Shivers (filmed as Orgy of the Blood Parasites; alternate titles: The Parasite Murders, They Came from Within, and Frissons for the French Canadian distribution) is a 1975 Canadian science fiction body horror film written and directed by David Cronenberg.

Plot

Dr. Emil Hobbes is conducting unorthodox experiments with parasites for use in transplants. He believes that humanity has become over-rational and lost contact with its flesh and its instincts, so the effects of the organism he actually develops is a combination of aphrodisiac and venereal disease. Once implanted, it causes uncontrollable sexual desire in the host.

Hobbes implants the parasites in his teen-aged mistress, who promiscuously spreads them throughout the ultra-modern apartment building outside Montreal where they live. Hobbes, unable to undo the damage he caused, kills his mistress and then commits suicide. The police are called and the crime looks to be open and shut.

As the story develops, one of Hobbes' sexual partners begins to feel ill and returns from work. Here we see the parasite emerge from its host and escape into the building where it emerges and attacks a number of people. The pace of the story quickens when the community's resident physician, Roger St. Luc uncovers some of the research that Hobbes had been working on. St. Luc encounters an elderly resident who has been attacked and burned by the parasite. St. Luc, along with his assistant and girlfriend, Nurse Forsythe, move the elderly residents to their room. They attempt to stop the parasite infestation before it overwhelms the city's population.

Shivers may refer to:

Art, music, film, and literature

Other

See also

Shivers is a surname. Notable people with the surname include:

See also

Shivers is the second studio album by Dutch trance producer and DJ Armin van Buuren.

The title track of the album appeared on the home version of Dance Dance Revolution SuperNova game in 2006.

Track listing

Charts

References

External links

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.