Images is the third album by the American pop group The Walker Brothers. Released in 1967 the album reached number six on the UK Albums Chart. It was the last of their trio of 60s albums. They would not record together again until 1975's No Regrets.
The group's musical accompaniment was directed by Reg Guest and produced by John Franz. Receiving good to mixed reviews the album was first released in both Mono and Stereo LP formats in March 1967. The album was later released on CD having been remastered and expanded in 1998. The sleeve notes were written by Alan Freeman.
Reception
Images received good to mixed reviews from the majority of critics. Richie Unterberger writing retrospectively for Allmusic called the album "as wildly uneven as their other pair. Affecting pop/rock ballads and operatic crooner vehicles were interspersed with absolutely inappropriate up-tempo blue-eyed soul (always a weak point for the group) and rock covers". Unterberger rates Scott Walker's contributions noting that they "[exhibit] a growth that foreshadowed some of the more ambitious aspects of his early solo albums". He also described John Walker's "I Can't Let It Happen to You" as "one of The Walker Brothers' best songs, and undoubtedly the best thing John Walker contributed to their records".
The Walker Brothers were an American pop group of the 1960s and 1970s, that included Scott Engel (eventually known professionally as Scott Walker), John Walker (born John Maus, but using the name Walker since his teens), and Gary Leeds (eventually known as Gary Walker). After moving to Britain in 1965, they had a number of top ten albums and singles there, including the No. 1 chart hits "Make It Easy on Yourself" and "The Sun Ain't Gonna Shine (Anymore)," both of which also made the US top 20. In between the two was the lesser US hit "My Ship is Coming In".
Formed in 1964, they adopted the 'Walker Brothers' name as a show business touch even though the members were all unrelated — "simply because we liked it." They provided a unique counterpoint to the British Invasion by achieving much more success in the United Kingdom than in their home country, a period when the popularity of British bands such as The Beatles dominated the U.S. charts.
History
Formation
The Walker Brothers Trio was formed in Los Angeles in 1964 by John Walker (lead vocals, guitar), Scott Engel (bass, harmony vocals), and drummer Al "Tiny" Schneider. Before then, John Walker—who had already been using that name professionally for several years—had performed and recorded several unsuccessful singles with his sister as a duo, John and Judy, and Engel had been bass player with instrumental band The Routers. Walker and Engel, with two other musicians, had also toured the Midwest in 1963 as "The Surfaris," although the group included none of the musicians who played on the Surfaris' records. Dropping the word "Trio," Walker and Engel were signed by Mercury Records, recorded a single, "Pretty Girls Everywhere," and became a leading attraction at Gazzari's Club in Hollywood. They also appeared on the Shindig! TV show, developed by Jack Good, and then on a weekly TV show, Ninth Street A Go Go.
"The Walker" is a song by the American neo soul band Fitz and The Tantrums. It is the second single from the band's second album More Than Just a Dream. The song was used in the trailers for the movies The Boxtrolls and Storks, in the trailer for video game Sims 4, in television commercials for the 86th Academy Awards that were hosted by Ellen DeGeneres, in the 2014 Major League Baseball postseason and in commercials for Sprite and Supercuts. In 2014, the song started being used as the opening theme to the MLB Network show High Heat, hosted by Christopher "Mad Dog" Russo. The song is also featured in the pilot episode of the FOX television sitcom Grandfathered.
Music video
The video, directed by Warren Kommers, centers around an everyman protagonist who is waiting in line outside the DMV in the sweltering summer heat (band members Michael Fitzpatrick and Noelle Scaggs are also seen in line). Looking increasingly agitated, he suddenly jumps out of line and begins dancing and gesturing his frustration, before storming off. The man is shown walking through the streets of Los Angeles to the beat of the song, occasionally with passerby joining in dance routines with him, and all showing similar frustrated body language and facial expressions.
"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.
Reception
Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".
Track listing
All compositions by John Zorn and Thurston Moore
?! is the third studio album by Italian rapper Caparezza, and his first release not to use the former stage name MikiMix.
Reception
Reviewing the album for Allmusic, Jason Birchmeier wrote, "The Italian rapper drops his rhymes with just as much fluency and dexterity as his American peers throughout the album. [...] Caparezza's mastery of the Italian dialect [makes] this album so stunning."
Track listing
References
"Album" is the seventh episode of the first season of the 1974 American television series Land of the Lost. Written by Dick Morgan and directed by Bob Lally, it first aired in the United States on October 19, 1974 on NBC. The episode guest stars Erica Hagen.
Plot
Will awakens in the early morning to a high-pitched whirring sound which fills the jungle, but eventually it goes away. Rick has Holly build a trap to catch whatever has been breaking into their stores, and Will goes to weed the garden. While outside, he again hears the sound and follows it to the Lost City. Within, he enters a chamber with a very crude-looking attempt to simulate a matrix table but filled with colored stones instead of crystals. On the ground is a pulsating blue crystal that attracts his attention. Picking it up, he sees his mother (Erica Hagen) materialize in a cloud of mist. Afterwards, he returns to High Bluff but doesn't speak of his encounter.
The next day Holly's trap has not worked, and Will again hears the sound. Holly hears it briefly as well, but dismisses it. Will returns to the Lost City and again witnesses his mother while holding a blue stone. His mother calls for him, but he is interrupted by Holly, who sees nothing until she touches the blue crystal as well. Holding it together, they are both beckoned by their mother to "come home," but then she quickly adds, "Too late. Come tomorrow. Don't tell." Will explains to Holly that he wants to tell Rick about his discovery but for some reason he is unable to. Holly replies that she will tell their father if he does not and Will sincerely hopes that she can. Will theorizes that they were looking through a time doorway that is open to a period when she was still alive. When Holly asks why her image is not very clear, her brother suggests that it might be because they do not remember her very well.
"Brothers" is the 15th episode from the dramedy series Ugly Betty, which aired on February 8, 2007.
Plot
In the three days since the bombshell at Fashion Week, Alexis Meade's shocking announcement has left MODE in chaos and the dysfunctional Meade family at each other’s throats.
As the day begins, Betty has to explain to a curious Ignacio about the difference between a Transvestite and Transsexual after he comments on how small Alexis' hands are. This is followed by Betty finally meeting Alexis in the elevator at work, where after Betty gives her a full 'look over' Alexis tells her that she had everything done...and that despite a rumor mentioned on Fashion TV, no she did not keep 'it' in a jar.
As Betty tries to talk to Daniel about Alexis, she gets no comment from him; all he wants to do is focus on MODE's upcoming swimwear issue. But as he begins the staff-only meeting Alexis shows up to make massive changes, by firing Daniel and placing Wilhelmina in charge of MODE as the new editor-in-chief. Daniel tells Betty that they aren't going anywhere; he has an injunction because Alexis had a sex-change, and therefore cannot take over Meade Publications since Alexander Spencer Meade is legally dead. And to make matters worse, Claire is excited to see her son-turned-daughter back, which is not sitting well with Daniel, thus prompting Betty to step in by taking Daniel's mother to a spa to calm things down and try to find out about how to squash the Meade squabble, and keep an eye on Claire in case she has a nervous breakdown.