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Lyle Pearce Lovett (born November 1, 1957) is an American country singer-songwriter and actor. Active since 1980, he has recorded thirteen albums and released 25 singles to date, including his highest entry, the number 10 chart hit on the U.S. Billboard Hot Country Songs chart, "Cowboy Man". Lovett has won four Grammy Awards, including Best Male Country Vocal Performance and Best Country Album. It's Not Big It's Large was released in 2007, where it debuted and peaked at number 2 on the Top Country Albums chart. A new studio album, Natural Forces, was released on October 20, 2009 by Lost Highway Records. The last studio album on his Curb Records contract, Release Me, was released in February 2012.
Lovett was born in Houston, Texas, when his family lived in the nearby community of Klein. He is the son of William Pearce and Bernell Louise (née Klein) Lovett, a marketing executive and training specialist, respectively. He was raised in the Lutheran Church–Missouri Synod. Lovett attended Texas A&M University, where he received Bachelor of Arts degrees in both German and Journalism in 1980. It is a common misconception that Lyle and Robert Earl Keen were roommates at A&M. They were not. However, they lived near each other in College Station, became good friends, and wrote "The Front Porch Song" together, which both went on to record.
Lyle Lovett is Lovett's 1986 eponymous debut album. By the mid-1980s Lovett had already distinguished himself in the burgeoning Texas singer-songwriter scene. He had performed in the New Folk competition at the Kerrville Folk Festival in 1980 and returned to win in 1982. In 1984 Lovett recorded a four song demo with the help of the Phoenix band, J. David Sloan and the Rogues. His music had begun to be distributed by the Fast Folk Musical Magazine
Nanci Griffith had previously recorded Lovett's "If I Were the Man You Wanted" as "If I Were the Woman You Wanted" for her 1984 album, Once in a Very Blue Moon. Lovett appears on the album as a vocalist and even appears on the cover of her Last of the True Believers album.
Lovett's debut reached number 14 on Billboard's chart for Top Country Albums.
Lyle Lovett was ranked #91 in Rolling Stone's 100 Best Albums of the 1980s. and both Velvet and the Italian magazine Il Mucchio Selvaggio also cited it as one of the top 100 albums of the decade.Allmusic compares the album to Steve Earle's Guitar Town, calling it, "one of the most promising and exciting debut albums to come out of Nashville in the 1980s."Robert Christgau described Lovett's debut as "Writes like Guy Clark, only plainer, sings like Jesse Winchester only countrier."
Ain (French pronunciation: [ɛ̃]; Arpitan: En) is a department named after the Ain River on the eastern edge of France. Being part of the region Auvergne-Rhône-Alpes and bordered by the rivers Saône and Rhône, the department of Ain enjoys a privileged geographic situation. It has an excellent transport network (TGV, highways) and benefits from the proximity to the international airports of Lyon and Geneva.
Ain is composed of four geographically different areas (Bresse, Dombes, Bugey and Pays de Gex) which – each with its own characteristics – contribute to the diversity and the dynamic economic development of the department. In the Bresse agriculture and agro-industry are dominated by the cultivation of cereals, cattle breeding, milk and cheese production as well as poultry farming. In the Dombes, pisciculture assumes greater importance as does wine making in the Bugey. The high diversification of the department's industry is accompanied by a strong presence of the plastics sector in and around Oyonnax (so-called "Plastics Valley").
Ayin or Ayn is the sixteenth letter of the Semitic abjads, including Phoenician ʿAyin , Hebrew ʿAyin ע, Aramaic ʿĒ
, Syriac ʿĒ ܥ, and Arabic ʿAyn ع (where it is sixteenth in abjadi order only). ﻉ comes twenty‐first in the New Persian alphabet and eighteenth in Arabic hijaʾi order.
The ʿayin glyph in these various languages represents, or has represented, a voiced pharyngeal fricative (/ʕ/), or a similarly articulated consonant, which has no equivalent or approximate substitute in the sound‐system of English. There are many possible transliterations.
The letter name is derived from Proto-Semitic *ʿayn- "eye", and the Phoenician letter had an eye-shape, ultimately derived from the ı͗r hieroglyph
To this day, ʿayin in Hebrew, Arabic, Amharic, and Maltese means "eye" and "spring" (ʿayno in Neo-Aramaic).
The Phoenician letter gave rise to the Greek Ο, Latin O, and Cyrillic О, all representing vowels.
The sound represented by ayin is common to much of the Afrasiatic language family, such as the Egyptian, Cushitic, and Semitic languages. Some scholars believe that the sound in Proto-Indo-European transcribed h3 was similar, though this is debatable. (See Laryngeal theory.)
An ain is a spring in North Africa, which reaches the surface as a result of an artesian basin and is of particular importance in arid regions. It can produce a flow of water directly or result in evaporitic saline crusts. Known examples are found in the oases of the Tunisian region of Bled el Djerid and in the entire area around the depressions of Chott el Djerid and Chott el Gharsa. Here, there are water-bearing strata, usually of sand or sandstone, that act as aquifers in their function.
I've never been lucky
At picking up women
But this life that I live
Is not one that I choose
She was a waitress
With hair blond and curly
With a pretty black dress
And those Japanese shoes
Man I need to impress her
'Cause I'd like to undress her
I need a song about Sonja
When I'm singing tonight
She looked so pretty
As she poured my coffee
But she had her eye
On my freind at the bar
And I watched her watch him
And I watched her thinking
I wish her eye was on me
Man I need to impress her
'Cause I'd like to undress her
I need a song about Sonja
When I'm singing tonight
And if I could sing her
A tender love ballad
I'd hope that the audience might sing along
But I can't find the right way
To tell her my feelings
And still make the words rhyme with Sonja
No I've never been lucky
At picking up women
But this life that I live
Is not one that I choose
She was a waitress
Now she's gone forever
And I'm stuck with this song
That I never will use
Man you need to impress her
If you want to undress her
Sing a song about Sonja
When you're singing tonight
Sing a song about Sonja