Classical Turkish music (Turkish: Türk sanat müziği, "Turkish art music"; or Klasik Türk müziği, "Classical Turkish music") developed in Istanbul and other major Ottoman cities and towns through the palaces, mosques, and Sufi lodges of the Ottoman Empire. Above all a vocal music, Ottoman music traditionally accompanies a solo singer with a small instrumental ensemble. In recent times, instruments might include tambur (lute), ney (flute), kemençe (fiddle), keman (Western violin), kanun (zither), or other instruments. Sometimes described as monophonic music, the variety of ornamentation and variation in the ensemble requires the more accurate term heterophonic.
Ottoman music has a large and varied system of modes or scales known as makams, and other rules of composition. There are more than 600 makams that have been used so far. Out of these, at least 119 makams are formally defined, but today only around 20 makams are widely used. In the Sufi teaching, each makam represents and conveys a particular psychological and spiritual state. Sometimes, in certain makams, Ottomans would use different instrumental and vocal musical pieces in order to cure certain medical and psychological conditions.
Classical music is art music produced or rooted in the traditions of Western music, including both liturgical (religious) and secular music. While a similar term is also used to refer to the period from 1750-1820 (the Classical period), this article is about the broad span of time from roughly the 11th century to the present day, which includes the Classical period and various other periods. The central norms of this tradition became codified between 1550 and 1900, which is known as the common practice period. The major time divisions of classical music are as follows: the early music period, which includes the Medieval (500–1400) and the Renaissance (1400–1600) eras; the Common practice period, which includes the Baroque (1600–1750), Classical (1750–1820), and Romantic eras (1804–1910); and the 20th century (1901–2000) which includes the modern (1890–1930) that overlaps from the late 19th-century, the high modern (mid 20th-century), and contemporary or postmodern (1975–2015) eras.
Classical Music is a trade magazine for the classical music profession. It co-sponsors the annual ABO/Rhinegold Awards for backstage work in music, held for the first time in January 2012 - and has correspondents in Great Britain and in New York.
Its website includes news on the classical music industry. The magazine published an account of the interruption by protesters of the Jerusalem Quartet's concert at London's Wigmore Hall on 29 March 2010. It is published by Rhinegold Publishing, and the editor is Kimon Daltas.
Classical Music subscribers receive supplements throughout the year, which are available to buy separately. The following are currently available:
Each issue consists of the following broad plan: