Precious: Base on Nol by Saf (Based on the Novel "Push" by Sapphire), commonly referred to as simply Precious, is a 2009 American drama film, directed and co-produced by Lee Daniels. Precious is an adaptation by Geoffrey S. Fletcher of the 1996 novel Push by Sapphire. The film stars Gabourey Sidibe, Mo'Nique, Paula Patton, and Mariah Carey. This film marked the acting debut of Sidibe.

The film, then without a distributor, premiered to acclaim at both the 2009 Sundance Film Festival and the 2009 Cannes Film Festival, under its original title of Push: Based on the Novel by Sapphire. At Sundance, it won the Audience Award and the Grand Jury Prize for best drama, as well as a Special Jury Prize for supporting actress Mo'Nique. After Precious' screening at Sundance in February 2009, Tyler Perry announced that he and Oprah Winfrey would be providing promotional assistance to the film, which was released through Lionsgate Entertainment. Precious won the People's Choice Award at the Toronto International Film Festival in September. The film's title was changed from Push to Precious: Based on the Novel "Push" by Sapphire, to avoid confusion with the 2009 action film Push.Precious was also an official selection at the 62nd Cannes Film Festival (particularly the un certain regard section).

Precious: Soundtrack, was released, first as a digital download, prior to the release of the film of the same name on November 3, 2009. Nearly three weeks later, it was released to stores on November 23. The soundtrack consists of various artists (Labelle, Donna Allen, Jean Carn, Sunny Gale, and MFSB); with some artists having recorded songs that were covers and other songs that were recorded specifically for the album. The album received positive praise; mainly the song "I Can See In Color" - which was released as a single - that was recorded and co-written by Blige. The trailer features the song "Destiny" taken from Blige's 2001 album No More Drama. A song titled "My Good Lovin' (Back Like That Remix)", featuring Da Brat and Lil' Mo, was featured in the film but exempted from the soundtrack.

Track listing

Reception

Rolling Stone praised the album, and described the song, "I Can See In Color" as being "...a knockout song...expressing the goal of Precious to see the world in color." Allmusic a majority of the album and its artists. Allmusic described the album as featuring "solid offerings from both contemporary and classic", crediting the contributions from Latifah, Hightower, Jackson and LaBelle, and stated that the album resulted "in a solid and empowering collection that (in the words of [the film's director Lee] Daniels) "resonate not only in Precious' world, but speak to your soul no matter who you are."

"Precious" is Depeche Mode's forty-first single, and the first single from the album Playing the Angel. It was released on 3 October 2005 in the UK by Mute Records and 11 October 2005 in the US by Sire/Reprise. The single reached No. 4 in the UK, No. 71 on the Hot 100, and No. 23 on the US Modern Rock Tracks chart.

It was the band's first single of original music in more than three years. "Precious" was released to international radio stations and as a digital download on 22 August 2005. Since its live debut, "Precious" has been played at every Depeche Mode concert between 2005 and 2014.

Meaning

Although the meaning of almost all of Depeche Mode's songs are not revealed because Martin Gore prefers people to find their own meanings for each song, he made an exception with "Precious", revealing that the song is written about his children and what they must have been going through when he was getting a divorce from their mother.

Music video

To accompany the new single and album, a program called the Depeche Mode Receiver was released. The video for "Precious" received its worldwide premiere via this program on 12 September 2005.

"Precious" is a song written by Chrissie Hynde that was first released on the Pretenders' 1980 debut album Pretenders. It was the opening track of the album. It was also released as a single in some countries. A medley of "Precious" with "Brass in Pocket" and "Mystery Achievement" reached #28 on the Dance Music/Club Play Singles chart.

Allmusic critic Stewart Mason described "Precious" as Hynde's "true calling card." He also describes it as "a poison-pen valentine to Hynde's home city of Akron, Ohio."Allmusic critc Stephen Thomas Erlewine praised James Honeyman-Scott's "phased, treated guitar" playing for how it supplements the "pounding rhythm." Music critic Simon Reynolds described the lyrics as a "strafing stream of syllables" mixing "speed rap, jive talk, baby babble," and the song as "punk scat, all hiccoughs, vocal tics, gasps and feral growls, weirdly poised between love and hate, oral sensuality and staccato, stabbing aggression."

Mason notes that the music of "Precious" maintains some restraint, but still sounds more threatening than other songs which sound angrier. The climax of "Precious" comes when Hynde sings the line "But not me, baby, I'm too precious/Fuck off!"SPIN critic Charles Aaron noted that Hynde's singing this line "over whipsaw guitars" made it clear that Hynde "was more than a bewitching pout."Rolling Stone Magazine critic noted that he gets "startled and shivery when Hynde rejects a would-be lothario" with this line. According to Mason, the restraint until that point makes this climax "more explosive." According to Rolling Stone critic Bud Scoppa, the line was actually supposed to be "But not me, baby, I'm too precious/I had to fuck off" but Hynde swallowed the words "I had to." Scoppa also notes the "fearlessness" with which Hynde sings this line. Ariel Swartley wrote in Mother Jones about the cathartic effect of this line for women in dance clubs:

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.

A television film (also known as a TV film; television movie; TV movie; telefilm; telemovie; made-for-television film; direct-to-TV film; movie of the week (MOTW or MOW); feature-length drama; single drama and original movie) is a feature-length motion picture that is produced for, and originally distributed by or to, a television network, in contrast to theatrical films, which are made explicitly for initial showing in movie theaters.

Origins and history

Though not exactly labelled as such, there were early precedents for "television movies", such as Talk Faster, Mister, which aired on WABD (now WNYW) in New York City on December 18, 1944, and was produced by RKO Pictures, or the 1957 The Pied Piper of Hamelin, based on the poem by Robert Browning, and starring Van Johnson, one of the first filmed "family musicals" made directly for television. That film was made in Technicolor, a first for television, which ordinarily used color processes originated by specific networks (most "family musicals" of the time, such as Peter Pan, were not filmed but broadcast live and preserved on kinescope, a recording of a television program made by filming the picture from a video monitor – and the only method of recording a television program until the invention of videotape).