I'm Your Man may refer to:

See also

I'm Your Man is a 1992 short film which was created to showcase Loews Theatres' interactive cinema technology. Audiences used seat-mounted joysticks to vote between three options in action at six different points throughout the movie.

Production

The movie was designed as the first test of Interfilm, Bob Bejan's interactive cinema company. The film was shot on 16mm Kodak film, transferred to laser disc, and digitally projected to allow for nearly seamless transitions when audiences made their choices. Acting and direction were less than impressive; the movie was shot over only 6 days, and Bejan did not require a second take of any shot.

In very early roles for both of them, comedy actors Michael Ian Black and Ben Garant appear as background in a party scene.

Distribution

The film premiered in a special theater at the Loews on 19th Street and Broadway in New York City in December 1992. Tickets to the 20-minute show were $3, and ticket holders were allowed to stay for as many viewings as they wanted. Retrofitting an existing theater with the necessary voting equipment cost approximately $70,000.00, and 42 other theaters made the investment in 1993 and 1994. The film—and the interactivity itself—were well received by teens but dismissed by critics and adult moviegoers as being "as gimmicky as three-dimensional glasses or scratch 'n' sniff" and "not like watching a real movie... more like rooting for a basketball team." A common criticism was that moviegoers would use the controls at vacant seats to vote more than once. Another concern was that the act of voting took moviegoers out of the story; it was thought that real-time interaction hampered the viewing experience, and engineers began working on an alternative technology that would let users customize movies before viewing began.

I'm Your Man is the debut album of American country music artist Jason Sellers, released in 1997 via BNA Records. Singles released from the album include the title track, "That Does It" and "This Small Divide", all of which charted on the Billboard country charts in 1997. In addition, the song "Can't Help Calling Your Name" was later recorded on Sellers' 1999 album A Matter of Time, from which it was released as a single. "Hole in My Heart" was previously recorded by former NRBQ member Al Anderson on his 1996 album Pay Before You Pump.

Critical reception

Jeff Davis of Country Standard Time gave a mostly unfavorable review, saying that "Sellers is just another artist crafted by the mainstream, trying to make it by imitation" and that Sellers seemed to be emulating Vince Gill on some tracks. His review cited the title track and "I Can't Stay Long" showed a sense of personality.

Track listing

Wham! were an English musical duo formed by George Michael and Andrew Ridgeley in the early 1980s. They were briefly known in the United States as Wham! UK due to a naming conflict with an American band. Wham! sold more than 25 million certified records worldwide from 1982 to 1986.

History

Michael and Ridgeley met at Bushey Meads School in Bushey near the town of Watford in Hertfordshire. The two at first performed in a short-lived ska band called The Executive, alongside three of their former school friends David (Austin) Mortimer, Harry Tadayon and Andrew Leaver. When this group split, Michael and Ridgeley eventually formed Wham!, signing with Innervision Records.

Michael took on the majority of roles and responsibilities within the band—composer, producer, singer, and occasional instrumentalist. Still teenagers, they promoted themselves as hedonistic youngsters, proud to live a carefree life without work or commitment. This was reflected in their earliest singles which, part-parody, part-social comment, briefly earned Wham! a reputation as a dance protest group.

Here is a list of episodes in Matt Lucas and David Walliams' comedy show Rock Profile. Also see Rock the Blind.

Series One (1999–2000)

Series Two (2000 - 2001)

Series Three (2009)

Wham! was a weekly British comic book magazine published by Odhams Press. It ran for 187 issues from 20 June 1964 to 13 January 1968, when it merged into its sister title Pow!. Although Wham! was superficially a typical British comic in the mould of The Beano, its later issues (under the Power Comics imprint) included short instalments of The Fantastic Four reprinted from American Marvel Comics. To many of its readers, this move destroyed Wham's originality and style.

The initial success of Wham! prompted the creation of sister titles Pow! and Smash! with similar intent, and led to the formation of the Power Comics line. But as costs rose in 1968, the inevitable adjustment of content, followed by mergers of titles, made the Power Comics more like those they were attempting to replace.

Created by Leo Baxendale, in its early issues Wham! presented both clear imitations of Beano strips, such as a clone of his Bash Street Kids in the shape of The Tiddlers, and new original strips such as Eagle Eye, Junior Spy and Georgie's Germs in which he attempted to break the mould of older strips by the use of bizarre humour, outrageous puns, and surreal plots.