Can-Can is a musical with music and lyrics by Cole Porter, and a book by Abe Burrows. The story concerns the showgirls of the Montmartre dance halls during the 1890s.

The original Broadway production ran for over two years beginning in 1953, and the 1954 West End production was also a success. Gwen Verdon, in only her second Broadway role, and choreographer Michael Kidd won Tony Awards and were praised, but both the score and book received tepid reviews, and revivals generally have not fared well.

The 1960 film of the musical starred Shirley MacLaine, Frank Sinatra, Louis Jourdan, Maurice Chevalier and introduced Juliet Prowse in her first film role. It incorporated songs from other Porter musicals and films in addition to the original stage production.

Production history

After the pre-Broadway tryout at the Shubert Theatre in Philadelphia in March 1953, Can-Can premiered on Broadway at the Shubert Theatre on May 7, 1953, and closed on June 25, 1955 after 892 performances. The original production, which Burrows also directed, starred Lilo as La Mome, Hans Conried as Boris, Peter Cookson as the judge, Gwen Verdon as Claudine, Dania Krupska, Phil Leeds, Dee Dee Wood, and Erik Rhodes as Hilaire. Michael Kidd was the choreographer. According to Ben Brantley, Claudine was "the part that made Gwen Verdon a star."

Musical may refer to:

See also

The musical film is a film genre in which songs sung by the characters are interwoven into the narrative, sometimes accompanied by dancing.

The songs usually advance the plot or develop the film's characters, though in some cases they serve merely as breaks in the storyline, often as elaborate "production numbers".

The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if there is a live audience watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it.

Musical films in the Western world

The classical sound era

The 1930s through the early 1950s are considered to be the golden age of the musical film, when the genre's popularity was at its highest in the Western world.

Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting, and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through the words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.

Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre works of American creators like George M. Cohan. The Princess Theatre musicals and other smart shows like Of Thee I Sing (1931) were artistic steps forward beyond revues and other frothy entertainments of the early 20th century and led to such groundbreaking works as Show Boat (1927) and Oklahoma! (1943). Some of the most famous and iconic musicals through the decades that followed include West Side Story (1957), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1985), The Phantom of the Opera (1986), Rent (1996), The Producers (2001) and Wicked (2003).