Joe Beck (July 29, 1945 – July 22, 2008) was an American jazz guitarist who was active for over 30 years.
Born in Philadelphia, Beck moved to Manhattan in his teens, playing six nights a week in a trio setting, which gave him an opportunity to meet various people working in the thriving New York music scene. By the time he was 18, Stan Getz had used him to record some jingles, and in 1967 he recorded with Miles Davis,. By 1968, at age 22 he was a member of the Gil Evans orchestra. Beck described his early success in an interview near the end of his life:
Beck played in a variety of jazz styles, including jazz fusion, post bop, mainstream jazz and soul jazz, but also respected rock stylists and cross-over players (he was good friends with Larry Coryell, and briefly flirted with rock music styles himself in the late 1960s and early 1970s.
In 1970 he released Rock Encounter on Polydor Records. In 1975 he released an 'eponymous' album (Upon which he simply referred to himself as 'Beck') whilst recording the Esther Phillips album, What a Diff'rence a Day Makes, both on Kudu Records.Beck was subsequently reissued as Beck & Sanborn to cash in on the success of alto saxophonist Dave Sanborn. In 1978, he went for more of a rock sound by forming a band named "Leader". They performed in the Northeast and recorded demos at Sound Ideas Studios in NYC, but soon disbanded after the band's gear was stolen after a gig at Joyous Lake in Woodstock NY. In the 1980s Beck recorded several CDs for the DMP Digital Music Products label, including co-billed work with the noted flautist Ali Ryerson. In 2000, he released a collaboration with Jimmy Bruno, Polarity, and Coincidence in 2008 with John Abercrombie.
Autumn Leaves may refer to:
Autumn Leaves is a 1956 Columbia Pictures drama film starring Joan Crawford and Cliff Robertson in an older woman/younger man tale of mental illness. The screenplay was written by Jean Rouverol and Hugo Butler, though it was credited to Jack Jevne, Rouverol and Butler being blacklisted at the time of the film's release.
The film was directed by Robert Aldrich and produced by William Goetz. Aldrich won the Silver Bear for Best Director at the 1956 Berlin International Film Festival.
Spinsterish Millicent "Millie" Wetherby (Joan Crawford) works at home as a self-employed typist. One evening in a diner, she meets a lonely Army veteran named Burt Hanson (Cliff Robertson). They share a romantic date at the beach, kissing amidst the crashing waves, but Millie tells Burt to date someone his own age. A month later, Burt is waiting for the still-lonely Millie at her home and the two celebrate his new job at a department store. He proposes to her in a movie theater, and while she initially rejects the proposal, she reconsiders when she sees him walking away.
Autumn Leaves (1888–1929) was the first children's magazine of the Reorganized Church of Jesus Christ of Latter Day Saints (RLDS Church). The magazine was published in Lamoni, Iowa, and edited by Marietta Walker, who was a assistant editor for Zion's Hope and worked with the church throughout her life.
The main purpose of Autumn Leaves was to prepare young men and women for adult life and responsibility. This included many references that younger people would be able to relate to. In the history of this magazine there has been 45 volumes released each discussing important life lessons one may endure in their adult life. In 1929, the magazine was re-named Vision, and it was discontinued in 1932. The magazine included many notable writers but the most famous was Joseph Smith III, who was the President of the RLDS Church and the founder of Graceland University.
The magazine began in January 1888 and continued through the First World War, and then made its way through to the early 1930s where it was discontinued due to the editor Marietta Walker passing away a few years earlier. The magazine was aimed more towards younger men and women, hence why most of the stories talked about adulthood. In the Salutatory, Walker talks about young men and women and how they will face many challenges. Walker focuses mainly on how if they are untrained for the adult world then life will be much harder and stressful. Another important reason why Walker wrote Autumn Leaves was to help younger people appreciate the beauty in God's works and so that they may find their true potential.
Beck Hansen (born Bek David Campbell; July 8, 1970), known by the stage name Beck, is an American singer, songwriter, producer and multi-instrumentalist. He rose to fame in the early 1990s with his lo-fi, sonically experimental style, and he became well known for creating musical collages of a wide range of styles. His later recordings encompass folk, funk, soul, hip hop, alternative rock, country and psychedelia. He has released 12 studio albums, as well as several non-album singles and a book of sheet music.
Born in Los Angeles in 1970, Beck discovered hip hop and folk music in his teens and began to perform locally at coffeehouses and clubs. He moved to New York City in 1989 and became involved in the city's small but intense anti-folk movement. After returning to his hometown in the early 1990s, he cut his breakthrough single "Loser", which became a worldwide hit in 1994. His 1996 album Odelay produced hit singles, topped critic polls and won several awards. He released the stripped-down Mutations in 1998, and the funk-infused Midnite Vultures in 1999. The downcast, acoustic Sea Change (2002) showcased a more serious Beck, and 2005's Guero returned to sample-based production. The Information (2006) was inspired by electro-funk and hip hop, and Modern Guilt (2008), likewise, by 1960s music. In February 2014, Beck released the album Morning Phase. It won Album of the Year at the 57th Grammy Awards on February 8, 2015.
Beck, later called Beck – Lockpojken, is a 1997 film about the Swedish police detective Martin Beck directed by Pelle Seth.
The discography of Beck, an American rock musician, singer-songwriter, record producer and multi-instrumentalist, consists of twelve studio albums, one compilation album, one remix album, three extended plays (EPs) and forty singles. With a pop art collage of musical styles, oblique and ironic lyrics, and postmodern arrangements incorporating samples, drum machines, live instrumentation and sound effects, Beck has been hailed by critics and the public throughout his musical career as being amongst the most creative and idiosyncratic musicians of 1990s and 2000s alternative rock.
Each time I look at you
Is like the first time
Each time you're near me
The thrill is new
And there is nothing
That I wouldn't do for
The rare delight of the sight
Of you for
The more I see you,
The more I want you
Somehow this feeling
Just grows and grows
With every sigh
I become more mad about you
More lost without you and so it goes
Can you imagine how much I love you?
The more I see you as years go by
I know the only one for me can only be you
My arms won't free you, my heart won't try
I know the only one for me
Can only be you
My arms won't free you,