The book in Slovenian and Hungarian language covers the theme of icehouses in Lendava - Slovenia.... more The book in Slovenian and Hungarian language covers the theme of icehouses in Lendava - Slovenia. It contains graphical material, theory and history of ice storages mostly in the town of Lendava but as well some of the world known similar structures.
The book in Slovenian and Hungarian language covers the theme of icehouses in Lendava - Slovenia.... more The book in Slovenian and Hungarian language covers the theme of icehouses in Lendava - Slovenia. It contains graphical material, theory and history of ice storages mostly in the town of Lendava but as well some of the world known similar structures.
"The signals of the bells may help people to remember for important events in history. The bellto... more "The signals of the bells may help people to remember for important events in history. The belltowers are interesting objects of the built heritage of various regions. Thus, we should be thankful to Borut Juvanec and his colleague Andreja Benko for surveying the bell-legs and bell-towers in a large part of Central Europe. Let us hope that they will continue this work. In a time where we witness too much globalization, we should also turn to localization. The bell rings…" prof. Dénes Nagy The book Belfry – between catholic and protestant culture, presents the research work of two authors (Juvanec and Benko) that is based upon field work, evidentation, analyses and presentation of those objects of vernacular architecture. Output of the research work, besides several scientific and professional articles, are also two books ("Három ország, egy harangláb = Three countries, one belltower = Tri dežele, en zvonik" and "Harangláb = Zvonik = Holzglockenturm"), and exhibition (with catalogue in four languages), which was presented in several countries across Europe (for example Hungary, Slovenia, Serbia etc.). The book contains examples of different types of existing belfries on the research area of three countries (Austria, Hungary, and Slovenia). Besides many photographic materials, there are as well textual contributions of both authors and Prof. Dénes Nagy. The foreword was written by Mária Szilágyi, a researcher from The University of Novi Sad, who was as well the curator of the exhibition in Serbia.
Vernacular architecture is a wide area of study that comprises all dwellings and buildings, eithe... more Vernacular architecture is a wide area of study that comprises all dwellings and buildings, either private or community-owned, which were built using traditional technologies (Oliver, 1997). This can reveal how vernacular architecture is an unlimited source of conceptual solutions, through which sustainability can be rediscovered. In vernacular architecture today, there are still examples that can be observed where there is a balance between energy saving, tradition, the environment, and the social parameter. This is particularly observed in rural and isolated areas. It is not the case in urban areas, where the pressure of fast growth, both of the population and of its habitat, undermines any possibility of a balanced approach. When addressing the revision of literature regarding sustainability and its impact on vernacular architecture, it is observed how there is a persistent tendency to privilege the study of environment issues, in detriment of the social, cultural and economic parameters. This is reasonable regarding a first observation of vernacular architecture, since environmental issues tend to be physically evident, and therefore easily observed. Thus, Vellinga (2015) underlines the fact that restricting the focus to environmental issues will not only show a partial picture of the challenges faced by vernacular architecture, but also offer a partial understanding of the lessons that can emerge from its study. It is therefore essential to approach socio-economic sustainability as a broad area of study with different dimensions. In this article, the dimensions under analysis will relate to the identification of socio-economic principles; to the economy: its needs and values; to collective values being economical values; to the efficient management of local resources; to a self-management economy; to the impact of the economic factor on local development; to assessing the economic value of vernacular architecture; to the impact of conservation in economic terms; to the conservation of traditional architecture; and other relevant reflexions.
