Immortal Waltz (German:Unsterblicher Walzer) is a 1939 historical film directed by E.W. Emo and starring Paul Hörbiger, Dagny Servaes and Maria Andergast. The film's art direction was by Julius von Borsody. The film portrays the lives the Austrian composer Johann Strauss I and family. The film was made by Wien-Film, a Vienna-based company set up after Austria had been incorporated into Greater Germany following the 1938 Anschluss.
Cast
The waltz (from German: "Walzer") is a smooth, progressive ballroom and folk dance, normally in triple time, performed primarily in closed position.
Introduction and acceptance
There are several references to a sliding or gliding dance—a waltz—from the 16th century, including the representations of the printer H.S. Beheim. The French philosopher Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless Weller or Spinner." "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, utilizes his surplus energy to press all his strength into the proper beat of the measure, thus intensifying his personal enjoyment in dancing".
The peasants of Bavaria, Tyrol, and Styria began dancing a dance called Walzer, a dance for couples, around 1750. The Ländler, also known as the Schleifer, a country dance in 3
4 time, was popular in Bohemia, Austria, and Bavaria, and spread from the countryside to the suburbs of the city. While the eighteenth century upper classes continued to dance the minuet, bored noblemen slipped away to the balls of their servants.
A waltz (German: Walzer; French: Valse, Italian: Valzer, Spanish: Vals, Polish: Walc), probably deriving from German Ländler, is dance music in triple meter, often written in time signature 3/4. A waltz typically sounds one chord per measure, and the accompaniment style particularly associated with the waltz is (as seen in the example to the right) to play the root of the chord on the first beat, the upper notes on the second and third beats.
History
The name "waltz" comes from the German verb walzen, in turn taken from the Latin verb volvere, which describes the turning or rotating movement characteristic of the dance. Although French writers have attempted to connect the waltz to the 16th century volta, firm evidence connecting this Italian form to the earliest occurrence in the mid‑18th century of walzen to describe dancing is lacking (Lamb 2001).
Classical composers traditionally supplied music for dancing when required, and Franz Schubert's waltzes (including the Valses Sentimentales and Valses Nobles) were written for household dancing, without any pretense at being art music. However, Frédéric Chopin's surviving 18 waltzes (five he wrote as a child), along with his mazurkas and polonaises, were clearly not intended for dance. They marked the adoption of the waltz and other dance forms as serious composition genres. Other notable contributions to the waltz genre in classical music include 16 by Johannes Brahms (originally for piano duet), and Maurice Ravel's Valses nobles et sentimentales for piano and La valse for orchestra (Lamb 2001).
Waltz is one of the five dances in the Standard (or Modern) category of the International Style ballroom dances. It was previously referred to as Slow Waltz or English Waltz.
Waltz is usually the first dance in the Dancesport competition rounds. It is danced exclusively in the closed position, unlike its American Style counterpart.
History
The Waltz originated as a folk dance from Austria. Predecessors include the "Matenick" and a variation called the "Furiant" that were performed during rural festivals in Bohemia. The French dance, "Walt", and the Austrian Ländler are the most similar to the waltz among its predecessors.
The "king of dances" acquired different national traits in different countries. Thus there appeared the English Waltz, the Hungarian Waltz, and the Waltz-Mazurka. The "Waltz" is derived from the old German word "walzen" meaning "to roll, turn", or "to glide". Waltz was danced competitively since 1923 or 1924.
Music
International Standard Waltz is a Waltz dance and danced to slow waltz music, preferably 28-30 bars per minute (84-90 beats per minute). Waltz music is in 3/4 time and the 1st beat of a measure is strongly accented.
Immortal is a 1986 album by gospel singer Cynthia Clawson. The hymn "Immortal Invisible" was a hit on contemporary Christian radio, and the album peaked at number 36 on the Billboard Top Contemporary Christian album chart. Produced by John Rosasco, the album was released on Dayspring, a subsidiary of Word Records.
Track listing
References
The Immortal, known as Wizard of the Immortal (ウイザード オブ イモータル, Uizādo obu Imōtaru) in Japan, is an isometric adventure game originally created for the Apple IIGS, which was ported to the Amiga, Atari ST, MS-DOS based PCs, NES, and Mega Drive/Genesis. The main plot revolves around a wizard attempting to find his mentor in a large and dangerous labyrinth.
The game is known for its high degree of graphic violence (much reduced in the NES version) along with its punishing difficulty.
The music for Apple IIGS version was made by Douglas Fulton. On some conversions, Rob Hubbard and Michael Bartlow are credited.
Development
Will Harvey had started development on an Apple II game to be called Campaign, intending it to be an online multiplayer RPG. As the story developed, it became a single player game only.
Story
The game begins with the player in control of an unnamed wizard. In the first room, the player is given the option of viewing the image of the character's mentor, another wizard named Mordamir. He is calling for help from deep below in the labyrinth, though he is attempting to communicate to another man named Dunric.