Slam is a 1998 independent film starring Saul Williams and Sonja Sohn. It tells the story of a young African-American man whose talent for poetry is hampered by his social background. It won the Grand Jury Prize for a Dramatic Film at the 1998 Sundance Film Festival.

Plot

Raymond Joshua (played by Saul Williams) is a young man growing up in the fictional Southeast, Washington, D.C. neighborhood of Dodge City. Despite his innate gift for poetry and his aspiration to be a rapper, he finds it difficult to escape the pressures of his surroundings: violence and drug dealing.

While participating in a drug deal gone bad, Ray's close friend, Big Mike, is shot, and Ray is caught by the police and sent to the District of Columbia Department of Corrections' central detention facility. He is arraigned for possession of a controlled substance at the H. Carl Moultrie Courthouse and bail is set at $10,000. When his public defender explains the his 'options' ("cop out" (plead guilty), "rock" (stand trial), or cooperate (serve as an informant)) Ray despairs, particularly as he is being pressured to participate in a drug culture "inside" very similar to what he was a part of "outside." Ray is unwilling to take a "side", unwilling to believe that his options are limited to the choices he's being presented with.

Slam: The Soundtrack is the soundtrack to the 1998 film, Slam. It was released on October 13, 1998 through Epic Records and consisted entirely of hip hop music. The soundtrack was a minor success, making it to 84 on the Billboard 200 and 24 on the Top R&B/Hip-Hop Albums.

Track listing

Slam is a producer/DJ duo from Glasgow, consisting of Stuart MacMillan (born 1966, Glasgow) and Orde Meikle (born 1964, Oxford). They are co-founders of Soma Quality Recordings. Their music style consists of house and techno.

History

McMillan and Meikle's first club event was a weekly Thursday night called Black Market, in the Glasgow club, Fury Murrys. They played a mix of house, funk and rap. In early 1988, they were approached by Steven Sleepman (aka Steven Workman), after he heard his first acid house track on DJ Segun's late night show on Radio Clyde. During a brief stint PRing for Club Eden, Sleepman secured a Saturday night at Glasgow's Tin Pan Alley, which was to become the home of Slam. Prior to the launch of her musical career Dot Allison (future musical collaborator) worked with the PR team, and DJ Harri was a regular guest on the turntables.

Slam then launched a Friday night at the Sub Club called Joy. Black Market still kept its own musical identity throughout the Summer of Love, playing an eclectic mix of musical genres.

Slamm 100.5 is a radio station in Trinidad and Tobago.

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.