The first and oldest architecture, as we know it, has its' origins in the 6th century BC. There a... more The first and oldest architecture, as we know it, has its' origins in the 6th century BC. There are some remnants of residential architecture but we know much more about architecture for the Gods, kings and deceased. Why? The reasons are simple. First, death and kings have always been unavoidable and predictable. Second, they used stone. Tombs are built of stone. In day-to-day life wood and mud were used as building material. Tombs however were built to remain eternally. Sardinia's stone is volcanic and very hard to shape. Usually stones were simply taken as they were in nature and laid in big piles the Nuraghi, which were fortresses with adjacent settlements. In the case of Santa Cristina Casa dei Reunioni, the parliament and sacred well were also included in the Nuraghi village. Pre-roman culture has not been very well researched, but many researchers have nevertheless tried to answer the question, why Nuraghis were built. Throughout the island lie many Nuraghi and tombs. A hypothesis is that these massive buildings were communication towers with the top platform being used for burning pyres to warn about ensuing danger. There are two types of tombs in Sardinia: domus de janas labyrinth tombs cut out of bedrock, and tombe dei giganti tombs for the giants made of a set of dolmens and a big stella. The door on the stella measures 30 x 40 cm! On the island we can also find interestingly shaped menhirs named tamuls.
Water is a living liquid and has sacred powers. In sacred wells water is given a new role, that of a mirror. Beams of light enter and touch the water surface and are reflected. The miracle happens when light comes out of the Earth, fromthe hole at the top of the well.
Sardinia abounds with megalithic and other structures. They are the remnants of human spirit, thinking and knowledge.
Urban design and spatial management of Goražde is tied with river Drina therefore the most eviden... more Urban design and spatial management of Goražde is tied with river Drina therefore the most evident architectural structure is a double bridge (two-storey). The hanging bridge under existent bridge was built in the last war (1992-1995). Upper bridge served as a shield against bombs, the whole composition recalls like bunker with a view over the river Drina. This engineering structure with plain detailing and basic design is the symbol of architecture which is an art by humans for humans. Our proposal of spatial intervention of the bridge, city square and river banks follows the idea of simplicity. Nevertheless we have found similarities between Goraže and pod mostom in v tem primeru prvi most služi kot varovalna lupina. Most pod mostom je polodprt bunker in je nosilec kulturnih vrednot solidarnosti ljudi. To je dejanska združitev arhitekture in simbolike. Spodnji most je izdelan iz armaturnega jekla in ima preproste konstrukcijske detajle. Intervencija preureditve mestnega trga in mosta zahteva precej naporov in veliko mero upoštevanja vrednot prostora. Goražde in Ljubljana imata kar nekaj vzporednic in sta epistemološko sorodni (grajski hrib = Gubavica, Fabianijev most = most; Prešernov trg s tromostovjem = mestni trg z mostom, Ljubljanica = Drina).
Die Gestaltung des Raumes ist eine verantwortungsvolle
Arbeit, welche auf unser künftiges Leben ... more Die Gestaltung des Raumes ist eine verantwortungsvolle
Arbeit, welche auf unser künftiges Leben und
Entscheidungen der Raumgestaltung großen Einfluss haben.
Die Möglichkeiten der Umsetzung von Entscheidungen sind
die wichtigsten Faktoren in der Qualitätswahrnehmung der
Raumgestaltung. Es gibt nur einen Raum. Der urbane Raum
ist der wichtigste von allen, in den die Hand des Architekten
greift.
The Re-think! heritage project is a venture funded by the European Union through the Erasmus+ pro... more The Re-think! heritage project is a venture funded by the European Union through the Erasmus+ program, focusing primarily on adult and higher education across various European countries. This initiative spans from January 2020 to December 2023, totalling 36 months with researches from 5 different countries included. The project's core emphasis lies in the realm of cultural heritage, exploring conservation approaches, recognizing excellence in renovations, and compiling a comprehensive vocabulary specific to cultural heritage. The project mandates encompass a series of dissemination events in each partner country, widespread dissemination through social media channels, hosting meetings in partner countries, crafting an ebook detailing the project, and developing an eLearning platform. Throughout the project, researchers have been dedicated to the vital task of effectively disseminating their accumulated knowledge to the broader public. A distinctive feature of this EU-sponsored project is its unwavering commitment to inclusivity. The entire project content, encapsulated within Re-think! heritage, has been thoughtfully translated into six languages, ensuring accessibility for a global audience. Through this holistic approach, the Re-think Heritage! Project aspires to redefine the methods of educating and involving individuals in heritage management and monument conservation, thereby cultivating a profound appreciation for our collective cultural legacy. Every page and deliverable from the project is enriched with a wealth of visual materials, including photographs, sketches, simulations, drawings, technical illustrations, digital presentations, and more. These elements serve to enhance comprehension and provide the interested public with a vivid and immersive learning experience.
