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Brian Blade (born July 25, 1970 in Shreveport, Louisiana) is an American jazz drummer, composer, session musician, and singer-songwriter.
Blade was born and raised in Shreveport, Louisiana. The first music he experienced was gospel and songs of praise at the Zion Baptist Church where his father, Brady L. Blade, Sr., has been the pastor for fifty-two years. In elementary school, music appreciation classes were an important part of his development and at age nine, he began playing the violin. Inspired by his older brother, Brady Blade, Jr., who had been the drummer at Zion Baptist Church, Brian shifted his focus to the drums throughout middle and high school.
During high school, while studying with Dorsey Summerfield, Jr., Blade began listening to the music of John Coltrane, Charlie Parker, Miles Davis, Art Blakey, Thelonious Monk, Elvin Jones, and Joni Mitchell. By the age of eighteen, Brian moved to New Orleans to attend Loyola University. From 1988 through 1993, he studied and played with most of the master musicians living in New Orleans, including John Vidacovich, Ellis Marsalis, Steve Masakowski, Bill Huntington, Mike Pellera, John Mahoney, George French, Germaine Bazzle, David Lee, Jr., Alvin Red Tyler, Tony Dagradi and Harold Battiste.
Catch and release is a practice within recreational fishing intended as a technique of conservation. After capture, the fish are unhooked and returned to the water. Often, a fast measurement and weighing of the fish is worthwhile. Using barbless hooks, it is often possible to release the fish without removing it from the water (a slack line is frequently sufficient).
In the United Kingdom, catch and release has been performed for more than a century by coarse fishermen in order to prevent target species from disappearing in heavily fished waters. Since the latter part of the 20th century, many salmon and sea trout rivers have been converted to complete or partial catch and release.
In the United States, catch and release was first introduced as a management tool in the state of Michigan in 1952 as an effort to reduce the cost of stocking hatchery-raised trout. Anglers fishing for fun rather than for food accepted the idea of releasing the fish while fishing in so-called "no-kill" zones. Conservationists have advocated catch and release as a way to ensure sustainability and to avoid overfishing of fish stocks. Lee Wulff, a New York-based fly angler, author and film maker, promoted catch and release as early as 1936 with the phrase "Game fish are too valuable to be caught only once."Don Martinez a West Yellowstone, Montana fly shop owner promoted catch and release in his 1930-40s newsletters sent to Eastern anglers.
This is a list of legal terms relating to patents. A patent is not a right to practice or use the invention, but a territorial right to exclude others from commercially exploiting the invention, granted to an inventor or his successor in rights in exchange to a public disclosure of the invention.
The reply of an applicant to an office action must be made within a prescribed time limit. If no reply is received within the time period, the application may be considered, depending on the jurisdiction, as abandoned or deemed to be withdrawn, and, therefore, no longer pending.
A fee to be paid to maintain a patent or a patent application in force. Also called "maintenance fee" or "renewal fee".
An application for a patent, or patent application, is a request by a person or company to the competent authority (usually a patent office) to grant him a patent. By extension, a patent application also refers to the content of the document which that person or company filed to initiate the application process. This document usually contains a description of the invention and at least one claim used to define the sought scope of protection.
Catch and release is the unofficial name for a protocol historically followed by immigration enforcement agencies in the United States (specifically, by U.S. Immigration and Customs Enforcement and U.S. Customs and Border Protection) where people caught for being in unlawful immigration status are released while they wait for a hearing with an immigration judge. The policy officially ended in 2006 under President George W. Bush and United States Department of Homeland Security Secretary Michael Chertoff, where it was replaced by a catch and return or catch and detain policy. However, some critics of immigration enforcement in subsequent years, particularly under the presidency of Barack Obama, have dubbed various policies and practices under the administration as catch-and-release policies.
Historically, due to the lack of resources available to Immigration and Customs Enforcement to detain people, as well as the lengthy time period between apprehension and being ordered deported, catch-and-release was the de facto policy followed by ICE: those believed to be in violation of immigration status were released and given a date when they were to appear before an immigration judge for their deportation hearing. Knowing that coming to a hearing could lead to them being deported, many of these people simply failed to turn up to their hearings. In July 2005, the National Center for Policy Analysis reported that at some federal immigration courts, 98% of the defendants failed to show up.
I don't know what to say to you really
You're holding on to this thin idea
That somehow I will still be standing here
When you haven't changed
Don't matter what you say
Cause I've been hearing 'bout the temporary fixes
The drunken walks, the foreign men you can't remember kissin'
So I would rather you enjoy yourself
Than lie to me and tell me that your someone else
You don't have to change
You can stay the same
Catch and release
Catch and release
Catch and release,
Girl you're off the hook
Catch and release
Catch and release
Catch and release,
Girl you're off the hook
The truth is that there's nothing wrong with what you're doing
You're just painting the picture the way that you want me to view it
You don't have to babe
Throw your brush away
Cause we can move on
We can be friends, it'd be better
If you'd stop protecting my feeling in every single letter
Give it to me straight
Girl I'll be ok
Catch and release
Catch and release
Catch and release
Girl you're off the hook
Catch and release
Catch and release
Catch and release
Girl you're off the hook
Catch and release
Catch and release
Catch and release
Girl you're off the hook
Catch and release
Catch and release
Catch and release
Girl you're off the hook
When it was good, it was great, girl I won't deny
But there was nothing we could do about the place in time
Maybe in the future we can give this thing another try baby
But until then
I wish the best for you
And your children too
Catch and release
Catch and release
Catch and release
Girl you're off the hook
Catch and release
Catch and release
Catch and release
Girl you're off the hook
Catch and release
Catch and release
Catch and release
Girl you're off the hook
Catch and release
Catch and release
Catch and release
Girl you're off the hook