Nothing Special   »   [go: up one dir, main page]

Jump to content

Tyatro

Tikang ha Wikipedia
Tyatro

An tyatro o teatro (tikang han Kinatsila "teatro", nga tikang han Griyego "theatron", θέατρον, nga nangangahulogan "lugar hin pagkita") amo in sanga han pagpasundayag nga mga arte nga ginhuhubad nga ano an "nahihinabo kon in usa o damo pa nga mga tawo, nga nahibulag ha taknan ngan/o lugar, nagpapasundayag han ira kalugaringon ha iba o mga iba."[1] Ha hini nga haluag nga kahubad, an tyatro nakada tikang han kahadto nga mga panahon, komo resulta han pagkaruyag hin tawo hin pagsumat hin istorya. Tikang han pagtikang hini, nagkaada hin damo nga forma an tyatro, nga agsob maggamit hin mga elemento sugad hin pagyakan, pagsinyal, musika, sayaw, ngan ispektakulo, nga ginkombina han iba nga mga pagpasundayag nga mga arte, pati gihapon han visual nga gma arte, ngadto hin usa nga artistiko nga forma.

Mga reperensya

[igliwat | Igliwat an wikitext]
  1. Bernard Beckerman, head of Hofstra University's department of drama, in his book, Dynamics of Drama