Že od nekdaj se je človek po svetu ukvarjal s podaljševanjem trajanja živil. In hladna voda oz. l... more Že od nekdaj se je človek po svetu ukvarjal s podaljševanjem trajanja živil. In hladna voda oz. led, se je izkazal kot zelo pomemben. Objekte, kjer so skladiščili led oz. živila so v Sloveniji imenovali ledenice, sicer so pa poznane v različnih oblikah povsod po svetu. Tako so ledenice ključne, ne le za njegovo ugodje in veselje, pač pa za človekov obstoj. Ledenice so prostori za hranjenje ledu, ki bi se sicer na toploti stopil. Led je nujen tako za življenje kot za ugodje in za omogočanje nekaterih dejavnosti. Najstarejše ledenice so kraške jame, kasneje pa jih je človek naredil sam kot vkopane jame, kleti ali celo obokane dvorane. V Sloveniji imamo vse tipe ledenic, le tistih lesenih, nadzemnih v obliki hiše ni več, saj so sčasoma propadle. V obliki jam jih je ostalo več. Jame so lahko vkopane v teren navpično ali vodoravno. Slednje najdemo pri Gornji Radgoni in v Lendavi. Uporaba ledenic se je v času spreminjala: najprej je šlo le za hranjenje ledu, potem so v ledenicah ohranjali meso, v njih so negovali vino, danes pa so nekatere namenjene celo kulturi. Naši predniki so bili pragmatični in so tudi ledenice prilagajali razmeram, da so se ohranile do danes.
Les refuges en pierre sont des constructions tres simples en pierre. Il s'agit d'une arch... more Les refuges en pierre sont des constructions tres simples en pierre. Il s'agit d'une architecture vernaculaire des plus originales, creee par des aborigenes. Elle est anonyme et a survecu pendant des siecles. Avec le temps, elle s'est un peu transformee, mais elle represente neanmoins une culture commune de construction de vieux peuples. On la retrouve aux frontieres des grands territoires, auxquels s'interessaient les conquerants, surtout dans les regions habitees aujourd'hui encore par les peuples anciens : Malte, Italie du Sud, Provence, Catalogne, Baleares, Irlande, Ecosse, les bords des Alpes, Karst slovene et Istrie. Quant a leur construction, ces refuges se rapprochent des structures megalithiques d'Irlande, de Bretagne et de Malte et de la culture des nuraghi en Sardaigne. Il y a pourtant une difference nette. Les restes de l'architecture datant de quelques millenaires forment la grande architecture, destinee aux rois, aux dieux, aux morts, tandis...
Kraški svet Dinarskega krasa se vleče med Italijo, preko Krasa v Istro, vse do grških otokov. Kam... more Kraški svet Dinarskega krasa se vleče med Italijo, preko Krasa v Istro, vse do grških otokov. Kamen je stična točka kulture v arhitekturi suhega zidu. Konstrukcije brez veziva so sestavljane predvsem umno in skrbno. Konstrukcijski princip korbelinga zahteva preklapljanje v dolžinskih postavitvah in previsevanje v prostorskih, pa uporabo kvadratnega korena iz tri. Kras, trdno vpet v teorijo krasoslovja, leži na vzhodni obali Jadrana. Arhitektura kamna je med Italijo, Slovenijo in Grčijo povsem različna: ne v konstrukciji, v zunanji obliki, delno tudi v uporabi. Hiška v Italiji in v Sloveniji, pa kažun, komarda, bunja, trim, vrtujak in toreta, kućarica so povsem različni objekti, ki pa jih združuje material in konstrukcija. Vertikala po Jadranu ima svoje središče v Šuplji gromili, ki se po obliki in kulturi gradnje veže s horizontalo med Kavkazom in Puglijo v Italiji v prostoru, vprašanje pa je: ali tudi v času.
Rammed Earth Conservation Proceedings of the First International Conference on Rammed Earth Conservation Restapia 2012 Valencia Spain 21 23 De June 2012 2012 Isbn 9780415621250 Pags 145 150, 2012
The book in Slovenian and Hungarian language covers the theme of icehouses in Lendava - Slovenia.... more The book in Slovenian and Hungarian language covers the theme of icehouses in Lendava - Slovenia. It contains graphical material, theory and history of ice storages mostly in the town of Lendava but as well some of the world known similar structures.
The book in Slovenian and Hungarian language covers the theme of icehouses in Lendava - Slovenia.... more The book in Slovenian and Hungarian language covers the theme of icehouses in Lendava - Slovenia. It contains graphical material, theory and history of ice storages mostly in the town of Lendava but as well some of the world known similar structures.
"The signals of the bells may help people to remember for important events in history. The bellto... more "The signals of the bells may help people to remember for important events in history. The belltowers are interesting objects of the built heritage of various regions. Thus, we should be thankful to Borut Juvanec and his colleague Andreja Benko for surveying the bell-legs and bell-towers in a large part of Central Europe. Let us hope that they will continue this work. In a time where we witness too much globalization, we should also turn to localization. The bell rings…" prof. Dénes Nagy The book Belfry – between catholic and protestant culture, presents the research work of two authors (Juvanec and Benko) that is based upon field work, evidentation, analyses and presentation of those objects of vernacular architecture. Output of the research work, besides several scientific and professional articles, are also two books ("Három ország, egy harangláb = Three countries, one belltower = Tri dežele, en zvonik" and "Harangláb = Zvonik = Holzglockenturm"), and exhibition (with catalogue in four languages), which was presented in several countries across Europe (for example Hungary, Slovenia, Serbia etc.). The book contains examples of different types of existing belfries on the research area of three countries (Austria, Hungary, and Slovenia). Besides many photographic materials, there are as well textual contributions of both authors and Prof. Dénes Nagy. The foreword was written by Mária Szilágyi, a researcher from The University of Novi Sad, who was as well the curator of the exhibition in Serbia.
Vernacular architecture is a wide area of study that comprises all dwellings and buildings, eithe... more Vernacular architecture is a wide area of study that comprises all dwellings and buildings, either private or community-owned, which were built using traditional technologies (Oliver, 1997). This can reveal how vernacular architecture is an unlimited source of conceptual solutions, through which sustainability can be rediscovered. In vernacular architecture today, there are still examples that can be observed where there is a balance between energy saving, tradition, the environment, and the social parameter. This is particularly observed in rural and isolated areas. It is not the case in urban areas, where the pressure of fast growth, both of the population and of its habitat, undermines any possibility of a balanced approach. When addressing the revision of literature regarding sustainability and its impact on vernacular architecture, it is observed how there is a persistent tendency to privilege the study of environment issues, in detriment of the social, cultural and economic parameters. This is reasonable regarding a first observation of vernacular architecture, since environmental issues tend to be physically evident, and therefore easily observed. Thus, Vellinga (2015) underlines the fact that restricting the focus to environmental issues will not only show a partial picture of the challenges faced by vernacular architecture, but also offer a partial understanding of the lessons that can emerge from its study. It is therefore essential to approach socio-economic sustainability as a broad area of study with different dimensions. In this article, the dimensions under analysis will relate to the identification of socio-economic principles; to the economy: its needs and values; to collective values being economical values; to the efficient management of local resources; to a self-management economy; to the impact of the economic factor on local development; to assessing the economic value of vernacular architecture; to the impact of conservation in economic terms; to the conservation of traditional architecture; and other relevant reflexions.
