Freddie Wong (born September 13, 1985) is an American filmmaker, musician, VFX artist and competitive gamer. He is a major part of the YouTube channel RocketJump. He is the older brother of actor and YouTuber Jimmy Wong.
Early life
Wong attended Lakeside School in Seattle, Washington. He then attended and graduated from the University of Southern California School of Cinematic Arts. Wong owns and manages Overcrank Media, a Los Angeles-based media production company specializing in feature film and online video content, having produced an independent film titled Bear. Wong met his future collaborator Brandon Laatsch in college.
Career
Wong competed in the World Series of Video Games in Dallas in July 2007. He won first prize in the Guitar Hero 2 competition, playing the song "Less Talk More Rokk" by Freezepop.
During MTV's "Gamer's Week" celebration in November 2007, Freddie appeared as a guest on Total Request Live. Participating in the program with his newly formed band Hellanor Brozevelt, Wong was part of a country-wide search to find the best Rock Band ensemble. After receiving tutelage from well-known rockers Good Charlotte, Brozevelt performed at the Hard Rock Cafe in New York against Chicago-based Carrie Me Home.
In mathematics, and more specifically in graph theory, a vertex (plural vertices) or node is the fundamental unit of which graphs are formed: an undirected graph consists of a set of vertices and a set of edges (unordered pairs of vertices), while a directed graph consists of a set of vertices and a set of arcs (ordered pairs of vertices). In a diagram of a graph, a vertex is usually represented by a circle with a label, and an edge is represented by a line or arrow extending from one vertex to another.
From the point of view of graph theory, vertices are treated as featureless and indivisible objects, although they may have additional structure depending on the application from which the graph arises; for instance, a semantic network is a graph in which the vertices represent concepts or classes of objects.
The two vertices forming an edge are said to be the endpoints of this edge, and the edge is said to be incident to the vertices. A vertex w is said to be adjacent to another vertex v if the graph contains an edge (v,w). The neighborhood of a vertex v is an induced subgraph of the graph, formed by all vertices adjacent to v.
A node is a point along a standing wave where the wave has minimum amplitude. For instance, in a vibrating guitar string, the ends of the string are nodes. By changing the position of the end node through frets, the guitarist changes the effective length of the vibrating string and thereby the note played. The opposite of a node is an anti-node, a point where the amplitude of the standing wave is a maximum. These occur midway between the nodes.
Explanation
Standing waves result when two sinusoidal wave trains of the same frequency are moving in opposite directions in the same space and interfere with each other. They occur when waves are reflected at a boundary, such as sound waves reflected from a wall or electromagnetic waves reflected from the end of a transmission line, and particularly when waves are confined in a resonator at resonance, bouncing back and forth between two boundaries, such as in an organ pipe or guitar string.
In a standing wave the nodes are a series of locations at equally spaced intervals where the wave amplitude (motion) is zero (see animation above). At these points the two waves add with opposite phase and cancel each other out. They occur at intervals of half a wavelength (λ/2). Midway between each pair of nodes are locations where the amplitude is maximum. These are called the antinodes. At these points the two waves add with the same phase and reinforce each other.
Flight dynamics is the study of the performance, stability, and control of vehicles flying through the air or in outer space. It is concerned with how forces acting on the vehicle influence its speed and attitude with respect to time.
In fixed-wing aircraft, the changing orientation of the vehicle with respect to the local air flow is represented by two critical parameters, angle of attack ("alpha") and angle of sideslip ("beta"). These angles describe the vector direction of airspeed, important because it is the principal source of modulations in the aerodynamic forces and moments applied to the aircraft.
Spacecraft flight dynamics involve three forces: propulsive (rocket engine), gravitational, and lift and drag (when traveling through the earths or any other celestial atmosphere). Because aerodynamic forces involved with spacecraft flight are very small, this leaves gravity as the dominant force.
Aircraft and spacecraft share a critical interest in their orientation with respect to the earth horizon and heading, and this is represented by another set of angles, "yaw," "pitch" and "roll" which angles match their colloquial meaning, but also have formal definition as an Euler sequence. These angles are the product of the rotational equations of motion, where orientation responds to torque, just as the velocity of a vehicle responds to forces. For all flight vehicles, these two sets of dynamics, rotational and translational, operate simultaneously and in a coupled fashion to evolve the vehicle's state (orientation and velocity) trajectory.
In bluegrass music, a banjo roll or roll is an accompaniment pattern played by the banjo that uses a repeating eighth-note arpeggio – a broken chord – that by subdividing the beat 'keeps time'. "Each ["standard"] roll pattern is a right hand fingering pattern, consisting of eight (eighth) notes, which can be played while holding any chord position with the left hand."
"When used as back-up, the same pattern can be repeated over and over throughout an entire song, (...[with chord changes] as required), or the roll patterns can be combined with one another and with [back-up licks]... The roll patterns can also be used to embellish the vamping style of back-up, especially when the chords are played high... These roll patterns can be used as back-up for any song played at any tempo." The banjo is commonly played in open tunings, such as open G (as are all of the examples): G'DGBD', allowing rolls to be practiced on all open strings (without fretting). Rolls are a distinguishing characteristic of Scruggs style banjo playing, with older styles being more melodic. The older style of banjo playing has been described as "in 'phrases,'" and with, "really no connective tissue between four notes and next four notes...sorta like a gallop. Snuffy [Jenkins] was a little like that...old sounding, choppy...".
Space is the boundless three-dimensional extent in which objects and events have relative position and direction. Physical space is often conceived in three linear dimensions, although modern physicists usually consider it, with time, to be part of a boundless four-dimensional continuum known as spacetime. The concept of space is considered to be of fundamental importance to an understanding of the physical universe. However, disagreement continues between philosophers over whether it is itself an entity, a relationship between entities, or part of a conceptual framework.
Trompe le Monde is the fourth studio album by the American alternative rock band Pixies, released in 1991 on the English independent record label 4AD in the United Kingdom and by Elektra Records in the United States. After the surf-pop of Bossanova, the album saw a return to the abrasive sound of the band's early albums.
Critical reception
The album was described by Michael Bonner, writing in Lime Lizard, as "one of the best albums that you may very well ever hear" and "a strong contender for best album of the 20th century".AllMusic writer Heather Phares noted the reduced role of Kim Deal, calling it "essentially Black Francis' solo debut".
Content
The album name comes from the title of the first track, "Trompe le Monde", a French phrase meaning "Fool the World". Unlike previous albums, the title of the album comes from the name of a song (rather than a song lyric), and is a play on the French phrase "trompe l'oeil"—a painting technique in which the painter fools the viewer into thinking objects presented are real.