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About: Priam Painter

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The Priam Painter was a vase painter in the black-figure technique, active in Athens during the late 6th century BC. He is considered one of the more skilled, and more productive, painters of his time. Some scholars have such a high opinion of him that they draw a connection with the Antimenes Painter of the Leagros Group. His range of subjects is rather limited, but his execution is highly detailed, imaginative and indicates great compository skill. His most frequent motifs are chariot races in the presence of Athena and Herakles, as well as scenes set at public fountains. These choices have been interpreted as indicating support of the Peisistratid dynasty – as that ruling family identified especially with Athena and had constructed a number of fountain houses in the city. According to t

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  • Der Priamos-Maler war ein Vasenmaler der attisch-schwarzfigurigen Periode. Der Priamos-Maler gilt als einer der besseren und zudem als recht produktiver Vasenmaler des schwarzfigurigen Stils im Athen am Ende des 6. Jahrhunderts v. Chr. Manche Forscher schätzen ihn qualitativ so hoch ein, dass sie Verbindungen zwischen dem Priamos-Maler und dem Antimenes-Maler oder der Leagros-Gruppe sehen. Seine Themenauswahl ist eher bescheiden, doch gibt er seine Themen detailliert, mit viel Fantasie und originellem Kompositionsgeschick wieder. Besonders häufig zeigt er Wagenrennen mit Athene und Herakles sowie Szenen an öffentlichen Brunnenhäusern. Diese Bilder zeugen von gewisser Sympathie für die herrschenden Peisistratiden. Er gibt damit Mythen wieder, die die Peisistratiden besonders schätzten und zur Legitimation nutzten; mit den Brunnenhäusern zeigt er eine ihrer Leistungen, die sie für Athen erbrachten. Die Vasen müssen demnach noch kurz vor der Vertreibung der Peisistratiden aus Athen im Jahr 510 v. Chr. bemalt worden sein. Stilistisch steht dem Priamos-Maler der Rycroft-Maler nahe. (de)
  • El Pintor de Príamo fue un pintor de vasos en la técnica de figuras negras, activo en Atenas a finales del siglo VI a. C. Se le considera uno de los pintores más hábiles y productivos de su época. Algunos eruditos tienen una opinión tan alta de él que establecen una conexión con el Pintor de Antimenes del Grupo de Leagro. Su rango de temas es bastante limitado, pero su ejecución es muy detallada, imaginativa e indica una gran habilidad compositiva. Sus motivos más frecuentes son carreras de carros en presencia de Atenea y Heracles, así como escenas ambientadas en fuentes públicas. Estas elecciones se han interpretado como indicativas del apoyo de la dinastía Pisistrátida, ya que esa familia gobernante se identificaba especialmente con Atenea y había construido varias casas fuente en la ciudad. Según esta interpretación, los vasos deben haber sido producidos poco antes de que los Pisistrátidas fueran expulsados de Atenas en el 510 a. C. Estilísticamente, el pintor del Príamo está cerca del Pintor de Rycroft. (es)
  • The Priam Painter was a vase painter in the black-figure technique, active in Athens during the late 6th century BC. He is considered one of the more skilled, and more productive, painters of his time. Some scholars have such a high opinion of him that they draw a connection with the Antimenes Painter of the Leagros Group. His range of subjects is rather limited, but his execution is highly detailed, imaginative and indicates great compository skill. His most frequent motifs are chariot races in the presence of Athena and Herakles, as well as scenes set at public fountains. These choices have been interpreted as indicating support of the Peisistratid dynasty – as that ruling family identified especially with Athena and had constructed a number of fountain houses in the city. According to that interpretation, the vases must have been produced shortly before the Peisistratids were driven from Athens in 510 BC. Stylistically, the Priam Painter is close to the Rycroft Painter. (en)
  • Pittore di Priamo (... – ...; fl. 525 a.C. / 500 a.C.) è il nome convenzionale assegnato ad un ceramografo attico operante ad Atene. (it)
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  • Unknown. The name comes from a painting ofPriamstanding by a chariot. (en)
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  • 33503902 (xsd:integer)
dbo:wikiPageLength
  • 2407 (xsd:nonNegativeInteger)
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  • 1100044933 (xsd:integer)
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dbp:birthDate
  • Before 510 BC (en)
dbp:birthName
  • Unknown. The name comes from a painting of Priam standing by a chariot. (en)
dbp:birthPlace
  • Probably Athens (en)
dbp:caption
  • Amphora by the Priam Painter, depicting Dionysos and satyrs in a vineyard. Late 6th century BC. Rome: Museo Nazionale di Villa Giulia (en)
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  • Vase painting (en)
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  • 250 (xsd:integer)
dbp:movement
  • Black-figure style (en)
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  • Priam Painter (en)
dbp:nationality
  • Athenian (en)
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  • Pittore di Priamo (... – ...; fl. 525 a.C. / 500 a.C.) è il nome convenzionale assegnato ad un ceramografo attico operante ad Atene. (it)
  • Der Priamos-Maler war ein Vasenmaler der attisch-schwarzfigurigen Periode. Der Priamos-Maler gilt als einer der besseren und zudem als recht produktiver Vasenmaler des schwarzfigurigen Stils im Athen am Ende des 6. Jahrhunderts v. Chr. Manche Forscher schätzen ihn qualitativ so hoch ein, dass sie Verbindungen zwischen dem Priamos-Maler und dem Antimenes-Maler oder der Leagros-Gruppe sehen. Seine Themenauswahl ist eher bescheiden, doch gibt er seine Themen detailliert, mit viel Fantasie und originellem Kompositionsgeschick wieder. Besonders häufig zeigt er Wagenrennen mit Athene und Herakles sowie Szenen an öffentlichen Brunnenhäusern. Diese Bilder zeugen von gewisser Sympathie für die herrschenden Peisistratiden. Er gibt damit Mythen wieder, die die Peisistratiden besonders schätzten und z (de)
  • El Pintor de Príamo fue un pintor de vasos en la técnica de figuras negras, activo en Atenas a finales del siglo VI a. C. Se le considera uno de los pintores más hábiles y productivos de su época. Algunos eruditos tienen una opinión tan alta de él que establecen una conexión con el Pintor de Antimenes del Grupo de Leagro. Su rango de temas es bastante limitado, pero su ejecución es muy detallada, imaginativa e indica una gran habilidad compositiva. Sus motivos más frecuentes son carreras de carros en presencia de Atenea y Heracles, así como escenas ambientadas en fuentes públicas. Estas elecciones se han interpretado como indicativas del apoyo de la dinastía Pisistrátida, ya que esa familia gobernante se identificaba especialmente con Atenea y había construido varias casas fuente en la ciu (es)
  • The Priam Painter was a vase painter in the black-figure technique, active in Athens during the late 6th century BC. He is considered one of the more skilled, and more productive, painters of his time. Some scholars have such a high opinion of him that they draw a connection with the Antimenes Painter of the Leagros Group. His range of subjects is rather limited, but his execution is highly detailed, imaginative and indicates great compository skill. His most frequent motifs are chariot races in the presence of Athena and Herakles, as well as scenes set at public fountains. These choices have been interpreted as indicating support of the Peisistratid dynasty – as that ruling family identified especially with Athena and had constructed a number of fountain houses in the city. According to t (en)
rdfs:label
  • Priamos-Maler (de)
  • Pintor de Príamo (es)
  • Pittore di Priamo (it)
  • Priam Painter (en)
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  • Priam Painter (en)
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