The first and oldest architecture, as we know it, has its' origins in the 6th century BC. There a... more The first and oldest architecture, as we know it, has its' origins in the 6th century BC. There are some remnants of residential architecture but we know much more about architecture for the Gods, kings and deceased. Why? The reasons are simple. First, death and kings have always been unavoidable and predictable. Second, they used stone. Tombs are built of stone. In day-to-day life wood and mud were used as building material. Tombs however were built to remain eternally. Sardinia's stone is volcanic and very hard to shape. Usually stones were simply taken as they were in nature and laid in big piles the Nuraghi, which were fortresses with adjacent settlements. In the case of Santa Cristina Casa dei Reunioni, the parliament and sacred well were also included in the Nuraghi village. Pre-roman culture has not been very well researched, but many researchers have nevertheless tried to answer the question, why Nuraghis were built. Throughout the island lie many Nuraghi and tombs. A hypothesis is that these massive buildings were communication towers with the top platform being used for burning pyres to warn about ensuing danger. There are two types of tombs in Sardinia: domus de janas labyrinth tombs cut out of bedrock, and tombe dei giganti tombs for the giants made of a set of dolmens and a big stella. The door on the stella measures 30 x 40 cm! On the island we can also find interestingly shaped menhirs named tamuls.
Water is a living liquid and has sacred powers. In sacred wells water is given a new role, that of a mirror. Beams of light enter and touch the water surface and are reflected. The miracle happens when light comes out of the Earth, fromthe hole at the top of the well.
Sardinia abounds with megalithic and other structures. They are the remnants of human spirit, thinking and knowledge.
Urban design and spatial management of Goražde is tied with river Drina therefore the most eviden... more Urban design and spatial management of Goražde is tied with river Drina therefore the most evident architectural structure is a double bridge (two-storey). The hanging bridge under existent bridge was built in the last war (1992-1995). Upper bridge served as a shield against bombs, the whole composition recalls like bunker with a view over the river Drina. This engineering structure with plain detailing and basic design is the symbol of architecture which is an art by humans for humans. Our proposal of spatial intervention of the bridge, city square and river banks follows the idea of simplicity. Nevertheless we have found similarities between Goraže and pod mostom in v tem primeru prvi most služi kot varovalna lupina. Most pod mostom je polodprt bunker in je nosilec kulturnih vrednot solidarnosti ljudi. To je dejanska združitev arhitekture in simbolike. Spodnji most je izdelan iz armaturnega jekla in ima preproste konstrukcijske detajle. Intervencija preureditve mestnega trga in mosta zahteva precej naporov in veliko mero upoštevanja vrednot prostora. Goražde in Ljubljana imata kar nekaj vzporednic in sta epistemološko sorodni (grajski hrib = Gubavica, Fabianijev most = most; Prešernov trg s tromostovjem = mestni trg z mostom, Ljubljanica = Drina).
Die Gestaltung des Raumes ist eine verantwortungsvolle
Arbeit, welche auf unser künftiges Leben ... more Die Gestaltung des Raumes ist eine verantwortungsvolle
Arbeit, welche auf unser künftiges Leben und
Entscheidungen der Raumgestaltung großen Einfluss haben.
Die Möglichkeiten der Umsetzung von Entscheidungen sind
die wichtigsten Faktoren in der Qualitätswahrnehmung der
Raumgestaltung. Es gibt nur einen Raum. Der urbane Raum
ist der wichtigste von allen, in den die Hand des Architekten
greift.
The Re-think! heritage project is a venture funded by the European Union through the Erasmus+ pro... more The Re-think! heritage project is a venture funded by the European Union through the Erasmus+ program, focusing primarily on adult and higher education across various European countries. This initiative spans from January 2020 to December 2023, totalling 36 months with researches from 5 different countries included. The project's core emphasis lies in the realm of cultural heritage, exploring conservation approaches, recognizing excellence in renovations, and compiling a comprehensive vocabulary specific to cultural heritage. The project mandates encompass a series of dissemination events in each partner country, widespread dissemination through social media channels, hosting meetings in partner countries, crafting an ebook detailing the project, and developing an eLearning platform. Throughout the project, researchers have been dedicated to the vital task of effectively disseminating their accumulated knowledge to the broader public. A distinctive feature of this EU-sponsored project is its unwavering commitment to inclusivity. The entire project content, encapsulated within Re-think! heritage, has been thoughtfully translated into six languages, ensuring accessibility for a global audience. Through this holistic approach, the Re-think Heritage! Project aspires to redefine the methods of educating and involving individuals in heritage management and monument conservation, thereby cultivating a profound appreciation for our collective cultural legacy. Every page and deliverable from the project is enriched with a wealth of visual materials, including photographs, sketches, simulations, drawings, technical illustrations, digital presentations, and more. These elements serve to enhance comprehension and provide the interested public with a vivid and immersive learning experience.
