Analogue is the eighth studio album by the Norwegian band A-ha, released in 2005. It is aha's first album on Polydor Records (Universal), having previously been signed to Warner Music. Four singles were also released from this record. The album's second single, "Analogue (All I Want)" became the group's first top 10 hit on the UK Singles Chart since "Stay on These Roads" (1988). The album reached #24 in the UK and got silver certification there.

Track listing

Personnel

A-ha:

Additional musicians:

Miscellaneous

"Analogue (All I Want)" is a song by the Norwegian band A-ha. It is the title track of their eighth studio album, which was released in 2005. The song itself was released as a single (30 December 2005 in Germany, 23 January 2006 in the UK, and 30 January 2006 in Norway).

Track listing

UK CD1:

UK CD2:

GERMAN CD:

FRENCH SINGLE CD 2 SONGS:

The song was re-written and re-recorded after it was first recorded. The original version of the song was titled "Minor Key Sonata (Analogue)", and (like the rest of the Analogue album) was produced by Martin Terefe and mixed by Flood. Max Martin was then brought in to turn "Minor Key Sonata (Analogue)" into a more radio-friendly song, with a less surreal lyric and catchier chorus. The song was then retitled "Analogue (All I Want)" and is the only track on the album not produced by Terefe. Upon its release as a single, it became the band's first Top 10 hit in the UK since 1988.

Analogue is a British multi-disciplinary performance company based in the South-East of England. The company consists of Artistic Directors Liam Jarvis and Hannah Barker, and Producer Ric Watts. The work of the company is led by the directors and created collectively with Associate Artists who are invited to collaborate on new projects. Described as "...visionary" and "...a young company certain to make its mark on British theatre", Analogue are an Associate company at Farnham Maltings.

Mission

According to Analogue's website, the company which formed in 2005 "produces explosive theatre and visual performance, touring the UK and Internationally. Our award winning work is cinematic in scope, and as a generation in tune with the language of recorded media we explore what the conventions of film can offer the experience of raw, visceral live performance. We bring collaborators together, combining computer games designers with devisers, puppeteers with playwrights, sharing their expertise to create a fusion of disciplines. The artists that make up the company have worked and trained with the likes of Theatre-Rites, The Young Vic, Sony, Suspect Culture, Gecko, Punchdrunk and Told by an Idiot".

In computing, a data segment (often denoted .data) is a portion of an object file or the corresponding virtual address space of a program that contains initialized static variables, that is, global variables and static local variables. The size of this segment is determined by the size of the values in the program's source code, and does not change at run time.

The data segment is read-write, since the values of variables can be altered at run time. This is in contrast to the read-only data segment (rodata segment or .rodata), which contains static constants rather than variables; it also contrasts to the code segment, also known as the text segment, which is read-only on many architectures. Uninitialized data, both variables and constants, is instead in the BSS segment.

Historically, to be able to support memory address spaces larger than the native size of the internal address register would allow, early CPUs implemented a system of segmentation whereby they would store a small set of indexes to use as offsets to certain areas. The Intel 8086 family of CPUs provided four segments: the code segment, the data segment, the stack segment and the extra segment. Each segment was placed at a specific location in memory by the software being executed and all instructions that operated on the data within those segments were performed relative to the start of that segment. This allowed a 16-bit address register, which would normally provide 64KiB (65536 bytes) of memory space, to access a 1MiB (1048576 bytes) address space.

DATA were an electronic music band created in the late 1970s by Georg Kajanus, creator of such bands as Eclection, Sailor and Noir (with Tim Dry of the robotic/music duo Tik and Tok). After the break-up of Sailor in the late 1970s, Kajanus decided to experiment with electronic music and formed DATA, together with vocalists Francesca ("Frankie") and Phillipa ("Phil") Boulter, daughters of British singer John Boulter.

The classically orientated title track of DATA’s first album, Opera Electronica, was used as the theme music to the short film, Towers of Babel (1981), which was directed by Jonathan Lewis and starred Anna Quayle and Ken Campbell. Towers of Babel was nominated for a BAFTA award in 1982 and won the Silver Hugo Award for Best Short Film at the Chicago International Film Festival of the same year.

DATA released two more albums, the experimental 2-Time (1983) and the Country & Western-inspired electronica album Elegant Machinery (1985). The title of the last album was the inspiration for the name of Swedish pop synth group, elegant MACHINERY, formerly known as Pole Position.

The word data has generated considerable controversy on if it is a singular, uncountable noun, or should be treated as the plural of the now-rarely-used datum.

Usage in English

In one sense, data is the plural form of datum. Datum actually can also be a count noun with the plural datums (see usage in datum article) that can be used with cardinal numbers (e.g. "80 datums"); data (originally a Latin plural) is not used like a normal count noun with cardinal numbers and can be plural with such plural determiners as these and many or as a singular abstract mass noun with a verb in the singular form. Even when a very small quantity of data is referenced (one number, for example) the phrase piece of data is often used, as opposed to datum. The debate over appropriate usage continues, but "data" as a singular form is far more common.

In English, the word datum is still used in the general sense of "an item given". In cartography, geography, nuclear magnetic resonance and technical drawing it is often used to refer to a single specific reference datum from which distances to all other data are measured. Any measurement or result is a datum, though data point is now far more common.