Mga pagkukuhaan

[igliwat | Igliwat an wikitext]
  • Aston, Elaine, and George Savona. 1991. Theatre as Sign-System: A Semiotics of Text and Performance. London and New York: Routledge. ISBN 978-0-415-04932-0.
  • Banham, Martin, ed. 1998. The Cambridge Guide to Theatre. Cambridge: Cambridge UP. ISBN 0-521-43437-8.
  • Beacham, Richard C. 1996. The Roman Theatre and Its Audience. Cambridge, MA: Harvard UP. ISBN 978-0-674-77914-3.
  • Benedetti, Jean. 1999. Stanislavski: His Life and Art. Revised edition. Original edition published in 1988. London: Methuen. ISBN 0-413-52520-1.
  • ---. 2005. The Art of the Actor: The Essential History of Acting, From Classical Times to the Present Day. London: Methuen. ISBN 0-413-77336-1.
  • ---. 2008. "Stanislavski on Stage". In Dacre and Fryer (2008, 6–9).
  • Benjamin, Walter. 1928. The Origin of German Tragic Drama. Trans. John Osborne. London and New York: Verso, 1998. ISBN 1-85984-899-0.
  • Brown, John Russell. 1997. What is Theatre?: An Introduction and Exploration. Boston and Oxford: Focal P. ISBN 978-0-240-80232-9 .
  • Brandon, James R., ed. 1997. The Cambridge Guide to Asian Theatre.' 2nd, rev. ed. Cambridge: Cambridge UP. ISBN 978-0-521-58822-5.
  • Burt, Daniel S. 2008. The Drama 100: A Ranking of the Greatest Plays of All Time. New York: Facts on File. ISBN 978-0-8160-6073-3.
  • Carlson, Marvin. 1993. Theories of the Theatre: A Historical and Critical Survey from the Greeks to the Present. Expanded ed. Ithaca and London: Cornell UP. ISBN 0-8014-8154-6.
  • Carnicke, Sharon M. 1998. Stanislavsky in Focus. Russian Theatre Archive Ser. London: Harwood Academic Publishers. ISBN 90-5755-070-9.
  • ---. 2000. "Stanislavsky's System: Pathways for the Actor". In Hodge (2000, 11–36).
  • Counsell, Colin. 1996. Signs of Performance: An Introduction to Twentieth-Century Theatre. London and New York: Routledge. ISBN 978-0-415-10643-6.
  • Dacre, Kathy, and Paul Fryer, eds. 2008. Stanislavski on Stage. Sidcup, Kent: Stanislavski Centre Rose Bruford College. ISBN 1-903454-01-8.
  • Deal, William E. 2007. Handbook to Life in Medieval and Early Modern Japan. Oxford: Oxford UP. ISBN 978-0-19-533126-4.
  • Deleuze, Gilles and Félix Guattari. 1972. Anti-Œdipus. Trans. Robert Hurley, Mark Seem and Helen R. Lane. London and New York: Continuum, 2004. Vol. 1 . New Accents Ser. London and New York: Methuen. ISBN 0-416-72060-9.
  • Dukore, Bernard F., ed. 1974. Dramatic Theory and Criticism: Greeks to Grotowski. Florence, KY: Heinle & Heinle. ISBN 978-0-03-091152-1.
  • Elam, Keir. 1980. The Semiotics of Theatre and Drama. New Accents Ser. London and New York: Routledge. ISBN 978-0-415-03984-0.
  • Felski, Rita, ed. 2008. Rethinking Tragedy. Baltimore: Johns Hopkins UP. ISBN 0-8018-8740-2.
  • Fergusson, Francis. 1949. The Idea of a Theater: A Study of Ten Plays, The Art of Drama in a Changing Perspective. Princeton, NJ: Princeton UP, 1968. ISBN 0-691-01288-1.
  • Gauss, Rebecca B. 1999. Lear's Daughters: The Studios of the Moscow Art Theatre 1905–1927. American University Studies ser. 26 Theatre Arts, vol. 29. New York: Peter Lang. ISBN 978-0-8204-4155-9.
  • Gordon, Mel. 1983. Lazzi: The Comic Routines of the Commedia dell'Arte. New York: Performing Arts Journal. ISBN 0-933826-69-9.
  • Gordon, Robert. 2006. The Purpose of Playing: Modern Acting Theories in Perspective. Ann Arbor: U of Michigan P. ISBN 978-0-472-06887-6.
  • Harrison, Martin. 1998. The Language of Theatre. London: Routledge. ISBN 978-1-85754-374-2.
  • Hartnoll, Phyllis, ed. 1983. The Oxford Companion to the Theatre. 4th ed. Oxford: Oxford UP. ISBN 978-0-19-211546-1.
  • Hodge, Alison, ed. 2000. Twentieth-Century Actor Training. London and New York: Routledge. ISBN 978-0-415-19452-5.
  • Janko, Richard, trans. 1987. Poetics with Tractatus Coislinianus, Reconstruction of Poetics II and the Fragments of the On Poets. By Aristotle. Cambridge: Hackett. ISBN 978-0-87220-033-3.
  • Johnstone, Keith. 1981. Impro: Improvisation and the Theatre Rev. ed. London: Methuen, 2007. ISBN 0-7136-8701-0.
  • Jones, John Bush. 2003. Our Musicals, Ourselves: A Social History of the American Musical Theatre. Hanover: Brandeis UP. ISBN 1-58465-311-6.
  • Kuritz, Paul. 1988. The Making of Theatre History. Englewood Cliffs, NJ: Prentice Hall. ISBN 978-0-13-547861-5.
  • Leach, Robert. 1989. Vsevolod Meyerhold. Directors in perspective ser. Cambridge: Cambridge UP. ISBN 978-0-521-31843-3.
  • ---. 2004. Makers of Modern Theatre: An Introduction. London: Routledge. ISBN 978-0-415-31241-7.
  • Leach, Robert, and Victor Borovsky, eds. 1999. A History of Russian Theatre. Cambridge: Cambridge UP. ISBN 978-0-521-03435-7.
  • Meyer-Dinkgräfe, Daniel. 2001. Approaches to Acting: Past and Present. London and New York: Continuum. ISBN 978-0-8264-7879-5.
  • Meyerhold, Vsevolod. 1991. Meyerhold on Theatre. Ed. and trans. Edward Braun. Revised edition. London: Methuen. ISBN 978-0-413-38790-5.
  • Milling, Jane, and Graham Ley. 2001. Modern Theories of Performance: From Stanislavski to Boal. Basingstoke, Hampshire and New York: Palgrave. ISBN 978-0-333-77542-4.
  • Mitter, Shomit. 1992. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London and NY: Routledge. ISBN 978-0-415-06784-3.
  • Moreh, Shmuel. 1986. "Live Theater in Medieval Islam." In Studies in Islamic History and Civilization in Honour of Professor David Ayalon. Ed. Moshe Sharon. Cana, Leiden: Brill. 565–601. ISBN 978-965-264-014-7.
  • O'Brien, Nick. 2010. Stanislavski In Practise. London: Routledge. ISBN 978-0415568432.
  • Pavis, Patrice. 1998. Dictionary of the Theatre: Terms, Concepts, and Analysis. Trans. Christine Shantz. Toronto and Buffalo: U of Toronto P. ISBN 978-0-8020-8163-6.
  • Peterson, Richard A. 1982. "Five Constraints on the Production of Culture: Law, Technology, Market, Organizational Structure and Occupational Careers." The Journal of Popular Culture 16.2: 143–153.
  • Pfister, Manfred. 1977. The Theory and Analysis of Drama. Trans. John Halliday. European Studies in English Literature Ser. Cambridige: Cambridge University Press, 1988. ISBN 978-0-521-42383-0.
  • Rayner, Alice. 1994. To Act, To Do, To Perform: Drama and the Phenomenology of Action. Theater: Theory/Text/Performance Ser. Ann Arbor: University of Michigan Press. ISBN 978-0-472-10537-3.
  • Rehm, Rush. 1992. Greek Tragic Theatre. Theatre Production Studies ser. London and New York: Routledge. ISBN 0-415-11894-8.
  • Richmond, Farley. 1998. "India." In Banham (1998, 516–525).
  • Richmond, Farley P., Darius L. Swann, and Phillip B. Zarrilli, eds. 1993. Indian Theatre: Traditions of Performance. U of Hawaii P. ISBN 978-0-8248-1322-2.
  • Roach, Joseph R. 1985. The Player's Passion: Studies in the Science of Acting. Theater:Theory/Text/Performance Ser. Ann Arbor: U of Michigan P. ISBN 978-0-472-08244-5.
  • Speirs, Ronald, trans. 1999. The Birth of Tragedy and Other Writings. By Friedrich Nietzsche. Ed. Raymond Geuss and Ronald Speirs. Cambridge Texts in the History of Philosophy ser. Cambridge: Cambridge UP. ISBN 0-521-63987-5.
  • Spolin, Viola. 1967. Improvisation for the Theater. Third rev. ed Evanston, Il.: Northwestern University Press, 1999. ISBN 0-8101-4008-X.
  • Taxidou, Olga. 2004. Tragedy, Modernity and Mourning. Edinburgh: Edinburgh UP. ISBN 0-7486-1987-9.
  • Ward, A. C. 1945. Specimens of English Dramatic Criticism XVII-XX Centuries. The World's Classics ser. Oxford: Oxford UP, 2007. ISBN 978-1-4086-3115-7.
  • Williams, Raymond. 1966. Modern Tragedy. London: Chatto & Windus. ISBN 0-7011-1260-3.

Mga sumpay ha gawas

[igliwat | Igliwat an wikitext]