Že od nekdaj se je človek po svetu ukvarjal s podaljševanjem trajanja živil. In hladna voda oz. l... more Že od nekdaj se je človek po svetu ukvarjal s podaljševanjem trajanja živil. In hladna voda oz. led, se je izkazal kot zelo pomemben. Objekte, kjer so skladiščili led oz. živila so v Sloveniji imenovali ledenice, sicer so pa poznane v različnih oblikah povsod po svetu. Tako so ledenice ključne, ne le za njegovo ugodje in veselje, pač pa za človekov obstoj. Ledenice so prostori za hranjenje ledu, ki bi se sicer na toploti stopil. Led je nujen tako za življenje kot za ugodje in za omogočanje nekaterih dejavnosti. Najstarejše ledenice so kraške jame, kasneje pa jih je človek naredil sam kot vkopane jame, kleti ali celo obokane dvorane. V Sloveniji imamo vse tipe ledenic, le tistih lesenih, nadzemnih v obliki hiše ni več, saj so sčasoma propadle. V obliki jam jih je ostalo več. Jame so lahko vkopane v teren navpično ali vodoravno. Slednje najdemo pri Gornji Radgoni in v Lendavi. Uporaba ledenic se je v času spreminjala: najprej je šlo le za hranjenje ledu, potem so v ledenicah ohranjali meso, v njih so negovali vino, danes pa so nekatere namenjene celo kulturi. Naši predniki so bili pragmatični in so tudi ledenice prilagajali razmeram, da so se ohranile do danes.
Les refuges en pierre sont des constructions tres simples en pierre. Il s'agit d'une arch... more Les refuges en pierre sont des constructions tres simples en pierre. Il s'agit d'une architecture vernaculaire des plus originales, creee par des aborigenes. Elle est anonyme et a survecu pendant des siecles. Avec le temps, elle s'est un peu transformee, mais elle represente neanmoins une culture commune de construction de vieux peuples. On la retrouve aux frontieres des grands territoires, auxquels s'interessaient les conquerants, surtout dans les regions habitees aujourd'hui encore par les peuples anciens : Malte, Italie du Sud, Provence, Catalogne, Baleares, Irlande, Ecosse, les bords des Alpes, Karst slovene et Istrie. Quant a leur construction, ces refuges se rapprochent des structures megalithiques d'Irlande, de Bretagne et de Malte et de la culture des nuraghi en Sardaigne. Il y a pourtant une difference nette. Les restes de l'architecture datant de quelques millenaires forment la grande architecture, destinee aux rois, aux dieux, aux morts, tandis...
Kraški svet Dinarskega krasa se vleče med Italijo, preko Krasa v Istro, vse do grških otokov. Kam... more Kraški svet Dinarskega krasa se vleče med Italijo, preko Krasa v Istro, vse do grških otokov. Kamen je stična točka kulture v arhitekturi suhega zidu. Konstrukcije brez veziva so sestavljane predvsem umno in skrbno. Konstrukcijski princip korbelinga zahteva preklapljanje v dolžinskih postavitvah in previsevanje v prostorskih, pa uporabo kvadratnega korena iz tri. Kras, trdno vpet v teorijo krasoslovja, leži na vzhodni obali Jadrana. Arhitektura kamna je med Italijo, Slovenijo in Grčijo povsem različna: ne v konstrukciji, v zunanji obliki, delno tudi v uporabi. Hiška v Italiji in v Sloveniji, pa kažun, komarda, bunja, trim, vrtujak in toreta, kućarica so povsem različni objekti, ki pa jih združuje material in konstrukcija. Vertikala po Jadranu ima svoje središče v Šuplji gromili, ki se po obliki in kulturi gradnje veže s horizontalo med Kavkazom in Puglijo v Italiji v prostoru, vprašanje pa je: ali tudi v času.
