. On the ground is a pulsating blue crystal that attracts his attention. Picking it up, he sees his mother (Erica Hagen) materialize in a cloud of mist. Afterwards, he returns to High Bluff but doesn't speak of his encounter.

The next day Holly's trap has not worked, and Will again hears the sound. Holly hears it briefly as well, but dismisses it. Will returns to the Lost City and again witnesses his mother while holding a blue stone. His mother calls for him, but he is interrupted by Holly, who sees nothing until she touches the blue crystal as well. Holding it together, they are both beckoned by their mother to "come home," but then she quickly adds, "Too late. Come tomorrow. Don't tell." Will explains to Holly that he wants to tell Rick about his discovery but for some reason he is unable to. Holly replies that she will tell their father if he does not and Will sincerely hopes that she can. Will theorizes that they were looking through a time doorway that is open to a period when she was still alive. When Holly asks why her image is not very clear, her brother suggests that it might be because they do not remember her very well.