Hyman Paul Bley, CM (November 10, 1932 – January 3, 2016) was a Canadian pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing. Bley was a long-time resident of the United States. His music characteristically featured strong senses both of melodic voicing and space.
Bley was born in Montreal, Quebec, on November 10, 1932. His adoptive parents were Betty Marcovitch, an immigrant from Romania, and Joe Bley, owner of an embroidery factory.
In the 1950s Bley founded the Jazz Workshop in Montreal, performing on piano and recording with bebop alto saxophonist and composer Charlie Parker. He also performed with tenor saxophonists Lester Young and Ben Webster at that time. In 1953 he conducted for bassist Charles Mingus on the Charles Mingus and His Orchestra album. That year Mingus produced the Introducing Paul Bley album with Mingus and drummer Art Blakey. In 1960 Bley recorded on piano with the Charles Mingus Group.
Paul Bley is the second album by Canadian jazz pianist Paul Bley featuring tracks recorded in 1954 and released on the EmArcy label.
Allmusic awarded the album 4 stars stating "Pick a personality trait of the Paul Bley style and chances are it won't be found anywhere here, as lovely a piano trio jazz record as this is... For the most part the tone of the pianist remains almost frigid in its consistency; volume level rarely varies and the direction of the improvisations is solidly mainstream... The obvious problem with someone like Bley or Jimi Hendrix is that once they developed their totally unique musical personality, their earlier work starts to sound a little boring".The Penguin Guide to Jazz said "At this stage of his career, he's a very orthodox bopper, aware of the blues but certainly not restricted by them, possibly exploring aspects of Tristano's evolution as well, and certainly listening to classical pianists for technique and harmonic ideas".
Partners is an album by pianist Paul Bley and bassist Gary Peacock recorded in New York in 1989 and released on the French Owl label in 1991.
Allmusic awarded the album 4 stars stating "by the time this duo session was recorded, one could expect that a certain degree of musical empathy would be in play. And yes, here there is plenty of the give and take of two old friends who do not go along with the mainstream jazz program. Yet one could also call this an album of twin monologues, for ten of the 15 tracks here are solo improvisations for each player".
All compositions by Paul Bley and Gary Peacock except as indicated
Gary Peacock (born May 12, 1935, in Burley, Idaho, United States) is an American jazz double-bassist.
After military service in Germany, in the early sixties he worked on the west coast with Barney Kessel, Bud Shank, Paul Bley and Art Pepper, then moved to New York. He worked there with Bley, the Bill Evans Trio (with Paul Motian), and Albert Ayler's trio with Sunny Murray. There were also some live dates with Miles Davis, as a temporary substitute for Ron Carter.
Peacock spent time in Japan in the late 1960s, abandoning music temporarily and studying Zen philosophy. After returning to the United States in 1972, he studied Biology at the University of Washington in Seattle, and taught music theory at Cornish College of the Arts from 1976 to 1983.
In 1983 he joined Keith Jarrett's "Standards Trio" with Jack DeJohnette (the three musicians had previously recorded Tales of Another in 1977 for ECM Records, under Peacock's leadership). Among the trio's albums are Standards, Vol. 1 and Standards, Vol. 2 and Standards Live.