Rammed Earth Conservation Proceedings of the First International Conference on Rammed Earth Conservation Restapia 2012 Valencia Spain 21 23 De June 2012 2012 Isbn 9780415621250 Pags 145 150, 2012
Els Paisatges De La Vinya Congres Manresa 24 25 I 26 D Octubre De 2003 Comunicacions 2003 Isbn 84 87618 76 6 Pags 163 170, 2003
... | Ayuda. Typology of stone shelters. Autores: Borut Juvanec; Localización: Els paisatges de l... more ... | Ayuda. Typology of stone shelters. Autores: Borut Juvanec; Localización: Els paisatges de la vinya : congrés : Manresa (Bages), 24, 25 i 26 d'octubre de 2003 : comunicacions, 2003, ISBN 84-87618-76-6 , pags. 163-170; Recoge ...
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Books by Borut Juvanec
When addressing the revision of literature regarding sustainability and its impact on vernacular architecture, it is observed how there is a persistent tendency to privilege the study of environment issues, in detriment of the social, cultural and economic parameters. This is reasonable regarding a first observation of vernacular architecture, since environmental issues tend to be physically evident, and therefore easily observed. Thus, Vellinga (2015) underlines the fact that restricting the focus to environmental issues will not only show
a partial picture of the challenges faced by vernacular architecture, but also offer a partial understanding of the lessons that can emerge from its study.
It is therefore essential to approach socio-economic sustainability as a broad area of study with different dimensions. In this article, the dimensions under analysis will relate to the identification of socio-economic principles; to the economy: its needs and values; to collective values being economical values; to the efficient management of local resources; to a self-management economy; to the impact of the economic factor on local development; to assessing the economic value of vernacular architecture; to the impact of conservation in economic terms; to the conservation of traditional architecture; and other relevant reflexions.
Water is a living liquid and has sacred powers. In sacred wells water is given a new role, that of a mirror. Beams of light enter and touch the water surface and are reflected. The miracle happens when light comes out of the Earth, fromthe hole at the top of the well.
Sardinia abounds with megalithic and other structures. They are the remnants of human spirit, thinking and knowledge.
Arbeit, welche auf unser künftiges Leben und
Entscheidungen der Raumgestaltung großen Einfluss haben.
Die Möglichkeiten der Umsetzung von Entscheidungen sind
die wichtigsten Faktoren in der Qualitätswahrnehmung der
Raumgestaltung. Es gibt nur einen Raum. Der urbane Raum
ist der wichtigste von allen, in den die Hand des Architekten
greift.
Papers by Borut Juvanec
The project mandates encompass a series of dissemination events in each partner country, widespread dissemination through social media channels, hosting meetings in partner countries, crafting an ebook detailing the project, and developing an eLearning platform. Throughout the project, researchers have been dedicated to the vital task of effectively disseminating their accumulated knowledge to the broader public.
A distinctive feature of this EU-sponsored project is its unwavering commitment to inclusivity. The entire project content, encapsulated within Re-think! heritage, has been thoughtfully translated into six languages, ensuring accessibility for a global audience. Through this holistic approach, the Re-think Heritage! Project aspires to redefine the methods of educating and involving individuals in heritage management and monument conservation, thereby cultivating a profound appreciation for our collective cultural legacy.
Every page and deliverable from the project is enriched with a wealth of visual materials, including photographs, sketches, simulations, drawings, technical illustrations, digital presentations, and more. These elements serve to enhance comprehension and provide the interested public with a vivid and immersive learning experience.
Ledenice so prostori za hranjenje ledu, ki bi se sicer na toploti stopil. Led je nujen tako za življenje kot za ugodje in za omogočanje nekaterih dejavnosti. Najstarejše ledenice so kraške jame, kasneje pa jih je človek naredil sam kot vkopane jame, kleti ali celo obokane dvorane.
