Mychael Danna (born September 20, 1958) is a Canadian film composer. He won both the Golden Globe and Oscar for Best Original Score for Life of Pi. He has also won an Emmy Award for Outstanding Music Composition for a Miniseries, Movie or a Special (Original Dramatic Score) in his work on World Without End: Medieval Life and Death Part 1 and 2.
Danna was born in Winnipeg, Manitoba, but his family moved to Burlington, Ontario when he was four weeks old. He is the brother of fellow composer Jeff Danna. He has been scoring films since his 1987 feature debut for Atom Egoyan's Family Viewing, a score which earned Danna the first of his thirteen Genie Award nominations. He has won five times for Achievement in Music - Original Score. Danna is recognized as one of the pioneers of combining non-Western sound sources with orchestral and electronic minimalism in the world of film music. This reputation has led him to work with such directors as Atom Egoyan, Deepa Mehta, Terry Gilliam, Scott Hicks, Ang Lee, Gillies MacKinnon, James Mangold, Mira Nair, Billy Ray, Joel Schumacher, and Denzel Washington. His soundtrack for Ang Lee's Life of Pi earned two Academy Award nominations for Best Original Score and Best Original Song Pi's Lullaby.
Not That Sort of Girl (1987) is a novel by British author Mary Wesley. The novel is set in Southern England and takes its beginning in the late 1930s and follows the life of Rose Peel throughout 48 years of marriage.
At the age of 19 Rose is in love with the passionate but penniless Mylo Cooper, but agrees to marry Ned Peel. She doesn't love Ned, but it's the safe thing to do. Ned has inherited a country house called Slepe from an uncle and the married couple moves in shortly after the wedding. Rose immediately falls in love with the house and its garden, if not with its owner. During the war Ned is away from the house a lot and her real love, Mylo, starts visiting her at Slepe. They go on meeting each other secretly throughout all 48 years of Rose's marriage until her husband dies.
Shortly after her husband's death Rose leaves Slepe, her beloved home throughout half a century (now her son's and not so beloved daughter in law's), taking only a few things with her. Temporarily installed in a hotel room Rose starts looking back on her life. Her marriage has been a marriage of convenience; she has never been passionately in love with her husband. However, on their wedding night she promised him that she would never leave him - a promise she could never break. Now, at the age of 67 she is free - and doesn't know where she is going in life.
Baby, you've got the sort of hands to rip me apart
And baby, you've got the sort of face to start this old heart
But your eyes are warning me this early morning
That my love's too big for you my love
Baby, you've got the sort of laugh that waters me
And makes me grow tall and strong and proud and flattens me
I find you stunning, but you are running me down
My love's too big for you my love
My love's too big for you my love
And if I was stronger then I would tell you no
And if I was stronger then I will leave this show
And if I was stronger then I would up and go
But here I am and here we go again
Baby, you've got the sort of eyes that tell me tales
That your sort of mouth just will not say, the truth impales
That you don't need me, but you won't leave me
My loves too big for you my love
My loves too big for you my love
And if I was stronger then I would tell you no
And if I was stronger then I will leave this show
And if I was stronger then I would up and go
But here I am and here we go again
Tell me what to do, to take away the you
And if I was stronger then I would tell you no.
And if I was stronger then I will leave this show
And if I was stronger then I would up and go