The Metamorphoses (Latin: Metamorphōseōn librī: "Books of Transformations") is a Latin narrative poem by the Roman poet Ovid, considered his magnum opus. Comprising fifteen books and over 250 myths, the poem chronicles the history of the world from its creation to the deification of Julius Caesar within a loose mythico-historical framework.

Although meeting the criteria for an epic, the poem defies simple genre classification by its use of varying themes and tones. Ovid took inspiration from the genre of metamorphosis poetry, and some of the Metamorphoses derives from earlier treatment of the same myths; however, he diverged significantly from all of his models.

One of the most influential works in Western culture, the Metamorphoses has inspired such authors as Dante, Boccaccio, Chaucer, and Shakespeare. Numerous episodes from the poem have been depicted in acclaimed works of sculpture and painting by artists such as Titian. Although interest in Ovid faded after the Renaissance, towards the end of the twentieth century there was a resurgence of attention to his work; today, the Metamorphoses continues to inspire and be retold through various media. The work has been the subject of numerous translations into English, the first by William Caxton in 1480.

Metamorphoses is a themed work of poetry composed by Ovid.

Metamorphoses can also refer to:

See also

The Metamorphoses of Apuleius — which St. Augustine referred to as The Golden Ass (Asinus aureus) — is the only Ancient Roman novel in Latin to survive in its entirety.

The protagonist of the novel is called Lucius. At the end of the novel, he is revealed to be from Madaurus, in ancient Algeria, the hometown of Apuleius himself. The plot revolves around the protagonist's curiosity (curiositas) and insatiable desire to see and practice magic. While trying to perform a spell to transform into a bird, he is accidentally transformed into an ass. This leads to a long journey, literal and metaphorical, filled with in-set tales. He finally finds salvation through the intervention of the goddess Isis, whose cult he joins.

Origin

The date of composition of the Metamorphoses is uncertain. It has variously been considered by scholars as a youthful work preceding Apuleius' Apology of 158/9 AD, or as the climax of his literary career and perhaps as late as the 170s or 180s. Apuleius adapted the story from a Greek original of which the author's name is said to be Lucius of Patrae (the name of the lead character and narrator). This Greek text has been lost, but there is Λούκιος ἢ ὄνος (Loúkios è ónos, Loukios/Lucius or The Ass), a similar tale of disputed authorship, traditionally attributed to Lucian of Samosata, a contemporary of Apuleius. This surviving Greek text appears to be an abridgement or epitome of "Lucius of Patrae's" text. Possibly the original lost story was written by Lucian and the abridged version was later transmitted under his name.

Métamorphoses is an album by Jean Michel Jarre, released on Sony Music in 2000. It was released in the U.S. on Disques Dreyfus in 2004. It is his tenth overall studio album.

This album was, to fans, a surprising break from his previous works, as it makes extensive use of vocal elements, as well as house, techno, trance, dance-pop, breakbeat, and downtempo sounds. The vocal elements are not short, sampled pieces as highlighted in his album Zoolook, but longer, more integral parts of the work, and thus quite surprising for an artist known for his instrumental works. Métamorphoses is also Jarre's first album to contain actual songs with lyrics. Jarre's own voice is heard through a vocoder in many of the songs, but the album contains several other singers as well, mostly female singers. "Rendez-vous à Paris" features Sharon Corr on violin. "Rendez-vous à Paris" and "Bells" are the only largely instrumental tracks on the album; in the former only the track title is repeated in rhythm, the latter does not have intelligible lyrics. Although the album was generally not badly received by critics, and despite the collaborations and a number of single releases ("C'est la vie" and "Tout est bleu"), Jarre did not achieve great mainstream success with this album.