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Percy Faith (April 7, 1908 – February 9, 1976) was a Canadian bandleader, orchestrator, composer and conductor, known for his lush arrangements of pop and Christmas standards. He is often credited with popularizing the "easy listening" or "mood music" format. Faith became a staple of American popular music in the 1950s and continued well into the 1960s. Though his professional orchestra-leading career began at the height of the swing era, Faith refined and rethought orchestration techniques, including use of large string sections, to soften and fill out the brass-dominated popular music of the 1940s.
Faith was born and raised in Toronto, Ontario. He was the oldest of eight children. His parents, Abraham Faith and Minnie née Rottenberg, were Jewish. He played violin and piano as a child, and played in theatres and at Massey Hall. After his hands were badly burned in a fire, he turned to conducting, and his live orchestras used the new medium of radio broadcasting.
The Most Happy Fella is a 1956 musical with a book, music, and lyrics by Frank Loesser. The story, about a romance between an older man and younger woman, is based on the play They Knew What They Wanted by Sidney Howard. The original Broadway production ran for 14 months and it has enjoyed several revivals, including one staged by the New York City Opera.
A friend of Loesser's recommended the Howard play They Knew What They Wanted as material for a musical in 1952. After he read it, he agreed it had musical potential, but decided to omit the political, labor, and religious material. It took him four years to complete the musical.
The Most Happy Fella frequently has been described as an opera, but some have qualified the term. In his book The World of Musical Comedy, Stanley Green noted that the musical is "one of the most ambitiously operatic works ever written for the Broadway theatre...Loesser said 'I may give the impression this show has operatic tendencies. If people feel that way - fine. Actually all it has is a great frequency of songs. It's a musical with music.' " In an article in the Playbill Magazine for the original Broadway production, Loesser wrote, "What was left seemed to me to be a very warm simple love story, happy ending and all, and dying to be sung and danced."Brooks Atkinson, theatre critic (The New York Times), called it a "music drama," noting Loesser "has now come about as close to opera as the rules of Broadway permit." Composer, conductor, and musical theatre teacher Lehman Engel and critic/author Howard Kissel called it a "fresh musical (perhaps opera)".
The Most Happy Fella is an album by The Jazz Modes led by horn player Julius Watkins and saxophonist Charlie Rouse recorded in 1957 and released on the Atlantic label. The album features jazz interpretations of songs from Frank Loesser's broadway musical The Most Happy Fella.
The Allmusic review by Al Campbell awarded the album 3½ stars and stated "While it didn't match the huge success of such similarly attempted jazzed-up Broadway hits like Shelly Manne's My Fair Lady or the Miles Davis and Gil Evans collaboration on Porgy and Bess, the complex synchronization of Watkins' fluid mellow tone with the moderately choppy tenor lines of Rouse make for a lyrical bop/cool jazz hybrid that still sounds fresh".
All compositions by Frank Loesser
Can you feel it, can you taste it
Can you see it, can you touch it
Could you love it, don't you covet
Can you drug it, or can you fuck it
Oh the happy, it's the happy
We're the happy, oh so happy
It's the happy, I'm so happy
The happy, has come here
I'm on fire, I'm on fire
I'm on fire
Don't you wonder, oh I wonder
What a wonder, wonder, wonder
If you know
Then let's go
Get real high
But not if you go low
I just found it
I wanna let you know
It's the place where
I'm gonna take you, go
It's the happy, oh the happy
We're the happy, oh so happy
It's the happy, get the happy
I'm so happy, someone smack me
Alright, here it comes
Alright
It's alright, it's ok
Here we are, another day
And if you are wondering why
You are here, well so am I
I got all the answers
That's why I've got dancers
If you want to follow me
Be good, be good to what you see
Let's get happy, I'm on fire
Let's get happy, I'm on fire
Let's get happy, I'm on fire
Let's get happy
Alright, here it comes
Ooh ooh, ooh ooh
Let's get together, get it together
Everybody work, work it out, come on, come on
Let's get together, get your shit together
Everybody work, work it, work it, work it
Let's get happy, ohh
I'm so happy, ohh
Alright, ooh ooh
Ooh ooh, ooh ooh
Let's get happy, ohh
I'm so happy, ohh