The recorder is a woodwind musical instrument in the group known as internal duct flutes—flutes with a whistle mouthpiece. It is distinguished from other duct flutes by having thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition.

Recorders are made in different sizes with compasses corresponding to different vocal ranges. The sizes most commonly in use today are the soprano (lowest note C5), alto (lowest note F5), tenor (lowest note C4) and bass (lowest note F4). Recorders are traditionally constructed from wood and ivory, although the use of plastics is now common. Other characteristics of their construction, such as bore profile and fingering systems, have varied over time and between instruments.

The recorder is first documented in the Middle Ages, and continued to enjoy wide popularity in the renaissance and baroque periods, but was little used in the classical and romantic periods. It was revived in the 20th century as part of the historically informed performance movement, and became a popular amateur and educational instrument. Composers who have written for the recorder include Monteverdi, Lully, Purcell, Handel, Vivaldi, Telemann, J.S Bach, Paul Hindemith, Benjamin Britten, Leonard Bernstein, Luciano Berio, and Arvo Pärt. Today, there are many professional recorder players who demonstrate the instrument's full solo range and a large community of amateurs.

A musical instrument is an instrument created or adapted to make musical sounds. In principle, any object that produces sound can be a musical instrument—it is through purpose that the object becomes a musical instrument. The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for ritual, such as a trumpet to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications.

The date and origin of the first device considered a musical instrument is disputed. The oldest object that some scholars refer to as a musical instrument, a simple flute, dates back as far as 67,000 years. Some consensus dates early flutes to about 37,000 years ago. However, most historians believe that determining a specific time of musical instrument invention is impossible due to the subjectivity of the definition and the relative instability of materials used to make them. Many early musical instruments were made from animal skins, bone, wood, and other non-durable materials.

Instrument may refer to:

Science and technology

Instrument is a documentary film directed by Jem Cohen about the band Fugazi. Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker.

Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine.

The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years. The Instrument Soundtrack by Fugazi was released in conjunction with the film. It consisted primarily of instrumental and unreleased songs (including many demo cuts from End Hits, their next album after the soundtrack).

Instrument Soundtrack is a 1999 album by American post-hardcore band Fugazi.

Background

It is a mainly instrumental soundtrack for the documentary (Instrument) about the band produced by the band and filmmaker Jem Cohen.

The soundtrack mostly consists of previously unreleased songs and studio outtakes culled from Fugazi's history to that point, as well as seven demo versions of songs from their proper albums (six from 1998's End Hits and one from 1993's In on the Kill Taker).

Of particular note is the song "I'm So Tired", a piano ballad played and sung by Ian MacKaye, which is a significant departure from Fugazi's usual post-hardcore sound.

The riff from "Lusty Scripps" was played in Fugazi's final live show, in the break between the main set and the encore.

Track listing

Musical may refer to:

See also

The musical film is a film genre in which songs sung by the characters are interwoven into the narrative, sometimes accompanied by dancing.

The songs usually advance the plot or develop the film's characters, though in some cases they serve merely as breaks in the storyline, often as elaborate "production numbers".

The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if there is a live audience watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it.

Musical films in the Western world

The classical sound era

The 1930s through the early 1950s are considered to be the golden age of the musical film, when the genre's popularity was at its highest in the Western world.