mothercain-deactivated20231124:
yeah yeah everything sucks but like inc’est la vie or whatever
(via castratedvader)
Gvantsa Jishkariani — History of Pain (tapestry, embroidery & golden fringes on re-worked, torn, burnt and cut, 2023)
(via changingmymajortojoan)
the ladies call me the subjunctive mood the way I express desire, wishes, uncertainty, doubt and fear
(via zaubermaerchen)
god grant me the serenity to stop calling people stupid online, the courage to stop calling people stupid online, and the wisdom to stop calling people fucking stupid online
ladies and gentlemen, here you go:
A younger Anastasia Volochkova at the Vaganova Ballet Academy
(via ytumamatambien2001)
looks at girlblogger with a weird relationship to god. so was it a diamonds and rust by joan baez situationship or a you’re so vain by carly simon situationship
looks at girlblogger with a weird relationship to god. so was it a diamonds and rust by joan baez situationship or a you’re so vain by carly simon situationship
sorry i wasnt paying attention the angels who live in my head were going EEEEEEEEEEEEEEEEEEE really loud in my ear
a lot of people could stand to start viewing the nakba and the holocaust as a continuum rather than as competitive binaries
Genya and Henryk Kowalski’s recollections of their 1948 arrival in Israel after surviving Nazi death camps, by Alon Confino in The Holocaust and the Nakba: a new grammar of trauma and history ed. Bashair Bashair and Amos Goldberg
The Regensburg Chumash
Torah, Five Scrolls, Haftarot, Job, Jeremiah 2:29, 8:12; 9:24; 10:15; Masorah magna and parva
Scribes: David ben Shabetai; Baruch
Regensburg, Bavaria, Germany, ca. 1300
One of the earliest known illuminated Ashkenazi Pentateuchs, this manuscript was created for Gad ben Peter Ha-Levi, head of the Jewish community of Regensburg. Some of its four full-page biblical scenes incorporate midrashic interpretations, such as the Satan telling Sarah that Isaac has been sacrificed, and it also features a double-page depiction of Temple vessels.
Representations of these vessels are rarely found in Ashkenazi manuscripts, although they often appear in Sephardi ones as visual expressions of the Jewish people’s hope for redemption.
(via yiddishknights)