V Sloveniji imamo vse tipe ledenic, le tistih lesenih, nadzemnih v obliki hiše ni več, saj so sčasoma propadle. V obliki jam jih je ostalo več. Jame so lahko vkopane v teren navpično ali vodoravno. Slednje najdemo pri Gornji Radgoni in v Lendavi.
Uporaba ledenic se je v času spreminjala: najprej je šlo le za hranjenje ledu, potem so v ledenicah ohranjali meso, v njih so negovali vino, danes pa so nekatere namenjene celo kulturi.
Naši predniki so bili pragmatični in so tudi ledenice prilagajali razmeram, da so se ohranile do danes.
When addressing the revision of literature regarding sustainability and its impact on vernacular architecture, it is observed how there is a persistent tendency to privilege the study of environment issues, in detriment of the social, cultural and economic parameters. This is reasonable regarding a first observation of vernacular architecture, since environmental issues tend to be physically evident, and therefore easily observed. Thus, Vellinga (2015) underlines the fact that restricting the focus to environmental issues will not only show
a partial picture of the challenges faced by vernacular architecture, but also offer a partial understanding of the lessons that can emerge from its study.
It is therefore essential to approach socio-economic sustainability as a broad area of study with different dimensions. In this article, the dimensions under analysis will relate to the identification of socio-economic principles; to the economy: its needs and values; to collective values being economical values; to the efficient management of local resources; to a self-management economy; to the impact of the economic factor on local development; to assessing the economic value of vernacular architecture; to the impact of conservation in economic terms; to the conservation of traditional architecture; and other relevant reflexions.
Water is a living liquid and has sacred powers. In sacred wells water is given a new role, that of a mirror. Beams of light enter and touch the water surface and are reflected. The miracle happens when light comes out of the Earth, fromthe hole at the top of the well.
Sardinia abounds with megalithic and other structures. They are the remnants of human spirit, thinking and knowledge.
Arbeit, welche auf unser künftiges Leben und
Entscheidungen der Raumgestaltung großen Einfluss haben.
Die Möglichkeiten der Umsetzung von Entscheidungen sind
die wichtigsten Faktoren in der Qualitätswahrnehmung der
Raumgestaltung. Es gibt nur einen Raum. Der urbane Raum
ist der wichtigste von allen, in den die Hand des Architekten
greift.
The project mandates encompass a series of dissemination events in each partner country, widespread dissemination through social media channels, hosting meetings in partner countries, crafting an ebook detailing the project, and developing an eLearning platform. Throughout the project, researchers have been dedicated to the vital task of effectively disseminating their accumulated knowledge to the broader public.
A distinctive feature of this EU-sponsored project is its unwavering commitment to inclusivity. The entire project content, encapsulated within Re-think! heritage, has been thoughtfully translated into six languages, ensuring accessibility for a global audience. Through this holistic approach, the Re-think Heritage! Project aspires to redefine the methods of educating and involving individuals in heritage management and monument conservation, thereby cultivating a profound appreciation for our collective cultural legacy.
Every page and deliverable from the project is enriched with a wealth of visual materials, including photographs, sketches, simulations, drawings, technical illustrations, digital presentations, and more. These elements serve to enhance comprehension and provide the interested public with a vivid and immersive learning experience.
Ledenice so prostori za hranjenje ledu, ki bi se sicer na toploti stopil. Led je nujen tako za življenje kot za ugodje in za omogočanje nekaterih dejavnosti. Najstarejše ledenice so kraške jame, kasneje pa jih je človek naredil sam kot vkopane jame, kleti ali celo obokane dvorane.
V Sloveniji imamo vse tipe ledenic, le tistih lesenih, nadzemnih v obliki hiše ni več, saj so sčasoma propadle. V obliki jam jih je ostalo več. Jame so lahko vkopane v teren navpično ali vodoravno. Slednje najdemo pri Gornji Radgoni in v Lendavi.
Uporaba ledenic se je v času spreminjala: najprej je šlo le za hranjenje ledu, potem so v ledenicah ohranjali meso, v njih so negovali vino, danes pa so nekatere namenjene celo kulturi.
Naši predniki so bili pragmatični in so tudi ledenice prilagajali razmeram, da so se ohranile do danes.