Conference Presentations by Camilla Colzani
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Seminars and workshops by Camilla Colzani
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Fonti e strumenti d'indagine per la ricerca storica, storico-artistica e geografica, 25-26 giugno... more Fonti e strumenti d'indagine per la ricerca storica, storico-artistica e geografica, 25-26 giugno 2018, Università degli Studi Roma Tre.
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Papers by Camilla Colzani
Prospettiva-rivista Di Storia Dell Arte Antica E Moderna, 2017
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(Im)material Michelangelo: toward a visual historiography of sculpture between reproduction and art-historical enquiry, 2023
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Paragone, 2023
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“Di somma aspettazione e di bellissimo ingegno” PELLEGRINO TIBALDI E LE MARCHE, a cura di Anna Maria Ambrosini Massari, Valentina Balzarotti, Vittoria Romani, 2021
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Studi Secenteschi , 2021
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Studi di Memofonte , 2020
Il contributo esamina il modo in cui l’aggettivo eroico viene utilizzato da padre Resta in divers... more Il contributo esamina il modo in cui l’aggettivo eroico viene utilizzato da padre Resta in diversi contesti e approfondisce le occasioni in cui il termine viene associato allo stile di alcuni artisti e, in particolare, a Pellegrino Tibaldi. Resta definisce infatti la maniera degli affreschi che Tibaldi realizzò a Roma in vicolo dei Savelli come «heroica», indicando con questo termine quel particolare momento dell’opera dell’artista in cui all’eredità raffaellesca assimilata a Roma attraverso la collaborazione con Perino del Vaga si era ben presto accompagnato un travolgente interesse per le forme maestosamente drammatiche del linguaggio di Michelangelo.
The article explores the meaning of the adjective eroico used by Father Resta in different contexts and in connection with the manner of various artists and, in particular, with Pellegrino Tibaldi. Resta defines the manner of the frescoes that Tibaldi painted in Rome in Vicolo dei Savelli as «heroica» (heroic), evoking a particular moment in the artist’s work where the Raphaelesque heritage, assimilated in Rome through his collaboration with Perino del Vaga, was soon accompanied by an overwhelming interest in the majestically dramatic forms of Michelangelo’s language.
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Raphael Painter and Architect in Rome. A Guidebook , 2020
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Conference Presentations by Camilla Colzani
Seminars and workshops by Camilla Colzani
https://www.biblhertz.it/3484435/240213_CFP_Touched_Retouched_-Paper-across-Time-_1400_1800_-The-Paper-Project-Initiative_-Getty-Foundation
Papers by Camilla Colzani
The article explores the meaning of the adjective eroico used by Father Resta in different contexts and in connection with the manner of various artists and, in particular, with Pellegrino Tibaldi. Resta defines the manner of the frescoes that Tibaldi painted in Rome in Vicolo dei Savelli as «heroica» (heroic), evoking a particular moment in the artist’s work where the Raphaelesque heritage, assimilated in Rome through his collaboration with Perino del Vaga, was soon accompanied by an overwhelming interest in the majestically dramatic forms of Michelangelo’s language.
https://www.biblhertz.it/3484435/240213_CFP_Touched_Retouched_-Paper-across-Time-_1400_1800_-The-Paper-Project-Initiative_-Getty-Foundation
The article explores the meaning of the adjective eroico used by Father Resta in different contexts and in connection with the manner of various artists and, in particular, with Pellegrino Tibaldi. Resta defines the manner of the frescoes that Tibaldi painted in Rome in Vicolo dei Savelli as «heroica» (heroic), evoking a particular moment in the artist’s work where the Raphaelesque heritage, assimilated in Rome through his collaboration with Perino del Vaga, was soon accompanied by an overwhelming interest in the majestically dramatic forms of Michelangelo’s language.