Home Sweet Home is a 2005 Hong Kong horror film directed by Cheang Pou-soi, starring Shu Qi, Karena Lam and Alex Fong.
May moves into a new apartment in Hong Kong with husband Ray and son Chi Lo. During the move in, Chi Lo and May see a hideously-deformed being. They told Ray what they had seen and he suggests moving out. Having already paid a lot for their new home, May decides that they should remain.
One day, May takes Chi Lo to a neighbor's birthday party for fun. During this time, Chi Lo is kidnapped by the hideous being, revealed to be an insane woman who mistakes the boy as her own son. After informing the police, May and Ray begin searching the complex. In the parking garage, Ray is stabbed by the deformed woman with a makeshift knife, critically wounding him and is later rushed to the hospital.
With her neighbors refusing to help, May is forced to continue the search alone. While searching through the complex's air ducts and nearly being attaked by the deformed woman, she falls through a vent cover leading to the outside of the complex and is knocked out upon hitting the ground. A second attempt involves the help of a dog which quickly picks up the woman's scent, tracking her to a rooftop. The dog scares Chi-Lo and is killed by the deformed woman but not before biting off one of her fingers. When May arrives, she ends up collecting the severed finger from the dog's mouth.
Home Sweet Home may refer to:
Home, Sweet Home (1914) is an American silent biographical drama directed by D.W. Griffith. The film starred Earle Foxe, Henry Walthall and Dorothy Gish in the lead roles.
John Howard Payne leaves home and begins a career in the theater. Despite encouragement from his mother and girlfriend, Payne begins to lead a dissolute life that leads to ruin and depression. In deep despair, he thinks of better days, and writes a song, Home! Sweet Home! that later provides inspiration to several others in their own times of need.
Home Sweet Home is a 1926 silent film drama starring Mahlon Hamilton and Vola Vale. It was directed and produced by independent John Gorman and distributed through Pathé Exchange.
It is preserved in the Library of Congress collection.