Quarrel of the Ancients and the Moderns
The quarrel of the Ancients and the Moderns (French: querelle des Anciens et des Modernes) began overtly as a literary and artistic debate that heated up in the early 1690s and shook the Académie française.
Origins of the debate
It was an essential feature of the European Renaissance to praise recent discoveries and achievements as a means to assert the independence of modern culture from the institutions and wisdom inherited from Classical (Greek and Roman) authorities. From the first years of the sixteenth century, one of the major reasonings used to this end by the most eminent humanists (François Rabelais, Girolamo Cardano, Jean Bodin, Louis LeRoy, Tommaso Campanella, Francis Bacon, etc.) was that of the "Three Greatest Inventions of Modern Times" — the printing press, firearms, and the nautical compass — which together allowed the Moderns to communicate, exert power, and travel at distances never imagined by the Ancients. When the quarrel of the Ancients and the Moderns later arose in France, the "Three Greatest Inventions of Modern Times" would almost invariably be adduced as evidence of the Moderns' superiority.