Wolves is a 2014 Canadian action horror film directed by David Hayter.
The film is narrated by Cayden (Lucas Till), an average teenaged boy approaching the end of high school. During a football game, a rival player headbutts Cayden, causing the latter to become enraged and attack the player with superhuman strength. Cayden later hurts his girlfriend when the passion of making out causes him to unwillingly transform into a werewolf. Cayden wakes up covered in blood, surrounded by the dismembered bodies of his parents and flees.
Cayden becomes a drifter, trying to keep his lycanthropy under control. In a roadside bar, Cayden draws the attention of Wild Joe (John Pyper-Ferguson), who reveals himself to be a werewolf. Wild Joe explains that werewolves come in two types, pure-breds and the bitten. The bitten are more savage and do not give birth to werewolf children. Pure-breds are natural-born werewolves from a small number of werewolf families that came to North America with the early settlers. Cayden has only recently discovered that he was adopted, and Wild Joe confirms that they are both natural werewolves and that Cayden can find out more in a remote town called Lupine Ridge.
Wolves is the third full-length album by melodic death metal band Deadlock. It was released in 2007, and featured techno beats. The track "Code of Honor" was turned into their first music video. They launched a tour in support of "Wolves" through Europe alongside Neaera and Maintain.
All music by Sebastian Reichl, Tobias Graf and Sabine Weniger
All lyrics by Johannes Prem
Darren Pyper, better known by his stage name Ghettosocks, is a Juno-nominatedCanadian hip hop artist and member of the Backburner collective.
In early 2010, Ghettosocks' album Treat of the Day spent several weeks at #1 on ChartAttack's Canadian Hip-Hop chart, and his single "Don't Turn Around" won Rap/Hip‐Hop Single Track Recording of the Year at the 2011 East Coast Music Awards.
Ghettosocks
Collaborations
Mixtapes
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.