As the new medium of cinema was beginning to replace theatre as a source of large-scale spectacle, the Little Theatre Movement developed in the United States around 1912. In several large cities, beginning with Chicago, Boston, Seattle, and Detroit, companies formed to produce more intimate, non-commercial, and reform-minded entertainments.

History

Conventional theater in 19th-century America

Sensational melodramas had entertained theatre audiences since the mid-19th century, drawing larger and larger audiences. These types of formulaic works could be produced over and over again in splendid halls in big cities and by touring companies in smaller ones. During the last decades of the century, producers and playwrights began to create narratives dealing with social problems, albeit usually on a sensational level. While not yet totally free of melodramatic elements, plays reflecting a style more associated with realism gradually emerged. During a secret meeting in 1895, the owners of most of the theatres across America organized into a Theatrical Syndicate "to control competition and prices." This group, which included all major producers, "effectively stifled dramatic experimentation for many years" in search of greater profits. Nevertheless, by the second decade of the 20th century, pure melodrama, with its typed characters and exaggerated plots, had become the province of motion pictures.

Little Theatre or Little Theater may refer to:

In Canada

In Great Britain

In England

In Scotland

In India

In Ireland

In New Zealand

In the United States

The Little Theatre in Rochester, New York, commonly known as "The Little" is a movie theatre located on historic East Avenue in downtown Rochester, New York and a modest non-profit multiplex specializing in art film, including independent and foreign productions outside the United States.

Founded in 1928, The Little is one of the oldest active movie theaters built specifically to show films in the US, serving as an alternative venue for cinema of higher artistic caliber than what was popular at the time. To remain in business, The Little has created a unique theater experience for its patrons strikingly different from that of standard commercial cinemas. The Little typically shows films that never make it to the large theater chains, either due to lack of publicity, popularity, exposure, or content that is too risky and/or inappropriate for larger audiences (such as NC-17 rated films). Foreign films, independent films, some documentary films and art films are its common fare.